The Neighbourhood remain on top for a second week with “Private”, while Phoebe Bridgers‘ “Lost Boys” slides into second place, followed by Fontaines D.C.‘s “Marianne” at #3. “I Can Take the Sun Out of the Sky” by Brigitte Calls Me Baby enters the top 10.
For the fourth week there are two new entries to my chart, starting with “I Kinda Like That” by American pop-punk band The Paradox. Formed in Atlanta, Georgia in 2024, the all-Black four piece consists of Eric Dangerfield (lead vocals, rhythm guitar), Donald Bryant (bass), Christopher “Xelan” Bernard (lead guitar, backing vocals), and Percy “PC3” Crews (drums). Their exuberant sound is influenced by such pop-punk legends as Blink-182, Sum 41 and Green Day, and their 2025 single “Get the Message” reached #1 on the Billboard Alternative Airplay chart this past January and peaked at #3 on my chart in early February. “I Kinda Like That” is featured on their EP Proceed With Caution, which dropped this past Friday, October 2nd.
The second new entry is “oh yeah? by Los Angeles-based singer-songwriter, guitarist and record producer Steve Lacy. The song is the title track from his third studio album Oh yeah?, released on July 17th. His 2022 hit “Bad Habit” reached #1 on the Billboard Hot 100 chart as well as my chart, and ranks #6 on my 100 Best Songs of 2022 list.
PRIVATE – The Neighbourhood (1)
LOST BOYS – Phoebe Bridgers (3)
MARIANNE – Fontaines D.C. (5)
BEACHES IN TENNESSEE – Cage the Elephant (4)
REIN ME IN – Sam Fender & Olivia Dean (2)
STONE OVER WATER – Death Cab for Cutie (8)
I FEEL HOPE COMING – Alabama Shakes (9)
HEART STOP – The Revivalists (6)
WE MIGHT AS WELL BE STRANGERS – Weezer feat. Wednesday (10)
I CAN TAKE THE SUN OUT OF THE SKY – Brigitte Calls Me Baby (11)
LOSER – Tame Impala (15)
ONLINE – Western Jaguar (7)
NO MORE REGRETS – almost monday (12)
EVERGREEN – Young the Giant (16)
EDGE OF THE EARTH – The Beaches (17)
BEHIND THE LINES OF REASON – Hardwicke Circus (18)
Photo of The Neighbourhood from their Facebook account
After spending three weeks at #2, “Private” by The Neighbourhood finally dislodges “Rein Me In” to take over the top spot on my latest chart. The captivating song is from their fifth studio album (((((ultraSOUND))))), released last November, although the track itself was actually released at the end of October but didn’t begin charting until June. Formed in Ventura County west of Los Angeles in 2011, the band consists of four of the five original members: heavily tattooed, silky-voiced vocalist Jesse Rutherford, guitarists Jeremy Freedman and Zach Abels and bassist Mikey Margott, as well as drummer Brandon Fried who joined in 2014. I love their sophisticated style of alternative rock that incorporates elements of pop, electronic, hip hop and R&B.
I’ve been a big fan of The Neighbourhood from the moment I first heard their magnificent song “Sweater Weather” back in the summer of 2013. It ultimately became my favorite song of 2013 and 4th favorite song of the entire decade of the 2010s, and is obviously a favorite of many others, as it’s been streamed nearly 5 billion times just on Spotify alone. Since March, The Neighbourhood has been on their worldwide tour which will conclude in Los Angeles in December. “Private” is their fourth song to top my chart, after the aforementioned “Sweater Weather”, “Stargazing” in 2021, and “Hula Girl”, also from (((((ultraSOUND))))), this past April. I love the song’s hypnotic beat, gentle thumping bassline and intricate blend of jangly, chiming and grungy guitar notes. But most of all, I love Rutherford’s sensuous croons that add to the eerily enchanting sound.
Entering the top 10 are “Stone Over Water” by Death Cab for Cutie, “I Feel Hope Coming” by Alabama Shakes, and “We Might as Well Be Strangers” by Weezer featuring Wednesday.
For a third week there are two new entries to my chart, starting with “Good Times // End Times” by American progressive/funk rock band Goose. The song is from their sixth album BIG MODERN!, which dropped in June, and follows “Good2B”, which spent 12 weeks on my chart over the summer, peaking at #4. I’ve come to like this band a lot!
