DVR – Album Review: “All Good Things”

DVR All Good Things - Copy

DVR is a studio music project by singer/songwriter and multi-instrumentalist Olav Christensen. Originally from Denmark, Christensen is now based in Brooklyn, NY, and writes, records, produces and masters all his music. He’s been recording music for a number of years, sometimes as a solo act, but often collaborating with other musicians as well. His songs are very eclectic (I like that!), ranging from electronica to alternative rock to pop, and everything in between. He began releasing singles in 2015, and dropped his first full-length album California in 2016, then followed up with an EP Down in July 2018, which I reviewed, then an experimental all-instrumental album Instantiate in June 2019. Now he returns with an ambitious concept album All Good Things, in which he explores the state of the world today and imagines the possibility of a terrible outcome.  

Christensen explains: “All Good Things” is an imagined snapshot of the moment – of our collective realization – of the end of everything. We all knew it was coming at some point in the future but surely not in our lifetime or our children’s, right? It starts with our leaders failing to lead. Too busy enriching themselves, they march us all steadily towards our own inevitable annihilation. There is a moment of clarity, tangible around the world. It is a moment of precious truth when a single looming event on the horizon, threatens to end all of us. Now, when it is undeniable; we each react in our own way. Do we reflect on our lives? Do we find comfort in each other? Do we just have a party and go out dancing?”

The album opens with the instrumental “Prelude – The March Towards Inevitability“, a quirky, experimental-sounding track that sets a somewhat unsettling mood. While at times feeling discordant and chaotic, the song still has a melodic, almost contemporary classical structure that makes for an intriguing listen that’s actually rather soothing. This discordant, experimental vibe continues with the title track “All Good Things“, as DVR employs a rich mix of spacey, psychedelic synths and sounds, accompanied by a driving percussive beat and additional guitar by Bjørn Ginman. With a gentle soaring chorale sung by Rorie Kelly, Nico Z. Padden and Pauline Salotti as a backdrop, he sings: “So this is how things come to pass. All that remains is dust and gas. And all good things come to an end. Whatever you believe in, whatever you pretend. For what it’s worth, we had a good run right down to the end.”

Special Friends, Arrow of Time, Entropy” is an unusual track, actually three different songs strung together, and running ten and a half minutes long. It feels almost like a classical piece with three distinct but related movements. The first part, “Special Friends”, features more of those quirky, psychedelic synths, accompanied by Christensen’s daughter Hadley Rose’s baby-like electronically-altered vocals, which are mostly unintelligible. They’re kind of endearing, yet have an almost menacing feel when combined with the music. At around 3:30, the track changes to “Arrow of Time” with a transition to smoother, ethereal synths that give the track a dreamy, atmospheric vibe. Some lovely delicate guitar work is provided by David Rolo. At 6:50, the track abruptly shifts to “Entropy” with the entrance of a voice over by Alan Watts: “Memory, is a dynamic system. It’s a repetition of rhythms. Reality escapes all concepts. You, are just as much the dark space beyond death as you are the light interval called life.” From there the song takes a jazzy turn with some cool guitar work by Andy Pitcher and double bass by Dean Johnson. Later, Watts offers up a matter-of-fact conclusion: “Let go of the breath. You can’t hang on to yourself. This isn’t terrible. But it’s just going to be the end of you as a system of memories.”

Come Inside” has a Peter Gabriel vibe, both in terms of the song’s structure and melody and DVR’s plaintive vocals. His intricate jangly guitar work is terrific, and so is the smooth bass by guest musician Bobby McCullough. Additional female vocals by Rosie Bans provide a nice contrast to DVR’s.  One of the lovelier tracks is “Quiet Breakdown“, thanks to swirling synths, sublime guitar work and the enchanting sape, a traditional lute originating from Central Borneo played by guest musician Rayhan Sudrajat, who also played bass. DVR sings “I’ll come at you lightly, I’ll meet you halfway. I’m headed for a quiet breakdown. I think it won’t be long.”

We’ve now arrived at “Here We Are“, where we’ve made the decision to go out in style and just party.  My favorite track, it’s an upbeat dance pop song that contrasts with the rather morbid lyrics about going all-out to celebrate the end of humanity. “Here we are, at the apex of humanity. Standing tall before the fall. Falling over each other to witness the final act. The hottest show in town tonight. Everyone dresses sharp for the end of all mankind. It’s going to be out of sight.” Guest vocalist Courtney Hans sounds like a young Madonna, which is partly why I like this song so much. Additional guitar is by Justin Chamberlin, and Bobby McCullough returns on bass.

