I love when artists from different genres and backgrounds come together to create music, especially when the pooling of their collective talents and imagination results in glorious sonic alchemy. One of the finest examples of this in recent memory is “New Gold”, a brilliant collaboration between virtual band Gorillaz (fronted by British singer-songwriter and producer Damon Albarn), Australian alternative psychedelic music project Tame Impala, and American rapper Bootie Brown (aka Romye Robinson). The deep, pulsating beat and lush, intricate synths by Albarn, producer extraordinaire Greg Kurstin, and Tame Impala’s Kevin Parker create a magical backdrop for Albarn’s and Parker’s dreamy vocals and Brown’s flawlessly rapped verses, all of which not only complement each other beautifully, but also create a palpable sense of excitement and energy. The song is a gorgeous feast for the senses, and ascends to the #1 spot on my latest Weekly Top 30.
Co-written by them all, the song’s lyrics speak to the ephemeral and often unfulfilling things too many people indulge in, expressed in the chorus “New gold, foolish gold, everything will disappear.” They rely on self-delusions or any number of palliatives, rather than face their problems in a realistic way, whether it be the ultimately self destructive overuse of cosmetic surgery that often ages poorly, abuse of party drugs that destroy the user’s mind, or endless social media drama, wasting time on online content lacking any real value or engaging in online arguments that only serve to make us feel more isolated than ever.
In other chart developments, Young the Giant‘s poignant and lovely “The Walk Home” enters the top 10, and two songs make their debut: “The Way” by American alt-rock band Manchester Orchestra, at #29, and “In My Head” by Mike Shinoda (of Linkin Park) and Arizona-based singer-songwriter Kailee Morgue, at #30.
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (3)
TROPIC MORNING NEWS – The National (1)
GHOSTS AGAIN – Depeche Mode (4)
TRANSMITTER – Sea Power (2)
FLOWERS – Miley Cyrus (6)
PEPPER – Death Cab for Cutie (5)
LOVE FROM THE OTHER SIDE – Fall Out Boy (7)
SOFTEN – Alex Southey (9)
BLUEBELL WOOD – Frank Joshua (10)
THE WALK HOME – Young the Giant (12)
KID – The Revivalists (14)
I WANT YOU DEAD – Two Feet & Allie Cabal (13)
BACKPATTERS AND SHOOTERS – The Zangwills (8)
PAID OFF – Oli Barton & the Movement (15)
WOLF – Yeah Yeah Yeahs (16)
EAT YOUR YOUNG – Hozier (23)
THE PERFECT PAIR – beabadoobee (19)
NOT STRONG ENOUGH – boygenius (20)
TROUBLE WITH THIS BED – Beach Weather (11) 21st week on chart
The beautiful “Tropic Morning News” by The National holds at #1 for a second week, with Sea Power‘s majestic “Transmitter” also remaining at #2. “New Gold” by the dream collaboration of Gorillaz, Tame Impala and Bootie Brown slides into 3rd place (Gorillaz & Brown performed the song at the Coachella Music Festival this past Friday night), while Depeche Mode‘s “Ghosts Again” assumes the #4 spot. British singer-songwriter Frank Joshua enters the top 10 with his sublime love song “Bluebell Wood”.
Three songs make their debut this week: Entering at #23 is the amazing “Eat Your Young” by Irish singer-songwriter Hozier. He states the song was inspired by Gluttony, one the 9 Circles of Hell contained in the first part of Dante Alighieri’s epic poem Divine Comedy, and describes a feast being prepared and served together with the chaos that comes with it. “Rescue Me” by Southern California reggae-ska rock band Dirty Heads enters at #29, and “leaving” by Michigan singer-songwriter Au Gres enters at #30.
