SAM CLARK – Song Review: “Out of Reach”

Sam Clark is a talented and charismatic singer/songwriter/actor with a long list of professional accomplishments in TV, film and music. Born and raised in Australia, Sam is now based in Los Angeles, and has just released a terrific new single “Out of Reach,” along with a beautifully-filmed, heartwarming video.

According to his website bio, Sam rose to fame in Australia with his starring role in the long-running TV show Neighbours, for which he was nominated for several awards during the program’s 850+ episode run. He released a debut album Take Me Home in 2010, which generated two singles, “Broken” and “Devastated,” that garnered #1 spots on the ARIA Physical Singles Sales chart. A year later, he dropped the excellent five-track EP my own way…  Sam went on to star in his first feature film Mental, for which he also wrote and performed several original songs. After moving to Los Angeles he starred in the Emmy-winning FOX/Paramount production Grease: Live. He’s now in production on his next album with his Grammy award-winning songwriting partner Bill Grainer. “Out of Reach” is the first single from that album, which is planned for release later this year.

Sam Clark

“Out of Reach” is a lovely pop song about discovering you’re blessed with love you never thought you’d find. Sam explained his inspiration for the song: “I want my songs to be catchy without compromising their lyrical content. If I had to choose a single theme that runs through all my songs, it would be love.

Musically, the track has a catchy, upbeat melody, with crisp percussion and warm acoustic guitar throughout. Sam’s charming vocals are incredibly pleasing, and perfectly suited for the positive, heartfelt lyrics: “A hopeless dreamer but I’m wide awake. I never thought that it could feel this way. You are beyond my wildest disbelief. I always thought this kinda love was out of reach.

The delightful video was filmed by Carlos PenaVega and Giovanny Lago, and directed by David Del Rio. It shows Sam arriving home on the day of his birthday, only to be disappointed when he learns all of his friends and family are busy or unable to get together to celebrate with him. He then discovers a pair of hiking boots in a gift box, along with a note that starts him on a treasure hunt that ultimately leads him to a spot in the hills where his friends and girlfriend are waiting for him. Then he gets a big surprise when his parents show up, making him realize he has love in all its forms – romantic, friendship and family.

Both song and video left me feeling happy, and that all’s right with the world. And that’s something we can sure use a lot more of right now!

To learn more about Sam, check out his Website

Show him some love by following on:  Facebook /  Twitter /  Instagram

Stream his music:  Spotify /  Soundcloud

Purchase:  iTunes

Featured Song: JODY WHITESIDES – “Rise Up”

Jody Whitesides is a seasoned singer/songwriter who’s been making music for 20 years. We’ve followed one another on Twitter for quite some time, but I somehow missed that he’d released a powerful new protest song “Rise Up” on January 20, 2017 – the day Donald Trump was inaugurated President of the United States. Being a music blogger, I rarely make my political opinions known on this platform, however, I continue to be horrified on a daily basis that a cruel, narcissistic sociopath is our President, so Jody’s song resonated strongly with me. Plus, it’s a pretty good pop-rock tune from a musical standpoint.

Jody Whitesides

On his website, Jody eloquently explains his inspiration for “Rise Up”:

You might ask yourself why did I release it on Inauguration Day? Its a great question that has a real live answer.  I felt it my duty to call out the fact that the country has elected the wrong person. A person who claims to be for the “little” guy, but in reality is solely out for himself and his family. If there is one thing that I hope to achieve, it is to have people Rise Up against going backwards in this country. My desire is to see people gather and protest. To demonstrate. To call out the elected leaders to start doing their jobs rather than creating chaos.

Regardless of whether you are a Republican, Democrat, Independent, Green Party, Tea party, whomever – you can put this song to use. In fact, I’d love to see you putting it into action. Share your photos and videos, of your using it for protest, with me on Instagram or Twitter. I’ll be happy to RT or share the love. Go forth and make use of your freedom, before you lose more of it. Enjoy it, sing it, share it!”