The second new entry is “Already Gone” by the enigmatic and dangerously sexy country artist Orville Peck (born Daniel Pitout in South Africa and now based in Los Angeles). In addition to his unique brand of alternative country and deep baritone singing voice, Peck (who is gay) is known for often wearing a fringed mask and not showing his face. In a 2023 interview for People magazine, he elaborated on his decision to wear a fringed mask: “I grew up loving country where there was an intersection between theatricality and very honest songwriting. Dolly’s a perfect example—the big wigs, the crazy outfits, but it’s her. For me, I was obsessed with the Lone Ranger, cowboys hiding their face, so that’s what I wanted to do.” He’s also an actor who made his Broadway debut on March 31, 2025, playing the Emcee in the revival of Cabaret for 16 weeks. “Already Gone” is from his fourth studio album Mule, released September 18th.
PRIVATE – The Neighbourhood (2)
REIN ME IN – Sam Fender & Olivia Dean (1)
LOST BOYS – Phoebe Bridgers (5)
BEACHES IN TENNESSEE – Cage the Elephant (6)
MARIANNE – Fontaines D.C. (7)
HEART STOP – The Revivalists (4)
ONLINE – Western Jaguar (3)
STONE OVER WATER – Death Cab for Cutie (11)
I FEEL HOPE COMING – Alabama Shakes (12)
WE MIGHT AS WELL BE STRANGERS – Weezer feat. Wednesday (13)
I CAN TAKE THE SUN OUT OF THE SKY – Brigitte Calls Me Baby (14)
NO MORE REGRETS – almost monday (10)
RAGING HALLS – Lyia Meta (8)
DOORS – Noah Kahan (9)
LOSER – Tame Impala (19)
EVERGREEN – Young the Giant (17)
EDGE OF THE EARTH – The Beaches (18)
BEHIND THE LINES OF REASON – Hardwicke Circus (20)
It’s a third week on top for the beautiful “Rein Me In” by Sam Fender and Olivia Dean, as well as a third week at #2 for “Private” by The Neighbourhood, who’ve spent much of this year on their world tour which began in late March and concludes in their hometown of Los Angeles in December. Fontaines D.C. are the biggest upward movers again this week as their mesmerizing song “Marianne” jumps 10 spots to #7.
There are two new entries to my chart again this week, starting with “High Hopes 3000” by Los Angeles-based artist ROLE MODEL, the music project of 28-year-old singer-songwriter Tucker Harrington Pillsbury. The song is from his third studio album Chuck Timely & The Hourglass, which dropped August 7th. His 2025 single “Sally, When the Wine Runs Out” topped my chart exactly one year ago.
The second new entry is “Black Dog Rabbit Hole” by Nashville-based soul singer-songwriter Devon Gilfillian. The song is featured on his fourth album Time Will Tell, released on June 26th. His 2020 single “Unchained” reached #10 on my chart and ranks #68 on my 100 Best Songs of 2020 list.
REIN ME IN – Sam Fender & Olivia Dean (1)
PRIVATE – The Neighbourhood (2)
ONLINE – Western Jaguar (3)
HEART STOP – The Revivalists (4)
LOST BOYS – Phoebe Bridgers (7)
BEACHES IN TENNESSEE – Cage the Elephant (8)
MARIANNE – Fontaines D.C. (17)
RAGING HALLS – Lyia Meta (5)
DOORS – Noah Kahan (6)
NO MORE REGRETS – almost monday (9)
STONE OVER WATER – Death Cab for Cutie (13)
I FEEL HOPE COMING – Alabama Shakes (15)
WE MIGHT AS WELL BE STRANGERS – Weezer feat. Wednesday (11)
I CAN TAKE THE SUN OUT OF THE SKY – Brigitte Calls Me Baby (12)
HOLD ME IN THE DARK – Myles Smith (14)
THE ENDLESS BORDER – Velvet Jesus (10)
EVERGREEN – Young the Giant (20)
EDGE OF THE EARTH – The Beaches (21)
LOSER – Tame Impala (23)
BEHIND THE LINES OF REASON – Hardwicke Circus (22)
Well, I thought 2024 was a trying year, but 2025 turned out to be an even bigger shitshow! Between the death of my cat and the unending nightmare of the odious and spectacularly corrupt Trump regime, it’s a wonder I (and millions of others) survived this year intact. Thankfully, there was lots of great music to help keep us relatively sane.
