New Song of the Week: MONZA EXPRESS – “In the City”

Monza Express In The City

Monza Express are a five-piece guitar band from Aberdeen, Scotland who formed in 2017 from the ashes of several other bands. As they humorously state in their bio, they’re “all the wrong side of 30 [and] no strangers to live music, having played in various bands in Aberdeen over the years.” Drawing on influences from a variety of sources depending on which member you speak to, the band includes Fraser Bateman (lead vocals & rhythm guitar), “Mr Glass” Shaun Reid (lead guitar), Greg “Mercury” Burgess (bass), Kris Fraser (keyboards, backing vocals) and David “Deco” Smith (drums). (I love that ‘Fraser’ is the first name of one member and last name of another.)

Following up on their 2018 double-single release “Sunshine/Big Dumb Rock” – both terrific songs that I urge my readers to check out using one of the links below – Monza Express just dropped a delightful new single “In the City“, which I’ve selected as my New Song of the Week. The song has a rather serendipitous little back story. The recording session was a runner-up prize in a Facebook competition put out by Aberdeenshire-based Floortom Studios, inviting acts to submit their rough song demos for possible selection by studio producer Steve Curtis. The band submitted a live GoPro rehearsal recording of “In the City”, and were delighted to learn they’d been awarded one of the coveted spots. The song was recorded, mixed and produced by Curtis, and mastered at Metropolis Studios in London.

The sweet song addresses themes of escapism from the standard 9 to 5. Fraser explains:  “I called it ‘In the City’ as both The Jam and The Who have songs [with that title] and I love those bands and what they stood for.” Bateman adds: “The composition came from a bass line Greg had been playing and we went from there. I like the almost early 60s style of the arrangement, especially when Shaun is just playing the main melody. It gives the song a little familiarity.”

The lighthearted song has a bouncy, guitar-driven melody that’s just too damn infectious! It’s the perfect feel-good song for summer, and it’s made me a big fan of Monza Express.

When you’re living in the city
And the bar looks so so pretty
Running shelter from the weather
Beer, pool and ripped up leather
I can take you miles away
Circle JFK for the day
Come and climb the Empire State
We’ll have ourselves some cake
We’ll have ourselves some cake

When you’re living in the city
And the barmaid oh so pretty
Running shelter from the thunder
Fill your glass with endless wonder
I can take you miles away
Eurostar to Paris today
Come and sail the Seine with me
We’ll have a cup of tea
We’ll have a cup of tea…and whiskey

The equally delightful and endearing animated video is a good indication that the guys don’t take themselves too seriously. Says Bateman: “I went on the website Fiverr and commissioned an animator in Pakistan to make us a video. I sent the song, the lyric sheet and photos of the band and left him to it. What resulted was an almost literal translation of the lyrics that we couldn’t not use. We think it’ll get laughs and multiple views.” I love it!

Connect with Monza Express:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Apple Music

BLAIR DOLLERY – Single Review: “Strange Kind’

Blair Dollery3

Blair ‘Misty Red’ Dollery is a British singer/songwriter and guitarist from the western London suburb of Twickenham. A phenomenal guitarist, Blair has been playing and performing for nearly 20 years in a number of different bands, as a session musician, and also as a solo artist. He currently serves as lead guitarist and vocalist for the outstanding alt-rock band The Underground Vault, but has also recently begun releasing singles again under his own solo project. In March (2019) Blair dropped a gorgeous single “Dream On”, and now follows up with another single, the hauntingly beautiful “Strange Kind“.

The only sounds we hear are Blair’s stunning layered acoustic and electric guitar work and resonant, heartfelt vocals, yet the track has an incredible lushness and depth. It’s a testament to his skill at coaxing such rich and full sounds from just his guitars. The dark lyrics seem to be about someone contemplating drowning himself in the ocean due to feeling heartbroken over losing the love of his life.