Song Lyrics:

Things took a turn ’bout an hour ago
We lost another freedom don’t you know
Is this what you meant – ignore evidence
Now we watch truth lay down to arrogance

No one will admit our elected leadership
Went an’ made everything such a mess
Has the land of the free
Forgot the home of the brave
And become scared to

Rise Up (Rise Up)
Rise Up defend your rights (defend your rights)
Rise Up (Rise Up)
Rise Up and win this fight (win this fight)
Rise Up

Take a look around what do you see
A snipe hunt being led by Wall Street Freaks
We know what you heard – all of the applause
That circus came to sell off all our laws

Rise Up (Rise Up)
Rise Up defend your rights (defend your rights)
Rise Up (Rise Up)
Rise Up and win this fight (win this fight)
Rise Up

Deregulation bad legislation
Corporations shouldn’t be diplomatic engines
Lightning rods for maneuvering fraud
Paint their path to heaven then act like gods
Moral turpitude conflicting attitudes
Clandestine video shows us who is lewd
Our education ain’t evil invention
Its a key to learning a needed lesson

Rise Up (Rise Up)
Rise Up defend your rights (defend your rights)
Rise Up (Rise Up)
Rise Up and win this fight (win this fight)
Rise Up (Rise Up)
Rise Up defend your rights (defend your rights)
Rise Up (Rise Up)
Rise Up and win this fight (win this fight)
Rise Up

Jody W performing

Here’s a bit of background on Jody’s extensive music career:

Born and raised in New York, Jody initially studied at Boston’s Berklee College, then went on to the Musician’s Institute in Hollywood. He now calls Park City, Utah home. He humorously refers to his sound as “A Funky Audio Lap Dance For Your Ears.” His considerable music output has been extremely eclectic, which is especially appealing for me, the EclecticMusicLover! At various points in his long career he’s recorded rock, folk, pop, psychedelic, funk and dance songs, handling all those genres quite well, actually.

His first album release was with his band AMALGAM in 1998, then he released a terrific rock/psychedelic/funk-infused solo album E.nergy A.udio R.evolution in 2000, followed by the folk rock-oriented Is This Considered Naked (love that title!) I recommend my readers take the time to check them out, as well as his later albums Initial Spank, A Natural Leap Forward and Practical Insanity. In 2010, he recorded a sports anthem “Do You Want to Play,” along with remixes of the song for every NFL, MLB, NHL and WNBA team! More recently, prior to recording “Rise Up,” Jody recorded the fun psychedelia/hip hop-tinged dance single “Touch” in 2015, and the soulful dance-pop single “Thump Thump Thump” in 2016.

To learn more about Jody, check out his website.
Connect with him:  Facebook / Twitter /  Instagram
Stream his music:  Spotify /  Soundcloud /  YouTube
Purchase:  iTunes

Song Review: MAD MACHINES – “Once I Was a Lion”

Mad Machines is a five-piece band based in Toronto, Canada. Their high-energy music melds elements of Hard Rock, Funk, Punk-Noir and Dream Pop – with a bit of Disco thrown in just to mix things up – and their lyrics are always entertaining. They released an excellent debut EP Re-Humanizer in January 2016 (which I highly recommend my readers check out), and in March dropped a fun new single “Once I Was A Lion.

Mad Machines

The band line-up includes Jordan Lassalle (Lead Vocals, Guitar), Raymond Cara (Drums, Percussives, Backing Vocals), Jordan Quinn (Keyboards, FX, Backing Vocals), Neil Culbert (Guitars, Backing Vocals) and Joseph Slegtenhorst (Bass).

Regarding the backstory for the song, Lassalle explained: “Once I Was A Lion is a strange departure of a song for us; it was actually initially inspired by Disney’s The Lion King. I woke up one day with one of the songs from that film in my head and it got me to thinking something along the lines of, ‘what if Simba turned out to be a fuck-up drunkard of a king? Wouldn’t that be funny!’ Since then, the song has evolved; I found myself also writing a reflection piece on how at some point or another, we all feel like kings and queens of our respective kingdoms. It’s a feel-good tune and a real fun pop-rocker to play.

