LIAM SULLIVAN – Single Review: “When This is Over”

Liam Sullivan When This is Over

I’ve been featuring a lot of British artists on this blog lately, and singer-songwriter Liam Sullivan is now the seventh in a row. The engaging musician from Leeds reached out to me a few days ago about his latest single “When This is Over“. He’s a fine songwriter and guitarist, and has a lovely and vibrant singing voice that’s quite pleasing. His music can generally be classified as alternative rock with strong folk overtones, and I’ve been listening to and really enjoying his back catalog of songs, which I strongly urge my readers to check out on one of the music platforms listed at the end of this review.

Liam Sullivan3

Liam has been writing and performing music for well over a decade, and released his first solo EP Restless in June 2017, featuring four stunning tracks. More recently, he teamed up with a group of musicians to form his own back up band, and released an equally beautiful second EP The News I Needed in December 2019. On May 1st, he released “Wasted Days”, a poignant single about depression and feelings of uselessness, and now follows with “When This is Over”, which dropped on May 25th. Written and recorded during the COVID-19 quarantine, the song is a hopeful look ahead toward happier times.

Like “Wasted Days”, “When This is Over” has a gentler folk vibe, with just Liam’s beautifully-strummed acoustic guitar, accompanied by soft percussion. His vocals are heartfelt yet comforting as he laments of the many things we’ve been unable to do socially with others during this unprecedented quarantine, while remaining optimistic that we will do them all again one day. He also admonishes us to take a look at ourselves, and not place blame or remain divisive about something that many have suffered from. It’s a wonderful song.

Maybe someday when this is over
We can sit out in the sun
Maybe someday when this is over
We will embrace everyone
Maybe someday when this is all over
We will share a beer
Maybe someday when this is all over
We will see what happened here

What’s in your heart, and your mind?
This is not the time for choosing sides
What’s in your heart, your mind?

Maybe someday when this is over
I can shake your hand
Maybe someday when this is over
We will understand more
Maybe someday when this is over
We can start again
Maybe someday when this is all over
It’s over, it’s over

What’s in your heart, and your mind?
This is not the time for choosing sides
What’s in your heart, your mind?

Here’s a sweet acoustic performance of the song by Liam at home:

Follow Liam:  FacebookTwitterInstagram
Stream his music:  Spotify / SoundcloudApple Music / YouTube
Purchase:  Google Play / Bandcamp

New Song of the Week – AS SIRENS FALL: “Puppy Squad”

As Sirens Fall

As Sirens Fall is a charismatic and talented alt-rock band based in the northern English city of Leeds. Through their exciting, innovative and edgy style of what they call “aggressive pop”, provocative and entertaining videos, and theatrical live performances, including appearances at such festivals as Download, Bingley Music Live and Camden Rocks, they’ve grown quite a large base of die-hard fans over the past six years or so. The band consists of Mikey Lord (vocals), Will Truby (guitar), brothers Adam (guitar) and Jason Doveston (bass), and Bailey Roper (drums).

Beginning with their 2015 debut single “From Across the Waves”, As Sirens Fall have released a steady stream of singles and EPs, including The Hospital Party in 2016 and Where Lost Things Go in 2018. Their fantastically dark 2019 single “We Go Down Together” has been streamed over 108,000 times on Spotify. They dropped their latest single “Puppy Squad” on May 15, then followed with an electrifying video for the song on the 23rd that I love so much, I’ve chosen it as my New Song of the Week.

About “Puppy Squad”, Mikey states: “This song is about realising that I could stand up for who I am. I don’t have to fit in with people who make me feel small or unimportant. I don’t have to be a sidekick. Neither do you. Be you and turn it up loud til the very end. f ‘em up, puppies!” It’s quite honestly one of the most dramatic and exhilarating songs I’ve heard in a while, with in incendiary onslaught of wailing guitars, buzzsaw bass and eardrum-shattering percussion. Man, can these guys rock! Will and Adam shred their guitars nearly to bits, while Bailey smashes his drums like a wild beast, raising our adrenaline.

