Every now and then you hear a song for the first time and you’re instantly blown away by it’s magnificence. That’s the feeling I got when I heard the brilliant new single “Wishing Well” from UK alternative rock band Made of Eyes. Following up on their previous, equally fantastic single “Feel Alive,” “Wishing Well” dropped today, November 28, and it’s a gorgeous work of musical art. Lush, soaring synths combine with thunderous guitars, forceful drums and a buzzing bass line to create a powerful, stadium quality anthem.
Made of Eyes is based in Glasgow, Scotland, and consists of four guys whose first names all begin with ‘J’ – JR Campbell on Guitar/Lead Vocals, Jason Stewart on Lead Guitar/Vocals, Jay Jay McMeekin on Bass, and Jacob Kane on Drums. The guys have been a band only since July 2015, but already have a definitive, polished sound.
The track starts off with a dreamy synth melody, then blistering guitar riffs and hammering percussion take over. Jason, who’s lead vocalist on this single, passionately sings: “So throw me down the wishing well, and I hope you wish me well.” The song slows at the bridge with a brief but lovely guitar solo, then ramps back up for the finale with more soaring, thunderous riffs that bring goosebumps. With incredible emotion in his voice, Jason implores: “Why can’t you just be honest. It would save so much time.” This song is so good I had it on repeat more times than I can remember. Take a listen:
UPDATE: The band released their four-track Bonds early in 2017, which you can stream on Spotify or purchase on iTunes. You can also listen to their songs on Soundcloud. Support them by following on Twitter and Facebook.
As I’ve stated before on this blog, there is so much great rock music being made by so many talented artists and bands today, that I’m sometimes overwhelmed by it all. And every once in a while, I discover a band that stands out from the crowd by virtue of their incredible musicianship and sound. Whale House is such a band. Hailing from Eau Claire, Wisconsin, they describe their sound as ” a sublime blend of Noise & Melody.” More accurately, their dynamic sound has elements of experimental, grunge and psychedelic alternative rock.
Whale House was formed in 2009 by Clayton Brice and Caleb Price, both on vocals, guitar and bass. The duo released a 3-track EP From the Traps in 2011. Drummer Chris Dunn joined the band in 2013, and they subsequently released Stand Out. They followed up with their superb highly experimental 5-track EP The Negative Space in 2015, and dropped the excellent single “Freeway” earlier this year. Now they’ve released two new videos for their awesome songs “Red Sun” and “Think of Me.”
The electrifying videos were produced by SCOSH Films as Collaborate Forever Live Sessions filmed at Ambient Inks print shop in Eau Claire. Involved with production were videographer Scott Kunkel, photographer Kyle Lehman, sound engineer Steve Norwick and Bryan Hanna on mastering. The videos were filmed using movable walls and lots of fluorescent lighting, creating an otherworldly vibe. The guys all wearing sunglasses adds an edgy sense of mystery. I really like the videos for several reasons, one of which being that I enjoy seeing the band actually performing their songs, rather than act out some odd story line like in a lot of videos.
“Red Sun” starts off with a thumping bass line, then explodes with a barrage of shredded and swirling guitars and Dunn’s thunderous drums that instantly brought chills. Brice and Price coax scorching hot riffs from their guitars, their commanding, intertwining vocals in perfect harmony. This is one gorgeous rock song!
“Think of Me” is more experimental and psychedelic, and everything about it is jaw-dropping amazing. Clocking in at 6 1/2 minutes, the song is a tour de force that astonishes from start to finish. First off, the buzzing bass line is monumental – seemingly powerful enough to slam you against the wall. Then come the hard-hitting, staccato guitar riffs that practically tear your face off, followed by more snarling guitars and pummeling drums that make your heart race. The guys’ vocals alternately smolder and scream, sounding a bit like Kurt Cobain, and guaranteed to raise the hair on the back of your neck. By song’s end, I had to catch my breath. Wow, just wow!
