20-year-old artist sombr has a firm grip on the top spot as his song “back to friends” spends a third week at #1, while Australian duo Royel Otis move up two spots to #2 with “moody” (I find it fascinating that a lot of acts today use all lowercase letters for their names and song titles). Twenty One Pilots (who for many years also spelled their name in all lowercase) advance five spots to enter the top 10 at #8 with “The Contract”, followed by Dexter and The Moonrocks‘ “Ritalin” and Matt Berninger‘s “Bonnet of Pins”, coming in at #s 9 and 10, respectively. The Black Keys are this week’s biggest upward mover with “No Rain, No Flowers”, jumping eight spots to #18.
The lone new debut this week is “Sally, When The Wine Runs Out” by ROLE MODEL, the music project of American singer-songwriter Tucker Harrington Pillsbury. Born in Maine and now based in Los Angeles, he began his music career in 2016, rapping under his first name Tucker, but soon changed his stage name to Dillis, under which he released an album Moth. In early 2017, he again changed his name, this time to ROLE MODEL, and switched from rapping to singing. He released his debut EP Arizona in the Summer that December, which earned him a following online and captured the attention of the late rapper Mac Miller, who invited him to Los Angeles to work with him on a music project. ROLE MODEL was subsequently signed to Interscope in 2018, and continued releasing singles and two more EPs, culminating in the release of his debut album Rx, though none of them charted.
In July 2024 he released his sophomore album Kansas Anymore, featuring a more country folk sound. He followed this past February with a deluxe edition of the album, Kansas Anymore (The Longest Goodbye), accompanied by the sweet single “Sally, When The Wine Runs Out”. Like many songs these days, it became popular on TikTok, undoubtedly helped by Tucker’s good looks and charming persona, and is his first song to chart in the U.S. and several countries, including Canada, the UK, Ireland, New Zealand and Israel.
BACK TO FRIENDS – sombr (1)
MOODY – Royel Otis (4)
NOTHING I NEED – Lord Huron (2)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (3)
BASIC BEING BASIC – Djo (6)
CATCH THESE FISTS – Wet Leg (7)
ARCHBISHOP HAROLD HOLMES – Jack White (5)
THE CONTRACT – Twenty One Pilots (13)
RITALIN – Dexter and The Moonrocks (11)
BONNET OF PINS – Matt Berninger (12)
FEELS RIGHT – Talk in Waves (15)
SCARS – Secret Postal Society (14)
WHAT WAS THAT – Lorde (16)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (8)
BARBARIAN – AWOLNATION (9)
LET THINGS GO – Caamp (10)
RIPPLE – Good Neighbours (19)
NO RAIN, NO FLOWERS – The Black Keys (26)
BETTER OFF EVENTUALLY – Bealby Point (22)
RELATIONSHIPS – HAIM (23)
EMERGENCE – Sleep Token (24)
LOVE IS A FIRE – Art Block (25)
LONDON TOWN – HEALER (28)
BLOOM BABY BLOOM – Wolf Alice (29)
THE TURNAROUND – DelCobras (17) 19th week on chart
The cinematic anthem “back to friends” by sombr holds onto the top spot for a second week, while Lord Huron‘s “Nothing I Need” remains at #2 again after spending two weeks at #1. Irish pop rock band Somebody’s Child moves up a spot to #3 with their beautiful “Porcelain (Losing All My Patience)” and Australian duo Royel Otis slide into fourth place with “moody”.
There are three new debuts this week, starting with “The Contract” by my favorite music act Twenty One Pilots, comprised of the dynamic duo Tyler Joseph and Josh Dun, entering my chart at lucky #13. The lead single from their forthcoming eighth studio album Breach, to be released September 5th, “The Contract” starts the final act of the narrative begun on their 2015 album Blurryface and continued through Trench, Scaled And Icy, and last year’s Clancy.