Indeed it would be, as it’s all that and more. The infectiously catchy song kicks off with a distorted guitar solo, then things bust wide open with crashing drums, heavy buzzing bass and lots of killer bluesy riffs. The guys are terrific musicians! Lassalle’s vocals are wonderful, occasionally soaring into a pleasing falsetto, and backed by his band mates’ harmonizing choruses. He croons the tongue-in-cheek lyrics that can’t help but put a big smile on your face:

Once I was a lion, yeah once I was king, crushing my problems between my teeth. Ruler of my kingdom with an iron paw. Rolling through the jungle like an atom bomb. All the lady lions used to stop and stare, hoping I would try and take ’em to my lair. Once I was a lion and life was sweet, until she came and took that crown away from me. / They took my fangs, they took my claws. / And I’m the king of the jungle baby. At least I was before.

Listen to “Once I Was A Lion” here:  Soundcloud

Connect with Mad Machines:  Facebook /  Twitter /  Instagram

Purchase their music on Bandcamp

EP Review: RUN WITH IT – “How to Start a Fire”

Run With It is one of the hardest-working bands I know. The Kansas City three-piece has been touring and gigging throughout the Midwest, East Coast and Southern U.S. nearly non-stop since Summer 2016 – even playing a concert at Doha Air Force Base in Qatar! – yet somehow managed to also record a superb new EP How to Start a Fire, which dropped on March 24. I’ve been following them for quite a while, and featured them on this blog in February 2016. The band recently signed with the Southern Valley Record label, and I’m thrilled to see their star grow.

Making the music are Miguel Caraballo on Lead Vocals and Guitar, Ben Byard on Bass and Backing Vocals, and Daniel Cole on Drums. (Ben replaced Clint Velazquez who left the band last September to devote his full attention to his Base Academy of Music.) They play accessible pop-rock that draws influences from rock’n’roll, alternative rock, R&B, folk and even a bit of blues. Their song lyrics touch on oft-covered themes of life, love, and relationships, as well as the struggle to find one’s own truth and way in the world.

Run With It
Photo by Chris Mullins Photography

The EP opens strong with the gorgeous rock song “I Need a Light,” which was released as the first single. The track’s arrangement and production values are perfect, and together the dynamic instrumentals and strong vocals create an incredibly tight, compelling song. Musically, the song begins with a lovely piano riff that continues on and off throughout the track, then heavy bass, thunderous percussion and dreamlike synths take over, accompanied by intricate guitar work. Miguel’s impassioned vocals rise and fall with the music’s intensity, and the powerful guitar solo toward the end gives me goosebumps every time.

The emotionally hard-hitting lyrics speak to feeling lost and alone, in search of a path forward and someone who can be counted on: “I need a light so bright that the sun seems dim. I need something that will not fade. Held tight like the hand of a friend. I need someone that won’t runaway.

I love this song, which has spent 15 consecutive weeks on my Weekly Top 20 Chart.

On the pleasing track “Don’t Waste My Time,” the guys skillfully mesh delicate circular piano movements with a lovely guitar riff.  I’m impressed by the generous use of the piano in their music, giving it a fuller, highly melodic sound. Also, some of their songs have an anthemic quality, with complex, layered instrumentals and soaring choruses. A good example is “Time,” a track with beautiful music that contrasts with biting lyrics about how the passage of time can be cruel: “Time, she’s a liar, a thief. Her teeth in my flesh, How do I get free. Blood, the taste in my mouth. Her bloody fist, gonna knock me out.” Another is “One More Fight,” an uplifting song with a sweeping melody and some terrific bluesy guitar riffs, not to mention Miguel’s heartfelt vocals.

Move On” speaks to letting go of a failed relationship and moving on. Again, beguiling piano, layered guitars and just the right amount of percussion make this a great track.  The infectiously upbeat “On Your Own” has a bit of a folk-rock vibe, with robust acoustic and electric guitars, and Miguel’s earnest vocals expressing the hopeful lyrics: “There’s a song deep in your heart. It’s like a raging lion is gonna tear you apart.”

How to Start a Fire is a well-crafted EP with six solid tracks, and I look forward to hearing more from these busy guys. They’ve already begun working on new music for us fans to enjoy.

