Tag: Indie

New Song(s) of the Week – TWO METERS: “The Nightmare//Bike Ride”

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Two Meters 3

This past May, I featured Florida artist Two Meters on this blog when I reviewed his The Blue Jay EP, a remarkable work that further explored the dark themes of loss and death he first introduced us to on his debut self-titled EP Two Meters. Two Meters is the music project of Fort Lauderdale-based singer/songwriter and multi-instrumentalist Tyler Costolo. Starting off with powerful, often brutally honest lyrics – which he expresses through incredibly vulnerable, slightly off-kilter vocals that go from droning whispers to spine-tingling wails – he adds layers of intriguing guitar textures, harsh industrial synths, and other lo-fi ambient sounds to create deeply impactful songs.

Now he returns with a mind-blowing new double single “The Nightmare//Bike Ride“, which I’ve chosen as my New Song(s) of the Week. Once again, he delves into dark, introspective subjects, the first of which explores the paralyzing terror we’ve all experienced while having a nightmare, followed by an unsettling sense of relief when we wake up, realizing that awful thing we just went through was only a bad dream.

The song starts off with a somber little guitar riff and Two Meters singing in a hushed monotone “Alone gasping for air. Against the weight of the world.” Suddenly, we’re hit with an barrage of grungy guitar lasting around 25 seconds, then fading back to the somber riff and hypnotic drumbeat as he drones “Crushing down as shadows move. Faceless but with form. A mouth unable to cry out as the darkness comes.” The gnarly guitars return again, only this time accompanied by a distorted wail that conveys the terror of a nightmare. It all calms back down as he sings in just above a whisper “Just as fast life snaps back. The figure gone. The room is back in view. What was real is never clear.”

The second track “Bike Ride” is more experimental, epic and dark, with very gnarly guitar, fuzz-soaked bass and sharp percussive beats. His vocals heavily distorted, Two Meters screams the lyrics describing the sorry state of his bicycle, possibly a metaphor for a life hindered by physical or emotional pain and scars:

There’s a nail in my wheel
My pedals are broken
Left to grind
Into my heel

My helmets collecting dust
The brakes are out
I am
Crossing the street

With a pulsating spacey synth as a backdrop, the music eventually quiets down to a simple strummed guitar as he calmly sings “I make it to the other side, and I look back and wonder what could have been.” Wow, what a brilliant track this is, full of ever-changing sounds, volumes and textures taking us on an emotional roller coaster ride.

Connect with Two Meters: Facebook / Twitter / Instagram
Stream his music: Spotify / Soundcloud
Purchase on Bandcamp / iTunes / Google Play

COLD WEATHER COMPANY – Single Review: “Way Up”

On By EclecticMusicLoverIn Reviews3 Comments

Cold Weather Company

I recently learned about Cold Weather Company when they followed me on Twitter and shared their latest single “Way Up“, and I was instantly enchanted with their music. Since then, I’ve been binge listening to their substantial back catalog (they’ve released three albums over the past four years). Based in New Brunswick, New Jersey, the alternative folk band formed in 2013, and consists of Brian Curry, Steve Shimchick and Jeff Petescia. All share songwriting and singing duties, with Curry and Petescia playing guitar and Shimchick on piano.

Influenced by the music of such bands as Mumford and Sons, Fleet Foxes, Dave Matthews, Chad Stokes, Tallest Man on Earth, Coldplay, Keane and The Decemberists, their richly melodic sound is both guitar and piano-driven, with all three of them singing in perfect harmony. They released their lovely debut album Somewhere New in 2015, which had a pure, acoustic sensibility that allowed the guitars and piano to really shine. A year later, they dropped A Folded Letter, another album containing 13 tracks that delivered more of their sublime acoustic guitar/piano compositions. All of the songs are beautiful, but two of the highlights are “Wide-Eyed” and “Gettysburg”. They followed up in 2017 with an all-instrumental version of A Folded Letter, then early this year they released their gorgeous third album Find Light, an ambitious work featuring 16 tracks in which they expanded upon their sound with the addition of more orchestral instrumentation. That album received widespread and very well-deserved acclaim.