Follow me down to the ocean
To the deep blue sea
No time for reflection
The end is near, can you see
Some will say I have lost my mind
Some will say I’m a strange kind
Strange kind

Watch the sea growing quickly
She is everything to me
All my love, all my life
Unconditionally
Some will say I have lost my mind
Some will say I’m a strange kind
Strange kind

Connect with Blair:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Soundcloud / YouTube
Purchase: Amazon / iTunes / Google Play Music

NOREiKA – EP Review: “Still Falling”

Peter Noreika

NOREiKA is Peter Noreika, a singer/songwriter from western New York state, near Buffalo. He started out his music career as a guitarist for a few heavy metal bands, but eventually quit the business to become gainfully employed, get married and start a family. He never lost his passion for music, though, and eventually picked up his guitar once again and returned to making music, this time as a solo artist. In 2015 he released his debut EP METACOUSTiFOLK, a three-track work in which he combined his love of heavy metal and acoustic guitar and interpreted it in a folk music style. As he describes in his bio, “I’m a blue collar guy in a white collar world. I’m a heavy metal shredder with an acoustic guitar. The music I write and play is not of the style I typically listen to. I stopped trying to be specific things, and instead started going where the wind would take me. I’m not bound by genre. I’m free to do what I want, and that’s what I’m going to do: Make “MY” music. 

He followed METACOUSTiFOLK a year later with Throw the Switch to Begin, featuring four acoustic and melodic rock songs. In 2017, he released his third EP BoXaRoX, on which he departed from the fuller sound of his previous EPs by stripping down the music to just acoustic guitar and vocals. I also reviewed that EP, which you can read here.

Keeping to his pattern of releasing a new EP each year, NOREiKA has just dropped his latest effort Still Falling. The new four-track EP sees a return to heavier instrumentation, with the addition of electric guitars and synthesizers, as well as more serious subject matter. As with his previous releases, he wrote and performed all music (guitar, bass and synths) with the exception of drums, which were played by the legendary Joe Goretti (who also played drums on the first two EPs).

Noreika EP

Finding My Way” kicks off the EP with layers of fast-paced intricate guitars, accompanied by just the right amount of percussion to keep the beat, while letting NOREiKA’s awesome guitar work shine. In his urgent vocal style, he sings about the struggles of being an aging rock musician. Not one to handle the routine of a 9 to 5 career, you’re living your dream of doing what you love and playing music, but time and the endless grind of touring and performing take their toll on the body and spirit too.

Living the dream, I never run out of steam. 
Get to pick and choose, I got nothing to lose. 
I can do no wrong when I’m rockin’ my song. 
Having a blast, when I’m playing fast. 
Then it’s off the stage to turn the page, 
on another day, in my own way. 

It faded away and left me in decay. 
There was nowhere to go, after the show. 
So I roamed for a while, mile after mile. 
Time passed by with no reason to fly. 
I never did jive with the 9 to 5, 
but it sucked me in and here I begin. 

How do I find my way back home? 
It’s been too long, and I’ve grown too old. 
How do I find my way, to where I belong? 

Tightrope” is a rather dark sounding song with chugging riffs of jangly and chiming guitars, spooky synths and a powerful thumping beat. The hopeful lyrics offer encouragement to a loved one to have faith, be honest, and not give up in their search for their own truth and path forward. “Moving on, facing fear, to soar you will defy. Speak your mind, say your truth, and never, ever lie. Closer to the other side, claim the prize that you can’t buy.”

The subject definitely turns darker on “Moment in Time,” a song about coming to terms with one’s self-destructive behavior and the damage it’s caused to his life and relationships. “Tried to tell me, but I walked on past, to one more day that could have been my last. You had enough, and taken all you could, so you gave up on me though I never thought you would.” The hard-driving beat and NOREiKA’s muscular, layered guitar riffs make this a real banger of a track.

On “View From the Heights,” NOREiKA sings of the rebelliousness of youth and the yearning to be free:

Hitting the streets, not sure where we’ll meet. 
I got a place in mind that’s hard to find. 
In the back of the park where it’s always dark. 
We can take a toke and share the smoke. 
I can see the lights coming. 
Got to run to be free. 
I can see the lights coming. 
Won’t they let us be. 

Once again, he dazzles our senses with his skillful guitar work, weaving together multiple textures to create a rich, guitar-driven soundscape that’s both dynamic and incredibly satisfying to lovers of guitar rock like me. I love Goretti’s aggressive drumming on this song, and the well-placed wobbly synths are terrific as well, lending a bit of a psychedelic vibe to the track. In fact, all four tracks are superb, and I think Still Falling is NOREiKA’s finest work yet.

