BLACK | LAKES – Single Review: “The Divide”

I’m back in the UK, this time to shine my spotlight on the band BLACK | LAKES, who just released their phenomenal debut single “The Divide.” The band is comprised of five members who hail from South Wales and Southwest England, including Will S. Preston (lead vocals), Scott Bradshaw (guitar, backing vocals), James Rowlands (guitar, backing vocals), Lee Harris (bass) and Dafydd Fuller (drums). Influenced by too many bands to name, they play an electrifying and melodic style of progressive alternative metal rock.

Black Lakes Promo 2

The single is the title track from their EP The Divide, which was produced and mastered by Romesh Dodangoda at Longwave Studios, and premiered along with a review on Down the Front Media, which you can read here. As the band explained in that post, “The Divide” is “about rejecting the predetermined path laid out in front of you by mainstream society. It’s about demanding your individuality in a world hell bent on making you the same.” The article’s author Claire Hill goes on to say: “Based on the band’s collective personal experience and persistent, bitter disappointment at being let down by those holding positions of power and authority, ‘The Divide’ is a pretty good assessment of what a lot of people feel about what is happening in society today.”

The song starts off with a delicate synth chord, then blasts open with a cascade of gnarly and wailing guitars, mammoth bass, and thunderous drums. As the song progresses, layers of jangly and distorted guitars are added to the already dynamic mix, propelling the track into the sonic stratosphere.  Will’s gorgeous vocals are filled with passion as he fervently sings the powerful lyrics, soaring to intense heights in the choruses that spread chills up and down our spines: “One by one we fall in line with docile obedience. In lies we trust, stand in line justified you’re one of us. Father forgive them for the lives they have stolen. Further we are taken down the paths they have chosen. One more time.”

It’s a monumental track, and as close to perfect as any rock song I’ve heard lately. The brilliant video was created by Yuvraj Imaginaria. Check it out:

Connect with Black | Lakes:  Facebook / Twitter / Instagram
Stream on  Apple Music
Purchase on  iTunes

HOUNDWOLF – EP Review: “Tempted to Abuse”

Houndwolf

HOUNDWOLF is an outstanding hard rock/metal band based in Witten, Germany. Influenced by some of their favorite rock and metal bands like Metallica, Motörhead, Pantera, Slayer, Black Stone Cherry, Trivium and Black Label Society, they play melodic and aggressive metal-infused rock’n’roll, with some of the best guitar work I’ve heard from any band. Comprising HOUNDWOLF are four gracious, cool and funny guys: Milan Schloßmacher (Lead Vocals & Guitars), Tobias Maienschein (Guitar & Backings), Daniel Teuchert (Bass & Backings) and Thomas Neuhaus (Drums).

In early 2016 they released a debut 3-track EP Fast and Loose, then dropped their first studio album Beware of the Dog that November, which I reviewed in December 2017. This past April, they followed up with a new four-track EP Tempted to Abuse, serving up more of their signature aggressive, high-energy rock’n’roll. They kick things off with “Roll,” a simple but effective ode to what they do, and Milan makes sure we don’t forget it as he shouts “We are determined to rock, so you better roll!” Milan and Tobias crank out red hot riffs while Daniel lays down a solid bass line and Thomas pounds out the beat on his drum kit. They perform a studio playthrough of the song on this video, and it’s fun to get a close-up look at them playing their respective instruments.

The guys seem to channel Metallica on the hard-driving title track “Tempted to Abuse,” tearing up the airwaves with extended riffs of blistering guitar work. Milan’s raw vocals even remind me a bit of James Hetfield on this track. Dial up the volume on this banger! Next up is “The Second,” a great bluesy rock song that’s probably my favorite of the four tracks. As always, their guitar work is terrific, but what really stands out for me are Milan’s great vocals. They have just the right amount of raw power when he sings the aggressive verses, then he injects a little humor into his more spoken vocals, when we can also hear a bit of his German accent. It’s clear from his body language and facial expressions that he really gets into playing and singing, which is a joy to watch.

