CULANN – Single Review: “Rovers”

Hailing from Irvine, North Ayrshire, Scotland is Culann, a talented five-piece comprised of brothers PJ (vocals, guitar) and Sean (drums) Kelly, Greg Irish (guitar), Ross McCluskie (keyboards) and Calum Davis (bass). Formed in 2008 while still in their teens, they’ve managed to stay together as a band all these years, rather unusual for a group with five members. Skillfully blending elements of folk, Celtic-rock, alt-rock, prog rock and even a bit of reggae, as well as largely ignoring the norms of conventional songwriting and structures, they employ complex melodies, frequent time changes and an unlikely fusion of traditional Scottish music with a contemporary rock approach to create their own distinct and colorful sound. They’re also proud of their Scottish heritage, and sing it’s praises on a lot of their songs.

They’ve released music rather sporadically over the years, beginning with their self-titled debut album Culann in 2012. They followed with a few singles, finally dropping their beautiful second album The Great Ecumene seven years later, in 2019 (which I reviewed). Now, Culann are back with a fantastic new single “Rovers”. Released in September, it’s their first new music in three and a half years. The time off hasn’t diminished their dynamic sound one bit. The guys effortlessly deliver driving rhythms, fueled by Calum’s powerful chugging bass line and Sean’s explosive drums, and fortified by PJ and Greg’s dual intertwining guitars and Ross’s sparkling keyboards. The music is alternately raging and delicate, serving to heighten the tension as the song progresses, and keeping a firm grasp on our attention from start to finish. “Rovers” is another superb song from this remarkable band.

As to the song’s meaning, PJ explained: “It’s based on an old myth from our area in Scotland called ‘Rovers Doom on the Carrick Shore’. The two main characters, pirates consisting of a captain known as the ‘rover’, and his shipman, used to take their ship and raid the coastal towns. The younger of the two men hears a voice one night, an enchanting mermaid’s song beckoning them to come closer. He tells his captain, who immediately is defiant of any supernatural occurrence. He ignores the younger man’s advice and hits full steam ahead, causing the ship to crash into the rocks, whereupon the crew meet their doom. Lyrically we wanted to show both men’s point of view; the younger man laments the song and speaks of how he hears the mermaids song in his dreams. The older captain is bullish, in the lyrics he says things like ‘ignore the heathen’s lore’.”

‘Row out to me my love’
Came the gorgeous sunset cry
A force, a voice of comfort
With no danger & no lie

It’s you, when I close my eyes
No others see you in their dreams
and your voice that haunts me only
Are things not what they seem


SAIL! It’s springtime in the harbour.
Fuck the cries, the mermaid’s lies. Ignore the heathen's lore.
SAIL! It’s your time in the harbour.
There’s no Red Head, alive or dead, that can whip winds off the shore

So now, from the burning sea
We watch, as the waves turn wild
and I beg don’t call another
to leave one more orphan child, tonight.

SAIL! It’s springtime in the harbour.
Fuck the cries, the mermaid’s lies. Ignore the heathen's lore.
SAIL! It’s your time in the harbour.
There’s no Red Head, alive or dead, that can whip winds off the shore

So why, why take me blindly
I’ll never comprehend
Cause you, you curse the bounty
and sent me to my end

Below the ocean waves
across the thunder sea
Below the ocean waves
You sleep with me

The dramatic video, shot in black and white by Stuart Alexander, was filmed in and around the historic coastal hamlet of Portencross, and features Scottish actor Rab Affleck, who’s also starred in six other Culann videos, as well as actor Brian Blakeley. The two are seen acting out their conflict, interspersed with scenes of the band performing the song near a raging fire.

Connect with Culann: Facebook / Twitter / Instagram
Stream their music: Spotify / Apple Music / YouTube
Purchase: BandcampBig Cartel

CULANN – Album Review: “The Great Ecumene”

Culann album

Culann is a band from Irvine, in North Ayrshire, Scotland. Comprised of PJ Kelly (Vocals, Guitar), his brother Sean Kelly (Drums), Greg Irish (Guitar), Ross McCluskie (Keyboards) and Calum Davis (Bass), they blend folk, Celtic-rock, alt-rock, prog rock and even a bit of reggae to create their uniquely colorful and dynamic sound. Largely ignoring the norms of conventional song writing, they employ complex melodies, time changes and a perfect fusion of traditional Scottish music with a contemporary lyrical approach, resulting in a deeply satisfying and distinct sound. Since forming in 2008, they’ve performed the length and breadth of their homeland, gathering adoring fans along the way.

They released their self-titled debut album Culann in 2012, and after dropping a few singles now and then, they returned this past April (2019) with their second album The Great Ecumene, which I’m reviewing today. Curious as to what ‘Ecumene’ means, I checked Wikipedia and learned that it’s an ancient Greek term now used by geographers to mean inhabited land. It generally refers to lands where people have made their permanent home. Accordingly, many of the album tracks touch on various aspects of Scottish life and its history, and its strong connection to the sea.