As I do at the end of each year, I’ve compiled a list of my 100 favorite songs for the past year. I’ve previously posted my list of the 100 Best Indie Songs of 2025 (which you can read here), and now this new list represents a compilation of my favorite songs of 2025 (23 of which also appear on my 100 Best Indie Songs list.) I avoid ranking albums, as there are simply far too many I’ve either not heard or had the time to fully listen to, therefore any list I might compile would be woefully inadequate.
As a music blogger, I’m exposed to a tremendous amount of new music over the course of a year, both from the thousands of artists and bands I follow, as well as all the music I learn about from fellow bloggers. Despite this, I’ve heard only a tiny fraction of all the music released in 2025, which was clearly evident to me when I perused the year-end best song lists of music sites and publications like Consequence, The Fader, Rolling Stone, NPR, etc. Therefore, my list includes only songs I know, and I’m certain there are likely hundreds of great ones that should be included, except that I’ve never heard them. Among the thousands of songs I did hear in 2025, there were many outstanding ones, and it frustrates me to have to cull my list down to only 100, omitting quite a few that I really like. It’s also a challenge ranking them, because a song at #40 isn’t necessarily any better than a song at #70. Perhaps it’s a pointless exercise to even rank them at all, except for the fact that I love making lists!
Music tastes are very subjective, and while I don’t understand how others cannot share my love for a particular song or artist, I fully realize that not one person will agree with all my song choices or rankings. I’m an unapologetic lover of pop, but also love dream rock, folk rock and alternative rock, so a lot of songs on my list reflect those genres. My favorite music artist this year was sombr (the hyper-talented 20-year-old American singer-songwriter and producer born Shane Michael Boose), who’s gorgeous, anthemic torch song “back to friends” is #1, while his equally great “undressed” is #11 and “12 to 12” comes in at #29. Also ranking highly are songs from favorite acts of mine who ranked highly on previous years lists, including Royel Otis, Lord Huron, Twenty One Pilots, Fontaines D.C., The Black Keys, Talk in Waves and Frank Joshua.
Most of the songs on this list were released in 2025, however, several were released in 2024 but didn’t ‘peak’ until 2025. Likewise, several songs released after November 1st are still moving up my weekly charts and won’t peak until early 2026, thus will appear on next year’s list. The few songs in this Top 100 that also appeared on my 100 Best Songs of 2024 list are indicated with an asterisk *. I’ve created both YouTube and Spotify playlists for this Top 100, which are included at the end of the post. Hopefully you’ll find some of your own personal favorites on it. Let me know what songs resonated with you in 2025.
BACK TO FRIENDS – sombr
THE FAITHFUL HEART – Wons Phreely + The Horses (my #1 indie song)
SO COLD – Balu Brigada
MOODY – Royel Otis
NOTHING I NEED – Lord Huron
NO RAIN, NO FLOWERS – The Black Keys
THE LINE (from Arcane League of Legends) – Twenty One Pilots
IT’S AMAZING TO BE YOUNG – Fontaines D.C.
IMPOSTER SYNDROME – Fake Empire
FIVE MORE SECONDS – Seafret & KT Tunstall
UNDRESSED – sombr
SAD IN CAROLINA – Dexter and The Moonrocks *
TIME WAITED – My Morning Jacket
ENSENADA – Sublime
WALLS – Frank Joshua
ANOTHER LIFE – Alabama Shakes
THE CONTRACT – Twenty One Pilots
FEELS RIGHT – Talk in Waves
ARROW – The Head And The Heart
TAKE THIS HEART – Brian Lambert
THE WEATHER – All Time Low
BAD DREAMS – Teddy Swims
CITY WALLS – Twenty One Pilots
METAVERSE – Cage the Elephant
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL
NEVER ENOUGH – TURNSTILE
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child