In August, they released their latest single “Way Up”, and it’s a real stunner of a tune. The song opens with the tinkling of piano keys, then expands into a breathtaking soundscape of strummed guitars, gentle bass and some of the most enthralling piano I’ve heard recently. I’m not sure which band member is singing the lead vocals, but they’re positively captivating. And as always, the guys’ vocal harmonies are exquisite. I love this song.

The band states that “Way Up” “is about finding a new perspective, and seeking hope when things are looking bleak. We could all use a little bit of that sometime.” We sure can!

Soon I’ll find my peace with time and break this (Break this hold, break this hold, from sea)
Cause I’m not foolish, I was made to shake this
No more breathless fights adrift in missteps
Oh, I’ll rise
All I ever needed is the current to survive

I found my way up, I saw the ocean meeting the sky
I found my way up, I saw the ocean meeting the sky

No more restless nights of drifting listless in my mind
Cause all I ever needed is the current to survive
I found my way up

Follow Cold Weather Company:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud
Purchase:  Bandcamp / iTunes / Google Play

New Song of the Week: SECRET AMERICAN – “Lonely”

On By EclecticMusicLoverIn Reviews2 Comments

This past March, I had the pleasure of featuring the delightful band Secret American when I reviewed their marvelous 2018 album Warmth & Shelter. Now they’re back with a wonderful new single “Lonely“, which I’ve selected as my New Song of the Week. The song is the first single off their forthcoming second album, and explores the age-old conundrum between being in a committed relationship and holding on to one’s freedom.

Secret American is a bi-coastal band, born from the collaboration of singer/songwriter and guitarist Derek Krzywicki, who lives in the small town of Carpinteria on the California coast east of Santa Barbara, and his long-time friend Todd Mecaughey, a producer/engineer who lives in Philadelphia. (Todd has stated that their name comes from them being simultaneously proud and ashamed to be American – a sentiment I currently share). Completing the band’s seven-member lineup are the very talented musicians Kevin Killen, Katie Frank, Tony Unander, Alex Baranowski and Rory Geoghegan.

Secret American3

Their refreshing, eclectic sound is at once retro yet contemporary, unique yet familiar. As I noted in my review, the retro aspect of their music evokes the carefree California pop-rock vibe of The Lovin’ Spoonful, while their contemporary side channels the laid-back grooves of Cage the Elephant. And though their song lyrics often address more serious, thought-provoking topics, they’re presented with sunny melodies, breezy instrumentation and pleasing vocals that make for happy listening experience.

“Lonely” features a rich mix of shimmery synths, layers of twangy and jangly guitars, soulful bass and crisp percussion, all wrapped in a captivating melody that envelops us like a warm blanket. Derek’s smooth, sultry vocals are so damn seductive and bewitching as he croons about how, despite the occasional loneliness, being single and free is preferable to being imprisoned in a relationship – or is it?

Cause if you wanna be like me, you better be lonely
You’d better think only of the woman you had
Cause if you wanna be like me, you better be lonely
You’d better think only of the man you had

Oh I’m not giving it up I said
Oh I’m not giving it up I said
Oh I’m not giving it up for you

I wanna be who I want to
I wanna see who I want to, baby yeah
I wanna feel them feels too
But I can’t have that with you

Can’t have my number
Can’t have my time
Though that I want you, you can’t be mine
You can lead me to water, but I wouldn’t drink
You can make me love you, but I’ll always think

Secret American make fascinating videos for many of their songs, and for “Lonely” they’ve produced not one, but TWO delightful videos, both created and edited by Todd’s wife Natalie Mecaughey. The first contains vintage footage from what appears to be a fifties film about a couple on a scenic bus trip across the U.S., who experience snags in their relationship. The second is a mashup of footage of couples enjoying romantic moments on a pier, juxtaposed with poignant images of Jerry Seinfeld and Jason Alexander looking uncharacteristically reflective.

