Artist Spotlight – Drillhorse

If you like your rock hard, guitars shredded and vocals raw, then Australian band Drillhorse is for you! They play formidable, take-no-prisoners metalcore rock guaranteed to have you saying “fuck yeah!” Sometimes you just want to hear music that KICKS ASS, and Drillhorse delivers the goods.

Drillhorse Photo

I was immediately struck by this band’s honest authenticity, which I’ve found is what makes fans truly loyal at the end of the day. I hate to paraphrase too much, but in their bio, the band articulates their mission in a way I can’t improve upon:

“Over a period of seven years, we’ve managed to evolve from punk hardcore to ‘pale riders of hard rock.’ For most of that 7 years we were known as ‘A Lost Sense of Direction’ which got us ignored or confused with boy bands, [causing] significant pain. But believing wholly and solely in the capacity of rock to deliver joy to the human spirit in ways no other genre can, we’ve steered away from asking for external assistance, preferring to do it all off our own bat, commitment to tight, unreconstructed hard and innovative rock, free from interference, the media or general public indifference, other than that [which] we always get from our beloved fans. Drillhorse will continue to perform music we design our way and deliver it with punch to attract like-minds, those lonesome riders who come out to hear and see us whenever we play.”

Making the music are Miles ‘Ajax’ Bedak-Stone (vocals), Owen ‘Boo’Lawson (Rhythm Guitar), Harry ‘Cuddle’ Monson (Bass), and Jesse Adams (Drums/Percussion). Their songs are so awesome and compelling I’d like to include them all in this post, but have selected four of my favorites that provide a good representation of the band’s music range.

The first is their hyperkinetic single “Choppergate.”  With pummeling drums, gnashing guitars and Bedak-Stone’s furious raspy vocals, the song blasts through the speakers at a dizzying pace. The song lyrics attack the ‘ripoff pollie motherfuckers taking the people’s money and laughing all the way to retirement’ (in the band’s words). “Baby you look so good in your helicopter. Taking the bus from now on. Brought you down! Pull my leash! Tied to the mast, my captain.”  I liked this track so much the first time I heard it, I played it another three times before moving on to their next song!

“Drillhorse” storms out of the gate in a bombastic barrage of shredded guitars and pounding drums, with Bedak-Stone’s raw vocals on full display. This is a real head-banger!

One of the band’s more hardcore tracks, “Madmen” is a brutal attack on the military industrial complex. To their signature gnashing guitar, punctuated by some terrific riffs, Bedak-Stone screams “No shame, we kill and maim.”

The melodic rock gem “Half” is one of my favorite Drillhorse songs, with a great bass line, steady hard-driving beat and killer riffs.

To hear more of Drillhorse’s great music, check out their Soundcloud page, or you can purchase it on Bandcamp.  Support these guys by following them on Twitter and Facebook, and subscribe to their YouTube channel.

Artist Spotlight – Aaron J. Trumm

Aaron J. Trumm’s Twitter bio states he’s a singer, emcee, poet and producer. He’s also a survivor, and an inspiration to all who want to pursue their dream in the face of life-threatening illness or adversity. Aaron, who calls Albuquerque, New Mexico home, was born with Cystic Fibrosis, but managed to maintain a pretty healthy existence in his youth and early adulthood, playing several sports in high school and college. But by the early 2010’s, his health deteriorated and breathing became increasingly difficult to the point where his long-term survival was in question. So, in July 2013, he underwent a double lung transplant, which gave him a new life, along with an enormous appreciation for it.

Aaron starting making music in his teens, and in 1994 created NQuit Music, one of the oldest independent music labels still in existence. He also earned a Master’s Degree from Stanford University. But his main focus was doing slam poetry at competitions where poets read or recite their poetry in front of an audience, and judges are chosen from the audience. At one point, he ranked 10th in the world. Here’s a video of him at one of the competitions.

According to Aaron’s website bio, his music influences are eclectic and varied, “from The Roots, which he loves because they continue the oldest hip-hop tradition of honest, creative story telling without all the gangster posturing, to Rage Against The Machine, because they’re revolutionaries who can rock, to Johnny Cash and Bob Wills, who remind him of his roots, but buck the stifling traditions and closed mindedness of the country establishment, and were constantly looking to collaborate with people outside their box.” He fuses these disparate elements of hip-hop, rap, rock, blues and country into a unique style and sound all his own, exploring subjects both upbeat and positive, and dark and disturbing.