Pursuit of Ambiguity” is straight-up metal rock’n’roll, with rapid-tempo heavy riffs, pounding drums and tons of crashing cymbals. The guitar work in the bridge is absolute fire, and Thomas seems to beat the living hell out of his drums! These guys are amazing musicians and it’s always a pleasure listening to their dynamic rock’n’roll music. I love HOUNDWOLF!

They’ve produced several entertaining videos of themselves playing their songs, as well as some behind the scenes footage of the recording of this EP, which you can check out on their YouTube channel.

Connect with HOUNDWOLF:  Website / Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music
Purchase on Bandcamp / iTunes

TRAVERSE THE ABYSS – EP Review: “Traverse the Abyss”

Traverse the Abyss album art

Traverse the Abyss is a heavy metal band based in Scranton, Pennsylvania. Their intense, face-melting sound draws from a myriad of metal sub-genres, including classic heavy metal, thrash metal, death metal, nu-metal and metal core, as well as hard rock, rock’n’roll and even punk influences. They formed in 2016 and quickly got to work recording their first album Gamble of Life, which was released that November. It was an impressive debut, and you can read my review here. Since then, they’ve dropped three singles, all of which are now included on their new self-titled EP Traverse the Abyss. 

The band has undergone a few personnel changes since their beginning, and the current line up is now Eric Abyss (Vocals), “Iron” Mike White (Guitar), Mike “Bnoc” Bieniecki (Bass/Backing Vocals), Matt Mierzejewski (Guitar) and Nathan Cardona (Drums).

The guys get right down to business with the scorching opening track “Failure.” Our ears are greeted with a wailing guitar solo that’s quickly broken by an explosion of stabbing shredded guitars, jack-hammer death metal riffs, and speaker-blowing drums. Halfway through, the guys throw some nice melodic riffage into the maelstrom of furious guitars, adding texture and complexity to the track. Eric screams the lyrics with a savage ferocity that’s almost frightening.

I hope he has a good ear, nose and throat specialist, because he’ll surely need one after he’s done ripping his vocal cords to shreds on “Dead Weight.” This is a real head-banger, with frantic riffs of raging guitars, crushing bass and pummeling drums.  Eric brutally screams the biting lyrics that are a total repudiation of someone who’d fucked you over: “I think you’ve mistaken me for someone who truly gives a fuck.”

Traverse the Abyss turns introspective on “Time Flies,” ruminating on life changes and the inevitable loss and regret many of us experience with the passage of time: “I have to live with decisions that I’ve made. Yet they make me who I am today. / I lie awake every night and reminisce. About my friends and family and times that I miss, and how they are never coming back.”

The guys continue on their rampaging path of sonic destruction with the face-melting “Family” and “Inner Demons.” The furious, fast-paced riffs rain down hot and heavy, but with an amazing intricacy, and Eric’s death metal growls are positively bestial. They inject a heavy dose of rock’n’roll into their metal on “Battle Cry,” one of my favorite tracks on the album. It opens with a playful burst of fiendish laughter, then Eric sings “A scooba dooba do bop ba bop bam boo” before frantic rolling guitars, heavy bass and thunderous drums take over. “Iron” Mike and Matt tear through the airwaves with jaw-dropping riffs as sharp as razor wire, while Eric screams the lyrics that are a clarion call against tyranny.

I thought I’d heard the most brutal music the band had to offer, but I was wrong! The guys really bare their death metal teeth and dial up the ferocity on the final track “Blink.” Man, the staccato death metal riffs are like machine-gun fire on steroids, and the pummeling bass and drums so powerful I could feel them in my gut. Eric seems to stretch his vocal abilities to the breaking point, his screams and growls matching the fury of the instrumentals note for note. It’s a great finish to a fantastic, hard-hitting album.

With their sophomore effort, Traverse the Abyss further confirm their strengths for writing outstanding heavy/death metal songs with compelling, relevant lyrics and great melodies, as well as their skills at bringing them to life with their impressive musicianship. With two great albums now under their belt, I would safely say they’re a band on an upward trajectory.