And speaking of beasts, Mikey’s vocals are downright feral as he screams and shrieks like a man possessed, raising hairs on the back of my neck. He’s sings at such a breakneck speed in spots that it’s hard to understand all the lyrics, but when he snarls “I’m tasting you before I come alive again” like a seductive vampire, it’s hard to not shudder just a little bit. In the song’s quieter moments, he croons in a purr that’s equal parts sexy and menacing when he sings: “And Lily looked at me from across the room and smiled. And I thought, ‘Ah honey, you’ll never understand what these creatures can do.’ And she looked at me deep, with those gorgeous baby blue eyes. And I laughed. And I said ‘Are you feeling alive, cutie pie?‘”

The soaring vocal harmonies in the chorus are really marvelous too. “Puppy Squad” is fantastic, and I love every single thing about it. Have a listen and like Mikey says, turn it up loud!

Follow As Sirens Fall:  FacebookTwitterInstagram
Stream their music:  SpotifyApple MusicSoundcloudReverbnation
Purchase:  Band StoreGoogle PlayAmazon

New Song of the Week – NATH JACKSON: “Oncoming Storm”

Nath Jackson

Nath Jackson is a talented singer-songwriter from Leeds, England, who I learned about this past July when I reviewed an EP he collaborated on with electronic music project The Ocean Beneath. He wrote and sang the lyrics on two of the tracks on that EP, and I was really impressed with his captivating vocals. Nath is now writing and recording songs for his own debut EP Dreamers and Deceivers, due out in Spring 2020. He’s just released “Oncoming Storm“, which I’ve chosen as my new song of the week. It’s the first single from his forthcoming EP, along with an accompanying live recording of a second track “Best Laid Plans”.  The Ocean Beneath produced the tracks, with backing vocals sung by Nath’s brother Aaron and drums performed by Karl Rigby.

Nath Jackson2

“Oncoming Storm” is a beautiful and haunting track, starting off with sounds of approaching winds and Nath’s strummed acoustic guitar, accompanied by gentle cymbals that evoke waves crashing on the shore in advance of an oncoming storm. As the song progresses, his guitar strums become more urgent, while lovely but melancholy piano keys and measured percussion enter the mix to create a stirring backdrop for his warm, resonant vocals.

The lyrics seem to me to be about someone afraid of committing themselves to love or even to life, for that matter, fearing they’ll get hurt.

I know you wait
You waited for so long
You’ve been trying to run from the oncoming storm
So come along, won’t you come with me
I’ll get behind those eyes
I’ve got something that you better see

But it’s all too little too late
If life’s a game then you better play
From the upside to the down
The lost and the found
You better move soon before you hit the ground
And they’ve all got something to say
Waiting for those better days
From the love that you choose
The spreading out the news
Where do you go when you got nothing to lose?
Nothing to lose

On “Best Laid Plans”, it’s just Nath’s heavily-strummed acoustic guitar and strong, clear vocals, which are all that’s needed to make a highly satisfying and impactful folk-rock tune. The song speaks to not letting one’s life become trapped by too many rigid plans that can result in disappointment:  “And I find it hard to believe that the best laid plans fall apart at the seams. With just a roll of the dice, you can be free. Can’t wait til the moment’s gone. Dreamer keep dreamin’ on.

Though both quite different in sound and style, they’re both great tracks that showcase Nath’s skilled guitar work and beautiful vocals. I look forward to hearing all of Dreamers and Deceivers when it’s completed.

Connect with Nath:  FacebookTwitterInstagram
Stream on  SpotifySoundcloudApple Music
Purchase on  BandcampGoogle Play

New Song of the Week – DENSE: “Fever Dream”

DENSE - FEVER DREAM (ARTWORK)

DENSE is a remarkably talented psychedelic garage rock band from Leeds, England, who combine thick, fuzz-soaked grooves with explosive riffs and intricate melodies to create music that’s incredibly intense and badass. As their name would imply, their sound has an impressive maturity, complexity and density, which I like to describe as ‘industrial surf-metal psychedelic rock’.  The trio consists of Charlie Fossick (Guitar/Vocals), Dylan Metcalf (Bass) and Sam Heffer (Drums).

A favorite of this blog, I’ve previously featured DENSE numerous times over the past two and a half years, most recently this past March when I reviewed their mind-blowing single “Displaced Face”  Now they’re back with another new single “Fever Dream“, which I’ve chosen as my New Song of the Week. The single drops today, December 6th, via Leeds label Come Play With Me. DENSE were selected for this release by a panel of judges which included BBC Radio 1’s Phil Taggart, Adele Slater (agent to Liam Gallagher and Dream Wife), and Paul Riddlesworth from Dipped In Gold Recordings and Too Pure Singles Club.

