Tag: Top 100 Songs of 2010s

100 Best Songs of the 2010s – #12: “Dark Necessities” by Red Hot Chili Peppers

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The song at #12 on my list of 100 Best Songs of the 2010s is “Dark Necessities” by Red Hot Chili Peppers. The Los Angeles-based funk-rock band have been making great music for more than 35 years, racking up scores of hits. They formed in 1983 while the four original members – singer Anthony Kiedis, guitarist Hillel Slovak, bassist Flea, and drummer Jack Irons – were students at Fairfax High School. Sadly, Slovak died of a heroin overdose in 1988 and Irons, devastated over Slovak’s death, left the band, and would later become a member of Pearl Jam. By the time “Dark Necessities” and its album The Getaway were recorded, the band consisted of founding members Kiedis and Flea, as well as Josh Klinghoffer on guitar and Chad Smith on drums.

Red Hot Chili Peppers in 2016

Thirteen of their songs have reached #1 on the Billboard Alternative chart, more than any other artist in the chart’s 31-year history. I love many of their songs, but my favorite of them all is “Dark Necessities”, from their 11th studio album The Getaway. I think it’s their greatest song yet and a real masterpiece. The band teamed up with Brian Burton aka Danger Mouse for the writing and production of the song and album, and say what you will about the use of more complex melodies and instrumentation, but I love it. Flea’s wonderful opening bass riff, the vibrant piano keys, and Josh Klinghoffer’s layered funky guitars are all drop-dead gorgeous, and I especially love the repeated “aah aah” in the backing chorus. The song was released in May 2016, and became their 13th #1 hit on both the Alternative and Adult Alternative charts.

In a video interview for the band’s YouTube channel, lead singer Anthony Kiedis explained that the song “speaks to the beauty of our dark sides and how much creativity and growth and light actually comes out of those difficult struggles that we have on the inside of our heads that no one else can see.” He added that the song meant a lot to Burton and it was one of his favorites on the album. Mine too! The meaningful lyrics show a real maturation of The Red Hot Chili Peppers sound, which is totally appropriate for a band whose members by then were in their late 40s to early 50s.

Coming on to the light of day
We got many moons that are deep at play
So I keep an eye on the shadow smile
To see what it has to say

You and I both know
Everything must go away
What do you say?

Spinning Knot that is on my heart
Is like a bit of light in a touch of dark
You got sneak attack from the zodiac
But I see your fire spark

Eat the breeze and go
Blow by blow and go away
What do you say?

Yeah

You don’t know my mind
You don’t know my kind
Dark necessities are part of my design
And tell the world that I’m falling from the sky
Dark necessities are part of my design

Stumble down to the parking lot
You got no time for the afterthought
They’re like ice cream for an astronaut
Well, that’s me looking for we

Turn the corner and
Find the world at your command
Playing the hand

Yeah

You don’t know my mind
You don’t know my kind
Dark necessities are part of my design
Tell the world that I’m falling from the sky
Dark necessities are part of my design

Do you want this love of mine?
Darkness helps us all to shine
Do you want it? Do you want it now?

Do you want it all the time?
But darkness helps us all to shine
Do you want it? Do you want it now?

Pick you up like a paper back
With the track record of a maniac
So I move it in and we unpack
It’s the same as yesterday

Any way we roll
Everything must go away
What do you say?

Yeah

You don’t know my mind
You don’t know my kind
Dark necessities are part of my design
Tell the world that I’m falling from the sky
Dark necessities are part of my design

The official video was directed by actress Olivia Wilde and filmed by Chris Blauvelt, and features four female long boarders (Carmen Shafer, Amanda Caloia, Amanda Powell, and Noelle Mulligan) skating around various locations in Los Angeles, interspersed with humorous scenes of the band acting silly and playing the song.