Catch Secret American at one of these upcoming shows:

Sep 25 – Milkboy Philly, Philadelphia, PA
Sep 26 – Cat’s Cradle, Carrboro, NC
Sep 27 – The Royal American, Charleston, SC
Sep 28 – Primal Brewery, Huntersville, NC
Sep 29 – The Radio Room, Greenville, SC

 

Connect with Secret American on Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / Apple Music
Purchase on Bandcamp / iTunes / Google Play

New Song of the Week: ROADKEEPER – “Narcissistic Peoples”

On By EclecticMusicLoverIn Reviews1 Comment

Roadkeeper

This past April, I featured Texas band Roadkeeper on this blog when I reviewed their single “Old Man’s War”, a stunning song about anxiety and worry over things, both real and imagined. I loved the song so much it spent 18 weeks on my Weekly Top 30. Formed only a little more than a year ago, the Tyler, Texas- based four-piece consists of songwriter/producer John Hetherington (vocals, synths, rhythm guitar), Trevor Tull (lead guitar), Nick Cogdill (drums) and Daniel Griffith (bass), all long-time friends. Roadkeeper is completely independent and self-produced, doing their recording, producing and mixing in John’s studio – dubbed ‘Yacht Country’ – and releasing their songs on their own label Equal Temperament.

Blending dreamy shoegaze with dramatic psychedelic rock, Roadkeeper crafts exquisite songs that envelop us with complex melodies and lush soundscapes while delivering compelling and often socially relevant lyrics that give us a lot to think about. Since forming, they’ve released four outstanding singles, and now return to grace our eardrums with a beautiful new single “Narcissistic Peoples“, which officially drops September 6th. About the song, the band states: “This song was originally meant to be a satirical take on sci-fi future fascist recruitment propaganda but lyrically it ended up personal and political. It was inspired equally by the erasure of and actions against American indigenous cultures by the ruling class as well as the current refugee crisis at the southern US border.”

Musically, the song features exuberant layers of richly-textured guitars and shimmery synths, nicely driven by Griffith’s subtle bassline and Cogdill’s crisp, thumping drumbeats. It all provides a dreamy, melodic backdrop for Hetherington’s smooth falsetto vocals. The music feels light and breezy, belying the seriousness of the rather biting lyrics. Though brief, running scarcely more than two minutes, it’s an incredibly impactful song nonetheless.  “Narcissistic Peoples” is another in a string of perfect singles from this exceptionally talented band, and I’m delighted to make it my New Song of the Week.

If you could be someone else just for a day
Would you wash their cares away
Or does the thought that they have it worse
Make your feelings hurt because you like to feel
Like a warrior fighting to save the world

Do you feel it?

It eats you alive but you’re not alone
There are millions of people, bitter and selfish
Narcissistic people waiting on a future
Where everyone looks like them
Everyone has power
Everyone has religion
There’s no one left to conquer

Connect with Roadkeeper:  Facebook / Twitter  / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Bandcamp / iTunes / Google Play

New Song of the Week: PAUL LYNCH – “Little Man/Cold Will Always Win”

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Paul Lynch2

Today I have a treat, as my ‘New Song of the Week’ is actually two songs – a double-single by British indie folk artist Paul Lynch. The London-based singer-songwriter is releasing five singles in 2019, and “Little Man/Cold Will Always Win” are numbers 3 & 4 (the first two were the beautiful tracks “A Different Way” and “Oh So Quiet”).

A civil engineer by training, Paul’s been making and recording music for several years, and released his first EP Searching for the Answer in 2018. He subsequently decided to go part-time in his job to focus more on his music. With his love for traditional world folk music, Paul took time off from his job to travel in Mexico and France, where the regional folk music he heard inspired him to write new songs. The five singles he’s releasing reflect those influences, especially his latest songs “Little Man” and “Cold Will Always Win”, both featuring sunny Latin-infused grooves.

“Little Man” is a cheerful, optimistic song about not allowing fears to keep you from realizing your full potential. Paul pairs a rich array of instruments, including layered guitars, maracas, bongos, trumpet and piano with a lively Latin beat to create a wonderful tune that just makes you feel happy. He has a silky high-tenor vocal style that’s incredibly pleasing as he sings “Hey little man don’t worry. This is your time, no worry. Hold your breath, and jump right in oh. But little man don’t waiver, this is your time to savour.”

“Cold Will Always Win” is a mellower, more introspective song, with a sophisticated throwback vibe that calls to mind some of the classic Latin and Brazilian songs of the 50s and 60s. Paul’s intricate guitar work is really marvelous, and his layered vocal harmonies are gorgeous as he croons about the inevitability of winter, which I think is a metaphor for the life challenges that come our way, and must be faced with strength and courage: “The misty wind is circling, stripping leaves from the trees. Catch them as they are falling, or the cold will always win. As the dim of winter, circles and there’s no escape. Time is forever shrinking. Chance must not be left to fate.”