JUPITER – almost monday feat. Jordana
12 TO 12 – sombr
PEOPLE WATCHING – Sam Fender
DRACULA – Tame Impala
THE NIGHT BEFORE – The Black Keys
BOBBY SOX – Green Day *
SUSHI AND COLA COLA – St. Paul & The Broken Bones
RUSHMERE – Mumford & Sons
CONTROLLER – Moody Moody
NEVERENDER – Justice feat. Tame Impala *
A TEAR IN SPACE (AIRLOCK) – Glass Animals *
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges
BAD LARRY – Cloakroom
LOVE IS A FIRE – Art Block
YOU’RE MY DRUG – Talk in Waves
THE TURNAROUND – DelCobras
BASIC BEING BASIC – Djo
BACKSEAT – Balu Brigada
ARCHBISHOP HAROLD HOLMES – Jack White
SAILOR SONG – Gigi Perez
AUTUMN LEAVES – Secret Postal Society
IN THE LIVING ROOM – Maggie Rogers
MISTAKES – Caamp
DOWNSTAIRS – Matt Maeson
LONDON TOWN – HEALER
MORTAL WOUND – The Veils
DETROIT – Badflower
POLYESTER (YES SIR) – Sorry Ghost
LAREDO – Leon Bridges
CATCH THESE FISTS – Wet Leg
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails
LUTHER – Kendrick Lamar & SZA
BETTER DAYS – Yellowcard
SAME OLD SONG – The Lumineers
SHE WANTS TO GO DANCING – Mt. Joy
STRAIGHT TO THE GROUND – Unquiet Nights
RIPPLE – Good Neighbours
BETTER OFF EVENTUALLY – Bealby Point
SNAKESKIN – NAVE
THE FATE OF OPHELIA – Taylor Swift
BARBARIAN – AWOLNATION
BONNET OF PINS – Matt Berninger
ORDINARY CREATURE – Of Monsters and Men
POOR SAD INDIE EVERYTHING – Icarus Phoenix
WITHOUT A DOUBT – Charm School
ASSHOLE – The Lumineers
GILD THE LILY – Billy Strings
SPECTER – Bad Omens
LIGHT YEARS APART – Unobliterated
LET THINGS GO – Caamp
RITALIN – Dexter and The Moonrocks
SO FAR SO FAKE – Pierce the Veil
THE FEAR – Future Theory
THE SUBWAY – Chappell Roan
SPIKE ISLAND – Pulp
WRECK – Neko Case
MOTHER – Lyia Meta & Mark Allen Lanoue
BLOOM BABY BLOOM – Wolf Alice
DAY & NIGHT – Oli Barton
LUCY – Mt. Joy
WHO’S A FRAUD? – Still Traffico
HORNETS – Western Jaguar
ANKLES – Lucy Dacus
HESITATE – Meltt
GIVING UP – Michigander
THREE SIX FIVE – Shinedown
RELATIONSHIPS – HAIM
AFTERLIFE – Alex G
GET THE MESSAGE – The Paradox
DANG – Rainbow Kitten Surprise
SUGAR ON MY TONGUE – Tyler, The Creator
WHAT WAS THAT – Lorde
AFTERLIFE – Sharon Van Etten
Honorable Mention (these songs would rank #s 101-115):
English folk-rock duo Seafret and Scottish singer-songwriter KT Tunstall remain at #1 for a second week with their exuberant collaboration “Five More Seconds”, while “Ensenada”, by Southern California ska punk band Sublime, moves into second place. Entering the top 10 are “The Weather” by All Time Low, “Another Life” by Alabama Shakes and “Elegantly Wasted”, the lovely collaboration by Hermanos Gutiérrez and Leon Bridges.
It’s another big week for debuts, with four excellent new songs entering my chart. Entering at #24 is “Dracula” by Australian psychedelic pop-rock band Tame Impala, a longtime favorite act of mine headed by the brilliant singer-songwriter, multi-instrumentalist and producer Kevin Parker. The song is from their fifth and latest album Deadbeat, which dropped October 17th.
The second debut, entering at #28, is “So Far So Fake” by San Diego-based post-hardcore band Pierce the Veil. Formed in 2006, the band now consists of Vic Fuentes (lead vocals, rhythm guitar, programming), Jaime Preciado (bass, backing vocals) and Tony Perry (lead guitar). Loniel Robinson plays drums for live performances. The song is from their fifth album The Jaws of Life, originally released in 2023.
Coming in at #29 is “12 to 12”, the latest single by Los Angeles-based sombr (the musical moniker of 20-year-old singer-songwriter and producer Shane Michael Boose). The exciting and dynamic song is featured on his debut album I Barely Know Her, which dropped August 22nd and also includes his monster hits “back to friends” and “undressed”, both of which reached #1 on my chart. Along with “undressed”, which currently sits at #3, “12 to 12” gives sombr two songs on this week’s chart. In fact, he’s had at least one song on my chart every week since May 18th.