100 Best Songs of the 2010s – #14: “Do I Wanna Know?” by Arctic Monkeys

On By EclecticMusicLoverIn Favorite Songs4 Comments

The song at #14 on my list of 100 Best Songs of the 2010s is the brilliant “Do I Wanna Know?” by British rock band Arctic Monkeys. They’ve had quite a musical journey since forming in 2002, while still in their teens living in Sheffield, England. They’ve released six studio albums, won seven Brit Awards, been nominated for five Grammy Awards, played numerous music festivals, including twice headlining at Glastonbury, and performed at the opening ceremony of the London Summer Olympics in 2012. The band consists of the dangerously charismatic Alex Turner (lead vocals, guitar, keyboards), Jamie Cook (guitar, keyboards), Nick O’Malley (bass guitar, backing vocals), and Matt Helders (drums, backing vocals)

“Do I Wanna Know?” is from their fifth album AM, which received widespread acclaim from both music critics and fans upon its release in 2013. The album was partly recorded in the town of Joshua Tree, in the Mojave Desert not far from where I live in Palm Springs, with contributions by area native and Queens of the Stone Age front man Josh Homme. “Do I Wanna Know” has a moody, psychedelic/stoner rock vibe, with a dominant thumping drumbeat and accompanying bass line forming the track’s mesmerizing rhythmic foundation. But the real highlight is Alex Turner’s spectacular shimmery guitar work, courtesy of his Vox Starstream 12-string electric guitar, which produces a richer, more ringing tone than a standard six-string guitar. (Wikipedia) In December 2019, the song was ranked No. 3 on Guitar World‘s list of the 20 best guitar riffs of the decade.

The clever and cheeky lyrics speak of uncertainty and doubt as to whether the object of one’s affection shares your feelings, leaving you wondering if you really want to know the truth. But in the end, you always end up going back for more. The interplay between Turner’s sultry croons and the falsetto backing vocals is exquisite. The magnificent song is the band’s biggest hit, spending 10 weeks at #1 and a total of 58 weeks on the Billboard Alternative chart, where it was also named the top song of 2014. It’s also their only song to chart on the ridiculous Hot 100, where it peaked at #70.

Have you got colour in your cheeks?
Do you ever get that fear that you can’t shift
The type that sticks around like summat in your teeth?
Are there some aces up your sleeve?
Have you no idea that you’re in deep?
I dreamt about you nearly every night this week
How many secrets can you keep?
‘Cause there’s this tune I found that makes me think of you somehow and I play it on repeat
Until I fall asleep
Spilling drinks on my settee

(Do I wanna know?)
If this feeling flows both ways?
(Sad to see you go)
Was sort of hoping that you’d stay
(Baby, we both know)
That the nights were mainly made for saying things that you can’t say tomorrow day

Crawling back to you

Ever thought of calling when you’ve had a few?
‘Cause I always do
Maybe I’m too busy being yours to fall for somebody new
Now I’ve thought it through

Crawling back to you

So have you got the guts?
Been wondering if your heart’s still open and if so I wanna know what time it shuts
Simmer down and pucker up
I’m sorry to interrupt. It’s just I’m constantly on the cusp of trying to kiss you
I don’t know if you feel the same as I do
But we could be together if you wanted to

(Do I wanna know?)
If this feeling flows both ways?
(Sad to see you go)
Was sort of hoping that you’d stay
(Baby, we both know)
That the nights were mainly made for saying things that you can’t say tomorrow day

Crawling back to you (crawling back to you)

Ever thought of calling when you’ve had a few? (you’ve had a few)
‘Cause I always do (’cause I always do)
Maybe I’m too (maybe I’m too busy) busy being yours to fall for somebody new
Now I’ve thought it through

Crawling back to you

(Do I wanna know?)
If this feeling flows both ways?
(Sad to see you go)
Was sort of hoping that you’d stay
(Baby, we both know)
That the nights were mainly made for saying things that you can’t say tomorrow day

The imaginative animated video for the song was directed by David Wilson, in conjunction with British animation agency Blinkink, and has been viewed over 1 billion times.

100 Best Songs of the 2010s – #15: “Broken” by lovelytheband

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The song at #15 on my list of 100 Best Songs of the 2010s is “Broken” by Los Angeles-based indie pop group lovelytheband. Formed in 2016, the band consists of vocalist Mitchy Collins, guitarist Jordan Greenwald, and drummer Sam Price. One of the catchiest earworms of 2018, “Broken” was the band’s debut single and breakout hit, spending nine weeks at #1 on Billboard‘s Alternative chart, as well as reaching #1 on the Adult Top 40 chart and #29 on the Hot 100. The song actually came out in 2017 as an exclusive release to Billboard that April, but didn’t chart until the beginning of 2018. It ended up being the #1 song of 2018 on the Alternative chart, and was my personal pick for top song of the year as well. “Broken” also holds the current record for the longest time spent on that chart – an eye-popping 76 weeks!

