For those who may be unaware, boygenius is an American indie rock supergroup comprised of three incredibly talented female singer-songwriters – Julien Baker, Phoebe Bridgers, and Lucy Dacus, each of whom are successful artists in their own right. Their beautiful single “Not Strong Enough”, from their debut album The Record which was released on March 31st, takes over the #1 spot on my Weekly Top 30.
In an interview for Rolling Stone, Phoebe elaborated on the meaning behind the song’s Sheryl Crow-inspired lyrics: “The two wolves inside us can be self-hatred and self-aggrandizing. Being like, ‘I’m not strong enough to show up for you. I can’t be the partner that you want me to be.’ But also being like, ‘I’m too fucked up. I’m unknowable in some deep way!’ Self-hatred is a god complex sometimes, where you think you’re the most fucked-up person who’s ever lived. Straight up, you’re not. And it can make people behave really selfishly, and I love each of our interpretations of that concept.”
Besides their intelligent songwriting and outstanding musicianship, a prominent component of boygenius’ wonderful music are the three ladies’ distinctive vocals and gorgeous harmonies. For “Not Strong Enough”, Bridgers sings the first verse, Baker the second, and Dacus leads the chant in the song’s bridge: “Always an angel, never a god”, with all three singing the exuberant choruses.
The delightful video, shot by the three members of boygenius and edited by Phoebe’s younger brother Jackson Bridgers, shows the three having fun and enjoying each other’s company in various locations around Los Angeles, including the Santa Monica Pier and Getty Villa in Malibu, one of two campuses of the J. Paul Getty Museum.
And here’s a charming video of boygenius breaking down the meaning of “Not Strong Enough”, which shows their strong camaraderie and love for each other:
NOT STRONG ENOUGH – boygenius (2)
EAT YOUR YOUNG – Hozier (1)
KID – The Revivalists (3)
RESCUED – Foo Fighters (7)
DUMMY – Portugal. The Man (5)
GO DOWN RIVER – The Heavy Heavy (6)
PAID OFF – Oli Barton & the Movement (4)
ESSENCE – Refeci & Shimmer Johnson (10)
RESCUE ME – Dirty Heads (12)
LEAVING – Au Gres (13)
THE PERFECT PAIR – beabadoobee (9)
1982 – Morgendust (14)
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (8)
THE WAY – Manchester Orchestra (15)
THOSE EYES – New West (16)
IN MY HEAD – Mike Shinoda & Kailee Morgue (19)
WHY – Future Theory (20)
GHOSTS AGAIN – Depeche Mode (11)
HELLO – GROUPLOVE (22)
PINEAPPLE SUNRISE – Beach Weather (24)
EMPTY NEST – Silversun Pickups (23)
MARRY ANOTHER MAN – Wise John (25)
WE’RE ALL GONNA DIE – Joy Oladokun & Noah Kahan (26)
Hozier‘s provocative “Eat Your Young” remains at #1 for a second week, while “Not Strong Enough” by boygenius moves into second place. “The Perfect Pair” by Filipino-English singer-songwriter beabadoobee and “Essence” by Danish producer-composer Refeci and Canadian-American singer-songwriter Shimmer Johnson enter the top 10. Two songs make their debut this week: “Stuck” by L.A.-based alt-rock band 30 Seconds to Mars, now a duo consisting of the ageless Leto brothers Jared and Shannon, at #29. Their first new music in five years, the song is the lead single from their forthcoming sixth studio album, It’s the End of the World but It’s a Beautiful Day, due for release on September 15. Entering at #30 is the wonderful “Puppet Show” by another L.A.-based artist Beck Black, which I reviewed two weeks ago.