To learn more about Run With It, check out their website and follow on Twitter /  Facebook /  Instagram. Watch their videos and vlogs on their YouTube channel.

Stream How to Start a Fire on Spotify and purchase on iTunes.

EP Review: THE PUSS PUSS BAND

Today I shine my spotlight on a singer/songwriter duo that goes by the fun, quirky name The Puss Puss Band.  They are multi instrumentalists Asa Galeozzie and Lee Pugh, a mainly studio based band from South Wales. Both have worked with numerous artists and bands in the UK and the Welsh music industry over the last ten years as writers & session musicians. They perform every aspect of their music: songwriting, instrumentals, vocals, arranging, engineering, producing and mixing. Asa plays guitar, bass, percussion, piano and melodica, while Lee plays lead guitar, bass and piano. The guys also have a sense of humor; on their Soundcloud page, they state that Asa plays tap shoes and Lee the mouth trumpet.

They released their debut self-titled EP The Puss Puss Band in October, and it features four outstanding tunes in a style the guys refer to as ‘jazz rock pop chill sounds.’ Their easy-going instrumentals and smooth vocals make for an incredibly pleasing listening experience – sort of a Style Council meets England Dan & John Ford Coley with just a touch of Dan Fogelberg. All those artists made really terrific music, and I think The Puss Puss Band’s music is in the same league.

The first track is the rather sexy “Feline Fine.” Sublime guitars and snare drum create a mellow vibe, and Lee’s beguiling vocals almost purr: “You got me working double time, you got me clocking overtime, you got me feline fine. And I know I can’t show you the things that I see, but sometimes I wish I could. Because you got something that makes me feel glad at night. And you got everything because you know you’re right.”  This is my favorite track on the EP.

The lovely ballad “Thinking of You” continues the mellow groove, but with a bittersweet edge. Its heartfelt lyrics speak about missing someone very deeply, and hoping they’re feeling the same about you. “I just wish that you could see, all the love for you I feel. But I’m descending in all this gloom. My heart free-falling like a lead balloon. Without you.” The guitars are especially nice on this track.

Alone” is a catchy, upbeat track with great chiming guitar riffs and Lee and Asa’s smooth intertwining vocal harmonies. The guys really channel the Style Council on this song. The pace slows back down to a dreamy haze with the enchanting folk-infused ballad “Perfect World.” Guest musician Patrick McDermott lays down some lovely banjo riffs over the guys’ laid back guitars.

The guys also recorded a great cover of The Cure’s “Boys Don’t Cry” a while back. Take a listen:

I love their smooth sound and am anxious to hear more music from these guys. Support The Puss Puss Band by following on Twitter and subscribing to their YouTube channel. Stream their music on Soundcloud, or purchase on Bandcamp.

Album Review: A BLUE FLAME – “What We’ve Become is All That Now Remains”

British singer/songwriter Richard Stone – who goes by the artistic name A Blue Flame – doesn’t consider himself a musician, but rather a compulsive writer of songs who also happens to play the guitar. For him, the song lyric is supreme, not the music or sound. On his album, What We’ve Become is All That Now Remains, he tells compelling stories using straightforward lyrics about life, love, faith, loss and heartbreak. And though he’s not as concerned about the music or sound of his songs, I think they’re superb, representing an amazingly eclectic range of styles from doo-wop and old-school pop to easy listening ballads and hard-driving rock.  Plus, his smooth, clear vocals perfectly suit his thoughtful lyrics.

When I asked Stone about his artistic name, he explained that ‘A Blue Flame’ just came to him, but he also liked “the balance in the name between the heat of a flame and the sadness of feeling blue. Blue flames are the hottest of all flames and they are also linked with strange, other worldly experiences like will o’ the wisps. It’s a name of contradictions between the scientific and paranormal, just like my music is a mass of contradictory influences.”  He said his songwriting has been influenced by some of the great songwriters such as Bob Dylan and the Beatles, but essentially any great song from one of any number of artists.