Catch them at one of these upcoming shows:

Connect with Traverse the Abyss:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music / Reverbnation
Purchase on  iTunes / Bandcamp

AGENCY PANIC – Single Review: “Panic”

Agency Panic 2

Agency Panic is an alternative/progressive metal rock band based in Wexford, Ireland, and in July they made an auspicious debut with the release of their powerful new single “Panic.” It’s the first song off what they are calling their ‘drip feed’ EP, which is being released one song at a time. Making the hard-hitting noise are J.D.K. on vocals, Tubs on guitars, Lee on bass, and Revsy on drums.

“Panic” is four minutes and 49 seconds of hard rock perfection. The track opens with a blast of crashing drums and fierce guitar, and never lets up. The guitar work is phenomenal – Tubs sets the airwaves afire with scorching riffs of shredded and wailing guitars that are pure bliss for those of us who love intense, guitar-driven melodic rock. Lee lays down a solid bedrock of heavy bass, while Revsy pounds his drum kit like a man possessed. J.D.K.’s strong, passionate vocals are chilling as he snarls the dark lyrics, becoming downright feral in the song’s finale when he screams the words alongside the raging guitars, sending shivers up and down my spine.

It’s an incredible song that leaves me wanting to hear more from this amazing group of musicians, and I cannot wait for their next single! The intense black and white video shows the band performing the song in a darkened room with ominous-looking shadows, alternating with scenes of a man stealing, then destroying, medical records and cutting off his fingerprints in what appears to be an attempt to hide his very existence. Later in the video are scenes of civil unrest and other disturbing images, juxtaposed with the band’s performance of the now almost violent music and vocals. Have a look and prepare to be blown away:

Connect with Agency Panic:  Facebook / Twitter / Instagram
Stream “Panic” on  Spotify /  Apple Music
Purchase on  Bandcamp /  iTunes

TRUE THE GRAY – Single Review: “Greet Your Tragedy”

True the Gray is a metalcore band based in Denver, Colorado. Formed in 2016 from the ashes of metalcore band Me Against Sunrise, True the Gray consists of Peter Vaughn (guitars, vocals, percussion, keys) and Scotty Wilson (vocals, guitars, percussion). The guys are friendly and engaging, referring to themselves as “Just two friends making heavy, passionate music that features references to Transformers, chicken and rice stuffing, and crematoriums.” Works for me! They released a very respectable debut self-titled EP True the Gray in 2016, and now follow up with a face-melting, emotionally powerful new single “Greet Your Tragedy.”

The guys explain that the song “is about someone on the verge of madness, trying to hang on to what semblance they have of their former selves. An anthem for mental health.” It opens with a gritty distorted guitar chord, setting an ominous tone for things to come. Suddenly, all hell breaks loose as the song erupts into a maelstrom of bone-crushing staccato riffs, wailing distortion, and massive, ear-piercing percussion. These guys mean business, delivering a relentless onslaught of furious instrumentation that elevates the track’s emotional impact nearly to the breaking point. Their chilling vocals range from savage growls and furious screams to impassioned soaring harmonies. By song’s end, we’re left dazed and spent.

“Greet Your Tragedy” is a brilliant, flawlessly-crafted track, with compelling lyrics and superb instrumentals, vocals and production values. The guys really up their game on this mind-blowing powerhouse of a song, and it’s their best work yet.

Connect with True the Gray:  Facebook / Twitter / Instagram
Stream their music:  Spotify /  Apple Music / Soundcloud
Purchase:  iTunes 

FACE OF STONE – Single Review: “Red Moon Sky”

Red Moon Sky

Face of Stone is a Los Angeles-based music project consisting of songwriter/guitarist/producer Marc Palmer and singer/songwriter/multi-instrumentalist Brad Schecter. Each has years of professional experience both as solo artists and with other bands. Marc has long been lead guitarist for L.A. band The Busboys, and Brad was previously in Scarred and Blue Embrace. Brad released his superb debut solo album Live Your Dreams in 2015 (which I reviewed last year, and you can read here). With Face of Stone, they bring to the table Marc’s skills at writing hard-hitting guitar-driven melodies and coaxing blistering riffs from his six-string, and Brad’s talents at penning compelling lyrics, vocal melodies and harmonies, as well as his great vocal abilities and skills with guitar, bass and drums.