Last, but certainly not least, is “The Fear” by English alternative psychedelic rock band Future Theory, another longtime favorite act of mine whose music I’ve written about many times. The exceptionally talented four-piece is comprised of Max Sander (rhythm guitar and vocals), Chris Moore (lead guitar), Jacob Brookes (bass) and Rohan Parrett (drums). Their magnificent single “Why” reached #1 on my chart and ranks #18 on my 100 Best Songs of 2023 list, while their single “One and the Same” peaked at #3 and ranks #42 on my list of 100 Best Songs of 2022. “The Fear” is the latest of three outstanding singles they’ve released over the past four months.
FIVE MORE SECONDS – Seafret & KT Tunstall (1)
ENSENADA – Sublime (3)
UNDRESSED – sombr (2)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (5)
SUSHI AND COCA-COLA – St. Paul & The Broken Bones (8)
BACKSEAT – Balu Brigada (4)
MISTAKES – Caamp (10)
THE WEATHER – All Time Low (11)
ANOTHER LIFE – Alabama Shakes (16)
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges (15)
This is one of those weeks in which nearly every music chart has a different song at #1: Taylor Swift‘s “The Fate of Ophelia” is #1 on the Billboard Hot 100 (in fact, she holds all top 12 spots with every track from her latest album The Life of a Showgirl), sombr‘s “Back to Friends” tops the Hot Rock Songs chart (though I don’t consider it a rock song, it topped my own chart in July), Bad Omens‘ “Specter” tops the Mainstream Rock chart, Sleep Token‘s “Caramel” tops the Hard Rock chart, Sublime‘s “Ensenada” tops the Alternative Airplay chart, St. Paul & The Broken Bones‘ “Sushi and Coca-Cola” tops the Adult Alternative Airplay chart, and Justin Bieber‘s “Daisy” tops the Pop Airplay chart.
Though several of these songs are included on my latest chart, my top song this week is “Five More Seconds”, a wonderful collaboration by English folk-rock duo Seafret and Scottish singer-songwriter KT Tunstall. I love its exuberant melody, stomping beat and their glorious harmonies, plus the video’s brilliant. The song has not appeared on any charts in the US, UK or anywhere else as far as I can tell, which is a travesty.
Seafret, based in Yorkshire and comprised of singer Jack Sedman and guitarist Harry Draper, released three albums and a number of singles from 2015-2023 and saw their debut 2015 single “Atlantis” go viral on TikTok over the past three years, eventually racking up over 1.2 billion streams on Spotify alone. KT Tunstall burst onto the British music scene in 2004 with her debut album Eye to the Telescope, which spawned the hit singles “Black Horse and the Cherry Tree” and “Suddenly I See”, which won the Ivor Novello Award for Best Song in 2006.
Speaking about their collaboration for the webzine Litehouse Media, Seafret commented “When we set out making this record we knew we wanted to bring in some incredible people and collaborate. When we found out KT Tunstall was in town and up for it, we were so happy! We had no idea how it would go or what we’d write but this idea started circling in the room and suddenly it was there in front of us like it was meant to be. We have always loved KT’s voice and her songwriting so bringing this song to life with her has been a real privilege.” KT Tunstall added, “I met Jack and Harry quite a few years back and loved their vibe and songwriting. Real players and songcraft with an old school, troubadour attitude to touring where they put the hours in and got really great at what they do. Authentic and righteous dudes!“
And speaking of “Sushi and Coca-Cola”, the song is the biggest upward mover on my chart again this week, jumping eight spots to #8. Also entering the top 10 are “Hornets” by Canadian singer-songwriter and multi-instrumentalist Western Jaguar, and “Mistakes” by Ohio folk band Caamp, at #s 9 and 10, respectively. Three songs make their debut, starting with Taylor Swift’s aforementioned “The Fate of Ophelia”, entering at #23. While I’m not overly excited with the entirety of The Life of a Showgirl, I do like this song.
Coming in at #27 is “Enough” by Jeff Tweedy, who’s released music both as a solo artist and as lead vocalist and guitarist of Chicago-based alternative country-rock band Wilco. Featuring an opening guitar riff that reminds me of the one from The Kinks’ “Waterloo Sunset”, “Enough” is featured on Tweedy’s ambitious new triple album Twilight Override, which dropped September 26th.
And entering at #30 is the sultry “Lingerie” by Two Feet (aka Brooklyn, New York-based singer-songwriter and guitarist extraordinaire Zachary William “Bill” Dess). One of my favorite artists since 2018, I’ve seen Two Feet in concert three times. Ten of his songs reached #1 on my chart between 2018 and 2022, beginning with “I Feel Like I’m Drowning”, which also reached #1 on the Billboard Alternative Airplay chart and remains his biggest hit to date.