About the track, Sam explains “’Fever Dream’ is based on a dream our singer Charlie had when he was really ill a couple years ago. In it, a withered man was left to die by a burning window before being dug up and forced to relive the tormenting experience all over again. The artwork relates to the introduction and later repetition of the agonising circumstance which the protagonist is in, left immobile in a chair being burnt by the scorching sun and unable to break the cycle of his suffering. The rocking chair left in the unused wasteland represents the isolation of this suffering against nature’s elements, visually encapsulating the track’s overall atmosphere.

The song immediately bursts forth with an intense barrage of gnarly guitars, throbbing bass and bombastic percussion. Charlie uses his guitar like a battering ram, pummeling the airwaves with relentless riffs of gritty, reverb-drenched distortion. At times, his guitar sounds like a buzz saw, while other times it mimics a machine gun. Dylan lays down a jaw-dropping bass line so heavy and deep I feel it in my core, while Sam smashes his drum kit like a man possessed. It all serves to create a massive, nightmarish wall of sound for Charlie’s demonic wails and screams. Wow, what a phenomenal track, and once again, DENSE blows our minds and ears with their brilliant musicianship.

“Fever Dream” is also being released on 7” vinyl, and is backed on the other side by fellow label mates Sea Leg’s single ‘Favourite Doll’. Limited signed copies of the vinyl can be ordered from http://cpwm.awesomedistro.com/.

DENSE will be launching “Fever Dream” at the following show tonight, 6 December, at Hyde Park Book Club.

DENSE show poster

Connect with DENSE:  Facebook / Twitter / Instagram
Stream their music on  Spotify / Soundcloud / Apple Music
Purchase on iTunesBandcampGoogle Play

 

ISAAC GRINSDALE – EP Review: “Entertainment”

Isaac Grinsdale EP Art

I recently learned about British singer-songwriter Isaac Grinsdale when he reached out to me about his new EP Entertainment. I’m so glad he did, because it’s a terrific work. Inspired by such artists as Jimmy Eat World, Radiohead, Placebo, Frank Turner and American Football, the Leeds-based musician writes songs with thoughtful, compelling lyrics and unconventional, yet enthralling melodies. Isaac learned to play the guitar in his early teens, and got heavily into hard rock music, which led him to play in several rock and hardcore bands. Now a bit older and wiser, he’s transitioned into making more introspective, singer-songwriter acoustic-driven music, which has culminated in the release of his debut EP Entertainment.

About his new music direction, Isaac explains “I was really inspired by the ethos of the band Refused: That as musicians we should be playing at the edge of our ability, and pushing the boundaries of our music at all times. Otherwise, we’re not playing the kind of music we should be. It’s always stuck with me and frames how I write.”  Entertainment provides ample evidence that he was right to follow his instincts, as all four tracks are beautifully-crafted and deeply honest. A skilled multi-instrumentalist, Isaac played all the instruments himself, and even produced and mixed the recordings.

Isaac Grinsdale performing

The first track “The Blind Leading the Blind” was also one of the first songs Isaac wrote and recorded. It’s a lovely tune, with a peppy guitar-driven melody that belies the withering lyrics that speak to the divisive rhetoric and false promises of our political leaders. In an interview with the webzine imPRESSED, Isaac stated that the song “is basically about growing up and realising the world we live in is fucked up – completely removed from what I was taught as a child.” His intricate strummed and chiming guitar work is exquisite, and all the supporting instruments are perfectly balanced, providing a strong, albeit understated soundscape that allows the guitars and Isaac’s clear, earnest vocals to shine.