They’ve just released their debut single “Red Moon Sky” and it’s a belter! We’re instantly hit with a relentless barrage of raging shredded guitars and gritty bass, punctuated by occasional blasts of distorted guitar that give the song added punch. The scorching riff in the bridge provides an extra dynamic as well. Brad’s raw, impassioned vocals are impressive, taking this electrifying track to even greater heights. It’s a fantastic debut that whets our appetite for more tasty rock treats from the duo.

Brad told me he purposely writes lyrics with some ambiguity so that more people can relate to them and draw their own conclusions. My take is that the song’s about the thin line between love and hate that can occur in a tempestuous relationship plagued by bad feelings and distrust:

Red Moon Sky. Time to heal until it hurts.
Not one to deny what you need to feel fulfilled.
Just not the one to do it.
You’re not someone who is capable of change.
No matter what, you stay the same
.

Stream “Red Moon Sky” on Spotify / Apple Music / Reverbnation
Purchase on iTunes

DEAD ON ARRIVAL – Single Review: “WE.ARE.ONE.”

Dead on Arrival Header

Dead On Arrival is a formidable alternative metal rock band based in Derbyshire, in the English East Midlands. Formed in 2011, the band consists of Jack Dughan (Lead Vocals & Rhythm Guitar), Ben Calver (Lead Guitar & Backing Vocals), Connor Woodward (Bass) and newcomer Joe Smith (Drums). Drawing on influences from some of their favorite bands such as Metallica, Machine Head, Black Sabbath, Iron Maiden, Asking Alexandria and Bring Me The Horizon, the guys make aggressive rock that’s melodic, raw and in-your-face. In their bio, they state “Our passion is to write, produce and release our own music and then play it live and LOUD.”

In 2016, the band released their debut album From the Ashes, then followed a year later with a scorching hot EP Chasing Tides (which I reviewed and you can read here). They’ve now returned with a new single “WE.ARE.ONE.,” delivering the face-melting metal rock we’ve come to expect from them. Jack and Ben lay down raging riffs of shredded and distorted guitars, while Connor’s deep, buzzsaw bass lines and Joe’s hammering drumbeats keep the frantic pace. The instruments all reach a bombastic crescendo in the bridge, causing an outbreak of goosebumps. Jack’s raw, impassioned screams are mind-blowing, especially given his youth and seemingly gentle appearance.

The scathing lyrics seem to be a repudiation of people or forces trying to hold you back, crushing your soul and self-worth through their lies and lack of faith in you. Jack told me they’re meant to symbolize the band’s determination to continue moving forward, staying strong against whatever odds are thrown their way, and to keep getting better and better. I think they’re succeeding quite nicely.

Don’t take this away from me
Where are you gonna lay when you’re dead?
When you’re buried in the ground covered in shit and dirt.
And no one knew you existed.
It’s all on you, It’s all on you.
Karma wasn’t my intention. These things just happen.

You can try and take what’s mine.
I can see right through the lies.
But you can’t take, you can’t take this away from me.
And no we won’t fall. It’s us after all.

You can’t take this away from me.
You won’t take this away from me.
You won’t be the end of me.
We will never rest
We are one, and one to be.

The awesome video of the band performing the song was filmed and produced by Bigger Boat Film.

