- MARIPOSA – Peach Tree Rascals (1)
- CAN I BELIEVE YOU – Fleet Foxes (4)
- VISITOR – Of Monsters and Men (3)
- ARE YOU BORED YET? – Wallows featuring Clairo (2)
- VIRUS – Vanity Fear (8)
- THINK I’M CRAZY – Two Feet (9)
- FIRE FOR YOU – Cannons (10)
- IS IT TRUE – Tame Impala (5)
- BLOODY VALENTINE – Machine Gun Kelly (6)
- SHAME SHAME – Foo Fighters (16)
- MOOD – 24kGoldn featuring iann dior (7)
- SKIN AND BONES – Cage the Elephant (14)
- TROUBLE’S COMING – Royal Blood (15)
- CAN YOU FEEL THE SUN – MISSIO (19)
- IDENTICAL – Phoenix (11)
- BURN THE VISION – Amongst Liars (12)
- DIRTY – grandson (18)
- LEAVE ME ALONE – I DON’T KNOW HOW BUT THEY FOUND ME (20)
- THEREFORE I AM – Billie Eilish (21)
- HEAT WAVES – Glass Animals (22)
- 1ST TIME – Bakar (23)
- LETTER TO YOU – Bruce Springsteen (13)
- SURVIVIN’ – Bastille (25)
- THE ADULTS ARE TALKING – The Strokes (26)
- NERVOUS – Au Gres (17)
- SOFIA – Clairo (29)
- HEADSTART – Jade Bird (30)
- BROKEN PEOPLE – almost monday (N)
- MY WAY, SOON – Greta Van Fleet (N)
- SATISFIED – Skar de Line (N)
100 Best Songs of the 2010s – #3: “Stressed Out” by twenty øne piløts
Song #3 on my list of 100 Best Songs of the 2010s is “Stressed Out” by twenty øne piløts. It’s the highest-ranking of their six songs on this list (“Tear in My Heart” was #7, “Ride” #19, “Heathens” #61, “Jumpsuit” #67 and “Chlorine” #87), and is also now one of my favorite songs of all time. Released in November 2015 as the fourth single from their spectacular album Blurryface, the song became a massive hit, reaching #1 on the Billboard Hot Rock Songs, Mainstream Top 40, Adult Top 40 and Alternative charts, where it spent 12 weeks on top. It peaked at #2 on the Hot 100.

For those who’ve been living under a rock, twenty øne piløts is a duo from Columbus, Ohio consisting of the ridiculously talented vocalist and multi-instrumentalist Tyler Joseph and drummer Josh Dun. Incorporating a wildly eclectic mix of genres – including hip hop, rap, alternative rock, pop, reggae, ska, psychedelia, electronica, new wave, folk and funk – and employing a vast array of instruments and synth sounds too numerous to mention, they create music that’s complex, innovative, exciting and totally original. With their unique sound, not to mention Joseph’s distinctively quirky vocals, they sound like no other act, and their music is immediately recognizable.
Blurryface is a loose concept album named after a fictional character called Blurryface, who Joseph said “represents all the things that I as an individual, but also everyone around, are insecure about”, namely, our doubts, fears and self-loathing. Joseph wore black paint on his hands and neck during their live shows and music videos for the album, almost apologizing: “Very dramatic, I know, but it helps me get into that character.”
“Stressed Out” was written by Joseph and produced by renowned musician and producer Mike Elizondo, who’s worked with such diverse artists as 50 Cent, Eminem, Carrie Underwood, Fiona Apple, Mastodon, and Ry Cooder, among others. Elizondo was a bit perplexed during the song’s production. In an interview with Billboard, he recalled: “At the time I heard the song, I had no idea what Blurryface was, [and I was] kind of scratching my head going, ‘Dude, uh, what’s Blurryface?’” Well, it’s a brilliant alternative rap-rock song about facing the burdens and responsibility of adulthood while longing for the simplicity and safety of one’s childhood, as well as touching on the insecurities of being a musician. I love the droning, deep bass-driven groove, spooky synths, discordant piano keys, Dun’s pounding drums, and Joseph’s monotone vocals that convey the angst and uncertainty expressed in the clever lyrics.