EAT YOUR YOUNG – Hozier (1)
NOT STRONG ENOUGH – boygenius (3)
KID – The Revivalists (2)
PAID OFF – Oli Barton & the Movement (4)
DUMMY – Portugal. The Man (6)
GO DOWN RIVER – The Heavy Heavy (7)
RESCUED – Foo Fighters (10)
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (5)
THE PERFECT PAIR – beabadoobee (11)
ESSENCE – Refeci & Shimmer Johnson (12)
GHOSTS AGAIN – Depeche Mode (8)
RESCUE ME – Dirty Heads (16)
LEAVING – Au Gres (17)
1982 – Morgendust (15)
THE WAY – Manchester Orchestra (18)
THOSE EYES – New West (19)
THE WALK HOME – Young the Giant (9)
FLOWERS – Miley Cyrus (13)
IN MY HEAD – Mike Shinoda & Kailee Morgue (20)
WHY – Future Theory (21)
WOLF – Yeah Yeah Yeahs (14)
HELLO – GROUPLOVE (24)
EMPTY NEST – Silversun Pickups (25)
PINEAPPLE SUNRISE – Beach Weather (26)
MARRY ANOTHER MAN – Wise John (27)
WE’RE ALL GONNA DIE – Joy Oladokun & Noah Kahan (28)
Irish singer-songwriter and musician Hozier (born Andrew John Hozier-Byrne), has never shied away from addressing social and political topics in his songs, and in a 2021 interview with Forbes magazine, he stated that he believes “the personal is the political“. His breakout hit “Take Me to Church” highlighted the injustices and violence perpetrated against the LGBTQ community; the video for his song “Cherry Wine” raised awareness of domestic violence; and “Nina Cried Power” paid homage to such artists as Nina Simone, Bob Dylan, and Mavis Staples, whose work often took political or social justice stances.
His latest single “Eat Your Young” was inspired by Gluttony, one the 9 Circles of Hell contained in the first part of Dante Alighieri’s epic poem Divine Comedy, and describes a feast being prepared and served together with the chaos that comes with it. Many of the allegorical lyrics can be construed to be anti-war, with references to corporate greed and capitalistic warfare, and sacrificing our young to fight our wars. According to an annotation in Genius, the line “pull up the ladder when the flood comes” could be interpreted to mean that when the biblical flood comes, rather than leaving the ladder down to help other people climb to safety, the ladder is pulled up-presumably because to save them would be to share resources with them. The darkly captivating song, from his forthcoming third album Unreal Unearth, due for release in August, ascends to the #1 spot on my latest Top 30. It’s Hozier’s third song to top my chart.
In other chart developments, the Foo Fighters‘ “Rescued” climbs six spots to enter the top 10. Four songs make their debut this week: the lovely and heartwarming “Marry Another Man” by singer-songwriter Wise John (whose wonderful EP The Mr. Love Sunset Show! I recently reviewed), “We’re All Gonna Die” by singer-songwriters Joy Oladokun and Noah Kahan, “Chemical” by superstar Post Malone, and “Superglue” by pop-rock band Michigander.
EAT YOUR YOUNG – Hozier (2)
KID – The Revivalists (1)
NOT STRONG ENOUGH – boygenius (4)
PAID OFF – Oli Barton & the Movement (6)
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (3)
DUMMY – Portugal. The Man (9)
GO DOWN RIVER – The Heavy Heavy (10)
GHOSTS AGAIN – Depeche Mode (5)
THE WALK HOME – Young the Giant (7)
RESCUED – Foo Fighters (16)
THE PERFECT PAIR – beabadoobee (12)
ESSENCE – Refeci featuring Shimmer Johnson (14)
FLOWERS – Miley Cyrus (8)
WOLF – Yeah Yeah Yeahs (13)
1982 – Morgendust (17)
RESCUE ME – Dirty Heads (18)
LEAVING – Au Gres (19)
THE WAY – Manchester Orchestra (20)
THOSE EYES – New West (21)
IN MY HEAD – Mike Shinoda & Kailee Morgue (22)
WHY – Future Theory (23)
BLUEBELL WOOD – Frank Joshua (11)
TROPIC MORNING NEWS – The National (15)
HELLO – GROUPLOVE (27)
EMPTY NEST – Silversun Pickups (28)
PINEAPPLE SUNRISE – Beach Weather (30)
MARRY ANOTHER MAN – Wise John (N)
WE’RE ALL GONNA DIE – Joy Oladokun & Noah Kahan (N)
“Kid”, the feel-good anthem by New Orleans band The Revivalists, remains atop my Top 30 for a second week, while Hozier‘s enchanting “Eat Your Young” moves into second place. Entering the top 10 are “Dummy” by Portland alt-rock band Portugal. The Man and “Go Down River” by British duo The Heavy Heavy, at #s 9 and 10 respectively. The biggest upward movers this week are “Rescued” by Foo Fighters, leaping 12 spots to #16, “Not Strong Enough” by supergroup boygenius (Julien Baker, Phoebe Bridgers & Lucy Dacus), climbing five spots to #4, and “Those Eyes” by New West, also advancing five spots to #21.