FIVE MORE SECONDS – Seafret & KT Tunstall (2)
UNDRESSED – sombr (1)
ENSENADA – Sublime (3)
BACKSEAT – Balu Brigada (6)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (9)
BETTER DAYS – Yellowcard (7)
LIGHT YEARS APART – Unobliterated (8)
SUSHI AND COCA-COLA – St. Paul & The Broken Bones (16)
HORNETS – Western Jaguar (11)
MISTAKES – Caamp (12)
THE WEATHER – All Time Low (13)
JUPITER – almost monday feat. Jordana (4)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (5)
WRECK – Neko Case (15)
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges (20)
“undressed” by charismatic young artist sombr remains at #1 for a second week, while “Five More Seconds” by English duo Seafret and Scottish singer-songwriter KT Tunstall moves up two spots to #2, and “Ensenada” by Southern California ska punk band Sublime also advances two spots, to #3. Nine Inch Nails‘ “As Alive As You Need Me To Be” enters the top 10 at #9, and “Sushi and Coca-Cola” by Alabama soul band St. Paul & The Broken Bones leaps 10 spots to #16, making it the biggest upward mover on this week’s chart.
Two songs make their debut, the first of which is “City Walls” by my longtime favorite band Twenty One Pilots, consisting of singer-songwriter and multi-instrumentalist Tyler Joseph and drummer Josh Dun. The song replaces their previous single “The Contract”, which falls off my chart after its 14-week run. Both songs are from their eighth and latest album Breach, which dropped September 12th.
The second debut is the hauntingly beautiful “Specter” by American alternative melodic metalcore band Bad Omens. Formed in 2015, the band now consists of Noah Sebastian (lead vocals, programming), Nicholas Ruffilo (bass, backing vocals), Joakim “Jolly” Karlsson (guitars, programming) Nick Folio (drums, percussion). Their magnificent song “THE DEATH OF PEACE OF MIND” spent four weeks at #7 on my chart in late 2023 and finished the year at #56.
UNDRESSED – sombr (1)
FIVE MORE SECONDS – Seafret & KT Tunstall (4)
ENSENADA – Sublime (5)
JUPITER – almost monday feat. Jordana (2)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (3)
BACKSEAT – Balu Brigada (7)
BETTER DAYS – Yellowcard (9)
LIGHT YEARS APART – Unobliterated (10)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (11)
POLYESTER (YES SIR) – Sorry Ghost (6)
HORNETS – Western Jaguar (14)
MISTAKES – Caamp (15)
THE WEATHER – All Time Low (16)
ASSHOLE – The Lumineers (8)
WRECK – Neko Case (22)
SUSHI AND COCA-COLA – St. Paul & The Broken Bones (26)
MY MIND IS A MOUNTAIN – Deftones (13)
DOWNSTAIRS – Matt Maeson (24)
EVERYBODY SCREAM – Florence + The Machine (25)
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges (28)
ANOTHER LIFE – Alabama Shakes (29)
MOODY – Royel Otis (17)
METAL – The Beths (18)
EVERYDAY MAGIC – My Morning Jacket (19)
FEELS RIGHT – Talk in Waves (12) 20th week on chart
There are some major changes to my chart this week, with a great new #1 song and four terrific new debuts. New York City born and now Los Angeles based sombr (the musical moniker of 20-year-old singer-songwriter and producer Shane Michael Boose) scores his second #1 song on my chart with “undressed” (“back to friends” spent three weeks at #1 in July). Both songs are featured on his debut album I Barely Know Her, which dropped August 22nd. I think the 6-foot, 7-inch tall young man is one of the finest new artists to emerge on the music scene this year.
“Light Years Apart” by Unobliterated, the music project of England-born and now Portugal-based singer-songwriter and musician Gary Taylor, enters the top 10 at #10. And “Mistakes” by Columbus, Ohio-based bluegrass-folk band Caamp, and The Weather” by Maryland pop-punk/rock band All Time Low are the biggest upward movers this week, each climbing eight spots to #15 and #16, respectively.