Connect with Peter:  Website / Facebook / Twitter / Instagram
Stream his music:  Spotify / Reverbnation / Soundcloud
Purchase:  Bandcamp / iTunes / Amazon

DEH-YEY – Single Review: “Death and Politics”

Death and Politics

Deh-Yey is a fairly new band from Chester, UK comprised of guitarist Cash Burns and drummer Tom Maude, and they’ve just released a brilliant new single “Death and Politics.” The hard-hitting track takes on the politics of gun culture in America with thunderous instrumentals as tumultuous as the subject matter. Using only layered guitars and percussion, the duo create a heavy, dynamic sound that blasts through the airwaves.

“Death and Politics” opens with banging drumbeats that sound like rapid gunfire, then a barrage of grimy distorted guitars and wildly crashing cymbals arrive like a thunderbolt, jolting us out of our complacency. The guys employ a complex melodic structure with numerous change-ups that serve to keep us in a constant state of unease. Cash’s intricate guitar work is jaw-dropping; he makes his six-string hum and chirp one moment, then wail and scream the next. And Tom attacks his drum kit like a demon, generating pulse-pounding, speaker-blowing power that penetrates all the way to our inner core. Cash sings the biting lyrics with an arresting authority, and together their soaring harmonies in the chorus are superb. It all makes for a phenomenal track.

Time is wasted on everyone, and still the world turns,
Moving house with you’re youngest son, no one around who cares,
Blatantly flashing a hand made gun,
Such a sore sight
What about the young and dumb
Can we amend your right?

Start another fight, Terminate a life,
Come together when it’s too late,
Sing Oh oh oh ooooooh

You look surprised when you opened up your eyes and you seen the special prize at the end of the trail,
Some say you had it all, but you wanted more control and the gods you fucking worship set you up to fail,
The ruler of them all, and he’s still inclined to fall as he sees a sign of war from the very ledge that gave him life,
You’re still burning down my furniture,
Just to piss in the light.

Deh-Yey certainly set the bar high with “Death and Politics,” and I for one cannot wait to hear fresh tunes from them very soon.

Connect with Deh-Yey:  Facebook / Twitter / Instagram

SWILLY – Album Review: “Play It Loud”

Album_Play_It_Loud

I’ve stated in previous reviews that one of the things I like about Twitter is how it enables me to learn about so many great artists and bands from far and wide. And though a lot of them are based in large urban centers like Los Angeles, Miami, Toronto and London, many are located in smaller, out-of-the-way locales. One such artist is Swilly, a Canadian singer/songwriter (born Steven Williams) from the northwestern British Columbia town of Kitimat.

Heavily influenced by some of his favorite bands, especially ZZ Top, The Cult, Nickelback and Theory of a Deadman, Swilly is a rocker with a huge sense of humor. He writes the kind of down and dirty, kick-ass songs you wanna hear on a Saturday night, throwing down a few beers with friends at the local Roadhouse – something he in fact sings about on the track “Canadian Beer.” Just good old rock’n’roll, baby!

Swilly

He’s been a busy guy, writing and releasing lots of songs over the past few years, and in December 2017 he dropped his first full-length album Play It Loud. It’s a long album, featuring 13 great tracks and clocking in at just over an hour. Swilly played rhythm guitar, bass, keys and drum tracks, and sang vocals for all the tracks. He had assistance from Kevin Campbell, who played lead guitar on all but one track (“Breaking some Glass”) where he only played some rhythm guitar, and guitarist Klaus Passegger played lead guitar.

The album gets off to a strong start with “Let the Fire In,” a superb rock track propelled by snarling riffs and a hard-driving beat, the kind that breaks your will to keep still. The influence of ZZ Top – a band I also happen to love – is strongly evident, and this song would do them proud. And not only do the beats and guitars have a ZZ Top vibe, but Swilly’s vocals at times sound a lot like Billy Gibbons. He also channels ZZ Top on the appropriately-named title track “Play it Loud” and the high-energy “Start Talking.”