TROPIC MORNING NEWS – The National (1)
TRANSMITTER – Sea Power (2)
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (6)
My gosh, what a stellar week for music! Great songs by The National, Sea Power, The Zangwills, Death Cab for Cutie, Fall Out Boy, Gorillaz, Tame Impala & Bootie Brown, and Depeche Mode, and that’s just the top 7! The National’s captivating “Tropic Morning News” ascends to the top of my chart this week. The song is the lead single from their ninth studio album First Two Pages Of Frankenstein, due for release on April 28. For those unaware, The National consists of Matt Berninger (vocals), twin brothers Aaron Dessner (guitar, piano, keyboards) and Bryce Dessner (guitar, piano, keyboards), and brothers Scott Devendorf (bass) and Bryan Devendorf (drums). I love their sophisticated songwriting and rich, complex sound, especially Matt Berninger’s beautiful baritone vocals.
According to an article by Leah Degrazia for the website Genius, the album came together while Berninger was emerging from a period of crippling writer’s block (something I can strongly relate to). “Even though we’d always been anxious whenever we were working on a record, this was the first time it ever felt like maybe things really had come to an end,” Berninger said. The song’s lyrics, written by Berninger and his wife, Carin Besser, speak of how constantly inundating yourself with negative news can pull you into a dark hole of isolation and sadness, making it hard to reach out and form deep human connection.
In other chart developments, the gorgeous “Soften” by exceptionally-talented Canadian singer-songwriter Alex Southey enters the top 10. Entering this week’s chart are “Angelica” by the delightful English duo Wet Leg, at #29, and “1982” by Dutch alternative rock band Morgendust, whose wonderful self-titled album I recently reviewed, at #30.
TROPIC MORNING NEWS – The National (2)
TRANSMITTER – Sea Power (3)
BACKPATTERS AND SHOOTERS – The Zangwills (1)
PEPPER – Death Cab for Cutie (6)
LOVE FROM THE OTHER SIDE – Fall Out Boy (4)
NEW GOLD – Gorillaz featuring Tame Impala and Bootie Brown (7)
British indie pop-rock band The Zangwills remain at #1 for a second week with their achingly beautiful song “Backpatters and Shooters”. “Tropic Morning News” by American alternative art rock band The National slides into the #2 spot, and “Transmitter” by British alt-rock band Sea Power holds at #3. Miley Cyrus’ “Flowers” enters the top 10.
Four songs make their debut this week: “Not Strong Enough”, from the new album the record by American indie rock supergroup boygenius, comprised of Julien Baker, Phoebe Bridgers, and Lucy Dacus, entering at #27; “Go Down River” by Brighton, UK duo The Heavy Heavy, consisting of Will Turner and Georgie Fuller, at #28; “Essence” by Danish DJ and electronic house music producer Refeci and Canadian singer-songwriter and musician Shimmer Johnson, at #29, and “Dummy”, the latest single by Portland, Oregon-based alt-rock band Portugal. The Man, bringing up the rear at #30.
BACKPATTERS AND SHOOTERS – The Zangwills (1)
TROPIC MORNING NEWS – The National (4)
TRANSMITTER – Sea Power (3)
LOVE FROM THE OTHER SIDE – Fall Out Boy (2)
TROUBLE WITH THIS BED – Beach Weather (5)
PEPPER – Death Cab for Cutie (8)
NEW GOLD – Gorillaz featuring Tame Impala and Bootie Brown (9)
GHOSTS AGAIN – Depeche Mode (10)
PAGES – White Reaper (6)
FLOWERS – Miley Cyrus (14)
SOFTEN – Alex Southey (13)
YOU GOTTA DO WHAT YOU GOTTA DO – Darksoft (12)
JUST BEFORE THE MORNING – Local Natives (7)
SUREFIRE – Wilderado (11)
BLUEBELL WOOD – Frank Joshua (19)
THE WALK HOME – Young the Giant (18)
I WANT YOU DEAD – Two Feet & Allie Cabal (20)
EYEZ – The Arcs (16)
WEIGHTLESS – Arlo Parks (17)
MODERNISE – Slow Readers Club (21)
KID – The Revivalists (23)
PAID OFF – Oli Barton & the Movement (27)
WOLF – Yeah Yeah Yeahs (28)
NIGHT BUS – Caitlin Lavagna (15) 20th week on chart
British four-piece The Zangwills are an immensely-talented indie band who make exceptional melodic pop-rock with a maturity of songwriting and musicianship as fine as many top big-name bands around today. Based in Cheshire, they consist of Jake Vickers (vocals, guitar, keyboards), Ed Dowling (bass), Sam Davies (lead guitar) and Adam Spence (drums). They’ve been actively making music since 2017, when they were all still in their teens, and have released a total of 13 singles and two EPs. Listening to their back catalog, I can emphatically state that every one of their songs is outstanding.