Entering at #29 is “Bloom Baby Bloom” by English alt-rock band Wolf Alice, consisting of Ellie Rowsell on lead vocals, Joff Oddie on guitar, Theo Ellis on bass and Joel Amey on drums. The song is the lead single from their fourth studio album The Clearing, to be released August 29th. And coming in at #30 is “Asshole” by Denver, Colorado-based alternative folk rock band The Lumineers, now a duo consisting of Wesley Schultz (lead vocals, guitar) and Jeremiah Fraites (drums, percussion, piano). Also dubbed “First We Ever Met” to mollify radio censors and self-righteous Puritans, “Asshole” is from their fifth and latest studio album Automatic, which dropped February 14th.
BACK TO FRIENDS – sombr (1)
NOTHING I NEED – Lord Huron (2)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (4)
‘With its sweeping cinematic ‘wall of sound’ arrangement and lush orchestration, the beautiful anthem “back to friends” by alternative pop-rock artist sombr is exactly the kind of song I love, so it was only a matter of time before it reached the pinnacle of my top 30 chart. The music project of talented and charismatic young singer-songwriter Shane Michael Boose – who will turn 20 on July 5th – sombr was born and raised in New York City but now based in Los Angeles. The gorgeous song was released in late December but as so often happens these days, it went viral on TikTok this past Spring along with his other single “Undressed”, and began appearing on multiple charts around the world, including the Billboard Hot 100 and other American charts. Currently enjoying a long stay at #1 on the Alternative Airplay chart, “back to friends” surpassed 100 million streams on Spotify in April and has now garnered more than 381 million streams.’
The straightforward, relatable lyrics describe feelings of heartbreak resulting from learning someone you thought you had a strong romantic and emotional connection with turns out to not share the same feelings, something I’m confident nearly all of us experienced at one time or another during our late adolescence or early adulthood. “How can we go back to being friends when we just shared a bed? How can you look at me and pretend I’m someone you’ve never met? The devil in your eyes won’t deny the lies you’ve sold, I’m holding on too tight. While you let go, this is casual.”
In other chart news of note, “Moody” by Australian duo Royel Otis is the biggest upward mover again this week, jumping nine spots to enter the top 10 at #6. Also entering the top 10 are “Basic Being Basic” by Djo, the music project of American actor and musician Joseph David Keery, who starred in the Netflix hit series Stranger Things, the comedy film Free Guy and season five of Fargo, and “Catch These Fists” by English indie rock band Wet Leg.
Two songs make their debut this week, the first of which is “No Rain, No Flowers” by Nashville-based blues rock duo The Black Keys, who are certainly no strangers to my chart. The marvelous ear worm is the title track and third single (after “The Night Before”, which recently peaked at #2, and “Babygirl”) from their forthcoming 13th studio album No Rain, No Flowers, scheduled for release on August 8th. Entering at #30 is “London Town” by English alternative indie rock band HEALER, a great song I recently reviewed. It’s their third song to appear on my chart, after “Bones” in 2023 and “War” in 2024.
BACK TO FRIENDS – sombr (2)
NOTHING I NEED – Lord Huron (1)
ARCHBISHOP HAROLD HOLMES – Jack White (4)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (5)
Lord Huron‘s achingly beautiful “Nothing I Need” remains at #1 for a second week, while sombr‘s cinematic “back to friends” closes in at #2. Jack White advances four spots to #4 with his boisterous satirical takedown of televangelist hucksters “Archbishop Harold Holmes”, and Irish indie rock band Somebody’s Child jump five spots to #5 with “Porcelain (Losing All My Patience)”. Ohio indie folk band Caamp enter the top 10 with their gentle song of positivity “Let Things Go”. The biggest upward mover this week is “Moody” by Australian duo Royel Otis, leaping 10 spots to #15.
We have three wonderful new debuts this week, starting with “Relationships” by Los Angeles-based pop-rock trio HAIM, comprised of sisters Este (bass guitar and vocals), Danielle (lead vocals, guitar, and drums), and Alana Haim (guitars, keyboards, and vocals). The lead single from their fourth album I Quit, which dropped this past Friday, June 20th, the song has a languid yet edgy hip hop vibe with the ladies’ marvelous signature harmonies, and I love it. It’s the sisters’ first song to appear on my chart.