In the jazz-infused “Livin Is Bling,” from the album of the same name, Aaron draws from his own experience, poking the specter of life’s hazards squarely in the eye and declaring that he can survive anything, loving life along the way.  He raps “I’m alive, I’m alive,  ready for anything, sing it with me if you think living is bling.” I love this song’s arrangement, with awesome piano, funky bass and percussion.

Aaron takes a decidedly more serious turn with “Open Oceans,” another compelling track from Livin Is Bling that deals with the terrible toll that war takes on relationships.  “I been runnin from my bones for days, lookin for another way I can say this to ya. I ain’t never really comin home, they got another little trick in they bag o stones. They call it stop loss, and it means I ain’t comin back. So make a little snack go to bed and relax.” In the video, Aaron raps in front of footage from the Iraq War. The song sounds like it could have been performed by Nirvana, and the woman singing with him is Jennifer Malin.

The dark, heavy rock track “Bleed,” released in 2006, appears to address a relationship gone bad and his partner’s slipping away from addiction, while he sings of his own demons and restlessness. I’m guessing the lyric “I wanna bleed so you can suck it down” alludes to his wanting his partner to regain “life” through his blood. The rather disturbing black and white video has Aaron shaving his hair with a large knife, cutting himself in the process and covering his body with blood. Images of the Devil intertwine with his own image as he looks in the mirror, and at the end his partner licks blood from his body.  Heavy stuff indeed!

Follow Aaron on  Twitter and Facebook, and subscribe to his YouTube channel.  His music is available for purchase on his Website and Spotify as well as other music venues.

Top 20 Songs for July 17-23, 2016

1. DARK NECESSITIES – Red Hot Chili Peppers (6th wk #1)
2. BORED TO DEATH – Blink-182 (2)
3. WAY DOWN WE GO – Kaleo (3)
4. HEATHENS – twenty øne piløts (5)
5. ONE DANCE – Drake, Wiz Kid, Kyla (4)
6. TROUBLE – Cage the Elephant (6)
7. FIRE – Barns Courtney (7)
8. SOUNDCHECK – Catfish and the Bottlemen (12)
9. JUST LIKE FIRE – P!nk (11)
10. SEND MY LOVE (TO YOUR NEW LOVER) – Adele (13)
11. BURN THE WITCH – Radiohead (14)
12. AIN’T NO MAN – The Avett Brothers (10)
13. OFF THE GROUND – The Record Company (8)
14. KISS THIS – The Struts (9)
15. ALL WE EVER KNEW – The Head and the Heart (19)
16. CLOSE – Nick Jonas, Tove Lo (17)
17. CAN’T STOP THE FEELING! – Justin Timberlake (18)
18. RIDE – twenty øne piløts (15)
19. GOOD GRIEF – Bastille (20)
20. SOMETHING TO BELIEVE IN – Young the Giant (N)

Artist Spotlight – Rebel Sound Radio

New Zealand band Rebel Sound Radio recently followed me on Twitter, and it was my lucky day, as I loved their single “Liberation” at first listen. They play some pretty formidable hard-driving rock that kicks ass! Formed in 2015, the band hails from Hamilton, “a sleepy riverside city that has given birth to some of New Zealand’s biggest artists,” according to the band’s bio on their Facebook page. Singer/songwriter/guitarist Jesse James Hanright and bassist Craig Turner had each been in previous bands that went bust, and joined forces to create a new band with a fresh rock and roll sound called Rebel Sound Radio. They added drummer Ashley Goodare to complete their three-man lineup.

“Liberation” starts with a pummeling bass riff, then shredded guitar and hammering drums break the song open and keep the energy high, with the pummeling bass moving it all forward. Hanright sings with abandon and coaxes some merciless riffs from his guitar. Take a listen to this thunderous gem:

“End of Everything” provides further evidence of the band’s hyperkinetic hard rock sound and awesome guitar prowess.

https://soundcloud.com/rebel-sound-radio/end-of-everything

New Rebel Radio will be heading to the studio in the coming weeks to record new music and, as a new fan, I can’t wait to hear more from them. Show some support for these guys and follow on Twitter and Facebook, and look for their music on Soundcloud.