They’re words that I have heard since a child
I hear them now: ‘I promise change!’
I once had no reason to doubt
Oh how strange it all seems looking back

Because now…

The suits fail to hide the Facade
And their words fail in their intended charm
And it all sounds so bizarre
Like a lexicon based on Orwell’s Newspeak

They are words that I have heard since a child
I hear them now again
But here where the blind lead the blind
It will all fall on deaf ears, that’s all they’ll find

In the great deception, our language will strip us, and the world, of any sense of the plural. Now we’re left to speak in terms of ‘us’ and ‘them’

Inspired by a book by author Guy Debord: The Society of the Spectacle, the title track “Entertainment” is about how music, or any other art form for that matter, can provide a small counterbalance or escape to the depressing political bullshit touched on in the first track. Isaac based the cover art for his EP on the book’s cover art of the book, which he explained “captures perfectly the idea that we tend to look at the world through a distorted lens/framework.” The song has a rather interesting and unconventional, but pleasing melody that to my ears has a late-90s vibe reminiscent of artists of that period like Duncan Sheik and the Goo Goo Dolls.

Nullius in Verba” is my favorite of the four tracks, not only because of it’s hauntingly beautiful melody and sublime instrumentation, but also the message of the song, which I strongly identify and agree with. The title is Latin for “not in any words” – essentially “take nobody’s word for it”, and is also the motto of the Royal Society, the British national academy of sciences. Isaac touched on the song’s meaning in his imPRESSED interview: “[It’s] about the importance of science, and rational thinking, slowly creating a more progressive and liberal culture from our draconian past. I had a very religious upbringing, but as a late teenager, I started to discover a lot more about how science, over time, has largely overturned our ideas from our past. One example that springs to mind is that human beings have evolved, rather than being created by a supreme being. For me, these are some of our greatest achievements.” Isaac urges us to view things through open eyes and an open mind: “Take a close look at all the terms we lay down. To look at this as objectively as we can. Just not in words, just not in opinion. No don’t you tell God what to do with his days.”

The first thing that came to my mind when hearing the fourth track “Speed of Film” was Joni Mitchell, arguably one of the greatest singer-songwriters of all time. Isaac’s unusual chord progressions and guitar notes call to mind many of Mitchell’s songs, and with his distinctive guitar-tapping technique, the song has a marvelous, fascinating sound. He explained that the song “is about how our memories make us into the people we are today. Lyrically, it’s packed with anecdotes of my friends and family: The great (and not so great) experiences we’ve had together.”

Entertainment is a wonderful debut effort by this skilled musician, who I admire not only for his impressive musical talents, but also for his unflinching stances on social and political issues. An interesting little side thing I noticed about the EP is that the four tracks are arranged such that each one is progressively longer than the one before. The first is 2:30 minutes long, while the last is 4:00 minutes. Isaac just finished recording his second record, an eight-track album titled Paper Crowns that he hopes to release in Spring of 2020, and I really look forward to hearing it. He’s supported acoustic greats such as Jon Gomm, Nick Harper and Beth Orton, and is now gearing up for a major UK Tour in support of his EP.

Follow Isaac:  Website / Facebook / Twitter 
Stream his music:  Spotify / Apple Music / YouTube
Purchase:  Bandcamp / Google Play / iTunes

MMIV – Single Review: “Room for Requirement”

MMIV 2

MMIV is a fairly new band from Leeds, England, comprised of Max Rawdon (vocals, guitar), Charlie Adshead (bass) and Jasper Exley (drums). They formed in mid 2018 when Charlie noticed some lo-fi tracks that Max had posted on the University of Leeds Band Society online pages, and reached out to him. The two immediately hit it off, and started working together on acoustic demos and performing as a duo at open mics around Leeds. They tried out a few drummers, eventually settling on Jasper, who had previously been in the local band Turn Stones with Charlie, and is also currently keyboardist for funk band Everyday People. For their debut single, they recorded one of Max’s original songs “Room for Requirement“, which was released on October 17.

In an interview with the webzine Lippy, Max said that “Room for Requirement” is “indebted” to his life at the university. Written during his first semester of first year, the song speaks to his period of transition coming from a small rural area to the overwhelming big city. The song celebrates the life of a student, even those times when it can all seem bewildering. You feel torn between missing the comforting familiarity of home, and the excitement of experiencing new things and meeting new people in a completely different environment. It’s against this backdrop that the roller coaster highs and lows of a budding romance can feel so intense.

The song has a pleasing lo-fi quality, with a catchy melody that slowly builds to a jubilant tempo in the chorus. Max lays down some very fine guitar work, letting loose with a terrific solo in the bridge. Charlie’s prominent bass line is particularly good, giving the track a solid depth, which is accentuated by Jasper’s lively drumbeats. Max’s low-key vocals are really nice, and being a sucker for British accents, I like how his shines through on this track. It’s a great debut from MMIV, and I look forward to hearing more from this promising band.