The album opens with “Evonium“, a jubilant, monumental song with symphonic rock overtones that call to mind the great 70s bands Yes and Boston, with a bit of a nod to Dream Theater. The song was first released as a single more than two years ago, in May 2017. Once again, I was compelled to Google ‘Evonium’, and found the following:

Evonium is a purported lost city in Scotland that was first described by Hector Boece in his 16th-century Scotorum Historiae. According to Boece, it hosted the coronation of forty kings and was located in the Lochaber area.” Writer A.J. Morton has suggested that if Evonium actually existed, it could have been located at the band’s home of Irvine, Ayrshire. Culann assembles a rich mix of roiling guitars, exuberant piano and organ, and lots of percussion to create a powerful song befitting of the epic saga of Evonium. Lead vocalist PJ Kelly passionately sings of how the historic legacy of Evonium has shaped the lives of all who are born there:

Blood of this town, the place where I was born
A strength that’s driven in across the sea
Cut from the coast, we wake with price each morn
For all that’s past, it’s richest history
We owe our lives to our western home
Where kings and rulers stole their destiny
Shaped their lives and carved them into stone
With all that’s seen and all were yet to be, all were yet to be 

Now I understand
It’s all because I’m from Evonium
Now it’s in my hands
The greatness past fuels greatness not yet done that’s still to come

The beautiful video shows scenes of the band performing the song in historic Dundonald Castle, interspersed with scenes filmed in the Scottish countryside and Duncarron Medieval Village, a replica of an early Medieval fortified village. The album version of the track includes a somber but beautiful synth instrumental beginning at 4:15 that continues through to the end.

Next up is “Event Without Experience“, a rousing, melodically complex extravaganza of Celtic prog-rock brilliance. The intricate guitar work is fantastic, and nicely complemented by some fine keyboards, humming bass, and aggressive thumping drumbeats. I really like how PJ’s Scottish brogue shines through in his fervent vocals. Culann deliver more Celtic folk-rock grooves with the philosophical drinking song “Brewing of Ale“, and once again, the guitars, keyboards and rhythm section are perfection. The just-released video was directed & edited by Stuart Breadner, and filmed on location in Ayrshire, Dumfries and Galloway, and the Galloway Forest Park.

Century Box” is a stomper of a tune that took a couple of listens to grab me, but once it did, I couldn’t get enough of that wonderful melody. The lively guitars are killer and I love how they perfectly meld with the piano keys, something this band does so beautifully in many of their songs. The terrific organ riff and guitar solo in the bridge are real treats.

The title track “The Great Ecumene” is a near-epic six-minute-long ode to Scotland. This is true progressive rock, with a meandering (in a good way) melody, highlighted by a smooth organ riff and accompanied by delicate piano, measured drums and a wondrous mix of guitar textures that pull you deeply into the song. PJ croons about the complexities and contradictions of his homeland: “My country is bitter. My country is cold. My country is beautiful. My country is bold. My people are bitter. My people are cold. My soul it is sacred. My spirit is sold./ Join the great ecumene, see what you find. A road never ending, stretching through time.” Everything ramps up to a crescendo in the chorus, with impassioned vocal harmonies and a cascade of crashing cymbals for a dramatic finish.

Culann keep the energy flowing on “All Reverie” with rolling guitars, galloping drumbeats and passionate vocals. “Sunken Ships” appropriately opens with underwater sounds, then launches into a glorious mix of jangly guitars, sparkling piano keys, pummeling drumbeats and a deep, humming bassline. “Aegis” is perhaps the most high-energy track on the album (and also the shortest, though still running 3:51 minutes). Frantic riffs, pounding drums and exuberant piano keys make for a real banger of a track. PJ earnestly sings the lyrics to someone who’s been his aegis, or shield, helping him to overcome some of his self doubts and fears: “Closely, look at where I have come from. You made me, you taught me to be strong and lead the way. I can’t face the outside on my own. I can’t understand them. I can’t bear the inside, my unknown. Please don’t make me stand there alone.”

The guys really show us what they’re capable of on “Man Alive“, one of the standouts on an album filled with standouts. Running over seven minutes, this song has it all: melodic change-ups that hold our attention, complex and intricate guitar work, enchanting keyboards, a marvelous funky bassline, and some of the most impeccable drumming I’ve heard in a while, not to mention PJ’s always-great vocals. As I’ve mentioned on previous tracks, the interplay between the guitars and keyboards here is so freaking good. Finally, despite it’s length, “Man Alive” seems much shorter, always a sign of a great song (unlike some songs that seem to go on forever, with me wishing they’d come to a quicker end).

The lyrics speak to the resilience of the Scottish people: “Come gather ’round, meet the gladdest man alive. You see him everyday. Come gather’ round, meet the saddest man alive. He’ll never tell you so. A blackened sense of pride. No man alive could meet the broken soul of mine.”

The song immediately segues into the closing track “Queen Street“, a poignant ballad about life on the streets of Glasgow. The song has a more stripped-back sound than their other tracks, with mainly acoustic guitar, delicate piano and gentle percussion providing a somber backdrop for PJ’s heartrending vocals. With a strong sense of despair and pain, PJ laments: “I never needed a human being more. Sat down in the street, with a cup down by my feet. Oh but nobody seen me and the traffic arrow moving ’em on. And if I needed something, and I could reach out to you and I’d ask. I would beg of you one thing. Don’t make me beg for it. And if I needed someone, but I’ve turned my back on everyone that I had. I would beg of you one thing. Don’t make me beg for it.

Like a lot of progressive rock, it took me a couple of listens to fully appreciate all the nuance and complexity of the songs on The Great Ecumene, but once I totally immersed myself in the music, it really came alive for me. It’s a beautiful album, and Culann’s songwriting, lyrics and musicianship are all quite impressive. These guys are masters of their respective instruments, and operate as an incredibly tight unit to create music that’s flawless, exciting and a joy to hear.

Connect with Culann: Facebook / Twitter / Instagram
Stream their music: SpotifyApple MusicSoundcloud
Purchase: Bandcamp / Big Cartel