Swilly slows it down on “Baby I’m Back,” a smoldering rock tune with some terrific bluesy riffs that’ll have you swaying your hips with your honey. Those dirty, bluesy guitars come roaring back even stronger on the deliciously satisfying in-your-face track “You’re a Dick.” Swilly snarls the lyrics informing an A-hole of just what he thinks of him – something I’m certain we’ve all wanted to tell someone:

It’s plain as day to the rest of the world, oh yeah
You’re a dick and everyone knows it, oh such a dick
You’re a dick. The kind of guy who knows it all
You’re a dick. The kind of guy who beats on little girls

Wasted” delivers some awesome screaming guitars, while the rousing “Who Says” is a little slice of rock’n’roll heaven. Accompanied by tasty riffs of shredded guitars, Swilly defiantly proclaims: “Who says we have to behave? Who says that you gotta be in by 10? I ain’t livin’ someone else’s life, I have to live my own.” Employing generous helpings of funky bass, he dials the thermostat to a slow burn on the sexy tracks “Feels Like” and “Sun Girls.”

Guest guitarist Klaus Passegger lays down some great guitar noodling on the melodic “Breaking Some Glass.” The song’s about letting loose and having a good time: “It ain’t a party if we don’t see you shaking your ass.” Indeed! “Batman” is a real head-banger, with superb gritty and distorted guitar work. Swilly informs his girl of who’s she’s dealing with: “I’m your batman. I’m not always you’re good guy.

One of my favorite tracks on the album is the lovely ballad “Friends.” It’s a departure from Swilly’s typical hard-rocking style, and the guitar work and vocals are positively sublime. The touching lyrics are about friends who’ve grown from children to adults with children of their own, affirming that their friendship will endure:

We’re all older now, and have kids of our own
And we watch with wonder as they find the unknown
And the sweet sound of laughter echoes through our yards
Recall all the things we thought so hard
We’ll all be friends to the end of our days. Our days
Cause you and I will always be friends
And I will be there when you need me

Play It Loud is a terrific album, chock-full of great tunes that will satisfy your thirst for rock’n’roll the way it was meant to be played. Swilly’s a prolific songwriter, and I’m confident we’ll be hearing lots of new music from him in 2018.

Connect with Swilly:  Website Facebook / Twitter
Stream his music:  Spotify / Soundcloud / ReverbnationApple Music
Purchase:  iTunes / Bandcamp / cdbaby

NOREiKA – EP Review: “BoXaRoX”

NOREiKA is Peter Noreika, a singer/songwriter from rural western New York state, near Buffalo. He started out his music career as a guitarist for a few heavy metal bands, but eventually quit the business to become gainfully employed, get married and start a family. As is often the case, however, Noreika never lost the music bug, and after his young son one day asked him why he couldn’t stay home and play with him, he decided to make a change and get back to doing what he loved, which was writing songs and playing music. And though he still had a fondness for metal rock, his sensibilities now leaned more toward acoustic and folk rock.

Peter Noreika

Noreika released his debut EP METACOUSTiFOLK in 2015, and followed up a year later with Throw the Switch to Begin, which I reviewed almost exactly one year ago – and you can read here.  Now he returns with his third EP BoXaRoXwhich dropped today, August 25. Departing from the fuller sound of his previous EPs, he strips down the music to the bare essentials of just guitar and vocals. When I asked about the unusual EP title BoXaRoX, Noreika explained that it was a possible band name he’d once considered years ago. When trying to come up with a name for the new EP, he remembered BoXaRoX and decided it was the perfect name for his mascot – a “beer-drinking, guitar-playing pterodactyl” – that he was using for his EP cover art. I think the cover art and title are both perfect!

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The first thing that strikes you about Noreika’s music is the fullness of the sound, given that it consists of only an acoustic guitar and his urgent vocals. This is immediately apparent with the opening track “Who’s Right.” He strums his guitar with an assertiveness that matches his powerful vocal delivery of lyrics about finding truth through honest communication:

I’m right, you’re right, Everybody come along 
Talk it on over and we’ll find out who is wrong 
I’m wrong, you’re wrong, Everybody sing this song 
Talk it on over and we’ll find out who is right.

What Makes You Smile” is a positive, uplifting track about recognizing the little things that can bring joy and make life worth living – like a box of puppies and kittens.