I just hope there’s nothing left required
And I’ve admired you from afar
I might lean my head above the island
And try to find it by a star
Do you feel like a bursting into life
Alright

Cause I don’t need nothing now, maybe a home
I think I’m better off dancing alone
Up down, turned around
Up down, turned around

All of the lights are shining very brightly
My head feels like it’s tingling slightly
The touch of your hand is enough to make me think it might be love again

Connect with MMIV:  Facebook / Instagram
Stream their music:  Spotify / Soundcloud / Apple Music
Purchase:  Google Play

THE COMMON VIEW – EP Review: “Man on the Moon”

The Common View EP art

Early this year, I featured young British alt-rock band The Common View on this blog after learning about them and becoming impressed by both their outstanding music and outspoken advocacy for social justice. Formed in 2018, the Leeds four-piece consists of Dom Robertson (guitar, vocals), Jose Ignacio Barrera (guitar), Jacob Lindsay (drums, vocals) and Joe Sykes (bass). (After recording their latest EP, Jacob took a hiatus from the band to study abroad for seven months, and has been temporarily replaced on drums by Venezuelan native Marco La Fata, who may remain with the band long-term).

They released their self-titled debut EP The Common View, Vol. 1 in December 2018, then quickly followed with a provocative single “Fuck Them”, a scathing critique of the failure of British society and the government to adequately address the chronic issues of health care, poverty and homelessness. In May of this year, they released their single “A Perfect Bridge” (which I reviewed), then followed up with the stunning Coldplay-esque “The End of Time” in July.  Now the prolific guys are back with a wonderful new EP Man on the Moon, which dropped October 7.

True to their passion for writing and recording topical, socially relevant songs, the title track “Man on the Moon” speaks to the issue of climate change. They drive their message home with a dramatic and gorgeous soundscape of chiming and jangly guitars, accompanied by swirling synths, a deep, throbbing bass line and crisp percussion. The arrangement and production values are superb, and I think this is one of their finest songs yet. I really love Jacob’s vocals, and here he fervently makes his case for standing up to the empty rhetoric of many politicians and climate change deniers and doing what each of us can to affect meaningful change.

Hey, we need to talk
I’m getting tired of politicians and their speeches and their forked tongues
They put a man on the moon
But now they’re blinded by the money from the gasses filling our lungs
Stand your ground, as you turn it upside down
Let the tide roll in as a solid rain
And don’t mind me
I’m just another one who’s nobody
But I’ll just do my best to make a change

Annabelle” is a delightfully rousing, guitar-driven head banger, and a further testament to these guys’ incredible musicianship. Dom and Jose slice through the airwaves with an exuberant mix of jagged and swirling riffs, while Joe and Jacob keep the hard-hitting rhythms pumping at full throttle. If this track doesn’t get you going, then you must be dead! The lyrics speak to a woman named Annabelle who’s driving him crazy with her teasing and indifference, making him fall for her but withholding her affections. It’s a misery many of us have experienced at one time or another.

You’re putting me down
You got a real sick mind to take my time
Hearing the sound of your voice inside my head
You took my heart and left me underneath your spell 

The third track “What Can I Say?” delivers more of the band’s signature driving melodies and mind-blowing guitar work. The chiming guitars in the bridge are absolutely breathtaking, leaving me dumbstruck by their beauty. The song is about a relationship that’s beyond repair, and Jacob laments of the hurt and betrayal he feels:

I used to think that it was all okay
But, if you are gonna treat me in that way
You got another thing coming girl
You’re not the only person in this world
So stop, cut the shit and let me find my way
Feel like I’m living in a dream
With all the shit that I’ve seen
Who ever knew it could get that dark?

Even with only three tracks, Man on the Moon is a spectacular little EP. I’ve stated it before, but it bears repeating that there’s nothing common about The Common View, as these guys are phenomenal songwriters and musicians. I’ve loved every single track they’ve released, and these three rank high among their collection.

Catch The Common View at one of these upcoming shows:

18 October – Bar 21, Manchester, England, w/Bluelights, The Notion, Friday Forever & Skinner’s Lane
8 November – 360 Club, Leeds, England, w/LØE & Pathways

The cool artwork for the EP was designed by Rachel Wilcox.