Staleworth is a five-piece indie band from Long Island, New York who play an intense, yet melodic style of punk/post hardcore rock. The earnest young band followed me on Twitter a while back, and I was so impressed by their fresh sound that I wanted to feature them on my blog. Making the music are Kevin Davis (lead vocals), Brett Baehr (lead guitar), James Mann (rhythm guitar/backing vocals), Ryan Patterson (bass) and Nick Pinzon (drums, though Colin Thorson was drummer when the EP was recorded).
The band released their debut EP Covalence in March 2016, and they’re off to a great start. Featuring five solid tracks that flow seamlessly from one to the next, the EP plays like one long rock symphony containing five movements. First up is the ear-splitting “Empty Veins, ” a melodic hard rock anthem that storms out of the gate with shredded and swirling guitars overlying Patterson’s pummeling bass. Muscular percussion sets the driving beat, and Davis’s fervent vocals occasionally turn into raw hardcore screams. This is a real headbanger!
The high energy levels continue uninterrupted with “Patchwork,” another monumental hard rock track with blistering guitar riffs and thunderous percussion, accompanied by Davis’s impassioned raw vocals. He practically spits the fiery lyrics that speak of lies and deceit: “How could you expect that I wouldn’t question all you do? Evil smile, blackened eyes, just another point of view / You know I’m not too fond of your intentions. But I don’t think you’ve ever learned your lesson.”
Things slow a bit at the beginning of “Moonchild,” with a lovely but rather melancholy guitar solo. The beat ramps back up about a minute into the track, with fast-paced guitars, heavy bass and forceful drums, only to return to a more languid tempo for the last 45 seconds. The music doesn’t skip a beat as the song transitions to the one minute and 25-second auditory barrage that is the fourth track “Hang Loose.” Davis screams his lyrics as furious guitars keep pace with a powerful military-style drumbeat.
That song seamlessly flows into the standout final track “Tiger Troubles.” This hard-driving number gradually builds in intensity, blasting through the speakers with bombastic drums and scorching guitar riffs piled atop more riffs, while Davis’s brutal vocals snarl and soar with the music, at times threatening to blow out our eardrums. The result is an awesome hard rock song of great complexity and depth.
If their excellent debut EP is any indication, Staleworth is a talented collective with a promising future. Show these guys support by following them on Facebook, Twitter and Instagram. Stream their EP on Spotify and purchase it on Bandcamp.
Let me start off by saying that this review is long overdue, as I’m a huge fan of this talented indie band. I’ve been following Brave You for a while, and am now finally getting around to showcasing them on this blog. Based in Milwaukee, Wisconsin, Brave You is Alex Meylink (guitar, lead vocals), Noah Snyder (bass, backing vocals) and Erik Burtraw (drums, backing vocals).
The guys play alternative rock that’s highly melodic, but with an honest, post-grunge sensibility that gives them a distinctive style all their own. Outstanding, complex guitar riffs, Burtraw’s commanding drums, and their solid harmonizing vocals are the defining elements of their sound. And their skillful songwriting is clearly evident in their always compelling lyrics about life, love and relationship troubles. They released their terrific debut Six Songs EP earlier this year, and have been playing numerous venues in and around Milwaukee, which has helped build them a growing base of loyal fans.
The first two tracks on the EP, “Cavalier” and “Here, Here,” are great hard-driving songs with dazzling guitar work and strong percussion. Meylink lays down some scorching riffs over Snyder’s buzzing bass lines, while Burtraw’s thunderous drums and crashing cymbals ramp up the already high energy levels. The opening riff on “Here, Here” is so good it gives me goosebumps with every listen.
The guys’ impressive musical talents are really showcased on the well-crafted track “Tiny Lives.” The song’s structure and arrangement are first-rate, and the multi-textured guitar work is phenomenal. Meylink fervently sings about how our individual lives are rather insignificant in the overall scheme of things, but we can still make them meaningful in our own little corner of the world: “We can live our tiny lives. If we want to, if it matters to us. We can live out our tiny lives. We can make something.”
“Suspended” has a bit of a Goo Goo Dolls vibe, as Meylink’s vocals remind me of John Rzeznik on this track. The big difference is the soaring background chorus which the guys excel at. The poignant lyrics address the singer’s admission of his shortcomings, and asking for forgiveness: “These are the most honest words I’ve ever said. I don’t deserve you, don’t deserve you at all / I always thought I was a better man than all of this.”