I didn’t learn about them until summer 2021, when I was blown away by their magnificent single “Never Looked Back”. I loved it so much that it went all the way to #1 on my Weekly Top 30, and ended up at #24 on my Top 100 Songs of 2021 list. Now, after a long 15-week climb, they once again reach the top of my chart with their latest single “Backpatters and Shooters”. It’s a gorgeous track, with a haunting piano-driven melody, cinematic orchestration and achingly beautiful guitar work that make it one of their most impactful songs yet. Then there are Jake’s powerfully emotive vocals, which convey an incredible vulnerability as he croons the lyrics addressing the pursuit of love and how it far outweighs the importance of anything else: “You know that I’d be the first to plant roses in your face, and frame beauty with beauty. And though I’m dying of thirst, I’m still running in your race with the men who pat my back, and the men who would shoot me. And when I look up, if I squint I see love. But it’s never that much, and no it’s never enough.”
In other chart developments, “Transmitter” by Sea Power and “Tropic Morning News” by The National move up to #3 and #4, respectively. Entering the top 10 are “New Gold” by Gorillaz featuring Tame Impala and Bootie Brown, at #9, and “Ghosts Again” by Depeche Mode, at #10. The biggest upward mover this week is “Flowers” by Miley Cyrus, leaping eight spots to #14. The two debut songs this week are by artists making their first appearance on my chart: “Wolf” by New York indie/art rock band Yeah Yeah Yeahs, at #28, and “the perfect pair” by sweet-voiced Filipino-British singer-songwriter beabadoobee (born Beatrice Kristi Ilejay Laus), at #30. The song’s been out a while, and finally clicked with me.
BACKPATTERS AND SHOOTERS – The Zangwills (2)
LOVE FROM THE OTHER SIDE – Fall Out Boy (1)
TRANSMITTER – Sea Power (5)
TROPIC MORNING NEWS – The National (6)
TROUBLE WITH THIS BED – Beach Weather (3)
PAGES – White Reaper (4)
JUST BEFORE THE MORNING – Local Natives (7)
PEPPER – Death Cab for Cutie (10)
NEW GOLD – Gorillaz featuring Tame Impala and Bootie Brown (12)
GHOSTS AGAIN – Depeche Mode (13)
SUREFIRE – Wilderado (11)
YOU GOTTA DO WHAT YOU GOTTA DO – Darksoft (9)
SOFTEN – Alex Southey (18)
FLOWERS – Miley Cyrus (22)
NIGHT BUS – Caitlin Lavagna (8) 19th week on chart
Fall Out Boy remain at #1 for a second week with their monumental “Love From the Other Side”, while British band The Zangwills inch up to #2 with their cinematic “Backpatters and Shooters”. Entering the top 10 are “Tropic Morning News” by The National, jumping six spots to #6, “You Gotta Do What You Gotta Do” by Darksoft, moving up two spots to #9, and “Pepper” by Death Cab for Cutie, which climbs three spots to #10.
Three great songs make their debut this week: “I Want You Dead”, a duet by blog and chart favorite Two Feet, along with his fiance Allie Cabal, entering at #26, “Kid” by New Orleans alternative/roots rock band The Revivalists, at #29, and “Paid Off” by another favorite of mine, London-based alternative pop-rock band Oli Barton & the Movement, at #30.