Have a listen to these two great tracks:

Connect with Paul: Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud / Apple Music
Purchase on Google Play

BEN PRIORY & CHARLIE PEREIRA – Single Review: “Here We Go”

On By EclecticMusicLoverIn Reviews1 Comment

Herewego (2)

Aside from the thrill of seeing one of my posts go viral (which almost never happens), my biggest joy about having a music blog is writing about music I really love. And boy, am I in love with the stunning debut single “Here We Go” by two young artists from Portsmouth, England: Ben Priory and Charlie Pereira. What’s especially astonishing about the quality of the song and vocals is that they’re both only 17 years old!

Ben and Charlie started making music together at the age of 12, when they’d have drum battles in Ben’s bedroom. Ben wrote the music for “Here We Go” last September (2018), then recorded all the instruments, including synths, piano, bass and drums. Charlie wrote the lyrics, and recorded the vocals over two sessions, the first in December 2018, and the second in February 2019. Ben produced and mixed the song, then sent the track to Peter Maher (U2, The 1975, Snow Patrol, Katy Perry) for mastering.

The song is perfection from start to finish. It opens with night sounds of crickets and waves crashing on a distant beach, setting a rather pensive mood. Then a somber piano riff, accompanied by finger snaps and bass, enter the mix as Charlie softly sings with an air of sadness in his voice of the hurt and disappointment someone’s caused him:

So I’ve been sitting here for the longest time
And it’s just not fine with me
But what you’ve done
And how you thing it’s all fun
But it just can’t run
You made that sacrifice
And I had to pay the price
For you to do what you do but it makes me blue
And you don’t even have a clue

Suddenly, the tone shifts in the chorus to a joyful, upbeat vibe with the addition of lush, shimmery synths, guitar and a bouncy bass drum beat. Charlie’s vocals are now more ardent and hopeful as he sings of the pleasures of making music, providing an escape from the sadness he was feeling earlier, and perhaps giving the relationship another go:

So here we go now
Hearing our soft sound
Hear the bass drum pound
But we don’t know til we will hit the ground
But hear the bass line flow
It’s faster yeah, never slow
Let’s do the show
Here we go, here we go, here we go

Yeah let’s take it back
Listen to the sweet guitar
It’s not a competition you’re my superstar
Just go for a drive
Let’s get away
We can take my car

Ben and Charlie have created a beautiful song that’s the perfect summer tune. I’m quite impressed by the quality and maturity of their sound, especially given their youth, and hope to hear more music from these guys very soon!

Connect with Ben:  Facebook / Instagram
Purchase “Here We Go” on iTunes

ANDY K LELAND – Single Review: “A Chair is a Chair”

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Andy K Leland Chair Art

Like most singer-songwriters, Italian indie folk artist Andy K Leland is a poet of sorts, penning lyrics loaded with meaning and expressed mostly through his pleasing acoustic guitar and quirky, off-beat vocal style. Andy – who was born Andrea Marcellini – refers to himself as Andrea’s “shadow-self, and the two selves fear each other.” That dichotomy is clearly evident in his songs, where his sometimes dark, depressing lyrics sharply contrast with his simple, catchy melodies and mellow lo-fi vibe. Despite his cynical, often bleak lyrics about life and relationships, his songs seem to tell us to not take life too seriously, or at the very least resign ourselves to life’s inevitable travails without losing our minds in the process.

Like a lot of artists I’ve reviewed lately, I’ve previously featured Andy several times on this blog, and you can read some of my reviews of his music by clicking on the links under ‘Related’ at the end of this post. He’s now released a wonderful new single “A Chair is a Chair“, and it’s one of his best songs yet. It still has the charming signature lo-fi acoustic vibe of all his music, but features added instrumentals in the form of mellotron and ambient drone guitar, played by guest musician Simone Laurino, giving the track a lovely, poignant and fuller sound. Andy recorded the song on his old Tascam 4-track cassette recorder, but the sound quality is quite good.

Regarding the song’s meaning, Andy told me “I wrote the first two lines of the verse right after an old weird memory about a chair came back. Don’t really know why that memory showed up… but that’s how it started. I can say that the song is totally about a dream I haven’t had yet. That’s pretty much it!”