Connect with Dead on Arrival:  Facebook / Twitter / Instagram
Stream their music on  Spotify and purchase on iTunes

HOUNDWOLF – Album Review: “Beware of the Dog”

Houndwolf album cover

I turn my spotlight back to Germany, this time on HOUNDWOLF, an outstanding hard rock/metal band based in Witten. Influenced by some of their favorite rock and metal bands like Metallica, Motörhead, Pantera, Slayer, Black Stone Cherry, Trivium and Black Label Society, they play melodic and aggressive metal rock’n’roll, with some of the best guitar work I’ve heard any band play. Comprising the band are Milan Schloßmacher (Lead Vocals & Guitars), Tobias Maienschein (Guitar & Backings), Daniel Teuchert (Bass & Backings) and Thomas Neuhaus (Drums).

Houndwolf

In early 2016 HOUNDWOLF released a debut 3-track EP Fast and Loose, then dropped their first studio album Beware of the Dog that November. The album includes the original three tracks that were on the EP, plus seven new tracks. It’s a real tour-de-force, with seven tracks running more than five minutes in length. Three of them clock in at over eight minutes, with impressive extended riffs that will satisfy even the pickiest lovers of metal guitar.

The album kicks off with the rousing “The Banner of Rock’n’Roll,” establishing right up-front that this band means business about carrying the banner for rock’n’roll. To an onslaught of blazing guitars, buzzing bass and pummeling drums, Milan snarls “We have come to kick your ass, to blow your mind today! With a sound that’s razor sharp, as a steely knife” – and do they ever! Milan and Tobias lay down some formidable riffs that make for an exhilarating rock’n’roll song.

Metallica’s influence is strongly evident on many of their songs, especially the title track “Beware of the Dog,” “Paintheatre” and “Fast and Loose” – all down and dirty high-energy rock’n’roll tracks with frenetic metal guitar riffs, heavy bass lines and rapid-fire drums. “Crematories of Hell” is a moody heavy metal ballad with stunning intricate guitars that shred and wail. Milan’s smoldering, gritty vocals add to the dark feel of the track as he bitterly sings: “So you laid me down into the crematories of hell. You drained all my joy, I’m pain in a human shell.”

Die Laughin‘” is fantastic hard-driving rock at its finest, opening with a blistering extended guitar riff, backed by pounding drums and throbbing bass. After about a minute, Milan’s powerful vocals enter the proceedings as he growls: “I wanna die laughin’, with a smile on my lips,” though it sounds like he’s singing “I wanna die lovin.'” Double meaning perhaps? At four minutes, the song slows to a ballad-like interlude with beautiful guitar, then ramps back up with a return to the frenzied tempo for the remainder of the track. (HOUNDWOLF does this on several of their longer songs, giving them a monumental quality.) Milan reaffirms his intentions: “I wanna die with a smile on my face.” It’s an awesome song with stellar guitar work, and one of my favorites on the album.

Sweet Goddess of Fire” is a great hard rock song, with more amazing guitar work. Milan sings about a woman who’s definitely caught his attention: “Pretty smile, she’s not that tall. But she really is the opposite of small.

It seems the guys are saving the best for last, as the tracks get better and better as the album progresses. Another favorite of mine is the gorgeous but melancholy rock ballad “Goldminer’s Dream,” a powerful song about feeling like a failure despite working so hard, but vowing to never give up trying to achieve your dreams:

I’ve been working all day and all night long
Searching every mountain’s mine for gold
Hoping to have my work, and money making it tenfold
Cause I like the dust and I like the dirt
For I desire the end of all my indefatigable work
I have to go on as it seems
But I won’t give up, I won’t bury a goldminer’s dream
Sorry that none I brought to you was gold
Glittering emptiness is all that I hold with these shattered hands
Again I lost, Again I commit a blunder
Again I feel this pain trying to pull me under

The track starts off slowly, with beautiful strummed guitars over a solid bass line and gently tapping drums. At about 3:30 the music intensifies with stronger electric guitar and heavier drums. Milan’s vocals also rise in emotion to a grittier delivery, in tandem with the music, then all settles down at 4:50 for around 45 seconds. Everything ramps back up again to a powerful crescendo before calming back down at the end. It’s an amazing song.