LOVE FROM THE OTHER SIDE – Fall Out Boy (1)
BACKPATTERS AND SHOOTERS – The Zangwills (3)
TROUBLE WITH THIS BED – Beach Weather (2)
PAGES – White Reaper (5)
TRANSMITTER – Sea Power (6)
TROPIC MORNING NEWS – The National (12)
JUST BEFORE THE MORNING – Local Natives (9)
NIGHT BUS – Caitlin Lavagna (4)
YOU GOTTA DO WHAT YOU GOTTA DO – Darksoft (11)
PEPPER – Death Cab for Cutie (13)
SUREFIRE – Wilderado (14)
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (16)
GHOSTS AGAIN – Depeche Mode (17)
WILD AS THE WIND – HULLAH (7)
MAYFLY – Callum Pitt (8)
THE LONELIEST – Måneskin (10)
SLEEPWALKING – All Time Low (15)
SOFTEN – Alex Southey (19)
EVERGREEN – Mt. Joy (18)
EYEZ – The Arcs (22)
WEIGHTLESS – Arlo Parks (23)
FLOWERS – Miley Cyrus (27)
MODERNISE – Slow Readers Club (28)
THE WALK HOME – Young the Giant (29)
BLUEBELL WOOD – Frank Joshua (30)
I WANT YOU DEAD – Two Feet & Allie Cabal (N)
SHADOWS IN THE DARK – The Star Crumbles (20) 21st week on chart
New music releases continue at a dizzying pace, so much so that it often feels overwhelming. I should be featuring at least some of it on this blog, but alas, I just haven’t much felt like writing of late. But when I hear new songs that pique my interest, I want to share them with the world. That means it’s time for another Fresh New Tracks post, and today I’m featuring three terrific tracks from artists with totally different sounds. They are, in alphabetical order, British alt-rock band Oli Barton & the Movement, British synthpop band Magnetic Skies, and American singer-songwriter & musician Marc Schuster. I’ve previously written about Oli Barton & the Movement and Marc Schuster, while Magnetic Skies is new to me.
OLI BARTON & THE MOVEMENT – “Paid Off”
London-based Oli Barton & the Movement are a long-time favorite of mine. As indicated by their name, the band is headed by the wildly creative and charismatic singer-songwriter Oli Barton, with the Movement comprised of exceptionally talented musicians Jamal Lagoon on guitar, Marco Paone on bass, and Josh Needham on drums. Together, their eccentric yet sophisticated style of alternative rock is a colorful mix of post-punk and psychedelia, fortified with touches of funk, grunge and pop. I’ve featured them many times on this blog over the past six years, and have loved every one of their releases. Four of their songs have appeared on my Weekly Top 30 lists – their provocative 2017 single “Kinky” went all the way to #1, while “44”, “Martyr” and “JustLike Always” all reached the top 5.
On February 17th, they dropped their latest single “Paid Off“, and it’s a certifiable banger! Produced by the band’s longtime collaborator Jules Gulon, and featuring beguiling backing vocals by Portugal-born and now London-based singer-songwriter Carlota Rocchi, the song is an exhilarating, infectiously catchy romp. Opening with Needham’s galloping drum beats and Paone’s throbbing bass, which are soon joined by Barton’s distinctive croon, the song explodes into a chugging rocker, fueled by Lagoon’s scorching riffs, Barton’s vocals rising to an impassioned wail. The lyrics seem to speak of people who use others for their own gain, bleeding them until they’re dry: “I’m just a fraction of the fragment of what I was. The moment they penetrated me./ They just want to be paid off by you, by you, by you!” I love it, and the guys have another future top 5 hit on their hands!