Find your reason to give. You will see its the way to live 
There is a brighter side. Keep it up and you’ll hit your stride 
Think of things that warm your soul 
Puts a smile on your face and makes you whole 
Like a box, a box of puppies and kittens. 

Noreika makes an emotional plea for love and acceptance on the hard-hitting “Notice Me.” His fervent vocals are pretty intense on this track, as is his guitar playing.

Why don’t you notice me. Am I so hard to see 
Why don’t you notice me. I fade to black and disappear 
I’ve got so much to say to you. Believe me when I tell you that its all true 
Look in my eyes read between my lines. All of my love is for you.

The catchy “Shwoop Dibby Dibby” is a lighthearted ode to a loved one, in which he employs crazy words to describe the depths of his feelings for her:

Love comes round that’s more than real.
When I can’t define, or think of the line, I speak from the heart.
The silly words that I say, mean the world to me in every way 

Shwoop dibby dibby whoop baloo, Shmluega Magluega means I love you.

The nimble guitar riff on this track is terrific. In fact, Noreika’s guitar work on every track is outstanding, making his music a real pleasure to hear. So give this EP a listen and see for yourself!

Connect with Peter:  Website / Facebook / Twitter / Instagram

Stream his music:  Spotify / Reverbnation / Soundcloud

Purchase:  Bandcamp / iTunes / Amazon

EP Review: QUICK MACHINE – “Live Fast”

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There’s something special about guitar-heavy rock and roll that can’t be beat, especially when it’s fast, loud and in your face. Four-piece Boston band Quick Machine fill all those qualifications and then some! As their name suggests, they play ‘high-energy rock and roll fueled by dueling Gibsons, stacks of 100-watt amps and domestic adult beverages‘ (in their own words). Making the noise are  Eric Jackson (Lead Vocals/Guitar), Richie Kidd (Bass/Backing Vocals),  Shane Quinn (Lead Guitar/Backing Vocals) and Gia Love (Drums/Backing Vocals). (It’s very cool when a rock band has a female drummer.)

Quick Machine formed in early 2015 and, like several bands I’ve recently featured on this blog, spent much of their first year on the road playing gigs and building a dedicated and enthusiastic fan base before heading into the studio to begin recording their own songs. In November 2016 they dropped their debut EP Live Fast, a collection of four rousing rock and roll tracks guaranteed to have you on your feet and moving within seconds.

quick-machine

The EP opens strong with the exhilarating title track “Live Fast.” True to its title, the song blasts through the speakers with aggressive, shredded guitars and Richie’s heavy bass, signaling that we’re in for a wild ride. Gia pounds the hell out of her drum kit, while Eric and Shane’s guitars swirl and snarl with abandon as they lay down some formidable riffs. The song lyrics get to the point: “Live fast, die last, you keep on going ’til you can’t stop, you can’t stop, oh no.”

The awesome video for “Live Fast” shows the band performing the song in a dark industrial building, a perfect setting for the hard-driving track.

Not skipping a beat, “Devil in Me” keeps the high energy going at full speed, and the dizzying pace never lets up through “Steal My Soul” and “Skeletons.” Our ears are treated to more scorching-hot guitar riffs, buzzing bass and pounding drums. Eric’s powerful vocals add a raw, bluesy vibe to these rock and roll gems. In “Skeletons” he wails “Where is the fun in being revealed in the public eye? Nowhere to run, nowhere to hide, no, I have become my Mr. Hyde. I drink, smoke, lie and cheat. I’m everything you want me to be.”

This is a great EP, with no throwaway songs. My only criticism is that with only four tracks, it’s over too soon, leaving me wanting more. For now I’ll just have to play it on repeat, and wait for Quick Machine to quickly drop some more tunes.

Here’s a great live performance of “Devil in Me.” This is clearly a band whose music is tailor-made to hear live, and if they ever make it to L.A. I’ll be first in line to buy a ticket.

To learn more about Quick Machine, check out their website. Show them support by following on Twitter,  Facebook and Instagram, and subscribe to their YouTube channel. Stream their music on Spotify or Reverbnation.  Live Fast may be purchased on Bandcamp, iTunes or  Amazon.