Concentrate
Get your head
Hold it tight
Hold it tight
Release your head
Grab a chair
Use your brain man
Use your brain

Wave goodbye now your time is coming ‘round
Swaying forth and backwards
As you’re bouncing up and down
Guess you don’t want to get lazy oh it’s hard
Your crystal ball’s unfair you’d better hurry up
Time is crazy how come we are so let down?
Down

Up to you
Up to me
What could we do friend?
What would we do?
If you prefer now
Go out tonight
Stay put and beg your God to
Drift us apart, us apart

Wave goodbye now your time is coming ‘round
Swaying forth and backwards
As you’re bouncing up and down
Guess you don’t want to get lazy oh it’s hard
Your crystal ball’s unfair you’d better hurry up
Time is crazy how come we are so let down?
Down

Welcome all that’s my garden
Very nice place to be
The air is cool
So
Come lie down…

The trippy video, which was also directed and produced by guest musician Simone Laurino, shows a variety of psychedelic, sci-fi and kaleidoscopic images that represent the kinds of surreal things the mind would imagine in a dream.

Follow Andy:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Soundcloud
Purchase on:  Bandcamp / iTunes

BRIDESMEN – Single Review: “Overwhelm”

On By EclecticMusicLoverIn Reviews2 Comments

Bridesmen

I have a special admiration for artists who are willing to speak out about social and cultural issues, working to break down barriers. With that in mind, I’m pleased to feature Los Angeles-based artist Bridesmen, the music project of the astonishingly talented and thoughtful singer/songwriter Kenton Chen. Known for his work on NBC’s a cappella singing competition program Sing-Off, as well as his performances with Postmodern Jukebox and Scary Pockets, Chen’s latest project Bridesmen is a departure from his jazz/soul/a cappella roots. Through Bridesmen, Chen strives to explore the darker side of human nature, and the struggle over how to be a good person in a world that marginalizes you, i.e. a ‘bridesmen’ at a wedding.

As a gay Asian second generation immigrant, Chen grew up feeling isolated, constantly hiding behind masks to protect himself. With Bridesmen, he aspires to uncover these masks in an effort to live a boundless and truthful life. Through his songs, he tries to articulate feelings of loneliness and the effect it can have on people. Chen explains “We hurt when we don’t understand each other and we hurt when we are unwilling to change. The best thing we can do is be ourselves within the context of what we were given. I want people to know that as I have grown and matured as an artist and a human being, I’ve come to realize that my specific experiences of being gay and Asian are not particular to me. My life story reverberates far beyond my specificities, and anyone from any race or sexuality can empathize with the need to belong and be understood.”

Following the success of his soulful single “Someone Who Loves Me”, Bridesmen has released a gorgeous new single “Overwhelm“, along with a captivating video. The song speaks to our internal battles we have over our emotions. As Bridesmen explained to online magazine PRIDE: “Many of us walk through life with dual personalities: the strong, defensive façade, and the soft, sensitive core that we struggle to protect. We view our softness as weakness, as something we need to suppress or hide—whether with television, alcohol, or other distractions. But the more we push it down, the more it begins to fester, until it all boils over in a dark cloud that feels overwhelming. Thus, ‘The Overwhelm.’” He adds, “We Americans don’t talk about mental health, and the shame we attach to it is prohibiting us from addressing it head-on. It’s a vicious cycle. We feel isolated, so we produce negative thoughts, but because we don’t discuss our struggles, we feel more isolated, driving us deeper and deeper into the abyss.”

Musically, the song starts off with atmospheric keyboard synths as Bridesmen softly sings “Oh I’m not fighting this anymore. It never did me no good.” The music gradually swells into a sweeping soundscape, providing a lush backdrop for his breathtaking vocals as he plaintively croons of suppressing his overwhelming pain: “Swallow it down, swallow it down, before it consumes me. Seeing it now, wondering how, how not to lose me. I’m afraid to fade away, so I take in all the pain.” He really has a remarkable voice – so clear, resonant and beautiful.

The stunning video shows two dancers, played by Stephanie Kim and Raymond Ejiofor,  interpreting the song through their movement, and interacting with Bridesmen. He explains, “By letting them actually express themselves, I am setting my emotions free. I can learn to love the naive child and also the jaded guardian, recognize how important they are, as they guide me through The Overwhelm”. The video was beautifully directed by Seth Iliff.