All Good Things – Reprise” is a different take on the title track. The song opens with the sound of a phone busy signal, then a mix of glittery and Polynesian synths enter, along with a voice over of Noam Chomsky talking about the existential threat of global warming and how the current U.S. administration has chosen to not only disregard that threat, but actually accelerate the problem. Once his voice over ends, we hear the lyrics now sung by guest vocalist Aradia. The music gradually swells into a rock feel, with a terrific guitar solo by TJ Dumser, and bass played by Michael Friis. The track finishes with the ominous beeps of the Early Warning System.

This is the Day” closes the album on a predictably dark note, but with a smooth, soft-rock groove that keeps things from being too maudlin. Guest musician Bjørn Ginman is back, laying down a hypnotic and haunting guitar solo that’s so good. DVR croons with a sad air of resignation “This is the end of the night. Your immaculate decay. And if you’ve ever wondered what that was like, what that would feel like, hey, this is the day. This is the end of the road. You’ve come a long way haven’t you?

All Good Things is a brilliant concept album that artfully shines a light on the precarious geopolitical situation we now face, while presenting it in an entertaining and enjoyable manner though compelling lyrics and intriguing soundscapes. I love that Christensen collaborated with such a wide range of musicians and vocalists to give his music an incredible variety of styles, textures and sounds.

Connect with DVR:  Facebook / Instagram
Stream on Spotify
Purchase on Bandcamp

DVR – EP Review: “Down”

DVR pic

DVR is a studio project by singer/songwriter and multi-instrumentalist Olav Christensen. Originally from Denmark, Olav is now based in Brooklyn, NY, and writes, records, produces and masters all his music. He’s been recording music for a number of years, and began releasing singles in 2015, and dropped his first full-length album California in 2016. That work was inspired by memories collected by Olav when he lived in Santa Monica, and was a collaborative effort with bassist/synth musician Ancelmo James.

In late July, he released a new EP Down, which he describes as “five depressing songs for the kids, guaranteed to make you feel better.” While the songs’ themes do address the down sides of love and relationships, his wonderful music is generally upbeat, having the effect of softening the raw emotions expressed in his dark, poetic lyrics.

The first track “Precious Little Time” is a lovely pop-rock ballad that seems to be about regret over past transgressions that resulted in the loss of a loving relationship. The instrumentals are a pleasing mix of acoustic, electric and slide guitars, accompanied by gentle percussion, that perfectly complement the wistful lyrics:

Precious little time makes me lose my head
It’s not that you did wrong, I’m just hanging by a thread
Running out of time and I keep slowing down
Beat and broken down, knees to the ground
I’ll send you love from the great beyond
To take the edge off breaking my bond

Low” has an edgier rock sound, with fuzzy and psychedelic guitars, heavy bass and industrial synths set to a driving beat. DVR’s electronically distorted vocals give the track a bit of a Peter Gabriel vibe. It’s a brilliant song, and probably my favorite on the EP. “Another Year” is a soulful pop-rock track with some fine, intricate electric guitar and a strong thumping drumbeat.  His smooth vocals are really nice, as are his own backing harmonies, which he very effectively uses on other tracks as well. He sings about his shortcomings and how he always fails to live up to his best intentions: “I won’t make no resolutions. There really is no point. Cause when it comes to execution I just disappoint.”

He speeds things up on “Your Shoes,” a peppy, upbeat-sounding rock song with great guitar work and decidedly dark lyrics. Spoken from the point of view of someone who’s completely cynical and emotionally dead, his words offer a bit of empathy to another who’s suffering, though from what we’re not told. His earnest, emotionally-charged vocals almost reach a falsetto level at times.

It’s a bitter pill to swallow 
But I’ve been dead for a while 
My spirit’s dull and hollow 
My soul is dark and vile
But here 
Close to the ground 
Flat on my back 
Nothing to lose 
Here 
I realize what it’s like 
To be in your shoes

On “Undetected,” DVR employs a wide assortment of rich guitar textures, and layers them over a thumping bass line and strutting drumbeat to create an uptempo backdrop for his heartfelt vocals. With a sense of sad resignation, he laments about how the object of his desire doesn’t seem to care about him:

I’d like to be on your radar
It’s my favorite place to be
But all the while, here you are
Not looking for me
I’m always undetected
As I drift across your scope
I’ll always be neglected
Here at the end of my rope

Down is a great little EP that left me wanting more from this versatile artist. Though he refers to himself as a “shitty” guitarist in his Twitter bio, I’d say he’s a pretty good one! And given his rather prolific output over the past few years, I’m sure we’ll be hearing new music from DVR soon.

Connect with DVR:  Facebook / Twitter / Instagram
Stream on Spotify
Purchase Down on Bandcamp