Soda Cracker Jesus is the solo music project of the wildly imaginative and enormously talented singer-songwriter and producer Regan Lane, who’s also become a regular of this blog. The Tacoma, Washington-based musician has been actively involved in the Pacific Northwest music scene for nearly 40 years, with his hands in many projects, including serving as front man and ringmaster for psychedelic punk-rock band Strangely Alright, whose music I’ve written about numerous times. Earlier this year, he created Soda Cracker Jesus to express his more punky power pop side, calling the project “the spiritual and creative personal space that he goes to just be his musical self, a space where no matter which creative juices flow, whatever sonic creations are born, he knows that they come from an honest and personal place.”
Regan’s also been honest and candid on his social media about his former struggles with alcohol and substance abuse, and the happiness and joy that sobriety now brings him. With an undying sense of optimism, he creates music that looks to the future, but also understands the power of the past, and that duality helps shape his unique and signature sound. Since April 1st, he’s released four singles, beginning with the foot-stomping power pop banger “My Anthem”, followed by “Drug My Soul”, “Kill it Tomorrow”, and now his latest single “Kaleidoscope“. I reviewed the first two singles, which you can read by clicking on the links under “Related” at the end of this post. He released “Kaleidoscope”, along with a lyric video, exclusively on Bandcamp, on October 27, but the song will be officially released on all music streaming platforms November 2nd.
The song has been beautifully described by Mark Platt of online radio station Radio Candy as “Lennon-meets-Bowie-meets-Peter Gabriel in a dark alley“, which I cannot argue with, as I definitely hear the ghosts of John Lennon and David Bowie. Regan states that the song was influenced by “late-era Beatles psychedelia and Pink Floyd’s Syd Barrett years”, which is strongly evident in the beautiful, though somewhat spacey, atmospheric soundscapes. The soothing, ballad-like feel of the song is a departure from the harder-driving punk and power pop sound of Soda Cracker Jesus’ previous singles, and I like it! I love the lush, shimmery synths and gorgeous keyboards, which were played by Lee Gregory, as well as Regan’s chiming guitar notes. The subtle bass was played by Ray Hartman, and backing choruses were sung by fellow Strangely Alright bandmember Sean Van Dommelen. Regan produced the track, which was mastered by his longtime collaborator Todd Ensminger.
Regan wrote “Kaleidoscope” after his father passed away. He told me “My dad and I had a complicated relationship, but before he passed we were good. This song is about the emotions and feelings that come with that. I think anyone at any age can relate to dealing with loss. I don’t usually bare my soul but this is as close as it comes.” The lyrics are filled with meaning, but written with enough ambiguity so that each listener can interpret them as they see fit. In spots, the lyrics display a youthful innocence that seems to come from a child’s perspective: “I sure love my bicycle. It takes me where I need to go. And all the raindrops let me know the wind is at my back.” But later in the song, the wisdom that (hopefully) comes with age is apparent: “Father’s ghost has let me know I’m okay, we all get broken. What we get is just a token of what we give away. Kaleidoscope inside my head. Reflections of the hope I have. I look back but now is where I stand.”