Connect with Bridesmen:  Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud
Purchase on iTunes / Google Play

XOTIC YEYO – Single Review: “Slide to the Left”

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Xotic Yeyo Slide 2

Miami dance-funk band Xotic Yeyo are three zany guys with the coolest name, and they’re bound and determined to get our asses on the dance floor. Serving up the funky psychedelic grooves are Stu Sauce on guitar and lead vocals, Rod Reiter on bass and backing vocals, and Cody Orange on drums. Their fun, upbeat sound is influenced by funk greats like Parliament, Curtis Mayfield, Average White Band, Prince, Gil Scott Heron, Phish, Primus and Jamiroquai, among others.

The guys dropped their debut EP Down 2 Funk in late 2016, and followed up in Spring 2018 with a full-length album Chocolate Decadence, featuring 10 tracks guaranteed to funk you up! (I reviewed both releases, and you can check them out in the links under “Related” at the bottom of this post.) The risqué artwork for their EP and album are a good indication of their playful attitude and approach to their music: don’t take yourself too seriously, let loose, and have a good time. With that philosophy in mind, they now return with funky new single “Slide to the Left“, along with a fun and campy video.

The song is essentially about getting down on the dance floor and having fun. The track opens with electronically altered vocals that lend a spacey psychedelic vibe, then Stu lays down a funky riff that gets us on our feet, turning wobbly in the bridge. He challenges us to get into the groove: “Are you ready to get funky tonight!” Rod and Cody keep a tight rhythm with their funked-up bass and cooler than cool drums. It’s an infectious feel-good track guaranteed to bring a smile to our faces and put our hips in motion!

The song was recorded at City of Progress Studios in North Miami by DJ Spam of the Spam Allstars, and mastered by Eli S. Oyola at Trackset Studios in Winter Haven. Guest musicians include Mpa Melanie on backing vocals and Oski Gonzalez on congas.

The delightful video depicts Stu as a sort of funky pied piper, using his sexy moves to attract people on the street to join him in the latest ‘slide to the left’ galactic dance craze. It was filmed by Dave E. Drones of Dream Kinetics, and stars Stu as Disco Funk Jesus, along with band members Rod Reiter and Cody Orange. Also appearing in the video are band friends Aimee Beah Moore, Kyra Kennaugh, Sarah Worgess, Sharon Dubash, Danielle Livingston, Evan Hoffman, Jose Deveaux, Jessica Bass and Brook Hamilton.

Xotic Yeyo Group Pic

Connect with the band:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music
Purchase on iTunes

New Song of the Week: TITUS CALDERBANK: “Mistakes”

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Titus Calderbank

Titus Calderbank is a remarkably talented young singer/songwriter from Vancouver, British Columbia, Canada, and he’s just released a beautiful and moving new single “Mistakes“. The song has a bit of a gospel quality, with a haunting piano-driven melody fortified by a soaring organ riff, celebratory drumbeats and Titus’ gorgeous vocals, backed by anthemic choruses. His deeply resonant vocal style is quite marvelous, with a power to stir our hearts and souls.

About the single, Titus explains “‘Mistakes’ is a song about failure and regret. A song about missing the mark. It’s also a song of redemption and asking for forgiveness. Humans often fall short. At the end of the day, we have to accept that we’re all trying our best. What I hope to communicate through this song is that mercy and forgiveness are always an option. We can either be slaves to our past mistakes or make peace with them and move on. We can grace our enemies with forgiveness or we can die with bitter hearts.”

Choices I made
Long ago they
Bubble up
And they surface to my soul

But darling then
Was I myself
Was I who I wanted me to want to be

Won’t you take a part of me
Won’t you take a part of me
Place it deep, deep, deep, deep, deep, See if I still make mistakes

Here’s a video of him performing the song live, with his lovely piano as the only instrument to accompany his beautiful vocals that remind me a bit here of Rufus Wainwright.

Also released in conjunction with “Mistakes” is a second track “Could Have Done Better“. It’s a bit lighter in tone, with a catchy guitar-driven melody, but still features that lovely organ, strong percussion, and Titus’ arresting vocals. Like “Mistakes”, it also deals with atoning for one’s past wrongs and asking for forgiveness. It’s a wonderful song too.

Connect with Titus on Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud
Purchase on iTunes /  Bandcamp