Stone writes all his songs and plays guitar. He arranges them with help from Adam Ellis, who co-produces and also plays guitar.  Other session musicians add their skills to the mix as needed, including Damon Claridge on drums, Andy Robertson on bass and keyboards, and Tony Robinson (who’s also played with the Manic Street Preachers and The Beautiful South, among other bands) on keyboards and horns.

a-blue-flame

The passage of time and the challenge of keeping the faith – both in God and yourself – are recurring subjects in A Blue Flame’s songs. The album opens with the sublime track “When Time Slowed Down.”  The song features beautiful piano, gentle guitar and snare drum, along with a captivating trumpet solo. With a hint of sadness in his voice, Stone wistfully sings of the fleeting nature of time, and the need to stop and savor the precious moments: “When all is said and done, and we’re just words upon a page inside a book that never opens / How will we be found?  We lucked out, the year we found the days when time slowed down.

Time’s passage is again alluded to on the tracks “Our Memories Fade” and the anthemic “Everyday Yesterday,” where an upbeat melody belies a deeper meaning: “Everyday, yesterday gets further away. I was born for the ninth time, a fool amongst the fools. Running in the nighttime and breaking all the rules. Till I saw I was the dullest stone in a box of golden jewels. It was clear that I knew nothing and my promises were cruel.

Stone plaintively urges self-belief and acceptance in the bittersweet ballad “Be Kind to Yourself” – “You know that your hate is a weakness, you know that you need to be brave. You’re scared of that something inside you that cries in the night to be safe” – and in the edgy, hard-rocking “I Don’t Know,” where Stone’s raw vocals seem to channel an exasperated Billy Joel. In “Feeling the Same,” he expresses empathy for someone feeling lost and alone with their pain and self-doubt.

Faith in God is questioned in the rousing “From God on Down.” Stone defiantly proclaims “I have been here a billion years, and I am so tired. I may, I may not exist. You might believe, you may well laugh. We’re all in the dark, from God on down.”  So too with the catchy pop-rock track “Out There Somewhere.”  Love and loss are the theme of the wonderful but rather mournful doo-wop tune “The Sun Refused to Shine.” The guitar solo in the last third of the song is great.

One of my favorite tracks is “Marlborough Park Avenue,” a poignant tune that calls to mind the incredible storied lyrics and singing style of Harry Chapin. To a gorgeous arrangement with gentle percussion, violin and multi-textured guitars that swirl, twang and chime, Stone fervently sings of a lost loved one “Though you’re not here, you still hold me together. The blossom is swimming around me / I think I’m in heaven.  I wish you were walking beside me, but you’ve gone on ahead.

Another standout is the hard-hitting kiss-off “The Girl Inside of You.” As with some of the other songs on the album, the upbeat, high-energy music – complete with “sha la la la, ooh sha la la las” – contrasts sharply with the fiery lyrics. Stone practically spits the lines “Rain falls down from a cloudless sky / I look up and I wonder why / It seems strange to me / It’s a motherfucking mystery / Farewell from the boy in me, who so fell for the girl inside of you.

What We’ve Become is All That Now Remains is an album that keeps getting better with each listen, as the poetic beauty of the lyrics continues to sink in. Learn more about A Blue Flame by checking out his website. Follow him on Twitter and Facebook and stream his music on Spotify and Soundcloud. His music is available for purchase on CD Baby.

Album Review: Above The Skyline – “Go For Broke”

South Florida has a vibrant music scene, thanks to a diverse, multi-cultural population with a tremendous mix of influences. Several months ago I wrote a feature on the Miami-based indie rock band SunGhosts, and now I shine a spotlight on the young, incredibly talented five member collective Above The Skyline. They play an edgy style of alternative pop/rock with touches of R&B, funk and punk. Following up on their acclaimed 2015 EP A Different Breed, the young band (all are in their early 20’s) have released an ambitious new album Go For Broke.

Their bio states “the band prides itself on being different but yet producing a sound that everyone can love and listen to with ease.” That’s certainly the case, as Go For Broke is chock-full of melodic tunes that feature catchy hooks, complex, multi-layered guitar riffs, dynamic percussion and really fine vocals.  Making this great music are Chloe Santiago on drums, Eric Green on guitar, Zach Wood on keyboards and vocals, Alec Enriquez on bass, and Peach Martine on vocals.  Chloe and Eric, who’ve known each other since they were kids and have been playing together for more than 12 years, formed Above The Skyline in 2013. Within a year, Zach, Alec and Peach joined the band, completing the current lineup. 