There were at least seven songs I wanted to add to this week’s chart, but not ready to drop that many off in order to accommodate them all, I had to limit my new additions to only four, the first of which is the delightful “Sushi and Coca-Cola” by soul band St. Paul & The Broken Bones, entering at #26. Formed in Birmingham, Alabama in 2012, the eight-piece consists of Paul Janeway (vocals), Browan Lollar (guitar), Jesse Phillips (bass), Kevin Leon (drums), Al Gamble (keys), Allen Branstetter (trumpet), Amari Ansari (saxophone), and Chad Fisher (trombone). Though they’ve released five albums, two EPs and numerous singles, I’ve somehow never heard of them until recently, when I saw “Sushi and Coca-Cola” rise up the Billboard AAA chart, where it currently sits at #2. I’m loving their soulful jazz-infused sound.
The second debut, coming in at #28, is the enchanting “Elegantly Wasted” by Hermanos Gutiérrez, featuring vocals by one of my favorite singers Leon Bridges. Hermanos Gutiérrez (Spanish for “Gutiérrez Brothers”) is a Latin instrumental band formed in 2015 in Zürich by Ecuadorian-Swiss brothers Alejandro Gutiérrez (guitar and lap steel) and Estevan Gutiérrez (guitar and percussion). The talented duo is totally new to me despite the fact they’ve released seven albums since 2017. One of them, El Bueno y el Malo, was recorded in Nashville in collaboration with Dan Auerbach of the Black Keys and released on his label Easy Eye Sound in 2022.
Next up is “Another Life” from another Alabama act, Alabama Shakes, a blues rock band comprised of Brittany Howard (lead vocals and rhythm guitar), Heath Fogg (lead guitar and vocals) and Zac Cockrell (bass). Formed in 2009, they released two albums, three EPs and numerous singles, including their big 2015 hit “Don’t Wanna Fight”, before going on hiatus in 2018 so that Howard could focus on her solo career (under which she’s released two critically acclaimed albums). They reunited this past December, and on August 29th, released “Another Life”, their first new music as a band in ten years. It’s great having them back!
Last but certainly not least is “Ordinary Creature” by Icelandic folk/rock band Of Monsters and Men, another act I’m happy has released new music, as I’ve been a fan since hearing their debut single “Little Talks” back in early 2012. Formed in 2010, the five-piece consists of lead singer and guitarist Nanna Bryndís Hilmarsdóttir (guitar and lead vocals) Ragnar “Raggi” Þórhallsson (guitar and vocals), Brynjar Leifsson (lead guitar), Arnar Rósenkranz Hilmarsson (drums), and Kristján Páll Kristjánsson (bass). “Ordinary Creature” will be featured on their forthcoming fourth studio album All Is Love and Pain in the Mouse Parade, due for release on October 17th.
UNDRESSED – sombr (2)
JUPITER – almost monday feat. Jordana (1)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (3)
FIVE MORE SECONDS – Seafret & KT Tunstall (4)
ENSENADA – Sublime (6)
POLYESTER (YES SIR) – Sorry Ghost (5)
BACKSEAT – Balu Brigada (8)
ASSHOLE – The Lumineers (9)
BETTER DAYS – Yellowcard (10)
LIGHT YEARS APART – Unobliterated (11)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (14)
FEELS RIGHT – Talk in Waves (7)
MY MIND IS A MOUNTAIN – Deftones (17)
HORNETS – Western Jaguar (19)
MISTAKES – Caamp (23)
THE WEATHER – All Time Low (24)
MOODY – Royel Otis (18)
METAL – The Beths (20)
EVERYDAY MAGIC – My Morning Jacket (21)
LOVE IS A FIRE – Art Block (12)
NO RAIN, NO FLOWERS – The Black Keys (14)
WRECK – Neko Case (25)
LONDON TOWN – HEALER (15)
DOWNSTAIRS – Matt Maeson (27)
EVERYBODY SCREAM – Florence + The Machine (30)
SUSHI AND COCA-COLA – St. Paul & The Broken Bones (N)
THE CONTRACT – Twenty One Pilots (22)
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges (N)
Given that America is now an idiocracy that’s also descending into full-blown authoritarianism under our brazenly corrupt and cruel lunatic of a president, his evil, sycophantic cabinet, a completely spineless Congress and an unethical shadow docket-loving Supreme Court (not to mention the recent loss of our beloved cat), it’s been difficult for me to feel positive about anything these days, including music. That said, I can’t not compile my weekly list of favorite current songs, therefore will continue to bore my readers with my Weekly Top 30 charts.