Speaking of amazing, next up is “Deathtiny,” an epic work featuring jaw-dropping guitars worthy of Metallica or Slayer. It’s ironic how riffs this scorching hot can bring such chills. Milan and Tobias shred their guitars nearly to the breaking point, while Daniel lays down a mammoth bass line. Thomas attacks his drum kit like a pile driver, crashing his cymbals with all the force he can muster. The track is almost nine minutes long, but so fucking good it seems over in an instant.

Here’s a video of Daniel doing a wicked bass playthrough of the track:

The guys pull out all the stops on the autobiographical album closer “Houndwolf.” It’s a rock’n’roll head-banger, delivering a barrage of frantic metal guitar riffs, crushing bass and thunderous percussion. Milan’s gruff vocals are fierce as he sings about what they’re gonna do with their music: ” We’re Houndwolf! We’re gonna take the stage! We’re gonna bring ya into eternal rage. We’re Houndwolf! Give us your hand! We’re gonna bring ya into  a fallen land.” Take me, I’m ready to go!

Here’s a video of Milan doing a guitar playthrough of “Houndwolf.”

HOUNDWOLF play hard rock’n’roll that’s every bit as good as many of the big-name heavy metal bands, and Beware of the Dog is a superb, monumental album. They’re writing and recording new music, which should be gracing our ears in 2018.

Connect with Houndwolf:  Website / Facebook / Twitter / Instagram

Purchase Beware of the the Dog on itunes and other sites offering music for download or purchase.

BRAD SCHECTER – Album Review: “Live Your Dreams”

Brad Schecter is a creative and talented singer/songwriter and multi-instrumentalist based in Los Angeles. With a life-long passion for music and performance, he began studying classical piano at age 6, started writing songs at 15, and went on to earn a B.A. in Theatre.  In addition to being a rock tenor, he’s played piano and drums for over 25 years, both as a solo artist and with a number of bands, including Scarred and Blue Embrace, and more recently, a new project Face of Stone with guitarist Marc Palmer.

Brad Schecter

In October 2015, Brad released his debut album Live Your Dreams, a collection of songs that chronicle his life beginning with the death of his father when he was 16, his ongoing struggle with anxiety and depression and, most of all, never giving up. Drawing inspiration from some of his favorite artists and bands like Sixx:A.M., Pink Floyd, Muse, Iron Maiden and RUSH, he fuses powerful, heartfelt lyrics with hard rock and metal to create a sound that can best be described as progressive hard rock with a significant piano presence. Based on influences from those legendary bands known for their magnificent musical output, Brad’s music is as impressive and compelling as I’d imagined it would be.

For the album, Brad wrote all the music and lyrics, including the guitar solos, and played piano, drums, keyboards/synths, and auxiliary percussion, and sang all vocals. Other musicians providing backup instrumentals included Greg Karas on guitars, Drew Allsbrook on bass, and Daniel Balistocky on additional rhythm guitar and bass.

The album opens with the hauntingly beautiful piano instrumental “Bbc,” which really showcases Brad’s skills as a pianist. The track abruptly segues into the high-energy rocker “Blind Eye,” a powerful song about refusing to let someone continue to hurt you. Rapid-fire riffs and hammering drums propel the song forward, while Brad emotionally sings “Why can’t you see what you’ve done to me? I don’t want to live this way again.” An assertive piano later enters the scene as Brad defiantly sings “No more blind eye. I can see now.

A standout track is “Another Day,” a hard rock anthem with terrific instrumentals, including some stellar guitar work and piano. The hopeful lyrics speak to not letting life’s problems defeat you:

Maybe it’s not too late, in my hands is my own fate
So much left to do, not too late to start anew
I know I still have time, but it could never be enough
Explain to me the reason why, explain to me the reason why
The moon still rises, the sun still sets
Will my spirit carry on yet?
What if time stood still so we could live on
And I would not have to wait
So please let me see another day

Spring” opens with sounds of children playing outdoors, then suddenly interrupted by a thundershower. A lovely piano movement takes over, and Brad sings bittersweet lyrics that hearken back to his childhood and his father’s death. The music ramps up with added electric guitars, heavier bass and more aggressive piano as he fervently pleads “Father don’t speak, this is easier. Father don’t cry, I will be fine.” The music slows back down, only to ramp back up at the outro. It’s an epic song.

