EP Review: FLOODHOUNDS – “Look What You’ve Started”

It’s back to the UK to shine my spotlight on the incredibly talented indie-rock band FloodHounds. Hailing from Sheffield, the 3-piece band plays some really exciting guitar-heavy alternative rock infused with ample amounts of blues and funk.  Making this awesome music are Jack Flynn (lead guitar and vocals), Rhys Owens (bass) and Lauren Greaves (drums). Flynn and Owens, who’ve known each other for years, started FloodHounds after the band they were previously in broke up. They needed a drummer, and lucked out when they discovered Greaves, who joined them in late 2014 to complete the current line-up.

In 2015 they released their debut EP Bare Bones, featuring three well-crafted bluesy rock tunes. Now, the band has returned with an ambitious new EP Look What You’ve Started. Let’s dig in to see what it’s all about.

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The EP bursts open with the hard-driving “A&E.”  Greaves’ pulse-pounding drums immediately set the pace for this powerful track, with lots of crashing cymbals adding excitement.  The stop and start composition of the track creates dramatic tension, with Flynn’s alternating scratchy and swirling guitars matching the ferocity of Owens’ heavy bass line. The guitars are really quite amazing, and Flynn’s vocals are mesmerizing.  The lyrics speak of someone – a friend or lover, perhaps – who’s going through tough times and in need of support:  “All the people look so tall, when you’re down on your luck and you fall. And though I know you’re on  your way, you need a little push to meet me halfway.

FloodHounds go all bluesy with “State of Mind,” a standout track about escaping a boring, mundane existence. Flynn sings: “Time has passed us slowly from one day to the next / All my friends are 9 to 5 and cashing their checks / And I’m running round in circles again, why do we try? They never said at school that we’d amount to much / You’re barely there it seems like you don’t give a fuck / And you’re wasting all your time outside, why don’t you try?  Makes you wonder if you’re ever gonna make it in this world alive.

The band keeps the bluesy vibe going while adding a bit of funk to the mix with “The Fear” and “Soulmates to Cellmates.” We’re treated to more stellar plucky guitar work, and Greaves’ formidable percussion skills are on full display. “The Fear” speaks to overcoming self-doubt and negativity that are holding the subject back: “Now I can’t help but wonder where you got your point of view / I don’t want to watch it bury you.”  By the time we get to “Soulmates to Cellmates,” it’s clear the EP’s theme is about dealing with inner conflict and the relationship troubles it causes.  In that track, the loved one becomes the oppressor, leaving the partner feeling shackled. “Being yours means I just have to wait / I don’t care how long it will take.

The more rock-oriented “End of the Road” offers up funky bass and shredded guitars, and the EP closer “Greatest Mistake” wraps everything up nicely with a slower, bluesy feel. The guitar riffs in this song call to mind those of the legendary Eric Clapton – at least to my ears. This is another standout track.

To sum up, Look What You’ve Started is a solid EP, with a bit of an Arctic Monkeys vibe – a good thing, as I love that band.  Support Floodhounds by checking out their website and following on Twitter and Facebook. Stream their music on Spotify and Soundcloud, and purchase on BandcampiTunes and other music purchase sites.

EP Review: Puppet Theory – “Buttons”

British Indie pop/rock foursome Puppet Theory is the latest band to emerge from the vibrant Manchester music scene.  They bring a fresh approach to their music, fusing old-school Brit-pop/rock with punk and alternative influences.  On September 21, they dropped their debut EP Buttons – a collection of four infectious, high-energy songs guaranteed to put you in a good mood and make you dance around like –  well, a puppet on a string!

I first learned of Puppet Theory when they followed me on Twitter a few days ago and, given their fun, upbeat music and sense of humor, I’m already a big fan.  On their website, they state “Puppet Theory have the perfect blend of UK influences, consisting of 2 Mancunians, a Scouser and a Southerner whose energy, edginess and musical expertise work together to create an unforgettable set.” For those of us non-Brits, a ‘Mancunian’ is a person from Manchester and a ‘Scouser’ is from Liverpool.  In their Facebook bio, they identify themselves as follows:  Johnny – Little strings and sings;  Chris – Little strings and sings;  Niall – Big strings;  Paul – Hits things.  How endearing is that?