I wish I found some better sounds no one’s ever heard
I wish I had a better voice that sang some better words
I wish I found some chords in an order that is new
I wish I didn’t have to rhyme every time I sang
I was told when I get older all my fears would shrink
But now I’m insecure and I care what people think
My name’s ‘Blurryface’ and I care what you think
My name’s ‘Blurryface’ and I care what you think
Wish we could turn back time, to the good old days
When our momma sang us to sleep but now we’re stressed out (oh)
Wish we could turn back time (oh), to the good old days (oh)
When our momma sang us to sleep but now we’re stressed out
We’re stressed out
Sometimes a certain smell will take me back to when I was young
How come I’m never able to identify where it’s coming from
I’d make a candle out of it if I ever found it
Try to sell it, never sell out of it, I’d probably only sell one
It’d be to my brother, ’cause we have the same nose
Same clothes homegrown a stone’s throw from a creek we used to roam
But it would remind us of when nothing really mattered
Out of student loans and tree-house homes we all would take the latter
My name’s ‘Blurryface’ and I care what you think
My name’s ‘Blurryface’ and I care what you think
Wish we could turn back time, to the good old days
When our momma sang us to sleep but now we’re stressed out (oh)
Wish we could turn back time (oh), to the good old days (oh)
When our momma sang us to sleep but now we’re stressed out
We used to play pretend, give each other different names
We would build a rocket ship and then we’d fly it far away
Used to dream of outer space but now they’re laughing at our face
Saying, “Wake up, you need to make money.”
Yeah
We used to play pretend, give each other different names
We would build a rocket ship and then we’d fly it far away
Used to dream of outer space but now they’re laughing at our face
Saying, “Wake up, you need to make money.”
Yeah
Wish we could turn back time, to the good old days
When our momma sang us to sleep but now we’re stressed out (oh)
Wish we could turn back time (oh), to the good old days (oh)
When our momma sang us to sleep but now we’re stressed out
Used to play pretend, used to play pretend, bunny
We used to play pretend, wake up, you need the money
Used to play pretend, used to play pretend, bunny
We used to play pretend, wake up, you need the money
We used to play pretend, give each other different names
We would build a rocket ship and then we’d fly it far away
Used to dream of outer space but now they’re laughing at our face
Saying, “Wake up, you need to make money.”
Yeah
The delightful video was directed by Mark Eshelman, and filmed primarily at drummer Josh Dun’s childhood home and the surrounding neighborhood in Columbus. It portrays Joseph and Dun as both children at play and young adults grappling with the onset of adulthood, their parents and siblings looking on in bemused disapproval. It’s been streamed more than 2.1 billion times.
100 Best Songs of the 2010s – #4: “Sweater Weather” by The Neighbourhood
Song #4 on my list of 100 Best Songs of the 2010s is “Sweater Weather” by Southern California alternative pop-rock band The Neighbourhood. It’s hard for me to find the right words to fully describe how deeply I love this stunning song. I know I’ve stated this repeatedly in my discussions of several songs on this list, but I fell in love with “Sweater Weather” the instant I first heard it. The song is from their debut album I Love You, and was originally released in March 2012, but, unbelievably, didn’t chart until a year later. It enjoyed huge success on the Billboard Alternative chart during the summer of 2013, spending 11 weeks at #1, and later peaked at #14 on the Hot 100 and #7 on the Mainstream Top 40.

“Sweater Weather” is a hauntingly beautiful love song with a unique melody and arrangement that’s pretty spectacular, especially given that it was one of the first songs The Neighbourhood ever wrote. It was co-written by group members Jesse Rutherford, Zach Abels and Jeremy Freedman. Abels commented on the writing of the song in a 2014 interview with Radio: “One day Jesse was at my house and I was playing guitar. And he said, ‘Hey that’s pretty cool, let me record that.’ And it just so happened to be ‘Sweater Weather.’ When we got done writing the song, when it was all said and done we were like ‘Okay this is pretty good we should keep writing songs.‘” Rutherford added, “I think ‘Sweater Weather’ might’ve been the best song we’d ever written, but I didn’t think it was going to be the best song we’d ever write. It was kind of like getting a Platinum record, like a little tap on the butt. ‘Good job, keep going’.” The song did indeed go Platinum five times over in the U.S., with over 5 million sales and downloads.