Despite their youth, all have extensive musical backgrounds. Eric began studying music history and theory at the age of five, along with taking piano lessons, and at nine he began studying guitar. He met Chloe while taking lessons at Music Depot, and eventually was part of a couple of hardcore metal bands. Chloe started playing drums at seven, and played in marching bands in middle and high school. Zach is grateful his mother forced him to take piano lessons, which eventually led him to learn saxophone and percussion as well. He also played in middle and high school marching bands. Alec began studying guitar in high school, and eventually fell in love with the bass. Peach, who not only sings, but is also a songwriter and actress, has been writing and recording since penning her first song on the piano at age six. She plays piano, guitar, some violin and harmonica.

above-the-skyline

The album opens strong with “Another Side of Me,” a power-ballad that introduces us to the band’s killer guitars and highly melodic music style. Buzzing guitars work in tandem with a driving drumbeat and Alec’s heavy bass, resulting in a crazy-good track. Zach fervently sings “All I want you to do is stop being you. You’ve got another side of me that I don’t want none of.”  The catchy, energetic “Counting Heartbeats” comes at us with a thumping drumbeat and shredded guitars, then we’re hit with Peach’s commanding vocals and, halfway through the song, assertive piano is introduced, adding complexity to the track.

“Do I Really Look Like I’m a Guy With a Plan Margot” is a standout track, and one of my favorites on the album. Its incredible arrangement – featuring thunderous guitar riffs, pummeling drums, intricate piano and soaring violin – give it a rock opera vibe. Zach’s powerful vocals match the intensity of the music. Plus, it’s a great song title!  The band channels the Red Hot Chili Peppers a bit on “Entitled,” with guitar chords similar to the awesome ones used in their classic “Dani California.” Peach’s vocals soar, aided by Zach’s backing harmonies, and the organ solo is terrific.

Peach’s considerable singing talents are on full display on the beautiful anthem “Feel the Light.” Her vocals soar (there’s that word again, but it so applies here) with the lush orchestration. It’s Zach’s turn to shine on the hard-driving “Fireball,” on which our ears are treated to more killer guitar work and Chloe’s powerful drums. The title track “Go For Broke” features harmonizing vocals by Zach and Peach, accompanied by a driving beat and gnashing guitars. Synth chords are introduced two-thirds of the way into the track, giving it a bit of a psychedelic feel. This is a great song.

“See Where We Go” is the first single, just released in advance of the album, and it’s definitely a radio-friendly track with a catchy hook, energetic upbeat melody and sizzling harmonic vocals by Zach and Peach. Watch the lyric video here:

The gorgeous ballad “Strength” is another standout track, and my absolute favorite. Musically, the song is very different from the others on the album, with only beautiful piano and violin, and Zach’s heartfelt vocals are captivating.  It’s the type of song that will have many people – me included – tearing up halfway through. The lyrics are so powerfully moving: “And I know it’s so hard when these walls are caving in. But I stare and wonder at this war you’re gonna win. Cause you give me the strength just to make it through the night when we’re with you. I’m in awe of all your wonderful acts of courage that you do. But this time we have is not all that’s left.

With an abrupt jolt, the album closes with the hard rock gem “Tonight.” Blazing machine gun riffs intertwined with Eric’s shimmery guitars, heavy bass and crashing cymbals make this one exhilarating badass tune, proving beyond any doubt that Above The Skyline is a band with formidable talents. With an exceptional EP and full album now under their belts, they have a promising future, and I’m certain we’ll be hearing much more to come from them.

To learn more about Above the Skyline, visit their website. Support them by liking them on Facebook and following on Twitter. Subscribe to their YouTube channel and stream their music on Soundcloud. Go For Broke is available for purchase on iTunes and other platforms offering music for purchase.