The lone debut this week is “Pineapple Sunrise” by Beach Weather, who’ve become one of my favorite bands over the past year. The title track from their album of the same name, “Pineapple Sunrise” has not been officially released as a single, however they did release a terrific new video for the song this past Friday, and I love it so much it’s made my Weekly Top 30.
KID – The Revivalists (1)
EAT YOUR YOUNG – Hozier (3)
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (2)
I’ve loved making song lists since my teens, but one thing I don’t like about doing them is having to drop songs down and then ultimately off. And just because I move songs down and then off my lists doesn’t mean I no longer like them or am even tired of them, but they must eventually make way for newer songs to have their own time in the sun, so to speak. That said, it makes me a little sad to knock “New Gold”, by Gorillaz, Tame Impala and Bootie Brown, from the top spot it’s held the last three weeks, but it must step aside because The Revivalists‘ “Kid” is my new current favorite song. For those unfamiliar with The Revivalists, they’re an 8-piece alternative roots rock band who formed in New Orleans in 2007. They finally burst onto the music scene in 2015 when, on the strength of their third album Men Amongst Mountains, Rolling Stone magazine named them one of “10 Bands You Need to Know”. One of the singles from that album, “Wish I Knew You”, was a sleeper hit, finally reaching #1 on the Billboard Adult Alternative Songs chart in September 2016, then topping the Alternative Airplay chart in May 2017.
The exuberant feel-good anthem “Kid” is the lead single from their forthcoming fifth studio album Pour It Out Into The Night, due for release on June 2nd, and is currently #1 on the Adult Alternative Songs chart. Band lead vocalist David Shaw said the song “is about capturing the essence of life. We all go through ups and downs. Sometimes, we don’t believe in ourselves. We’ve got skeletons in the closet trying to drag us down. But you’ve got to believe in yourself. You’ve just got to live for the spirit. Nothing good ever comes easy. If you don’t have hope, what do you have?” Besides making great songs, The Revivalists use their music as a force of positivity, and are actively involved in several philanthropic causes, including establishing an umbrella fund Rev Causes in 2019, for the purpose of supporting various organizations dedicated to reviving and investing in their communities, public health, and the environment.
The lone debut this week is “Empty Nest” by L.A.-based alt-rock band Silversun Pickups, who’ve been making music since 2000.
KID – The Revivalists (3)
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (1)
“New Gold”, the wonderful collaboration between virtual band Gorillaz, Australian alternative psychedelic music project Tame Impala, and American rapper Bootie Brown, maintains it’s grip on the #1 spot for a third week, while “Ghosts Again” by Depeche Mode moves into the #2 spot. Jumping five spots each are “Kid” by The Revivalists, to #3, and “Eat Your Young” by Hozier, to #5. The raucous “Paid Off”, by British alt-rock band Oli Barton & the Movement, enters the top 10 at #10. They just released their biting new single “Left Alive in America?” on May 5th, and will be releasing their album Pipe Dreams on the 19th.
Making their debut this week are “Rescued” by the Foo Fighters, their first new release since the untimely death of drummer Taylor Hawkins, at #29, and “Hello”, by the always delightful L.A. band GROUPLOVE, at #30.