Starting off with a sharp, rapid drumbeat and throbbing bass line, the band layers a rich palette of sparkling synths and gorgeous plucked guitars to create a breathtaking, almost ethereal backdrop for lead singer Jesse Rutherford’s incredibly sensual plaintive vocals. I love his voice, which so beautifully captures the fervor of a budding romance as he raps the lyrics: “She knows what I think about / And what I think about / One love, two mouths / One love, one house / No shirt, no blouse / Just us, you find out / Nothing that I wouldn’t wanna tell you about, no / ‘Cause it’s too cold for you here / And now, so let me hold both your hands in the holes of my sweater.”
Two-thirds into the track, the melody and instrumentals abruptly transition to a languid tempo, highlighted by an achingly beautiful strummed guitar and bassline. Rutherford coos “Woah, woah, woah / Woah, woah, woah, woah…” before repeating the final chorus “‘Cause it’s too cold for you here / And now, so let me hold both your hands in the holes of my sweater.” It’s perfection from beginning to end, firmly planting “Sweater Weather” among my favorite songs of all time.
100 Best Songs of the 2010s – #5: “Love Me Again” by John Newman
The song at #5 on my list of 100 Best Songs of the 2010s is the magnificent “Love Me Again” by British singer-songwriter and musician John Newman. I was literally stunned the first time I heard this electrifying song, and to this day it still has the power to blow me away. The song was first released in May 2013 as a digital download in Europe, but not until June 30 in the UK and the U.S. Written by Newman and Steve Booker, “Love Me Again” was the lead single from Newman’s debut album Tribute. It was a big hit in the UK and across Europe, reaching the top five in many countries and #1 in Britain, Scotland and Greece. But it had only moderate success in the U.S., where it peaked at #13 on the Billboard Adult Top 40 and only #30 on the Hot 100. The song strongly resonated with me, and spent 4 weeks at #1 on my Weekly Top 30 chart.

Newman has an arresting powerhouse voice, characterized by a raspy, soulful quality that gives him a distinct sound unlike any other singer I know of. With a raw, unbridled passion rarely heard in other vocalists, he laments over the hurt he’s caused his lover “Know I’ve done wrong / I left your heart torn / Is that what devils do? / Took you so low where only fools go / I shook the angel in you“, then fervently pleads for forgiveness as if his very survival depends upon it: “I need to know now, know now, can you love me again?”
The song’s dramatic arrangement and instrumentation are spectacular, with a bold, almost angry piano riff, wailing organ, swirling strings, horns, and some of the fiercest drumbeats I’ve ever heard. After the adrenaline rush induced by the intense instrumentals and vocals, by song’s end I’m completely wiped out. Wow!
The official video produced for the song was directed by Vaughan Arnell, and is based on the classic love story of Romeo and Juliet. Newman is shown performing the song on stage in a club, while a woman, played by French actress Margaux Billard as the Juliet character and carefully watched over by her brother Tibalt, played by Joseph Steyne, flirts with the Romeo figure played by British model Tommy-Lee Winkworth. The video ends in a cliffhanger as they’re hit by a truck while running from the club, their fate unknown until Newman’s follow-up single “Cheating” reveals that they had indeed survived the hit-and-run accident. The violent and abrupt ending nearly ruins the video for me, unfortunately, as I hate violence. I suggest watching/listening to the audio video first – with the volume turned up – to fully appreciate the power and glory of this incredible song. Then watch the official video.
VICIOUS ROOSTER – Single Review: “Something Goin’ On”

This past September, I featured Argentine-born and now Los Angeles-based artist Vicious Rooster on this blog when I reviewed his darkly beautiful single “The Moon is Dancing”. The music project of singer-songwriter, musician and producer Juan Abella, Vicious Rooster draws inspiration from some of his favorite bands like The Beatles, Led Zeppelin, The Black Crowes, Guns’n’Roses and Alice in Chains to create his own unique style that’s a wonderful melding of classic and Southern rock, folk and grunge. Both his guitar playing style and vocals sound like he’s from Nashville or Austin, rather than Argentina. On November 25th, he released his follow-up single “Something Goin’ On“, delivering three raucous minutes of bluesy Southern rock goodness for our listening pleasure. The song was mixed by Mikal Reid, who’s worked with renowned artists such as Mick Jagger, Alice Cooper, Ben Harper, and Kenny Wayne Sheperd.