Connect with them on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Reverbnation / Apple Music
Purchase on iTunes / Google Play

THE OCEAN BENEATH – EP Review: “The Ocean Beneath”

The Ocean Beneath is a British electronic music project based in Leeds. Influenced by bands such as Gunship, HVOB and Talk Talk, they combine 80’s synthpop elements with modern recording techniques, analogue synthesis and huge melodic grooves to create music that sounds retro, yet fresh and now. They’ve just released their debut self-titled EP The Ocean Beneath. This EP has been a labor of love for them, working extremely closely with producer Grant Henderson and lyricist/vocalist Nath Jackson to create a first-rate musical offering. The songs were recorded at Loom Studio in Leeds, and mastered by Katie Tavini.

The EP features five tracks, three of which are instrumentals and two with lyrics written and sung by Nath Jackson. The first track “Wake Up” is a trippy instrumental, with spacey, psychedelic synths set to a languid, strutting beat that almost borders on trap. The intricate, pulsating synths have a sci-fi quality at times, giving the track a cool, mysterious vibe that’s almost mesmerizing. It nicely conveys images of that hazy state we often feel upon waking up from a deep sleep.

Next up is “Transcend“, a gorgeous track that calls to mind some of the wonderful 80s songs I loved by A-ha, New Order and Depeche Mode. More of those marvelous spacey synths abound here, but this time they’re delivered with a bouncy, upbeat tempo and accompanied by additional sweeping synths that form a lush soundscape for Nath Jackson’s stunning vocals. He wrote and sings the encouraging lyrics about overcoming one’s fears and uncertainty, and opening oneself up to all the experiences that life offers: “The secret’s hidden in you. Stop and take a look around. You never know what you might have found. Open up, and soak it in. Watch it as your time begins.” I love this song.

The blissful mood is abruptly interrupted by an unsettling, deep-bass synth accompanied by sounds of distant ambulance sirens on the brief but complex instrumental “The Meridian“. The ominous sounds are suddenly replaced with a beautiful interlude of glittery synths before ending with a return of the sirens.

Setting Sun” is a spectacular track, and probably my favorite on the EP. Everything about it perfection, starting with an enthralling EDM beat that grabs me squarely by the hips, transporting me to a dreamy place from which I want no escape. The pulsating, psychedelic synths are darkly beautiful and lush, and have I mentioned that infectious dance beat? Jackson returns to grace our ears with his warm, sensual vocals that are absolutely captivating. I really love his voice! He sings of someone trying their damnedest to avoid committing to love: “Well you may be the last one standing. The devil’s on your tail but you keep on graspin’. Sail your dreams out to the sea. Pull them on the line and bring them home to me. A love line and watch it shine. And I won’t stop until you are mine. You don’t know what you’ve become. And you can’t hide behind the setting sun.”

The brilliant video produced for the song is trippy and beautiful, showing Jackson’s handsome face superimposed with a colorful mix of psychedelic, tech, vintage, urban and nature imagery.

The final track “Nocturnality” is another instrumental, with a powerful, thumping dance beat and intricate, sweeping synths that remind me a bit of the great dance music of European composers Cerrone and Giorgio Moroder that was popular in the mid to late 70s. And, like the music of those composers, “Nocturnality” is fairly long, running nearly six minutes. It’s a wonderful, melodic track.

The Ocean Beneath is a superb little EP and a terrific debut effort for this talented music project. One of the things I especially like about it is that each song sounds and feels entirely different, making for a fascinating listening experience. Some electronic music albums and EPs can become numbing after awhile, when one track after another sounds pretty much the same, but this one always surprises with every listen.

Connect with The Ocean Beneath: Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud
Purchase:  Bandcamp / Google Play

New Song of the Week – THE COMMON VIEW: “A Perfect Bridge”

The Common View single art

Back in February, I featured the wonderful young British band The Common View on this blog. Formed in 2018, the Leeds four-piece consists of Dom Robertson (guitar, vocals), Jose Ignacio Barrera (guitar), Jacob Lindsay (drums, vocals) and Joe Sykes (bass).  Their indelible and dynamic style of alternative rock is influenced by indie pop-rock, post-punk revival, ska and rockabilly. They released their self-titled debut EP The Common View, Vol. 1 in December 2018, featuring three outstanding tracks, then quickly followed with a provocative single “Fuck Them”, a scathing critique of the failure of British society and the government to adequately address the chronic issues of health care, poverty and homelessness.