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (1)
“New Gold”, the marvelous collaboration between virtual band Gorillaz, Australian alternative psychedelic music project Tame Impala, and American rapper Bootie Brown, remains at #1 for a second week. Holding at #2 for a second week is the beautiful “Tropic Morning News” by The National, which previously spent two weeks at #1. Depeche Mode‘s “Ghosts Again” holds at #3 for a second week, and “Flowers” by Miley Cyrus moves up a notch to #4. Moving up three spots each are “Soften” by Canadian singer-songwriter Alex Southey, to #5, and “Bluebell Wood” by British singer-songwriter Frank Joshua to #6. Entering the top 10 are “Kid” by The Revivalists, climbing three spots to #8, and “Eat Your Young” by Hozier, which jumps six spots to #10.
Two songs make their debut this week: the gorgeous “Those Eyes” by Toronto band New West, entering at #29. The song, which reminds me a bit of Coldplay’s beloved earlier songs like “Yellow” and “Fix You”, was actually released in May 2019 as their very first single, and later included on their debut EP Call Me When You Hear This Song. Like Beach Weather’s “Sex, Drugs, Etc.”, the song apparently went viral on Tik Tok, and has recently been climbing the Alternative charts. Entering at #30 is “Why”, a stunning song by British psychedelic indie rock band Future Theory, an immensely-talented act I’ve written about many times on this blog. This is their third song to appear on my Top 30, with their 2021 single “One and the Same” reaching #3.
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (1)
TROPIC MORNING NEWS – The National (2)
GHOSTS AGAIN – Depeche Mode (3)
FLOWERS – Miley Cyrus (5)
SOFTEN – Alex Southey (8)
BLUEBELL WOOD – Frank Joshua (9)
TRANSMITTER – Sea Power (4)
KID – The Revivalists (11)
THE WALK HOME – Young the Giant (10)
EAT YOUR YOUNG – Hozier (16)
PEPPER – Death Cab for Cutie (6)
LOVE FROM THE OTHER SIDE – Fall Out Boy (7)
PAID OFF – Oli Barton & the Movement (14)
WOLF – Yeah Yeah Yeahs (15)
I WANT YOU DEAD – Two Feet & Allie Cabal (12)
THE PERFECT PAIR – beabadoobee (17)
NOT STRONG ENOUGH – boygenius (18)
GO DOWN RIVER – The Heavy Heavy (20)
DUMMY – Portugal. The Man (21)
ESSENCE – Refeci & Shimmer Johnson (22)
BACKPATTERS AND SHOOTERS – The Zangwills (13) 20th week on chart
ANGELICA – Wet Leg (24)
1982 – Morgendust (25)
RESCUE ME – Dirty Heads (26)
LEAVING – Au Gres (27)
TROUBLE WITH THIS BED – Beach Weather (19) 22nd week on chart
I love when artists from different genres and backgrounds come together to create music, especially when the pooling of their collective talents and imagination results in glorious sonic alchemy. One of the finest examples of this in recent memory is “New Gold”, a brilliant collaboration between virtual band Gorillaz (fronted by British singer-songwriter and producer Damon Albarn), Australian alternative psychedelic music project Tame Impala, and American rapper Bootie Brown (aka Romye Robinson). The deep, pulsating beat and lush, intricate synths by Albarn, producer extraordinaire Greg Kurstin, and Tame Impala’s Kevin Parker create a magical backdrop for Albarn’s and Parker’s dreamy vocals and Brown’s flawlessly rapped verses, all of which not only complement each other beautifully, but also create a palpable sense of excitement and energy. The song is a gorgeous feast for the senses, and ascends to the #1 spot on my latest Weekly Top 30.
Co-written by them all, the song’s lyrics speak to the ephemeral and often unfulfilling things too many people indulge in, expressed in the chorus “New gold, foolish gold, everything will disappear.” They rely on self-delusions or any number of palliatives, rather than face their problems in a realistic way, whether it be the ultimately self destructive overuse of cosmetic surgery that often ages poorly, abuse of party drugs that destroy the user’s mind, or endless social media drama, wasting time on online content lacking any real value or engaging in online arguments that only serve to make us feel more isolated than ever.