Entering at #29 is the darkly beautiful and musically complex “Emergence” by English rock band Sleep Token, whose music is an electrifying blend of alternative, metal, progressive, R&B, hip hop and djent. Though they formed in 2016 and have released four albums, they’re new to me. In addition to their dynamic music, they’re also know for remaining physically anonymous by wearing masks. “Emergence” is the lead single from their fourth album Even in Arcadia, which was released in May, and their first to appear on the Billboard Hot 100, where it peaked at #57. The song is currently #2 on the Mainstream Rock chart and #17 on the Alternative Airplay chart.
Last but certainly not least is the haunting “Love Is A Fire” by the remarkably talented and prolific London-based artist Art Block, which I reviewed upon its release four weeks ago. A favorite artist of mine who I’ve featured many times on this blog, it’s his second song to appear on my chart, the previous being “White Horses”, which went all the way to #1 in December 2022.
NOTHING I NEED – Lord Huron (1)
BACK TO FRIENDS – sombr (3)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (2)
ARCHBISHOP HAROLD HOLMES – Jack White (8)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (10)
Another favorite music act of mine is American folk rock band Lord Huron. Originally formed as a solo act by singer-songwriter and guitarist Ben Schneider in 2010 after he relocated from Michigan to Los Angeles (his name was inspired by the Great Lake he grew up near), Lord Huron eventually became a four-piece that now includes Miguel Briseño on bass, keyboards & theremin, Tom Renaud on guitar, and Mark Barry on drums & percussion. Their uniquely beautiful music is a glorious mash-up of folk, western, rock and roll, pop, surf rock and new age, and has been described by music writers as evoking the ‘high-lonesome’ sound of such legendary acts as The Band and Neil Young, as well as newer acts like Fleet Foxes and My Morning Jacket (whose song “Time Waited” has spent the past three months on my chart, peaking at #1). The most striking features of their sound are the lush twangy and shimmery guitars, backed by stirring orchestral strings, and lead singer Ben Schneider’s beautiful warm vocals, which often convey an arresting and heartfelt vulnerability.
They’ve released four outstanding albums – Lonesome Dreams in 2012, Strange Trails in 2015, Vide Noir in 2018 and the gorgeous Long Lost in 2021, which is one of my favorite albums of the last 10 years. Their beautiful ballad “The Night We Met”, from Strange Trails, was their breakout hit and, shockingly, their only song to ever chart on the Billboard Hot 100, where it peaked at only #84. Nevertheless, it’s been streamed more than three billion times on Spotify. In January they released “Who Laughs Last?”, a hard-charging rock song featuring spoken word verses from actress Kristen Stewart, which they followed in late March with “Nothing I Need”. Those tracks, along with their latest single “Looking Back”, will be included on their forthcoming fifth album The Cosmic Selector Vol. 1, scheduled for release on July 18th.
“Nothing I Need” is gorgeous, featuring the band’s signature rich and colorful guitar work and Schneider’s marvelous vocals. It takes over the #1 spot on my latest Top 30 chart, marking Lord Huron’s third song to reach #1, after “Not Dead Yet” and “Mine Forever”, both from Long Lost, and both of which ended up placing in the top 10 of my 100 Best Songs of 2021 list, with “Mine Forever” ranking #2.
The bittersweet lyrics tell of a man lamenting his lost youth and the love he squandered away through his endless traveling, possibly for his career that now brings him no pleasure: “I fell asleep and when I woke up, I was old. I said goodbye to my youth and my blood ran cold. I got a feeling I just had to get away. I left it all behind on an endless road, but I see her face everywhere I go. I got everything I want and I got nothing that I need.” Schneider, who wrote and sang the lyrics, stated “Nothing I Need” “wonders if it’s possible — within the short time you’ve got — to ever truly know what you want, if it’s worthwhile wanting anything at all, and if there’s any point in pondering what’s down the roads you didn’t take.“
In other chart highlights, sombr‘s “back to friends” continues its strong upward movement, climbing three spots to #3. Three songs enter the top 10 after hovering in the low teens the past few weeks – “Archbishop Harold Holmes” by Jack White, “Barbarian” by L.A.-based alt-rock band AWOLNATION and “Porcelain (Losing All My Patience)” by Irish indie pop-rock band Somebody’s Child – all advancing three spots to #s 8, 9 and 10, respectively.