“Something Goin’ On” has a harder rock edge than “The Moon is Dancing” and I like it! Abella is a fine guitarist, and he lets er rip, slicing through the airwaves with an onslaught of layered gritty and bluesy guitars, punctuated by tasty little flourishes of distortion and highlighted by a scorching solo in the bridge. A throbbing bass line and explosive percussion keep the driving rhythm firmly on track. His fervent vocals keep pace with the intensity of the instrumentals as he exclaims to his love interest of the powerful effect she’s having on him: “Let me tell you baby, you’re breaking me in two. But there’s something goin’ on between me and you.”
If Vicious Rooster keeps putting out excellent records like these two singles and his previous album The Darkest Light, I’m confident he’ll have a long and successful career.
To learn more about Vicious Rooster, check out his website
Follow him on Facebook / Twitter / Instagram
Stream his music: Spotify / Apple Music / Soundcloud
100 Best Songs of the 2010s – #6: “Feel It Still” by Portugal. The Man
The song at #6 on my list of 100 Best Songs of the 2010s is “Feel It Still” by alt-rock band Portugal. The Man. The second of their songs on this list (“Live in the Moment” is #66), “Feel It Still” is one of those songs that virtually everyone loves, thanks to an irresistibly catchy retro melody and driving bass line, that awesome little guitar riff, and lead singer John Gourley’s delightful falsetto. It was the second single from the band’s eighth album Woodstock.
Originally from Wasilla, Alaska and based in Portland, Oregon since 2004, the band’s quirky name has a simple back story. In a 2017 interview with USA Today, Gourley explained “A country is an individual in the world that represents a group of people, so I decided we would name our band after a country and Portugal happened to be the one that popped up. In hindsight, we should’ve named it something to do with Alaska. But you become so burnt out on beluga whales and huskies, you don’t appreciate it the same way.”

If listening to “Feel It Still” brings a ring of familiarity, it’s because the melody used in the chorus was inspired by The Marvelettes’ 1961 hit “Please Mr. Postman”. The band respectfully (and tactfully) included that song’s original writers in the songwriting credits for “Feel It Still”. The lyrics are filled with meaning, making reference to both personal and sociopolitical themes. For example, the line “In case my baby girl is in need” was inspired by Gourley’s young daughter, while “I been feeling it since 1966 now, Might be over now, but I feel it still” refers to a year of seismic societal and cultural changes, and “It’s time to give a little to the kids in the middle, but, oh until it falls won’t bother me” is a back-handed slap down of Trump’s call for a border wall. It’s a short track, only 2 minutes and 43 seconds long, but packs a real punch.
The song was a massive hit for Portugal. The Man, spending an astonishing 20 weeks at #1 on the Billboard Alternative Chart, as well as many weeks at #1 on the Adult Alternative and Adult Pop charts. It also peaked at #4 on the Hot 100. It’s a fantastic song and an instant classic.
Can’t keep my hands to myself
Think I’ll dust ’em off, put ’em back up on the shelf
In case my little baby girl is in need
Am I coming out of left field?
Ooh woo, I’m a rebel just for kicks, now
I been feeling it since 1966, now
Might be over now, but I feel it still
Ooh woo, I’m a rebel just for kicks, now
Let me kick it like it’s 1986, now
Might be over now, but I feel it still
Got another mouth to feed
Leave it with a baby sitter, mama, call the grave digger
Gone with the fallen leaves
Am I coming out of left field?
Ooh woo, I’m a rebel just for kicks, now
I been feeling it since 1966, now
Might’ve had your fill, but you feel it still
Ooh woo, I’m a rebel just for kicks, now
Let me kick it like it’s 1986, now
Might be over now, but I feel it still
We could fight a war for peace
(Ooh woo, I’m a rebel just for kicks, now)
Give in to that easy living
Goodbye to my hopes and dreams
Start flipping for my enemies
We could wait until the walls come down
(Ooh woo, I’m a rebel just for kicks, now)
It’s time to give a little to the
Kids in the middle, but, oh until it falls
Won’t bother me
Is it coming?
Is it coming?
Is it coming?
Is it coming?
Is it coming?
Is it coming back?