Brad delivers another amazing track with “So Long Sonata,” an emotion-charged song about telling someone that your relationship is irreparably broken. The track features beautiful, dramatic piano, great guitars and percussion. The sublime piano instrumental composition “Reminiscence” follows, providing a nice interlude and transition to the monumental track “Just in Case.” The grandiose orchestration, featuring an arresting interplay between piano and guitar, result in a gorgeous rock song of immense power, befitting of the subject of mental illness.

Next up is “True Selfie” an exuberant rock anthem about staying true to yourself, not being who you think you should be. Closing out the album is the title track “Live Your Dreams.” As always, the song is chock-full of Brad’s beautiful piano playing, accompanied by awesome guitar work and commanding percussion. The inspiring lyrics speak for themselves:

I know it’s easier to fantasize than to really do the task
Spend too much time pondering what if
Not enough time seeing what could be
No point in trying to relive the past
You must move forward never back
Now there’s an obstacle before you
Only one who stands in your way is you

Live Your Dreams is a solid testament to Brad’s expansive songwriting and musicianship, and I’m glad he reached out to me with his wonderful album. I realize the music industry is a tough, highly-competitive business, and that success can seem elusive for many musicians. I sincerely hope he continues writing and recording music, whether it be as a solo artist or in collaboration with other artists as he is now doing with Marc Palmer.

Connect with Brad:  Facebook / Twitter / Instagram
Stream his music:  Reverbnation / Soundcloud
Purchase:  Bandcamp / iTunes/Apple Music / Amazon

MURKOCET – Single Review: “Hustlin’ Hate”

Hustlin' Hate

Phoenix, Arizona-based heavy metal band MURKOCET is bound and determined to slam you against the wall with their relentlessly intense music. They state they’re named after a substance directly attributed to the aggressive and often times violent actions of it’s user. Listening to their music, I’m certainly not gonna argue with that! Following up on their self-released face-melting debut album Digging Mercy’s Grave, released this past January 2017, they’ve just released a blistering new single “Hustlin’ Hate.”

MURKOCET consists of Richie Jano on vocals, Nate Garrett on guitar, Mike Mays on drums, and newcomer Jared Pettit on bass. Their hard-hitting yet melodic music is heavily influenced by some of their favorite hardcore and death metal bands such as Lamb of God, Slipknot and Hatebreed. They combine those influences with a strong emphasis on engagement with fans though their incredibly dynamic, high energy performances.

Murkocet

“Hustlin’ Hate” starts off with a wailing guitar riff, accompanied by a rib-crunching bass riff and pounding drum, then explodes into an unrelenting four minute long assault of jackhammer bass, pummeling drums and blazing guitars. The interplay between guitar and bass is so good it brings goosebumps. Jano unleashes all the brutal fury he can muster with his raw, guttural vocals, raising those goosebumps to the breaking point. It’s a phenomenally powerful track, and a thing of beauty for those who love death metal.

Catch Murkocet at one of these upcoming concerts:

Nov. 25 –  Silver Spur Saloon, Denver, CO
Nov. 26 –  Rio Rancho, NM
Nov. 27 –  Green Room, Flagstaff, AZ
Nov. 29 –  The Merrow, San Diego, CA
Nov. 30 –  Bricks Restaurant & Sports Bar, Maywood, CA
Dec. 1   –  Dive Bar, Las Vegas, NM
Dec. 8   –  Marquee Theatre, Tempe, AZ
Dec. 22 –  Acadia Bar & Grill, Houston, TX

Connect with Murkocet:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud/ Google Play / YouTube
Purchase:  iTunes