There are two new debuts again this week, the first of which is the exuberant “Ripple” by English indie rock duo Good Neighbours. Based in London and comprised of Oli Fox and Scott Verrill, they released their debut single “Home” in January 2024, The song was successful, reaching #26 in the UK and #2 on the Billboard AAA chart. I was never wild about that song, but I do like “Ripple”, which I find more infectious and appealing. The second debut is the wonderful “Better Off Eventually” by British Columbia, Canada-based alt-rock band Bealby Point, which I featured in the same Fresh New Tracks post as last week’s debut entry “Moody” by Royel Otis.
NOTHING I NEED – Lord Huron (3)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (1)
BACK TO FRIENDS – sombr (6)
THE TURNAROUND – DelCobras (4)
WALLS – Frank Joshua (2)
LAREDO – Leon Bridges (5)
SNAKESKIN – NAVE (9)
ARCHBISHOP HAROLD HOLMES – Jack White (11)
BARBARIAN – AWOLNATION (12)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (13)
I seem to have gotten into a pattern of publishing at least one Fresh New Tracks post each week, and hopefully I’ll keep at this until I burn out or fall back into another of my periodic funks again. For my 47th edition, I’m featuring songs by, in alphabetical order, Canadian indie rock band Bealby Point, Maryland alternative pop-rock band Between Daze, Chicago pop-rock-punk band Guardrail, and Australian indie pop-rock duo Royel Otis.
Bealby Point – “Better Off Eventually”
Vancouver, British Columbia is a wellspring of musical talent, as there are several terrific acts from that fair part of Canada I’m especially fond of. I recently wrote about two of them – dwi and Western Jaguar – in a previous Fresh New Tracks post, and another favorite is alt-rock band Bealby Point. Named after a local beachside vacation spot, the four-piece consists of childhood friends Jack Armstrong (lead vocals), Clayton Dewar (lead guitar), Jordan Studer (bass), and Zack Yeager (drums). I love their buoyant, high-energy alternative/garage rock they cheekily call “music to fold laundry to“, and their sound, particularly due to Jack’s vocal style, at times reminds me of The Strokes. Their description of themselves as “fourapproachable guys making cool music” is genuine, based on the mutual respect, camaraderie, and joy of spending time together that’s so evident in all their photos and little acoustic performance sessions they frequently post on TikTok and Instagram. I’ve been following them for more than four years and have featured them four times on this blog, most recently two years ago when I reviewed their single “America”. Their 2021 single “Talk to Me” ended up on my 100 Best Songs of 2021 list.
On May 13th, they dropped their latest single “Better Off Eventually“, a rousing indie pop song speaking to feelings of frustration amid superficiality in the world and yearning for a life filled with meaning. The band elaborates: “This song was conceived in Clay’s basement as part of a batch of songs we wrote and tracked almost 3 years ago with our long-time friend and confidant Matt Di Pomponio (who mixed and produced the track). It’s been sittin’ in the Bealby Vault ever since and we have been patiently awaiting it’s time to be unleashed unto the world. Now is that time. It’s about struggling through life’s battles, learning along the way, owning who you are and being unapologetically true to yourself, no matter what! This song means a lot to us and we hope you find something in it for you.” I love the song’s breezy, upbeat melody, highlighted by Jack and Clay’s colorful intricate guitar work and driven by Jordan’s thumping bassline and Zack’s spirited drumbeats. All of Bealby Point’s songs are so good, and “Better Off Eventually” is no exception.