Top 20 Songs for July 10-16, 2016

1. DARK NECESSITIES – Red Hot Chili Peppers (5th wk #1)
2. BORED TO DEATH – Blink-182 (2)
3. WAY DOWN WE GO – Kaleo (4)
4. ONE DANCE – Drake, Wiz Kid, Kyla (3)
5. HEATHENS – twenty øne piløts (6)
6. TROUBLE – Cage the Elephant (7)
7. FIRE – Barns Courtney (9)
8. OFF THE GROUND – The Record Company (5)
9. KISS THIS – The Struts (8)
10. AIN’T NO MAN – The Avett Brothers (12)
11. JUST LIKE FIRE – P!nk (13)
12. SOUNDCHECK – Catfish and the Bottlemen (14)
13. SEND MY LOVE (TO YOUR NEW LOVER) – Adele (16)
14. BURN THE WITCH – Radiohead (17)
15. RIDE – twenty øne piløts (10)
16. TAKE IT FROM ME – KONGOS (11)
17. CLOSE – Nick Jonas, Tove Lo (20)
18. CAN’T STOP THE FEELING! – Justin Timberlake (N)
19. ALL WE EVER KNEW – The Head and the Heart (N)
20. GOOD GRIEF – Bastille (N)

Artist Spotlight – Sherpa

Well, here I am, once again reviewing another band from Europe, a wellspring of so much great music. The latest is Sherpa, a unique indie hip-hop/rock band from Bergen, Norway.  As with many international bands, Sherpa’s sound is a fusion of music influences from multiple cultures and genres: hip hop, indie rock, 70’s Persian, funk and jazz. As the band states, their infectious, high-energy music style is “a conglomeration of music from the seven mountains, hovering in a place between Gorillaz and The Roots.”

I spoke by e-mail with band frontman Babak Ziai, who was born in Tehran, Iran after the 1979 revolution.  He stated that his parents were very liberal and didn’t want to live under the theocratic government, so they emigrated to Norway.  Being an aspiring musician and lover of hip hop, he joined forces with Norwegian guitarist Johannes Vaage to form Sherpa in 2012. They subsequently added two musicians from the Bergen indie rock and jazz music scene – bassist Nils Henrik Sagvåg and drummer Tore Ljøkelsøy – to complete the band lineup.

Ziai explained that they wanted to create music that wasn’t bound by one specific genre, but rather fusing different genres to create an original eclectic sound that is raw and beautiful, using live musical instruments, and anchored in hip hop, indie and jazz.  When I asked Ziai how they chose the name “Sherpa” he explained that “Bergen is surrounded by seven mountains [it’s known as the city of seven mountains] and sherpas go places where the average man does not go. Sherpa literally means ‘man from the East’ and has a mystical esoteric aspect to it.”

Though Sherpa has released only a handful of songs, they’re all awesome. One of their first hits was “Rabbit,” an incredibly catchy tune with funky bass and jazzy hip hop beats, plus a bit of reggae vibe thrown in. Would not have expected such a funky song to come from a Norwegian/Persian band but I love it! Wishing it was longer, I kept hitting replay. It’s the kind of song they could jam with for 15 minutes at a concert.

Their new single “The Mind,” released in May 2016, is a hyperkinetic gem of danceable hip hop that examines the chaos of the mind. “It’s an interaction, a fracture in alignment between cultures like the Pharoahs and the Mayans. A place in our thoughts like Zion. Pure like the crystals in your tears when your cryin’. Gravity is holding you down, but you’re flyin’ and definin’. Chains will bring you back like a lion.  Time is changing like the state of your mind.”

The song opens with a brief funky bass guitar riff, then explodes into crushing hip hop beats, heavy bass and jazzy brass. Ziai raps at a rapid-fire pace and, halfway through, Persian music influences are introduced, creating a rich, complex sound that is quite exhilarating.  The video, filmed in London’s busy Camden Market, has Ziai singing the song while walking through the crowded market, further emphasizing the song’s frenetic intensity.

Another fine new track “Mantra” features exuberant synth-pop interspersed with segments of rapid-fire rapping in the style of the virtual band Gorillaz.

Sherpa is working on new music and plans to release their debut studio album in Spring 2017, and I can’t wait! Support these guys by following on Facebook and Twitter, and listening to their music on Soundcloud.