Written by Collins after his breakup with Danielle Bouchard, who was also a member of his former band Oh Honey, the song speaks to the idea that everyone’s flawed and has problems, and of finding someone who’s just as fucked up and lost as you, and trying to make a go of it. He told Billboard “We all have our demons we fight every day. It’s about finding someone whose problems complement yours. Perfectly imperfect. Everyone is a little broken inside, trying to find their band aid. This song is an ode to the broken ones.”

I love the chirpy synths, intricate guitars and powerful driving beat, as well as Collins’ irresistible, quirky vocals that had me listening to the song over and over. The official video brings the song’s lyrics to life with an endearing charm.

I like that you’re broken
Broken like me
Maybe that makes me a fool
I like that you’re lonely
Lonely like me
I could be lonely with you

I met you late night, at a party
Some trust fund baby’s Brooklyn loft
By the bathroom, you said let’s talk
But my confidence is wearing off

These aren’t my people
These aren’t my friends
She grabbed my face and
That’s when she said

I like that you’re broken
Broken like me
Maybe that makes me a fool
I like that you’re lonely
Lonely like me
I could be lonely with you

There’s something tragic, but almost pure
Think I could love you, but I’m not sure
There’s something wholesome, there’s something sweet
Tucked in your eyes that I’d love to meet

These aren’t my people
These aren’t my friends
She grabbed my face and
That’s when she said

I like that you’re broken
Broken like me
Maybe that makes me a fool
I like that you’re lonely
Lonely like me
I could be lonely with you

Life is not a love song that we like
We’re all broken pieces floating by
Life is not a love song we can try
To fix our broken pieces one at a time

100 Best Songs of the 2010s – #16: “Sit Next to Me” by Foster the People

On By EclecticMusicLoverIn Favorite Songs2 Comments

The song at #16 on my list of 100 Best Songs of the 2010s is the beautiful “Sit Next to Me” by Los Angeles-based alternative pop-rock band Foster the People. Their third song on this list – “Coming of Age” appears at #65, and “Pumped Up Kicks” at #23 – it’s my favorite of their many wonderful songs. The third single from their third album Sacred Hearts Club, “Sit Next to Me” was released in July 2017 and was a sleeper hit. It debuted on the Billboard Alternative chart that September, and slowly climbed until peaking at #3 in early 2018, then remained on the chart until September 2018! It peaked at only #42 on the Hot 100 in the spring of 2018, but was ranked as the #2 song of 2018 on the Alternative chart. It reached #1 on my Weekly Top 30 at the end of 2017, but remained on my chart for many weeks well into 2018 too. I never tired of hearing it, and my Spotify Wrapped report for 2018 showed that it was my most-streamed song that year.

Isom Innis, Mark Foster, Mark Pontius & Sean Cimino

Song intros are important in setting the tone for a song, and “Sit Next to Me” has one of the most enthralling openings of any song I’ve ever heard, immediately hooking me in. It starts with a delicate shimmery synth and Mark Foster’s ethereal vocal, then opens into a breezy ballad loaded with gorgeous sweeping synths, subtle guitar and Mark Pontius’ perfect drumbeats. I love Foster’s vulnerable vocal style that includes lots of soaring falsettos and beautiful harmonic choruses.

The song was inspired by his time spent in the L.A. bar scene. Foster explained in an interview with Rolling Stone: “Everyone was trying to look cool, say the right thing and be at the center of the universe. It was like a fashion show. In that environment, I felt alone in a room packed with people. I kept waiting for someone authentic to come walk through the door and sit next to me.” About the song’s slow rise and longevity, he stated: “I’m just kinda shocked. It’s kind of crazy to me that it’s been on the radio for so long and it keeps continuing to grow. I guess it’s a sleeper.”

100 Best Songs of the 2010s – #17: “Come a Little Closer” by Cage the Elephant

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The song at #17 on my list of 100 Best Songs of the 2010s is “Come a Little Closer” by Cage the Elephant. The third song by the Nashville band on this list (“Trouble” ranks at #78 and “Social Cues” at #30), “Come a Little Closer” is my favorite song by them. Released in August 2013, the song is from their superb third album Melophobia, and was a huge hit on the Billboard Alternative and Adult Alternative charts, spending many weeks at #1 on both.

Though the word “melophobia” literally means “fear of music”, in an interview with American Songwriter, band front man Matt Schultz said “it wasn’t necessarily an actual fear of music, but a fear of making music to project premeditated images of self rather than being an honest communicator.” The band essentially wanted to go outside their comfort zone with the album. He was inspired to write “Come a Little Closer” one morning after watching the sunrise from his hotel room in Sao Paulo. As he looked out over the favelas, he wondered what each soul living within those crowded neighborhoods felt, whether it be heartache, love, loss or joy, and decided to write a song about the concept of looking at things more closely.