In other chart developments, Young the Giant‘s poignant and lovely “The Walk Home” enters the top 10, and two songs make their debut: “The Way” by American alt-rock band Manchester Orchestra, at #29, and “In My Head” by Mike Shinoda (of Linkin Park) and Arizona-based singer-songwriter Kailee Morgue, at #30.
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (3)
TROPIC MORNING NEWS – The National (1)
GHOSTS AGAIN – Depeche Mode (4)
TRANSMITTER – Sea Power (2)
FLOWERS – Miley Cyrus (6)
PEPPER – Death Cab for Cutie (5)
LOVE FROM THE OTHER SIDE – Fall Out Boy (7)
SOFTEN – Alex Southey (9)
BLUEBELL WOOD – Frank Joshua (10)
THE WALK HOME – Young the Giant (12)
KID – The Revivalists (14)
I WANT YOU DEAD – Two Feet & Allie Cabal (13)
BACKPATTERS AND SHOOTERS – The Zangwills (8)
PAID OFF – Oli Barton & the Movement (15)
WOLF – Yeah Yeah Yeahs (16)
EAT YOUR YOUNG – Hozier (23)
THE PERFECT PAIR – beabadoobee (19)
NOT STRONG ENOUGH – boygenius (20)
TROUBLE WITH THIS BED – Beach Weather (11) 21st week on chart
The beautiful “Tropic Morning News” by The National holds at #1 for a second week, with Sea Power‘s majestic “Transmitter” also remaining at #2. “New Gold” by the dream collaboration of Gorillaz, Tame Impala and Bootie Brown slides into 3rd place (Gorillaz & Brown performed the song at the Coachella Music Festival this past Friday night), while Depeche Mode‘s “Ghosts Again” assumes the #4 spot. British singer-songwriter Frank Joshua enters the top 10 with his sublime love song “Bluebell Wood”.
Three songs make their debut this week: Entering at #23 is the amazing “Eat Your Young” by Irish singer-songwriter Hozier. He states the song was inspired by Gluttony, one the 9 Circles of Hell contained in the first part of Dante Alighieri’s epic poem Divine Comedy, and describes a feast being prepared and served together with the chaos that comes with it. “Rescue Me” by Southern California reggae-ska rock band Dirty Heads enters at #29, and “leaving” by Michigan singer-songwriter Au Gres enters at #30.
TROPIC MORNING NEWS – The National (1)
TRANSMITTER – Sea Power (2)
NEW GOLD – Gorillaz, Tame Impala & Bootie Brown (6)
For my latest Fresh New Tracks installment, I’m once again featuring for my readers’ listening enjoyment three great new releases by acts who couldn’t be more different from each other. They are, in alphabetical order, Michigan-based singer-songwriter Au Gres (who I’ve previously featured three times on this blog), British alternative grime rock band DeadWax, and German atmospheric rock band gimbal.lock (with the latter two acts being new to me).
Au Gres – “leaving”
Photo by Bryan Hugo Iglesias
Au Gres is the music project of talented and affable Michigan-based singer-songwriter Joshua Kemp. (He named his act after the small town of Au Gres in rural northern Michigan where he vacationed as a youth with his family, and holds special meaning for him.) Influenced by such acts as Dayglow, COIN and Hippo Campus, he blends elements of indie rock, lo-fi and synth pop to create pleasing songs that he records in his little DIY home studio. I first learned about him in the fall of 2020, when he released his sweet debut single “Nervous”. He followed in February 2021 with the beautiful “At Home in the Dark”, then a year later with “do you think we’re old enough”. I reviewed all three songs, with the one for “Nervous” garnering 1,162 views thus far. In just a year and a half, he’s become quite a successful artist, garnering impressive numbers on many of the streaming platforms; “do you think we’re old enough” has earned more than 365,000 plays on Spotify alone, and “Nervous” over 208,000. He dropped his fourth single “used to be” in November 2022, and on March 29th, he released his fifth and latest single “leaving“.
