1i2c – Album Review: “Lockdown Made Me Do It!”

1i2c

Electronic music seems to be a genre that’s alive and flourishing, as there are lots of artists around the world still making it in all its myriad forms. I’ve featured a fair number of them on this blog, and one of the more interesting – and eccentric – is British composer and producer 1i2c (one eye to see). Based in Stevenage, a mid-size town north of London, 1i2c is the music project of John Whitaker.

Heavily influenced by the music of some of his favorite artists like Jean-Michel Jarre, Gary Numan, Kraftwerk, Tangerine Dream, Depeche Mode, The Prodigy and Royksopp, he’s an imaginative and innovative composer whose music spans across a wide range of styles within the electronica genre. He’s also quite prolific, having produced a tremendous output of music over the past five years, beginning with the release in January 2016 of his debut album The Great Distraction. Since then, he’s released an astonishing 11 albums, as well as numerous singles and EPs. I reviewed his December 2018 album Winter, (which you can read here), and am now pleased to feature his latest release Lockdown Made Me Do It!, which dropped July 27th. It’s a concept album obviously inspired by the COVID-19 lockdown that’s upended just about everyone’s life over the past five months.

All of his releases have essentially been concept albums based on an overriding theme, with the sounds and titles of each track reflecting an element of the album title. For example, Power Struggle contains industrial techno songs with titles like “Electron”, “Incandescent” and “High Tension”, Horror Show features songs with more of a psychedelic goth and darkwave vibe, titled “Monster”, “Lunatic Waltz” and “Doorway to Hell”, and Winter includes appropriately-named tracks like “Cold Season”, “Chill” and “Deep Freeze”. So too with the tracks on Lockdown Made Me Do It!, with titles like “Confusion”, “Virus” and “Keep Your Distance”. 1i2c states that he wants his album themes to paint visual pictures in our minds, further adding “My journey will continue until I run out of ideas.”

The album opens with “Spirit“, a rather enchanting yet mysterious composition with a galloping EDM beat overlain by lush, spacey synths that call to mind some of the late 70s music of European composers Giorgio Moroder and Cerrone. The song is really pretty in the beginning, but turns darker as the synths take on a harsher, more industrial tone, as if to indicate that something is amiss. The next track “Confusion” confirms that something is indeed amiss, as the melody becomes more urgent, with gnarly industrial synths and an almost chaotic percussive beat that give the song an ominous vibe. Still, there are bits of beauty to be found in the delicate piano keys as well as the almost cheerful sounding xylophone notes at the end.

Trauma” is an interesting track, as it starts off scary and harsh, but soon settles into a mesmerizing dance beat, accompanied by a mix of sharp industrial sounds combined with some lovely synths that make for a darkly beautiful song. As our journey through the extended lockdown continues, we find ourselves immersed in “A Dark Place“. To a repetitive whiplash beat and harsh psychedelic synths, a woman’s haunting voice repeatedly asks “Sometimes I wonder why?“, a question I suppose we’d all like some answers to.

Reality” sets in with a hypnotic EDM beat overlain by pulsating industrial synths that convey a continual state of ennui brought on by endless days of lockdown. Is this the new reality? By now, we’re left feeling like were “Sleepwalking” through life, unable to participate in the many activities involving social interaction that we once took for granted. Musically, the track has more of a rock feel, thanks to electric guitars and more aggressive percussion. The intense, buzzing synths are harsher as well, giving off a decidedly menacing vibe.

1i2c has produced a brilliant video for the song that’s at once funny and disturbing. The video starts off with scenes of bright blue sky with fluffy clouds, then transitions to black and white as he’s shown sitting in the middle of a country road, blindfolded with his hands tied and wearing a bad wig and a shirt on backwards like an improvised straightjacket. He then gets up and stumbles down the road in a sort of macabre dance, as if he’s losing his mind. Didn’t I say earlier that he’s eccentric? He eventually makes his way back to his car, gets in, and drives off. As he drives through the village in the rain, the color returns at the end, as if to possibly signify that all is not hopeless and brighter days lie ahead.

And speaking of disturbing and eccentric, 1i2c delivers both in a big way on “Virus“, coughing and hacking his way through the track, sirens wailing in the background. As to be expected, the instrumentals are deliciously dark, harsh and menacing. To try and avoid catching the virus, one must do our best to “Keep Your Distance“, and the message is delivered by a volley of cacophonous industrial synths and dark, skittering percussive beats, accompanied by creepy sounds of buzzing flies.

The terrific video for this song was actually conceived by Nicolai Kornum. He pitched the concept to Whitaker, then shot some footage for Whitaker to compose the music around. The video stars Whitaker and M. W. Daniels, and was filmed, edited & directed by Kornum. Shot in black and white, it opens with a masked man played by Daniels standing on the sidewalk next to what appears to be a bus shelter, reading the newspaper. An ad for Chiquita bananas on the back of the shelter states “we are bananas”, a cheeky little nod to our current societal state. Whitaker walks up to the man from behind and coughs heavily, then turns and walks away. Incensed, the masked man then follows Whitaker through the streets of London, temporarily losing sight of him in a park. He soon sees him walking and resumes following him to a bridge across the Thames, where Whitaker has stopped to take in the view. The man taps him on the shoulder, and as Whitaker turns around, the man pushes him over the railing and into the river. It’s an extreme measure to rid himself of another potential virus carrier!