A standout track on the EP is the melancholy but beautiful “Vincent.” Once again, the guitars are sublime, and Meylink’s heartfelt vocals convey the feelings of despair and hopelessness expressed in the lyrics: “I want the sleep of the innocent. Wanna close my eyes / There ain’t no truth in this world when I don’t know my daughter’s name, when I don’t recognize her face.” Snyder explained to me that the song is about Meylink’s grandpa’s battle with Alzheimer’s.
The final track “North Avenue” offers up more great guitar, with riffs that go from delicately nimble to snarling. Meylink’s beguiling vocals smolder and soar with the changing intensity of the music, and the guys’ intertwining harmonies are marvelous as always.
To sum up, Six Songs EP is an excellent debut from a young band with a lot of promise. The guys are working on more songs and plan to release a full album in 2017, and I can’t wait to hear it. Follow Brave You on Twitter and Facebook, and subscribe to their YouTube channel. Follow and stream their music on Soundcloud and Reverbnation, and their EP may be purchased on Bandcamp.
It’s back to the UK to shine my spotlight on the incredibly talented indie-rock band FloodHounds. Hailing from Sheffield, the 3-piece band plays some really exciting guitar-heavy alternative rock infused with ample amounts of blues and funk. Making this awesome music are Jack Flynn (lead guitar and vocals), Rhys Owens (bass) and Lauren Greaves (drums). Flynn and Owens, who’ve known each other for years, started FloodHounds after the band they were previously in broke up. They needed a drummer, and lucked out when they discovered Greaves, who joined them in late 2014 to complete the current line-up.
In 2015 they released their debut EP Bare Bones, featuring three well-crafted bluesy rock tunes. Now, the band has returned with an ambitious new EP Look What You’ve Started. Let’s dig in to see what it’s all about.
The EP bursts open with the hard-driving “A&E.” Greaves’ pulse-pounding drums immediately set the pace for this powerful track, with lots of crashing cymbals adding excitement. The stop and start composition of the track creates dramatic tension, with Flynn’s alternating scratchy and swirling guitars matching the ferocity of Owens’ heavy bass line. The guitars are really quite amazing, and Flynn’s vocals are mesmerizing. The lyrics speak of someone – a friend or lover, perhaps – who’s going through tough times and in need of support: “All the people look so tall, when you’re down on your luck and you fall. And though I know you’re on your way, you need a little push to meet me halfway.”
FloodHounds go all bluesy with “State of Mind,” a standout track about escaping a boring, mundane existence. Flynn sings: “Time has passed us slowly from one day to the next / All my friends are 9 to 5 and cashing their checks / And I’m running round in circles again, why do we try? They never said at school that we’d amount to much / You’re barely there it seems like you don’t give a fuck / And you’re wasting all your time outside, why don’t you try? Makes you wonder if you’re ever gonna make it in this world alive.”
The band keeps the bluesy vibe going while adding a bit of funk to the mix with “The Fear” and “Soulmates to Cellmates.” We’re treated to more stellar plucky guitar work, and Greaves’ formidable percussion skills are on full display. “The Fear” speaks to overcoming self-doubt and negativity that are holding the subject back: “Now I can’t help but wonder where you got your point of view / I don’t want to watch it bury you.” By the time we get to “Soulmates to Cellmates,” it’s clear the EP’s theme is about dealing with inner conflict and the relationship troubles it causes. In that track, the loved one becomes the oppressor, leaving the partner feeling shackled. “Being yours means I just have to wait / I don’t care how long it will take.”
The more rock-oriented “End of the Road” offers up funky bass and shredded guitars, and the EP closer “Greatest Mistake” wraps everything up nicely with a slower, bluesy feel. The guitar riffs in this song call to mind those of the legendary Eric Clapton – at least to my ears. This is another standout track.
To sum up, Look What You’ve Started is a solid EP, with a bit of an Arctic Monkeys vibe – a good thing, as I love that band. Support Floodhounds by checking out their website and following on Twitter and Facebook. Stream their music on Spotify and Soundcloud, and purchase on Bandcamp, iTunes and other music purchase sites.