Blue Vines is a young indie rock duo from New York City, comprised of singer-songwriter Nick Gonzalez on vocals, guitar and drums, and Andrea De Renzis on bass. A new act who only formed earlier this year, they released their debut EP Fever Dreamy this past August. It was recorded at Cobra Sun Studio in Staten Island, N.Y., engineered and produced by Gary Nieves Jr., and mastered by Josh Kaufman at Local Legend Recording in Grand Rapids, MI.
Fever Dreamy is rather short, running just under nine minutes total, but its five tracks are so musically intriguing and packed with deep meaning they made quite an impression on me. With their vibrant indie pop-punk sound, Blue Vines’ songs seem to touch on themes of youthful angst, romance and self-doubt. The titles of all five tracks are interesting in that none of them are actually included in their song lyrics, which themselves are somewhat ambiguous, requiring a bit of imagination and concentration on my part to decipher as to their meanings.
The EP opens with the 43-second-long title track “Fever Dreamy“, a sweet tune consisting of just a simple acoustic guitar melody and Nick’s lovely vocals as he searches for meaning in his life after a period of painful unrest and awakening: “Ill equipped inquisitor descending over everything I do. Shine your light upon a year laid bare, and salt the wounds.”
Next up is “Lanch Party“, which seems to speak to the fears and anxieties one feels when becoming romantically involved with someone, worrying about whether they’ll still like you as they get to know the ‘real’ you: “Do you still regard the statue as a work of art, once you’ve spotted all the cracks? Maybe a work in progress? I’d settle for that.” The track has a bass-driven, kick-drum beat with flourishes of gnarly guitars, accompanied by Nick’s urgent vocals.
“Great Kid! Don’t Get Cocky!” is a bouncy rock tune that seems to be about struggling to keep it together in an increasingly bewildering world: “Breaking, climbing up the walls, start shaking. Skin begins to crawl. A tin can phone between our padded rooms. I’ll forever call for you.” Nick’s layered guitar work and emotion-charged vocals are great. I’m guessing “I’m A Whole Damn Town” is about the healing power of love: “Call it whatever. Things of the heart could put back together and mend what was pulling apart.” To a frantic punk-rock beat, Nick lays down intricate riffs of swirling and jagged guitar while Andrea keeps a steady rhythm with a smooth bass line.
The final track “Big Knife” is a terrific post punk tune, with a rapid guitar-driven beat that gives it a bit of a Green Day vibe. The lyrics seems to express the crippling self-doubt many of us have experienced while growing up (or even later in life like I have): “Despite a focused regimen of mental calisthenics, I could never hope to comprehend what it’s like to feel settled”, but gaining comfort through the presence of a loved one at your side: “I’m always on the edge of hyperventilating. It’s your hand on my hand that helps me breathe easy again.” Nick pours the full force of his emotions into his vocals here as he goes from a heartfelt vulnerability to plaintive wails.
Fever Dreamy is an amazing little EP that packs a lot into its 8 minutes and 46 seconds. Every track is relatively brief, yet each one of them makes an indelible impact in their economical running time. We’re left wanting more as each song ends before launching into the next lively track. Nick and Andrea are fine musicians, and Nick is quite the poetic wordsmith and vocalist. I’m anxious to hear more from this talented duo.
The lovely artwork for the EP was created by Nick’s cousin Ryan Gonzalez.