Ooh woo, I’m a rebel just for kicks, yeah
Your love is an abyss for my heart to eclipse, now
Might be over now, but I feel it still
Ooh woo, I’m a rebel just for kicks, now
I’ve been feeling it since 1966, now
Might be over now, but I feel it still
Ooh woo, I’m a rebel just for kicks, now
Let me kick it like it’s 1986, now
Might be over now, but I feel it still
Might’ve had your fill, but I feel it still
The satirical and somewhat humorous video generated a bit of controversy upon its release. Directed by Ian Schwartz, it features Gourley walking through an auto-wrecking yard, along with scenes of a bar fight, a couple having sex in the back of a junked car, and a man setting fire to a newspaper labeled “Info Wars.” InfoWars is the controversial website of the detestable right-wing nut Alex Jones, who rants about bizarre conspiracy theories. Portugal. The Man are unabashed progressive liberals who often speak out publicly about social injustice and politics, and their pointed shot at Jones and his crazy followers predictably got them riled up into a tizzy.
100 Best Songs of the 2010s – #7: “Tear In My Heart” by twenty øne piløts
The song at #7 on my list of 100 Best Songs of the 2010s is “Tear In My Heart” by twenty øne piløts. It’s one of six songs by them on this list, more than any other artist or band, and they’re my current favorite music act. Although the talented duo, consisting of Tyler Joseph and Josh Dun, had been putting out music since 2009, it was this song that introduced me to them in April 2015. I instantly loved it and became a huge fan, bingeing on their back catalog of music, especially their brilliant album Vessel.

“Tear in my Heart” was the second single from their phenomenal fourth album Blurryface, which I think is one of the greatest albums of the decade, and also ranks among my all-time favorites. The song peaked at only #82 on the Billboard Hot 100, but reached #2 on the Alternative chart, where it also ended up as the #6 song of 2015. It spent four weeks at #1 on my Weekly Top 30, and was my favorite song of 2015.
The delightful song of love was inspired by Joseph’s marriage to his wife Jenna a month earlier. Not only do I adore the song’s unusual stop-start arrangement, lively melody, colorful instrumentation, and Joseph’s wonderfully quirky vocals, I also love the endearing lyrics about the contradictory emotions of joy and agony that often come from romantic love: “The songs on the radio are okay. But my taste in music is your face! And it takes a song to come around to show you how. She’s the tear in my heart. I’m alive. She’s the tear in my heart. I’m on fire. She’s the tear in my heart. Take me higher than I’ve ever been!”
The humorous video shows Joseph and Dun performing the song in L.A.’s Chinatown, with the people around him barely paying attention. Eventually, the surrounding buildings begin crumbling as Joseph notices Jenna in a group of people, and follows her down an alley and into a restaurant. She sings to him the opening lyrics of the song: “Sometimes you’ve got to bleed and know that you’re alive and have a soul“, to which he responds: “but it takes someone to come around to show you how“, whereupon she starts beating him until he’s bleeding. The video ends with them kissing.
100 Best Songs of the 2010s – #8: “Uptown Funk!” by Mark Ronson featuring Bruno Mars
The song at #8 on my list of 100 Best Songs of the 2010s needs no introduction. From the moment “Uptown Funk!“, by British music producer Mark Ronson and featuring vocals by Bruno Mars, was released in November 2014 with its terrific accompanying video, the feel-good ear worm went viral, becoming an international hit. It reached #1 in 18 countries ranging from Australia, Canada and France to Mexico, Israel and South Africa, and topped the Billboard Hot 100 chart for 14 weeks, where it was also named both the #1 song of 2015 and of the decade.

Written by Ronson, Mars, Phillip Lawrence and Jeff Bhasker, the exhilarating song incorporates elements of funk, soul, boogie and what is referred to as Minneapolis sound, a subgenre of funk rock pioneered by Prince. Accordingly, it seems to pay homage not only to Prince, but to the master of funk himself James Brown, as well as Rick James and Morris Day & The Time.
A cast of characters were ultimately involved in the song’s production; besides the people listed above, additional collaborators and musicians included Mars’ backup band The Hooligans, afrobeat band Antibalas, the horn section of The Dap-Kings, and sound engineer Charles Moniz, among others. And what’s mind-boggling to me is that the song involved recording sessions in Los Angeles, London, Memphis, New York, Toronto, and Vancouver! The stress over the recording and production of “Uptown Funk” was so intense that Ronson passed out during one session while trying to perfect the guitar part. Two days later in Toronto, he finally got what he was looking for after 82 takes! (Wikipedia)
The song received critical praise and garnered numerous accolades, including Brit, Grammy and American Music awards, but also generated some blowback by artists who accused the writers of plagiarism. Copyright infringement lawsuits were filed by The Gap Band, Collage, The Sequence and Zapp. The Collage and Zapp lawsuits were later dropped, but the one from The Gap Band resulted in the writers and producers of “Oops Up Side Your Head” being added as songwriters and awarded 17% of publishing royalties.