Between Daze – “Call Out”
Hailing from Baltimore, Maryland is Between Daze, an original songwriting/recording project comprised primarily of Johnny Burkhead (vocals), Scott Rodenberg (guitar) and Kenn (guitar), along with Mike Coyne (bass) and Kevin Walsh (drums). Preferring to remain rather anonymous, they have no photos of themselves on social media or music platforms. They’ve been making alternative pop/rock and roll music together for over 20 years but really began hitting their stride in 2021 with the release of their single “Burn For You”. In the years since, they’ve released a total of eleven singles at the rate of two or three a year. Their latest is “Call Out“, which dropped May 1st. Johnny reached out to me about the song, and as I do with acts who are new to me, I checked out their back catalog to get a better feel for their music. I ended up listening to all eleven of their singles, and can honestly say I like them all.
The band says “Call Out” “tells a story about finding the best in yourself and being able to take on whatever comes your way. It’s about not letting things beat you down for too long, that things will turn for you and eventually be better. Keep believing in yourself, and build the confidence to take on the world!” To drive home their optimistic message, the guys serve up a barrage of roiling gnarly riffs, driving bass and thunderous drums, creating an exhilarating backdrop for Johnny’s fervent vocals. The beautiful cover art for the single was hand painted by artist Jane Link Mangano.
Guardrail “First”
Photo of Xack, Ty, Kevin & Ken by Kennedy Cottrell
Chicago-based Guardrail play a hard-hitting, high-energy style of rock drawn from a blend of punk, pop and metal, which on some songs reminds me of acts like Green Day, Blink-182, Sum 41, and even the Beastie Boys. Formed in 2014, the band has undergone several changes in lineup, and now consists of Kevin Andrew (lead vocals), Ken Ugel (guitar, vocals), Ty Olmstead (bass, vocals) and Xack (drums). (Ken is also guitarist for Chicago bands The Million Reasons and Wild Gravity, while Ty also plays in the band Ghoul For A Goblin.) They released their debut EP wordswords in 2015, and have since followed with two more EPs, numerous singles, (one of which, “Social Meteor”, I reviewed in 2021 and has garnered over 220,000 streams on Spotify), and a full-length album Content in 2023.
Yesterday, May 14th, Guardrail dropped their first new single in two years, appropriately a terrific cover of the Cold War Kids’ 2015 masterpiece “First“. I’m a longtime fan of Cold War Kids and “First” is my favorite song of theirs (it ranks #27 on my Top 100 Songs of the 2010s list). It can be risky for an artist or band to cover a song we love, but the moment I heard Guardrail’s version, I was thrilled. While Guardrail maintains some of the vibe of the original thanks to their chiming guitars, they speed it up with frantic drumbeats, jagged guitar riffs and Kevin’s fervent rapid-fire vocals, giving their version greater urgency and more of a punk feel. Cold War Kids’ original runs 3:20 minutes, whereas Guardrails is shortened to only 3:07 minutes. The band states they “recorded a bunch of covers during the pandemic times, so while we work on new music we’re gonna finally put ’em out.” I say, bring ’em on!
Royel Otis – “moody”
Australian guitar-pop duo Royel Otis was formed in 2019 by Royel Maddell and Otis Pavlovic over a shared love of the same music and bands. Based in Sydney, their sound draws from elements of indie pop, indie rock, new wave, pop rock, post-punk and psychedelic rock. The duo released two EPs in 2021 and 2022 to little notice until the song “Oysters in My Pocket”, from the second EP Bar n Grill, gained traction in late 2022. Their third EP Sofa Kings, released in 2023, proved more successful, with the breakthrough title track marking their first appearance on American charts, eventually peaking at #12 on the Billboard Alternative Airplay chart. In late January 2024, they released their electrifying cover of “Murder on the Dancefloor”, the 2001 disco pop hit by British singer-songwriter Sophie Ellis-Bextor (which she co-wrote with Gregg Alexander, former frontman of the band The New Radicals, who had a hit in the late 90s with “You Get What You Give”), which they performed on the Australian radio station Triple J for their Like a Version program. The song went viral and reached #1 on the Billboard Alternative chart, as well as my own Top 30 chart. I couldn’t get enough of it, and it ended up ranking #4 on my 100 Best Songs of 2024 list. The guys quickly followed with their debut album Pratts & Pain in February 2024, which debuted at #1 on the ARIA Australian Albums Chart, and went on to win four awards at the 2024 ARIA (Australian Recording Industry Association) Music Awards.