Musically, the song is a magnificent psychedelic trip, with endless melodic twists and turns that keep us on the edge of our seats, wondering what’s coming next. The instrumentals are fantastic, with a wonderful bass line and highlighted by an intriguing surf guitar that erupts into a wailing barrage in the choruses, with Shultz fervently urging us “Come a little closer, then you’ll see. Come on, come on, come on“. The wonderful psychedelic video, which was conceived and directed by Matt Schultz, shows the band on a sort of magical mystery tour, performing and traveling amidst a colorful and surreal animated world filled with monsters and wild animals.

100 Best Songs of the 2010s – #19: “Ride” by twenty øne piløts

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My favorite duo twenty øne piløts are back with “Ride“, their fourth song on my list of 100 Best Songs of the 2010s (“Chlorine” ranks at #87, “Jumpsuit” at #67 and “Heathens” at #61). It’s also the first of three songs from their spectacular fourth album Blurryface that will dominate the remainder of this list. Released in May 2015, Blurryface is one of the greatest albums of the decade in my opinion, and ranks among my all-time favorites. I had the CD in my car stereo, and played it every time I went anywhere for months on end, turning multiple friends onto it as well. It’s of such high caliber that literally every track could be a hit song and, in fact, in 2018 it became the first album in the digital era to have every track receive a gold certification from the Recording Industry Association of America. It spent 279 weeks on the Billboard 200 Album chart – nearly five and a half years.

“Ride” was the fourth album cut to be released as a single. It’s a wildly upbeat alternative hip hop song with strong reggae elements, and features their signature lively mix of instruments, including piano, organ, guitar and bass. Josh Dun’s power drums are fantastic, and I love Tyler Joseph’s extraordinary vocals that go from earnest to rapping to falsetto to impassioned wails. He’s a really talented rapper, with an ability to deliver lyrics in a hard, staccato-style of fast-paced rapping that only a handful of artists like Eminem are good at.

The lyrics speak to uncertainties and anxieties over the meaning of life, with references to thinking about death, which Tyler Joseph raps about at high speed: “‘I’d die for you,’ that’s easy to say / We have a list of people that we would take a bullet for them, a bullet for you, a bullet for everybody in this room / But I don’t seem to see many bullets comin’ through / See many bullets comin’ through / Metaphorically, I’m the man / But literally, I don’t know what I’d do / ‘I’d live for you,’ an’ that’s hard to do / Even harder to say when you know it’s not true.” At the end, he concludes “I’ve been thinking too much, help me.”

100 Best Songs of the 2010s – #20: “We Are Young” by fun. ft. Janelle Monáe

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The song at #20 on my list of 100 Best Songs of the 2010s is “We Are Young” by New York-based band fun., featuring Janelle Monáe. The second song by fun. on this list (their follow-up single “Some Nights” ranks at #81), “We Are Young” is a life-affirming, fist-pumping anthem celebrating the hope and promise of young adulthood, as well as touching on regret for past mistakes. Released in September 2011, the track initially gained attention from only online media, though it did receive its first commercial radio airplay on Tampa Bay alternative radio station 97X upon its debut. But it was soon covered by the hit television show Glee, then licensed for use in a Chevrolet Sonic commercial that aired during Super Bowl XLVI, which propelled it, and fun. to mainstream success. The song became a huge hit around the world, reaching #1 in more than 10 countries, including Canada, Australia, the UK and the U.S.. It became a crossover hit, spending many weeks at the top of the Billboard Hot 100, Adult Top 40 and Alternative charts.