Furthermore, though I’m now a tired old man, I’ve never lost my love for pop music, which is reflected in quite a few songs on this week’s list, starting with my new #1 song “jupiter” by San Diego-based indie pop band almost monday (comprised of Dawson Daugherty on vocals, Cole Clisby on guitar, and Luke Fabry on bass), featuring added vocals by L.A.-based indie pop singer-songwriter Jordana. The song was originally included on almost monday’s 2014 album DIVE as a recording by only the band, but a newer version with Jordana singing backing vocals, released in January on a deluxe version of DIVE, has become a big hit for them both.
More great pop abounds with “undressed” by sombr, which moves into second place, the rousing “Five More Seconds” by English duo Seafret and Scottish singer-songwriter KT Tunstall at #4, and “polyester (yes sir)” by Los Angeles-based pop-rock band Sorry Ghost at #5. Three songs – “Ensenada” by Southern California ska punk band Sublime, “Asshole” by Denver, Colorado-based duo The Lumineers, and “Better Days” by Los Angeles-based pop punk band Yellowcard – enter the top 10 at #s 6, 9 and 10, respectively. “Better Days” recently spent three weeks at #1 on the Billboard Alternative Airplay chart.
The lone new debut this week is “Everybody Scream” by English indie rock act Florence + the Machine, a longtime favorite of mine who’s previously topped my chart with “Hunger” in 2018 and “My Love” in 2022, which ranks #2 on my 100 Best Songs of 2022 list (I can’t believe it’s already been three years!). Released on August 20th, “Everybody Scream” is the title track from their forthcoming sixth studio album, set to drop October 31st.
JUPITER – almost monday feat. Jordana (2)
UNDRESSED – sombr (3)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (1)
FIVE MORE SECONDS – Seafret & KT Tunstall (5)
POLYESTER (YES SIR) – Sorry Ghost (6)
ENSENADA – Sublime (12)
FEELS RIGHT – Talk in Waves (4)
BACKSEAT – Balu Brigada (10)
ASSHOLE – The Lumineers (11)
BETTER DAYS – Yellowcard (14)
LIGHT YEARS APART – Unobliterated (15)
LOVE IS A FIRE – Art Block (7)
NO RAIN, NO FLOWERS – The Black Keys (8)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (16)
Talk in Waves holds onto the top spot for a second week with his exuberant ear worm “Feels Right”, while ROLE MODEL moves up two spots into second place this week with his delightful “Sally, When the Wine Runs Out”. London singer-songwriter Art Block remains at #3 with his darkly beautiful “Love Is A Fire”. The prolific artist has released three more singles since “Love Is A Fire”, and in fact, numerous acts have since dropped newer singles than their songs on this chart, including Healer, almost monday, sombr, Sorry Ghost, Twenty One Pilots, Royel Otis, Unobliterated, Western Jaguar, Caamp and Matt Maeson, and I simply cannot keep up with them all! “Five More Seconds” by English duo Seafret and Scottish singer-songwriter KT Tunstall enters the top 10 at #9.
There are two new debuts again this week, the first of which is “”Wreck” by American singer-songwriter Neko Case, who since the late 1990s has released music both as a solo artist (including with her backing band Her Boyfriends) and as a member and lead singer of Canadian indie rock band The New Pornographers. “Wreck” is the lead single from her forthcoming eighth studio album Neon Grey MidnightGreen, to be released on September 26. The second debut, entering at #30, is “Downstairs” by American singer-songwriter and musician Matt Maeson. The song is featured on his third and latest album A Quiet and Harmless Living, which dropped this past Friday, September 12th. Matt’s great single “Hallucinogenics” ranks #5 on my 100 Best Songs of 2020 list.
FEELS RIGHT – Talk in Waves (1)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (4)
LOVE IS A FIRE – Art Block (3)
NO RAIN, NO FLOWERS – The Black Keys (2)
LONDON TOWN – Healer (5)
JUPITER – almost monday ft. Jordana (8)
UNDRESSED – sombr (9)
POLYESTER (YES SIR) – Sorry Ghost (10)
FIVE MORE SECONDS – Seafret & KT Tunstall (11)
THE CONTRACT – Twenty One Pilots (6)
MOODY – Royel Otis (7)
BACKSEAT – Balu Brigada (12)
ASSHOLE – The Lumineers (14)
TODAY’S SONG – Foo Fighters (15)
BETTER DAYS – Yellowcard (16)
LIGHT YEARS APART – Unobliterated (18)
UNRAVELLING – Muse (20)
AFTERLIFE – Alex G (21)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (22)