Now they’re back with a new single “moody“, which dropped on May 9th. It’s a love song of sorts, detailing a problematic relationship with a woman who drives the singer crazy in both good ways and bad. She’s jealous, bitchy and cranky, yet he’s hopelessly in love with her: “She’s always givin’ it to me. Late nights, she always accusin’. Last time, she said she would kill me. My girl’s a bitch when she’s moody. But she’s my everything. She’s all that I need.” I love the song’s languid laid back groove, highlighted by Royel’s terrific guitar noodling and Otis’ sweet vocals. I think it’s gonna be a hit.
One of my favorite indie bands I’ve gotten to know over the past few years is Vancouver, British Columbia-based four-piece Bealby Point. Named after a local beachside vacation spot, they’re comprised of four childhood friends, Jack Armstrong (lead vocals), Clayton Dewar (lead guitar), Jordan Studer (bass), and Zack Yeager (drums). I love their buoyant, high-energy alternative/garage rock they cheekily call “music to fold laundry to“, which has earned them favorable comparisons to such bands as The Strokes. Their description of themselves as “approachable guys making cool music” is genuine, based on the mutual respect, camaraderie, and joy of spending time together that’s so evident in all their photos and little acoustic performance sessions they frequently post on TikTok and Instagram.
Beginning with the release of their debut single “I’m So Bummed Out Right Now” in February 2021 (which I featured in an installment of Fresh New Tracks, and has been streamed over half a million times on Spotify) the engaging four-piece continued dropping a series of excellent singles, including the brilliant “Talk To Me”, which I also reviewed and earned a spot on my Top 100 Songs of 2021 list. They released an EP Fridays in July 2022, and on May 10th, dropped their latest single “America“, a song they say is about falling in love, then falling out of love in tragedy. When I asked the band why they used “America” as the title and the subject of a romantic relationship, drummer Zack told me “The idea to personify America as a girl is tied to the idea of the American dream, [with] living a happy successful life basically culminated into a relationship. All of your hopes and dreams, ambitions and expectations, crushed by falling out of love.”
Like all their music, “America” was recorded and produced by Matt Di Pomponio, however, the song is a bit of a departure from their previous work, with a more serious, introspective vibe. I love how it opens with a gentle fuzz-coated riff, then launches right into the anthemic chorus. As always, the guys’ instrumentation and musicianship are outstanding, with Jack and Clay’s vibrant guitars accompanied by Jordan’s sturdy bassline and Zack’s spirited drums. I really like Jack’s warm, plaintive vocals as he sings of the joys of a new love in the opening chorus: “America, she loves me. I thought it couldn’t be I get down on my knees and scream America. Her shoulder rests on mine, I’ll be here for a lifetime“, then turn emotionally-wrought in the final chorus as he laments about how their love now lies in ruins: “America, I’m a human being. The faults that lie in fate that I don’t want to make. Fuck sakes America. Her shoulder rests on mine. Now let me drift away and wallow desperately again.”
“America” is yet another superb track by this talented and wonderful group of guys, and I remain a loyal fan!
It’s time for another installment of Fresh New Tracks, and this week I’m showcasing three terrific new singles, one by Bealby Point, a Canadian alt-rock band I wrote about twice last year, and two by Irish acts I’ve not previously featured – Big Sleep and pMad.
BEALBY POINT – “Say It Anyway”
Named after their favorite beachside vacation spot, Vancouver, Canada-based Bealby Point consists of four childhood friends, Jack Armstrong (lead vocals), Clayton Dewar (lead guitar), Jordan Studer (bass), and Zack Yeager (drums). I love their buoyant, high-energy style of alternative/garage rock they cheekily describe as “music to fold laundry to“, which has earned them favorable comparisons to such bands as The Strokes. Since the release of their debut single “I’m So Bummed Out Right Now” in February of last year (which I featured in an earlier installment of Fresh New Tracks), the engaging four-piece have continued dropping a series of excellent singles every few months, including the brilliant “Talk To Me”, which I reviewed, and also earned a spot on my Top 100 Songs of 2021 list.