The band teamed up with producer, songwriter & instrumentalist Jeff Bhasker (who’s produced albums and songs for Kanye West, Alicia Keys, P!nk, Jay-Z and Beyonce, among others) for their album Some Nights, of which “We Are Young” was the lead single. Together they used a rich palette of orchestral instrumentals and keyboard synths, and layered them over a thumping drumbeat that starts off like a military march, then slows to a pounding, bass-driven hip hop groove, highlighted by a repetitive banging piano riff. Lead singer Nate Ruess’ vocals are lovely, with an almost tender vulnerability as he sings the poignant opening lyrics:

Give me a second I
I need to get my story straight
My friends are in the bathroom getting higher than the Empire State
My lover she’s waiting for me just across the bar
My seat’s been taken by some sunglasses asking ’bout a scar, and
I know I gave it to you months ago
I know you’re trying to forget
But between the drinks and subtle things
The holes in my apologies, you know
I’m trying hard to take it back
So if by the time the bar closes
And you feel like falling down
I’ll carry you home

Tonight
We are young
So let’s set the world on fire
We can burn brighter than the sun

He told Rolling Stone that the lyrics were inspired by “my worst drinking night of all time.” He said he was kicked out of a taxi for vomiting all over it, and all he could do was stand on the street corner with his head against the wall. Singer-songwriter Janelle Monáe, a personal friend of Bhasker, provided guest vocals for the chorus, but some felt her considerable talents were wasted by giving her such a small presence on the song. That said, “We Are Young” is a great track overall.

The music video, directed by Marc Klasfeld, was filmed at David Sukonick Concert Hall in Los Angeles, and touches on youthful angst, young love and raging hormones. The band is shown performing on a stage in a bar, which erupts into a slow motion bar fight.

100 Best Songs of the 2010s – #21: “Ex’s & Oh’s” by Elle King

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The song at #21 on my list of 100 Best Songs of the 2010s is the utterly delightful and bawdy “Ex’s & Oh’s” by American singer-songwriter Elle King. Born Tanner Elle Schneider (and the daughter of actor and comedian Rob Schneider and former model London King), the wildly-talented spitfire blew us away in 2014 with her wickedly-funny breakout single “Ex’s & Oh’s”. Released as the first single from her debut album Love Stuff, the song was a huge hit, peaking at #10 on the Billboard Hot 100, and #1 on the Hot Rock, Alternative and Adult Top 40 charts, as well as in Mexico, Iceland and the Czech Republic. It was nominated for Grammys in the categories of Best Rock Song and Best Rock Performance.

The song is a ballsy, foot-stompin’ mix of blues and alternative rock, with generous amounts of Country swagger thrown in. The hard-driving beat is infectious as hell, and when paired with a pummeling bassline, lively banjo and those distorted guitar riffs, the result is positively electrifying. With her sexy dominatrix-style persona and raspy ‘don’t fuck with me’ vocals, King plays the alpha figure here, turning the tables on men by objectifying them as sexual playthings to be used and discarded: “One, two, three, they gonna run back to me / ‘Cause I’m the best baby that they never gotta keep / One, two, three, they gonna run back to me / They always wanna come, but they never wanna leave.”

The fantastic video, directed by Michael Maxxis, is one of the best and funniest I’ve ever seen, and perfectly brings the lyrics to life in a way that most other videos fail to do. King is the only female, surrounded by hordes of adoring, scantily clad beefcake, all romping about in the Mojave Desert. I love it!

100 Best Songs of the 2010s – #22: “Lonely Boy” by The Black Keys

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The song at #22 on my list of 100 Best Songs of the 2010s is the rousing “Lonely Boy” by Nashville-based duo The Black Keys. I love their bluesy garage rock sound, and “Lonely Boy” is one of two songs by them on this list (“Fever” ranks at #57), as well as my favorite of their many great songs. It’s also one of their biggest hits, reaching #1 on the Billboard Rock, Alternative and Adult Alternative charts, as well as in Canada, though it peaked at only #64 on the stupid Billboard Hot 100. It won Grammys for Best Rock Song and Best Rock Performance of 2012.

“Lonely Boy” is from their seventh studio album El Camino, and was co-written and produced by Danger Mouse. Dan Auerbach’s grimy, bluesy riffs are fantastic, chugging along to Patrick Carney’s aggressive thumping drumbeats as he laments about his love that keeps him waiting, making him a ‘lonely boy’.

The quirky but charming video features actor, musician and part-time security guard Derrick T. Tuggle dancing, lip-syncing and acting out the lyrics to the song in front of the Pepper Tree Motel in North Hollywood, one of the many communities that make up the city of Los Angeles. The video, shot in a single take, went viral upon its release on YouTube. The original video produced for the song had a script and a cast of more than 40 people, but the guys were not pleased with the results. Auerbach recalled, “A couple of weeks after we shot it they sent us the edit and it was awful. We sent it back… they sent us another edit and it was terrible. That’s when we said ‘what about that one guy, the extra who had that one dance scene’ and that’s the video – the most expensive single shot ever recorded.”