The entertaining official video, showing the infinitely cool Bruno Mars singing the song and dancing in the streets along with Ronson and their back-up singers, has been viewed more than four billion times.
Top 30 Songs for December 20-26, 2020
- MARIPOSA – Peach Tree Rascals (2)
- ARE YOU BORED YET? – Wallows featuring Clairo (1)
- VISITOR – Of Monsters and Men (6)
- CAN I BELIEVE YOU – Fleet Foxes (7)
- IS IT TRUE – Tame Impala (3)
- BLOODY VALENTINE – Machine Gun Kelly (4)
- MOOD – 24kGoldn featuring iann dior (5)
- VIRUS – Vanity Fear (9)
- THINK I’M CRAZY – Two Feet (10)
- FIRE FOR YOU – Cannons (11)
- IDENTICAL – Phoenix (8)
- BURN THE VISION – Amongst Liars (12)
- LETTER TO YOU – Bruce Springsteen (13)
- SKIN AND BONES – Cage the Elephant (15)
- TROUBLE’S COMING – Royal Blood (16)
- SHAME SHAME – Foo Fighters (17)
- NERVOUS – Au Gres (18)
- DIRTY – grandson (19)
- CAN YOU FEEL THE SUN – MISSIO (20)
- LEAVE ME ALONE – I DON’T KNOW HOW BUT THEY FOUND ME (23)
- THEREFORE I AM – Billie Eilish (24)
- HEAT WAVES – Glass Animals (25)
- 1ST TIME – Bakar (27)
- DOWNS – Roadkeeper (14) 21st week on list
- SURVIVIN’ – Bastille (26)
- THE ADULTS ARE TALKING – The Strokes (28)
- GIANTS – Dermot Kennedy (21)
- COME & GO – Juice WRLD featuring Marshmello (22)
- SOFIA – Clairo (N)
- HEADSTART – Jade Bird (N)
THE FRONTIER – Single Review: “Sleep”

One of my absolute favorite indie artists is The Frontier, the music project and brainchild of singer-songwriter, guitarist and producer Jake Mimikos. Based in Fairfax County, Virginia, Jake is a talented, gracious and funny guy who I’ve grown quite fond of, both as an artist and a human. Since 2015, he’s released a substantial amount of music both as a solo artist and as a band under The Frontier moniker, and we’ve been following each other on social media for nearly that long. As with many bands, the members and lineup of The Frontier have varied over the years, but for the time being, the act is now mostly a solo project.
Drawing upon elements of pop, folk, rock and electronica, his music is always pleasing and flawlessly crafted. I’ve featured him several times on this blog, most recently this past June when I reviewed his wonderful single “It’s You”. I love it so much, it spent five months on my Weekly Top 30, and turned out to be my most-streamed song of the year on Spotify. (You can read that and previous reviews by clicking on the links under ‘Related’ at the end of this post.) Now he’s back with a beautiful new single “Sleep“, and I already love it too! The track was recorded and produced by Austin Bello for Fearless Records.
Jake is an excellent guitarist, and here his layered strummed and chiming guitars are so stunning, they take my breath away. He’s also gotten quite adept at programming synths and keyboards to create lush, sparkling soundscapes, as well as layering his lovely, heartfelt vocals into a rich tapestry of harmonies. He plaintively sings of the pain and unease he feels over not knowing where he stands with another, and yearning for a little sleep to momentarily forget his troubles: “I lay awake, but I’m dreaming / I just can’t get my mind off of you / All of these stories keep repeating / I don’t know which voice to listen to / I’ve never been one to get what I want / I’m always trying too hard / It’s something that I’ve been working on / It’s always so close yet so far / But for now, til the answers are found / Got to quiet the sun to sleep.“
“Sleep” is a gorgeous and deeply stirring track that’s sure to be another hit.
Connect with The Frontier: Facebook / Twitter / Instagram
Stream: Spotify / Soundcloud / Reverbnation / Apple Music
Purchase: Bandcamp / iTunes / Amazon