Now they’re back with their fifth single “Say It Anyway“, which will be included on their forthcoming EP, due out this summer. Like all their songs, it was produced by Matt Di Pomponio, and features the guys’ signature intricate guitar noodling and lively rhythms we’ve come to love and expect. The bouncy, upbeat vibe contrasts with the rather biting lyrics about struggling to get over a former romantic partner whose hurtful words still sting: “Cause I don’t really care about this. Like anyone, I’m trying my best. But I don’t want to hear your bullshit. Reminds me of that thing that you said ‘Do unto others as they do to you’. You don’t have anything nice to say? Say it anyway.” As always, Jack’s colorful emotive vocals perfectly convey the frustrations expressed in the lyrics, and make for a compelling listen.
I recently learned about the charismatic Dublin-based duo Big Sleep when they followed me on Twitter, and I’m glad they did because I love their brand of alternative indie pop, infused with elements of synth wave, funk and folk. Comprised of Irishman Rónán Connolly and Florence, Italy-born Matteo Poli, they met in at school when Poli came to Dublin on an exchange program to learn English. Together, they honed their musical chops spending countless hours playing open mics, charity gigs, battles of the bands and busking on the streets. In time, they’ve earned a reputation for their energetic live shows, performing weekly as a four-piece with some of Dublin’s most talented musicians.
They released their debut single “Paint on Cars” in January, 2020, and like Bealby Point, have just dropped their fifth single “Tutti Frutti“. The delightful song is the lead single from their forthcoming EP Feel SomethingSomeday, and features Jacopo Stofler on lead guitar and Aidan Gray on bass. Connolly also played guitar and Poli played drums. Featuring a deliriously infectious groove, “Tutti Frutti” is their most upbeat song yet. A colorful blend of swirling jangly guitars are layered over Gray’s propulsive bassline, accompanied by Poli’s assertive thumping drumbeats, creating an exuberant sonic backdrop for Connolly’s charming Irish brogue. The lighthearted lyrics speak of being attracted to someone and wanting to get to know them better: “Tutti Frutti, now won’t you take it easy, cuz I’ve been dying just to see your other side / And you seem hard to keep ahold of, and I don’t mind going where your breeze blows.”
Big Sleep will be performing a show at the Sound House in Dublin on May 21st. Tickets can be purchasedhere.
pMad is the solo music project of Irish singer-songwriter Paul Dillon. Based in County Galway, Paul is a lifelong lover of music, and has been involved in songwriting and performing for years, previously as a member of the bands Starve the Barber and The Suicidal Dufflecoats, and currently a member of The Greeting as well as his recently-begun solo project pMad. His eclectic sound, which is a glorious blend of darkwave, post-punk, alternative and goth rock, is heavily influenced by some of his favorite acts like The Cure, The Sisters of Mercy, Sonic Youth, Suicidal Tendencies, The The and Tom Waits. With his music, he aims to “follow a path of introspection with a unique view of the world & what we are doing to ourselves and the planet.”
When the pandemic lockdowns impacted his and every other musician and band’s ability to make and perform music, Paul created a “The Best of Irish Indie” page on Facebook, in which he ran a series of ‘Best of Irish’ polls. Energized by the response, he unearthed his own music collection, which inspired him to rework and record some of his previously-written songs, along with some newly-written ones. Taking advantage of modern recording technologies, he created a number of singles and a full album he plans to release later this year. Without ever being in the same room together, he created the songs remotely in collaboration with Zedakube Recording (Ireland), Protonaut Studio (Germany) and Elith Mastering Labs (Mexico). He released his debut single “Who Am I” last December, then quickly followed in early February with “Medicine”, both of which have received critical acclaim and airplay on radio stations around the world. Now he returns with his third single “Broken“, a dark and powerful song that speaks to today’s troubled times.