Also based in London, Magnetic Skies was originally formed as a duo in early 2019 by singer-songwriters and keyboardists Simon Kent and Jo Womar. With a shared love of 80s synth-driven post-punk and vintage analogue synths, they quickly got busy writing and recording an impressive amount of material they released in a succession of singles and three EPs – Dreams And Memories, Hold On and Into Paradise. They became a four-piece in 2021 with the addition of guitarist Carlos Aguilar and drummer Lenin Alegria, and since then have released six more singles. In preparation for writing about them, I listen to quite a bit of their back music catalogue, and it’s really outstanding. Their latest single, “You Shine On“, which dropped February 17th, will be included on their forthcoming debut album Empire Falling, set for release later this year.
Released via independent label ReprinT Records, “You Shine On” features a dreamy melody set to hypnotic driving beats and lush, atmospheric soundscapes reminiscent of such defining 80s acts as The Human League, Pet Shop Boys and Depeche Mode. There are so many fabulous touches, like the dominant pulsating bassline, gorgeous jangly guitars, swirling synths, crashing percussion and soaring vocal harmonies. About the song, the band explains: “This is a love song, a story about two people finding each other despite divisions from outside, and about being true to yourself even when that doesn’t fit with expectations from society or other people. It’s celebrating a really positive self-belief.” The track is accompanied by a stylish video featuring kaleidoscopic images of a beautiful woman dressed in a flowing, butterfly-like golden garment, interspersed with similarly-kaleidoscopic images of the band performing the song.
Marc Schuster is an insanely creative, multi-talented guy from the Philadelphia area who I first got to know several years ago through blogging (he has a terrific WordPress blog called Abominations, where he writes about music and interviews lots of indie artists). Not only is he an educator, author, literary critic and visual artist, he’s also a prolific songwriter and musician, recording both as a solo artist and as part of numerous music projects and collaborations with an ever-expanding roster of musicians, including his latest project The Star Crumbles with fellow musician Brian Lambert (their song “Shadows in the Dark” recently spent two weeks at #1 on my Top 30 chart). As if all that weren’t enough, he also started doing a weekly hour-long music podcast a few months ago he calls “Tweetcore”, where he features songs by talented indie artists he’s met through Twitter. I honestly don’t know how he finds the time and energy to accomplish all that he does!
Though Marc likes to experiment with different sounds, styles and textures, most of the songs he records as a solo artist have a delightful, indie bedroom-pop sensibility. Not only are they infectiously catchy, he has a wonderful knack for putting a youthful, often tongue-in-cheek perspective on everyday situations and problems many of us have faced at one time or another. He doesn’t have a powerful singing voice, but he more than makes up for it with a quirky, endearing vocal delivery that never fails to put a huge smile on my face. I seriously adore this man, who’s also been incredibly supportive of both me and my blog.
Almost a year ago to the day, I reviewed his delightful EP There Is No Down. In addition to his work with The Star Crumbles, Marc has continued putting out solo singles, his latest of which is “George Around the Corner“, a sweet song he released on February 16th. He cleverly name-drops his neighbor George, as well as a few of his fellow artist collaborators like Tim Simmons and Brian Lambert. He elaborated about the song on his blog: “‘George Around the Corner’ is more or less about real people I know. George does, in fact, live around the corner, and he did, in fact, fly a fighter jet in 1969 (and the years on either side of it). The line about him not remembering my name was true when I started working on the song, but more recently he has begun to remember my name when I see him. Tim stops by for coffee fairly regularly if not actually once a week, and sometimes I stop by his house. The line about us not speaking, however, is entirely false. We talk a lot. But ‘speak’ rhymes with ‘week.’ And Brian did visit Philadelphia once. He was actually visiting family in Delaware when he made the additional trek out to see me. His son came with him and did take a picture of us waiting for the train. However, that was not the only picture he took. Also, I stand by my claim that sometimes the best of times move kind of slow.” If you click on the Bandcamp link below, you’ll see the lyrics to the song.