With its dreamy melody, sparkling synths and exuberant guitars, Dayglow’s influence on “leaving” is strongly evident, and in fact, Au Gres’ vocals even sound like Dayglow front man Sloan Struble here. In an article premiering the song on Atwood Magazine, Au Gres discussed his inspiration behind “leaving”: “I went through a lot of changes this year and I noticed the way I started to feel about myself was changing too. I wasn’t able to identify it at first, but retrospectively, I was putting a lot of my identity in things that actually had very little to do with me. Things like my career or friends or how much money I had saved. I guess the message here is to not define yourself by external, ever-changing things. Instead, figure out who you are at a core level so you’ll be better equipped to deal with change.” It’s a gorgeous song, and just might be my favorite by him yet.
I haven’t come across an act that calls their sound ‘alternative grime rock’ before, but after listening to the music of northern English four-piece DeadWax, I think it’s the perfect descriptor. Comprised of frontman Jake Milburn (lead vocals), Solomon Price (bass), Henry Skinner (guitar) and Ben Millington (drums), together they make raw, in-your-face musical mayhem drawn from alternative rock, rap rock, hip hop, funk and hardcore punk, to name but a few of the influences I hear. Their music calls to mind such legendary acts as the Beastie Boys, Limp Bizkit and Rage Against the Machine, though their sound is uniquely their own. They’ve released only a handful of singles, starting with “Heavy Temptation” in 2019, but have gained a reputation for their explosive sound and high-energy live shows.
On March 30th, DeadWax dropped their latest single “Northern Behaviour” a stupendous little blast of dynamite they call “A lil homage to how we grew up together in the North, grafting on building sites n laughing at each other in the pissin rain.” Jake elaborates: “The track is born from our time working as labourers on a derelict building site in Holmfirth. Sol and I worked there for about 2 years, doing anything from putting up scaffolding to moving literally tons and tons of dirt by hand.Doing that job,we always used to say it was ‘character building’ and in fairness, it gave us some serious motivation to get out of it. I wanted to pay homage to where we came from and how we got there, and taking the idea of ‘northern-ness’ and saying, yeah it might be gloomy and rough sometimes, but its fuckin’ great here, and we wouldn’t have changed anything about how and where we grew up together.” Well, I must say the song’s fuckin’ great too, a maelstrom of combustible rhythms, raging riffs and Jake’s furious vocals, fueled by a healthy dose of bravado.
DeadWax have a number of shows scheduled this month, so click on this link for details.
The curiously-named gimbal.lock is a fairly new German atmospheric rock act located near Munich. Comprised of Ralph Bayer (guitar, lead vocals), Tom Geissler (drums) and Zsolt Themes (guitar, backing vocals), all are seasoned musicians who’ve played in various bands for several years. I asked Ralph about their unusual name, and he told me ‘gimbal lock’ is a technical term for the phenomenon that occurs in a three-dimensional rotation system where the rotation axes unexpectedly align, causing the system to lose one degree of freedom. He’s a mechanical engineer working in the field of space robotics, and decided upon the name to reflect their music’s singularly unique and unexpected sound.
On February 24th, they released their debut single “Fantasy“, a beautiful song the band says “is meant to inspire the listener to let their imagination run free and escape reality with all its obstacles for a short time.” The guys recorded, produced and mixed the track themselves, with mastering done by Charles H. Root, III at Electric Owl Works in South Wales, New York. The song opens with soothing sounds of waves gently breaking on a beach, which are soon joined by strummed acoustic guitar notes. The music gradually expands to include a bold bass line, thumping drumbeats and glittery synths as Ralph beckons us to let our minds embrace a sense of euphoria and joy: “Close your eyes and follow me. Use your fantasy and free your mind. Forget your pain and touch the sky.” For me, the musical highlight of the song is its enchanting Middle Eastern flavor, thanks to the use of exotic instruments like the buzuq, a long-necked Arabic fretted lute, and the santoor, a trapezoid-shaped Indian hammered dulcimer. “Fantasy” is a promising debut from gimbal.lock, and I’m eager to hear more music from them!
ECLECTIC MUSIC LOVER 