As to the meaning behind the song, Paul explains: “None of us are built without cracks or faults, we all hurt, we are all human.pMad is ‘broken’ in some form or another, just like everybody else. Knowing and understanding that we are all broken, and being comfortable with that, is the way to save ourselves.” To convey these strong emotions, pMad starts with a deep pulsating bassline and pounding drum beats, over which he layers grungy guitar notes and haunting industrial synths. The result is a lush, darkly beautiful soundscape that’s the perfect accompaniment to his commanding vocals that sound ominous, yet reveal glimmers of optimism. The video he’s created for the track is every bit as impactful as the song. Featuring a cast of androgynous youths, people of color and others dealing with emotional trauma, interspersed with footage of street protests, it’s a powerful representation of the song’s message of human vulnerability and perseverance.
Two Feet maintains a firm grip on the #1 spot for a third week with his darkly beautiful and brooding “Don’t Bring Me Down”, while Adele’s poignant “Easy on Me” holds at #2 for a second week. Glass Animals climb two spots to third place with their buoyant “I Don’t Wanna Talk (I Just Wanna Dance)”, and My Morning Jacket’s “Love Love Love” enters the top 10 at #8.
As we enter the final month of 2021, a whopping six new songs (well, five new and one refashioned) debut this week. Taylor Swift’s epic 10 minute and 13 seconds long “All Too Well” – which debuted at #1 on the Billboard Hot 100 – enters my chart at #19 (I’m old school about music charts, and have a problem with songs debuting at #1). The five other new entries are “I See the Sun” by British psychedelic pop/rock band Solar Eyes, “Two Car Family” by British electro-rock band Apollo Junction, “Left Behind” by Chicago post-punk band a million rich daughters, “Kaleidoscope” by Tacoma psychedelic power pop artist Soda Cracker Jesus, and the enchanting “Journeyman’s Ballet” by Brooklyn singer-songwriter Sam Rappaport.
DON’T BRING ME DOWN – Two Feet (1)
EASY ON ME – Adele (2)
I DON’T WANNA TALK (I JUST WANNA DANCE) – Glass Animals (5)
BEGGIN’ – Måneskin (6)
TAKE THE L – Roadkeeper (3)
NEVER LOOKED BACK – The Zangwills (4)
I DON’T LIVE HERE ANYMORE – The War on Drugs ft. Lucius (10)
LOVE LOVE LOVE – My Morning Jacket (11)
CAN YOU HANDLE MY LOVE?? – WALK THE MOON (8)
MINE FOREVER – Lord Huron (7)
SURVIVOR – Nathaniel Rateliff & the Night Sweats (9)
JUSTIFIED – Kacey Musgraves (14)
LOVE IN OCTOBER – Ships Have Sailed (15)
GOOD FRIEND – dwi (16)
COLORADO – Milky Chance (13)
WRECKED – Imagine Dragons (12)
STARTS WITH YOU – Shimmer Johnson (19)
TIME IN DISGUISE – Kings of Leon (24)
ALL TOO WELL (10 Minute Version) – Taylor Swift (N)
Not a lot of changes from last week’s list. Two Feet remains on top for a second week with his smoldering gem “Don’t Bring Me Down”, while Adele’s heartstrings-tugging “Easy on Me” climbs two spots to #2. The War on Drugs enter the top 10 with “I Don’t Live Here Anymore” and Band of Horses are the lone debut this week with “Crutch”, their first new music in five years.
DON’T BRING ME DOWN – Two Feet (1)
EASY ON ME – Adele (4)
TAKE THE L – Roadkeeper (3)
NEVER LOOKED BACK – The Zangwills (2)
I DON’T WANNA TALK (I JUST WANNA DANCE) – Glass Animals (6)
BEGGIN’ – Måneskin (10)
MINE FOREVER – Lord Huron (5)
CAN YOU HANDLE MY LOVE?? – WALK THE MOON (8)
SURVIVOR – Nathaniel Rateliff & the Night Sweats (9)
I DON’T LIVE HERE ANYMORE – The War on Drugs ft. Lucius (11)
ECLECTIC MUSIC LOVER 