Some have asked me how I come up with my Weekly Top 30 lists – i.e., what my song rankings are based on, and how and why I include the songs that I do. Well, it’s simple: it’s basically a list of my 30 current favorite songs for each week. If I had my own radio station, these are the songs I’d play most, along with favorite older songs, of course. I’m a big fan of alternative rock, dream rock, pop-rock and synthpop, so my lists are strongly influenced by the Billboard Alternative and Adult Alternative Airplay charts. I also write about and like to promote indie artists as much as possible, many of whom are putting out outstanding music, so each week I try to include at least 10 songs I really like by indie artists and bands.
It’s not often that a song that reaches #1 on the Billboard Hot 100 also tops my chart, as a lot of them are crap, but every once in a while a great pop song comes along that I also love, such as last year’s “Drivers License”, “Levitating” and “Leave the Door Open”. Harry Styles‘ “As It Was” is another such hit song, now in its third week at #1 on the Hot 100, and #1 for a second week on my chart. TheBlack Keys‘ “Wild Child” closes in at #2, while Florence + the Machine‘s gorgeous “My Love” rises to #4. Entering the top 10 are songs by two indie artists I’ve come to really like: “Sleep” by Brooklyn four-piece Gooseberry, who just released their wonderful EP Broken Dance, and the achingly beautiful “Chasing Trains” by British singer-songwriter HULLAH. The lone debut this week is “Animal” by British rock group Partisan, a long-time favorite band of mine.
AS IT WAS – Harry Styles (1)
WILD CHILD – The Black Keys (3)
DECEPTION – Hannah Reem & Noodle Beard (2)
MY LOVE – Florence + the Machine (6)
LOVE BRAND NEW – Bob Moses (5)
WHAT, ME WORRY? – Portugal. The Man (4)
BLACK SUMMER – Red Hot Chili Peppers (7)
BROKEN HORSES – Brandi Carlile (8)
SLEEP – Gooseberry (11)
CHASING TRAINS – HULLAH (12)
WILD – Spoon (13)
BROKEN HEARTS – Ships Have Sailed (9)
GIVE A LITTLE LOVIN’ – Jamie Alimorad (10)
I LOVE YOU – Fontaines D.C. (17)
LA CIENEGA – Chief Springs (18)
ON MY KNEES – RÜFÜS DU SOL (19)
THE HURT WITHIN – Holy Coves (20)
VIRGINIA (WIND IN THE NIGHT) – The Head and the Heart (21)
DISTANCE – Mount Famine (22)
BLOODRUSH – The Amazons (23)
A LITTLE BIT OF LOVE – Weezer (24)
2am – Foals (25)
JUST LIKE ALWAYS – Oli Barton & the Movement with Maella (14)
Harry Styles‘ delightful synthpop song “As It Was” takes over the top spot on my latest Weekly Top 30. Though I was not a fan of the boy band One Direction, I think that most of its members are pretty talented singers in their own right. That said, Harry Styles stands head and shoulders above the rest, and I’ve really liked a lot of his music as a solo artist. “As It Was” is the lead single from his forthcoming album Harry’s House, to be released on May 20.
In other chart highlights, entering the top 10 are Florence + the Machine‘s gorgeous “My Love”, which climbs five spots to #6, and Brandi Carlisle‘s haunting “Broken Horses”, which moves up four notches to #8. Two songs make their debut this week: “Synchronize” by German duo Milky Chance, and “That’s Where I Am” by the amazing American singer-songwriter Maggie Rogers.