EP Review: Puppet Theory – “Buttons”

British Indie pop/rock foursome Puppet Theory is the latest band to emerge from the vibrant Manchester music scene.  They bring a fresh approach to their music, fusing old-school Brit-pop/rock with punk and alternative influences.  On September 21, they dropped their debut EP Buttons – a collection of four infectious, high-energy songs guaranteed to put you in a good mood and make you dance around like –  well, a puppet on a string!

I first learned of Puppet Theory when they followed me on Twitter a few days ago and, given their fun, upbeat music and sense of humor, I’m already a big fan.  On their website, they state “Puppet Theory have the perfect blend of UK influences, consisting of 2 Mancunians, a Scouser and a Southerner whose energy, edginess and musical expertise work together to create an unforgettable set.” For those of us non-Brits, a ‘Mancunian’ is a person from Manchester and a ‘Scouser’ is from Liverpool.  In their Facebook bio, they identify themselves as follows:  Johnny – Little strings and sings;  Chris – Little strings and sings;  Niall – Big strings;  Paul – Hits things.  How endearing is that?

Puppet Theory began life when Johnny and Paul started jamming together, feeling an instant connection. Knowing they needed a strong vocalist/lyricist who could serve as band front man, they held auditions and enlisted Chris after he impressed them with his songwriting ideas. Finally, after auditioning four other bassists, they were blown away by Niall’s playing and signed him on the spot, completing the band line-up.  They’re thrilled to now have their first EP out so music junkies like me can enjoy their music.

puppet-theory

The first track, “Young & Youthful,” immediately hooks you with an irresistibly catchy melody, though the poignant lyrics speak to anxiety over transitioning from youth to adulthood. The song bursts open with shredded guitars and pounding drums, led by a buzzing bassline. Another guitar riff is introduced, intertwining with the shredded guitars, and Chris plaintively sings: “When did we get old? Someone should have told me that I  don’t know what it is all about. Give me some time to figure it out. I’ll get there.”

Pulsating guitars, strong bass and Paul’s assertive drums – accentuated by lots of crashing cymbals – highlight the catchy title track “Buttons.” The strong third track “Room to Breathe” has a distinct Foo Fighters vibe, most noticeable in the excellent main guitar riff. The final track “Do You Know” treats us to more awesome blistering guitars and dynamic percussion that appear to be a hallmark of Puppet Theory’s sound.  The song seems to end at 4:30, then starts up again with a dramatic guitar solo that’s a sped up version of the main song riff for another 30 seconds. Interestingly, the band is the third that I’ve reviewed over the past month or so to utilize this stop and start up again technique in a song.

All in all, Buttons is a strong debut for Puppet Theory, who I think have a promising future, given not only their talent, but their strong chemistry and charisma.  Show them support by checking out their Website, following them on Facebook and Twitter, and subscribe to their YouTube channel. Stream Buttons on Spotify or purchase on iTunes.

Song Review – “Stars” by Wons Phreely+the Horses

I recently discovered the amazingly talented, quirky-named artist Wons Phreely (his real name is Justin Wonsly).  He has one of the most interesting, unique voices I’ve heard in a long while. The kind of voice that sounds like no one else – a valuable commodity in today’s overcrowded music industry. Phreely draws his musical influences from such disparate artists as Morrissey, Joe Strummer and Buddy Holly, which is why his style is difficult to categorize. He seems to move effortlessly from dance-pop to folk-rock to alt-rock.

The young singer/songwriter started his music career in Sydney, Australia, where he recorded several great upbeat singles, including “The World Has a Bank Account” and “Tonight,” followed by a fairly decent eight-track EP To Begin With… in 2011.  Phreely, along with his new back-up band The Horses, has now dropped a fantastic new single “Stars.”