Those pesky buzzing flies are back in full force on the album closer and title track “Lockdown“. Once again, 1i2c uses razor-sharp industrial synths and sets them to a pulsating electronic beat to create a sense of foreboding and losing one’s mind. It’s the perfect ending to a brilliant album that beautifully captures the stress and emotional trauma inflicted on society by the COVID-19 lock down. He’s a talented and incredibly creative artist, and I strongly urge my readers to check out more of his works.

Connect with 1i2c on Facebook / TwitterInstagram
Stream his music on Spotify / Soundcloud / Reverbnation
Purchase on Bandcamp / iTunes

1i2c – Album Review: “Winter”

1i2c

Many artists choose to identify themselves by imaginative names that they feel help to define their sound or the image they wish to project, rather than their given names. Some that I’ve featured on this blog with particularly interesting names include Two Feet, Draft Evader, Ghostly Beard, Puzzle, Swilly, Melotika, Krosst Out, Twintwo, Random…, Infected Sun, DVR, 9fm, Cheddr, Def Star and Manipulant. Today I feature another one – a British composer and producer of instrumental electronic music who calls himself 1i2c (one eye to see).

Heavily influenced by the music of some of his favorites artists like Jean-Michel Jarre, Gary Numan, Kraftwerk, Tangerine Dream, Depeche Mode, The Prodigy and Royksopp, 1i2c is an imaginative and innovative composer whose music spans across a wide range of styles within the electronica genre. Born John Whitaker, the man is a prolific artist, having produced a tremendous output of music over the past three years, beginning with the release in January 2016 of his debut album The Great Distraction. In December (2018) he released his tenth album Winter, which, interestingly, also dropped on the 10th.

All of his releases have essentially been concept albums based on an overriding theme, with the sounds and titles of each track reflecting the theme indicated by the album title. For example, Power Struggle contains industrial techno songs with titles like “Electron”, “Incandescent” and “High Tension”, while Horror Show features songs with more of a psychedelic goth and darkwave vibe, titled “Monster”, “Lunatic Waltz” and “Doorway to Hell.” As we would expect, Winter features appropriately-named tracks such as “Cold Season”, “Chill” and “Deep Freeze”.

1i2c is adept at creating music that compels the listener to develop strong mental images of the subjects at hand. The album opens with “Northern Hemisphere“, a hypnotic track with a repetitive driving beat and glittery synths that conjure up images of an icy starlit night filled with Northern Lights. “Cold Season” starts off with a grinding synth that seems to evoke a creaking piece of machinery, struggling to start in the frigid air. One started, everything settles into a smooth soundscape of cool, gently pulsating synths. The stunning video shows sweeping vistas of snow-covered landscapes, gently falling snow and remarkable footage of bubble slowly being overtaken by feathery ice crystals.

Fallen Leaves” is an enthralling melodic track with shimmery synths floating above a sensual throbbing beat, while dramatic soaring synths convey the fearsome power of nature on “Avalanche“. “Memories” features richly textured intricate synths set to an exuberant beat, with lots of pleasing flute sounds and crisp percussion. The majestic “Chill” delivers colorful keyboard synths fluttering above a sturdy foundation of darker beat-driven synths.

On “Winter’s Fury“, 1i2c employs fuzzy echoed synths to evoke the drama of a winter storm raging outside, while delightfully upbeat plucky synths give the feeling of being cozy, safe and warm inside. The track is marvelous, building to an exhilarating crescendo that imparts a sense of joy, making it one of my favorites on the album. The 7-minute long “Blizzard” delivers frenetic swirling synths and galloping beats that capture the danger and terrible beauty of a winter snowstorm that won’t let up.

The melodically complex “Silent Day” is anything but, with a contrasting mix of gritty and crystalline sweeping synths set to a strong drumbeat and deep bass. “Deep Freeze” is more experimental, with elements of rock and jazz that make for quite an interesting track. Harsher industrial sounds are paired with electric guitar and layered over an energetic galloping beat that builds to an exciting finish. The final track “Ebenezer” features fuzzy pulsating synths fluttering above a dense throbbing beat. The music intensifies as the song progresses, with added sounds of bells and what sounds like an advancing swarm of bees. Not sure what that’s meant to convey, but it sounds fantastic.

Winter is a terrific album, filled with well-crafted tracks that should appeal to lovers of electronic music – or anyone moved by beautiful instrumentals. 1i2c is a skilled composer and producer with an impressive catalog of outstanding albums, and I urge my readers to give some of them a listen.

Connect with 1i2c on Facebook / Twitter
Stream his music on Spotify / Soundcloud / Reverbnation
Purchase on Bandcamp / iTunes