Now they return with “A Perfect Bridge“, a sweet song of romantic love. The track opens strong with exuberant riffs of swirling guitars, sparkling synths and bouncy drumbeats, accompanied by lots of crashing cymbals. Dom and Jose skillfully capture the ardor of young love with their achingly beautiful and intricate guitar work, while Joe lays down a sultry bass line that adds a slow burn to the mix. Jacob’s fervent vocals are marvelous, and nicely complemented by the guys’ fine backing harmonies. It’s another terrific release from these talented young gentlemen.

I’m gonna stop the world for you and me,
by writing songs for us and backing up the beat.
Let’s go and fly away to hold the mystery,
We don’t need any words to see what it could be

Help me out to build the perfect bridge,
across the love, because I wanna feel your lips.
We have places that we know that we can be,
one is where your magic’s good to me

I wanna make you feel alive tonight
By looking for your thoughts, I wanna cross that line.
it’s such a perfect day to see the blue sky,
out in the open sun we’ll lose track of time

Help me out to build the perfect bridge,
across the love, because I wanna feel your lips.
We have places that we know that we can be,
one is where your magic’s good to me

So, would you like to cross this bridge with me?
I’ll ignite my bones if that is what you need
We have places that we know that we can be,
Just don’t forget that always we can
Use hope, oh honey use trust, oh honey use love as our bridge

Catch The Common View at one of these upcoming shows:

Wednesday, 22 May @ 7 PM – w/ Suns Up & Hakara, Late Nights at West Street Live
Thursday, 23 May @ 6 PM – w/Ourkid, The Stocks, We The North @ Bar21uk, Manchester, UK
Friday, 31 May @ 8 PM – w/The Marble Arches, Solarays, Ben Bickley @ 360 Club, Leeds, UK
Sunday, 2 June @ 12 PM – Below The Bridge // End Of Term special! @ Zombie Shack, Manchester, UK
Saturday, 29 June @ 6 PM – SoundWaves Music Competition – The Final @ O2 Academy, Leeds, UK
Saturday 13 July @ 7:30 PM – w/The Masons & Paradas @ Gullivers NQ, Manchester, UK

Connect with them on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Reverbnation / Apple Music
Purchase on iTunes

DENSE – Single Review: “Displaced Face”

DENSE Displaced Face

DENSE is an awesomely talented psychedelic garage rock band hailing from Leeds, England, who combine thick, fuzzy grooves with fiery riffs and intricate melodies to create a unique and heavy sound that’s at once retro and futuristic. Despite their youthful, boy-next-door image, their music is incredibly intense and badass, with an impressive maturity, complexity and density – as their name would imply. The best description I can think of for their sound would be ‘industrial surf-metal psychedelic rock’. Making this phenomenal music are Charlie Fossick (Guitar/Vocals),  Dylan Metcalf (Bass) and Sam Heffer (Drums).

DENSE2

I’ve previously featured them several times on this blog over the past two years, most recently last May (2018) when I reviewed their explosive single “The Smoke”. (You can check out those reviews by clicking on the “Related” links at the bottom of this page.) Now they return with another mind-blowing new single “Displaced Face“. The song is aptly-named, cause it’s positively face-melting!

The track opens strong, with an ominous, gnarly mix of deep, throbbing bass, distorted psychedelic guitar sounds and spacey background synths lasting approximately 40 seconds. Suddenly, everything erupts into a maelstrom of tortured, reverb-heavy riffs, heavy, thunderous bass and explosive percussion – all seemingly hell-bent on blowing out our eardrums and throwing us against the wall. Charlie screams lyrics I can’t quite make out, but who cares, as the music is fucking on fire! These guys are literal beasts on their respective instruments, and Charlie is a freaking madman when he opens his mouth!

I’ve loved every single one of their songs, and “Displaced Face” is no exception, delivering four minutes of intense, psychedelic ear candy. The marvelously creepy artwork for the single was designed by band friend Elle Penketh.

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Stream “Displaced Face” on  Spotify / Soundcloud / Apple Music
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