The song has an interesting backstory. Phreely originally wrote it one night while living in a tiny studio above a bar in the red-light district of Sydney’s Kings Cross.  He penned the lyrics to describe his subconscious longing to make a big life change, but fearful of doing anything about it.  As luck would have it, just a few days after writing the song, he saw an ad for an open call for singers to submit themselves to play the role of young Roy Orbison in a planned biopic feature film. According to his bio information sent to me, Phreely submitted his best song rendition and was soon meeting with the estate of the Orbison family, who were producing the film and would have final say over the casting of the role of their father. Unfortunately, after months of meetings, discussions and auditions, the fate of the proposed film is stuck in limbo. But there’s a silver lining: inspired and invigorated by his new Los Angeles surroundings, Phreely seized the opportunity and decided to further his music career there. In 2015, he assembled a band of accomplished musicians (the lineup of which has changed over time), thereby creating  Wons Phreely + The Horses, who together brought his song “Stars” to fruition.

It’s an incredibly catchy number, with a great hook that immediately grabs hold, forcing you to move with the infectious, 80s retro dance beat. Plucky guitars and sharp percussion add to the fresh synth arrangement, keeping the energy flowing, and Phreely’s smoldering, halting vocals are absolutely captivating.  I had this song on repeat while writing this piece and am now addicted!  It just gets better with each listen. As I noted above, the lyrics speak to his ambivalence about making a life change:

“I went to my neighbor he said why wait another moment later. You wanna find some explanation then you really oughta make your own decision. And if something clouds your vision it’s time to move move move.  Cause there’s too many lights in the city tonight. So I can’t see the stars till the moment has passed.”

I really like the song’s video, in which Phreely sings the song while standing in front of a black background. When he sings the chorus, he wildly gyrates back and forth, this time with varying types of facial hair, and his short hair now long and flowing, perhaps to show the changes he speaks of in the song lyrics.

I like to include extra songs and videos to give a greater perspective of an artist or band’s talent and music style. Here are a couple of performances with session musicians from 2012 at the Skeet Music Studio in Sydney, Australia. In the first, Phreely shows his folk/rock side in the hauntingly beautiful ballad “Manny You’re My Sweetheart.” The song was inspired by Phreely’s former roommate who was transgender.

Here’s a great live performance of the delightful song “Tonight.”

You can follow Wons Phreely on FacebookTwitter or Instagram and learn more about him on his official website.  Stream his music on Spotify or Soundcloud, and watch his videos on YouTube.  “Stars” may be purchased on iTunes, the Google Play StoreAmazon, and Bandcamp, along with other previously released songs.

 

EP Review – “The Internal Frontier” by The Frontier

The Frontier is an indie rock/pop project by the talented singer/songwriter Jake Mimikos, who hails from the Washington, D.C. area. His new self-titled sophomore EP The Internal Frontier dropped on July 22, 2016, and is the follow-up to his excellent debut EP Chaos to Clarity.  And what a winner this one is, with five stellar tracks that only confirms The Frontier as a music artist to be reckoned with. The songs on this EP have a somewhat more polished, radio-friendly sound than those on Chaos to Clarity, but are still every bit as good.

Jake mimikos

The first track “Wake the Dawn” is a gorgeous, celebratory song with an incredibly catchy hook, lush guitar and strong – but not overpowering – percussion. Mimikos’ beguiling vocals soar at just the right moments, eliciting goosebumps. He sings “And I feel free, free as I can be. Together we have found our destiny.  And I feel free, free as you and me. Together we can be our remedy.”  I guarantee you’ll be playing this on repeat.

The upbeat, melodic track “Neon Rays,” sounds like it could have been performed by the band Walk the Moon, which is a good thing in my book. “Gravity” and “Paradigm” are lovely, hopeful tracks with delicate guitar riffs, gentle synth and clean percussion,  accompanied by Mimikos’ sweeping vocals.  I love the video for “Gravity,” which wonderfully complements the song.

The fifth track “Bluff”, about the pain and bitterness from a break-up, is the saddest of the bunch, but one of my favorites. To swirling guitar and gentle percussion, Mimikos emotionally sings “And what you do is not what I’ve done. But it’s wrong if I’m not moving on. What you’ve done is hit and run. Now you’re gone like a bullet from a gun. And I need time to figure you out.  Only took a minute and there’s not much I found.

Support The Frontier by purchasing his music on Bandcamp, and following him on Twitter and Facebook. You can also stream songs from Chaos to Clarity on Soundcloud.