Puppet Theory began life when Johnny and Paul started jamming together, feeling an instant connection. Knowing they needed a strong vocalist/lyricist who could serve as band front man, they held auditions and enlisted Chris after he impressed them with his songwriting ideas. Finally, after auditioning four other bassists, they were blown away by Niall’s playing and signed him on the spot, completing the band line-up.  They’re thrilled to now have their first EP out so music junkies like me can enjoy their music.

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The first track, “Young & Youthful,” immediately hooks you with an irresistibly catchy melody, though the poignant lyrics speak to anxiety over transitioning from youth to adulthood. The song bursts open with shredded guitars and pounding drums, led by a buzzing bassline. Another guitar riff is introduced, intertwining with the shredded guitars, and Chris plaintively sings: “When did we get old? Someone should have told me that I  don’t know what it is all about. Give me some time to figure it out. I’ll get there.”

Pulsating guitars, strong bass and Paul’s assertive drums – accentuated by lots of crashing cymbals – highlight the catchy title track “Buttons.” The strong third track “Room to Breathe” has a distinct Foo Fighters vibe, most noticeable in the excellent main guitar riff. The final track “Do You Know” treats us to more awesome blistering guitars and dynamic percussion that appear to be a hallmark of Puppet Theory’s sound.  The song seems to end at 4:30, then starts up again with a dramatic guitar solo that’s a sped up version of the main song riff for another 30 seconds. Interestingly, the band is the third that I’ve reviewed over the past month or so to utilize this stop and start up again technique in a song.

All in all, Buttons is a strong debut for Puppet Theory, who I think have a promising future, given not only their talent, but their strong chemistry and charisma.  Show them support by checking out their Website, following them on Facebook and Twitter, and subscribe to their YouTube channel. Stream Buttons on Spotify or purchase on iTunes.

Song Review: (IAM) WARFACE – “Say My Name”

When I first heard the epic new single “Say My Name” from the UK alternative/electronic rock band (IAM)WARFACE, I was hit by an atomic blast of music greatness. The kind that instantly blows you away, leaving you speechless and covered with goosebumps. I LOVE THIS SONG!

The exhilarating track begins with a snarling guitar riff, then explodes into an inferno of speaker-blowing drums, big synth chords, bombastic bass and thunderous shredded guitars.  Band front man Matt Warneford practically shrieks the opening lyrics, backing himself up with distorted, soaring choruses. He then alternates those high-pitched vocals with smoother but urgent, impassioned phrasing.

The song is four and a half minutes long, yet seems over in an instant – always a sign of an incredible song.  Take a listen, and turn the volume all the way up!

(IAM)WARFACE started out as a solo act by Matt Warface, who wrote and performed all the music, but he realized he needed a back-up band to perform live.  Those band members are Louis Matthews (who plays a guitar/bass hybrid), Matt Whitehead (backing track coordinator and keyboards) and Alex Whibley (drums and percussion). The band name is a metaphor for their style of bombastic high-energy music, and their influences include Muse, Big Black Delta, Nero, Queens of the Stone Age, Tears For Fears, Yeah Yeah Yeahs, Black Keys and MGMT.

Follow (IAM)WARFACE on Twitter, like them on Facebook, and subscribe to their YouTube channel. Their awesome music is available for purchase on itunes or streaming on Soundcloud or Spotify.

Song Review: Partisan – “Juggernaut”

U.K. rock band Partisan dropped their awesome new single “Juggernaut” at the end of July, and it’s a real winner!  Following up on their previous stellar single “Two Lovers,” Partisan continues to amaze with their melodic, hard-driving alternative rock sound.  Formed in Manchester in 2013, Partisan consists of Stuart Armstrong (lead vocals and guitar), Dan Albon (bass guitar) and Rob Jones (drums).

“Juggernaut” achieves lift-off with the sound of jets flying, backed by a thunderous opening guitar riff and hammering drums. Nimble guitars abruptly take over, then alternate with a repeat of the thunderous riffs, accompanied by Armstrong’s beguiling vocals that rise and fall with the intensity of the music that’s propelled forward by Jones’ aggressive drums. This is one gorgeous rock tune!

Partisan is coming to America, with concerts scheduled for September 24 in New York, and October 1 at the Whiskey A Go Go in Los Angeles (which I’m excited about seeing). To learn more about Partisan, check out their website, follow them on Twitter, like them on Facebook, and subscribe to their Youtube channel. Listen to their songs on Soundcloud, and purchase them on iTunes, Google, Amazon and all other music sites.