AS IT WAS – Harry Styles (2)
DECEPTION – Hannah Reem & Noodle Beard (1)
WILD CHILD – The Black Keys (4)
WHAT, ME WORRY? – Portugal. The Man (3)
LOVE BRAND NEW – Bob Moses (6)
MY LOVE – Florence + the Machine (11)
BLACK SUMMER – Red Hot Chili Peppers (5)
BROKEN HORSES – Brandi Carlile (12)
BROKEN HEARTS – Ships Have Sailed (7)
GIVE A LITTLE LOVIN’ – Jamie Alimorad (10)
SLEEP – Gooseberry (14)
CHASING TRAINS – HULLAH (15)
WILD – Spoon (16)
JUST LIKE ALWAYS – Oli Barton & the Movement & Maella (8)
I’LL CALL YOU MINE – girl in red (9)
CHEER UP BABY – Inhaler (13)
I LOVE YOU – Fontaines D.C. (19)
LA CIENEGA – Chief Springs (20)
ON MY KNEES – RÜFÜS DU SOL (21)
THE HURT WITHIN – Holy Coves (22)
VIRGINIA (WIND IN THE NIGHT) – The Head and the Heart (23)
The mysterious and smoldering “Deception” by British singer-songwriter Hannah Reem, with stunning cinematic music by producer-composer Noodle Beard, is my favorite song for a second week. I think Hannah’s powerful, sultry vocals would hold their own up against many of today’s top-rated female singers. This song is so good – to my ears anyway – that I want it to keep going for nine or ten minutes. I guess I’ll just have to keep hitting replay!
Harry Styles jumps eight spots to #2 with his exuberant earworm “As It Was”. Though I was not a fan of One Direction (the boy band he was a member of in his teens, for those who are somehow unaware), I really like a lot of his music as a solo artist, and his latest single is terrific. According to an article in the webzine Stylecaster, though Styles hasn’t confirmed the song’s meaning, many believe it’s about his relationship with fame and how his life isn’t “the same as it was” since becoming a music star, expressed by the lyrics “In this world, it’s just us. You know it’s not the same as it was.” The song also alludes to his loneliness and concern from others as he isolates himself from the world, opening with a child’s voice (an actual phone recording of his goddaughter Ruby Winston) saying: “Come on, Harry, we wanna say goodnight to you,” and in the second verse Styles acknowledges “Answer the phone. ‘Harry, you’re no good alone. Why are you sitting at home on the floor? What kind of pills are you on?’”
Otherwise, just the typical chart movement this week as older songs slowly move down to make way for newer ones on their way up. The Black Keys‘ “Wild Child” climbs four spots to #4, as does Florence + the Machine‘s “My Love”, which moves up to #11. Yet again, I wanted to add at least five new songs to this list, but only had slots for two: Bastille‘s delightfully upbeat Calypso-infused “Shut Off the Lights”, and the mesmerizing “Miracle Mile” by Welsh electro-punk band Head Noise, which enter at #29 and #30 respectively. I love Bastille lead singer Dan Smith’s distinctive vocals, and am glad they’re still going strong after 10 years. And I’ve been following self-described oddball band Head Noise for a couple of years, and for me, the epic “Miracle Mile”, from their recently-released EP SCRAM, is their best song yet.
DECEPTION – Hannah Reem and Noodle Beard (1)
AS IT WAS – Harry Styles (10)
WHAT, ME WORRY? – Portugal. The Man (2)
WILD CHILD – The Black Keys (8)
BLACK SUMMER – Red Hot Chili Peppers (6)
LOVE BRAND NEW – Bob Moses (7)
BROKEN HEARTS – Ships Have Sailed (4)
JUST LIKE ALWAYS – Oli Barton & the Movement & Maella (3)
I’LL CALL YOU MINE – girl in red (5)
GIVE A LITTLE LOVIN’ – Jamie Alimorad (9)
MY LOVE – Florence + the Machine (15)
BROKEN HORSES – Brandi Carlisle (11)
CHEER UP BABY – Inhaler (14)
SLEEP – Gooseberry (16)
CHASING TRAINS – HULLAH (17)
WILD – Spoon (18)
CAVIAR – Two Feet (12)
THE ONLY HEARTBREAKER – Mitski (13)
I LOVE YOU – Fontaines D.C. (19)
LA CIENEGA – Chief Springs (22)
ON MY KNEES – RÜFÜS DU SOL (23)
THE HURT WITHIN – Holy Coves (24)
VIRGINIA (WIND IN THE NIGHT) – The Head and the Heart (25)