Top 20 Songs for July 3-9, 2016


The Red Hot Chili Peppers are #1 for the 4th week, Blink-182 climb to #2, and twenty one pilots’ “Heathens” leaps 13 spots to #6.

1. DARK NECESSITIES – Red Hot Chili Peppers (1)
2. BORED TO DEATH – Blink-182 (4)
3. ONE DANCE – Drake, Wiz Kid, Kyla (3)
4. WAY DOWN WE GO – Kaleo (5)
5. OFF THE GROUND – The Record Company (2)
6. HEATHENS – twenty øne piløts (19)
7. TROUBLE – Cage The Elephant (10)
8. KISS THIS – The Struts (9)
9. FIRE – Barns Courtney (13)
10. RIDE – twenty øne piløts (6)
11. TAKE IT FROM ME – KONGOS (12)
12. AIN’T NO MAN – The Avett Brothers (14)
13. JUST LIKE FIRE – P!nk (15)
14. SOUNDCHECK – Catfish and the Bottlemen (16)
15. DESTRUCTION – Joywave (11)
16. SEND MY LOVE (TO YOUR NEW LOVER) – Adele (18)
17. BURN THE WITCH – Radiohead (20)
18. HAPPY SONG – Bring Me The Horizon (7)
19. OPHELIA – The Lumineers (8)
20. CLOSE – Nick Jonas & Tove Lo (N)

Artist Spotlight – New Nobility

I seem to be writing about a lot of international music artists recently, and Australian rock band New Nobility is the latest. Formed in 2005 by Sead Trnka (who plays bass guitar), the three-member band is originally from Sarajevo, Bosnia and Herzegovina, but relocated to Sydney in 2008. The other two members are Josh Maekowsky (vocals and guitar) and Zoran Krga (keyboard). Their sound is rather eclectic, ranging from metal rock to catchy dance-pop to sweeping ballads with a message of hope and peace. Whatever type of music they’re playing, one thing’s for certain: it’s always exhilarating, with shredded guitars, strong percussion and dynamic, soaring vocals.

One of the band’s earliest hit songs is the high-energy metal-rock anthem “Galactic Love.” The song’s video begins with the lighting of a match, perfect imagery to convey the way the song ignites into an inferno of thunderous scratchy guitars and pulse-pounding drums. Maekowsky’s assertive vocals on this and their other hard rock songs remind me a bit of Rise Against lead singer Tim McIlrath. All in all, a thoroughly satisfying track.

The band’s lighter side shows up in the infectious dance-pop tune “Paradise.” The song opens with plucky guitar and a catchy hook that quickly grab hold and take you on a fun ride. Maekowsky’s vocals alternately smolder and soar to falsetto heights as he sings with abandon, making for a really exciting number that will have you dancing around the room.

A recent track, the lovely anthemic ballad “Fly Over (United We Are),” is an emotional plea for peace, love and world harmony. The piano takes the starring role here, accompanied by some fine guitar and Maekowsky’s impassioned vocals. At nearly seven minutes, the song is a long one, gradually building to a climax, with Maekowsky singing in his native language.

Follow New Nobility on Facebook and Twitter and check out more of their awesome music on Soundcloud and YouTube.

RADIOHEAD – Single Review: “Burn the Witch”

 

I love Radiohead’s new single “Burn the Witch” from their latest album A Moon Shaped Pool, released in May 2016. The song’s dark lyrics, hauntingly sung by Thom Yorke’s beautiful falsetto, sharply contrast with the gorgeous arrangement by Radiohead guitarist Jonny Greenwood and lush strings performed by the  London Contemporary Orchestra.

So too with the clever, cartoonish video, as Radiohead wanted it to contast with the song’s darker meaning. Directed by Chris Hopewell, the video uses stop-motion animation in the style of the 1960s English children’s television Trumpton Trilogy programs. It pays homage to the 1973 horror film The Wicker Man. (Wikipedia) An inspector is greeted by a town official and invited to see a series of unsettling sights, culminating in the unveiling of a huge wicker man. The official urges the inspector to climb into the wicker man, whereupon he is locked inside and the wicker man is set on fire. As the flames build, the townspeople turn their backs to the burning wicker man. After the song ends, the inspector appears to have escaped, with birds chirping happily among the trees.

Pitchfork writer Marc Hogan suggested that the use of the Trumpton Trilogy style, which portrays an idyllic, crime-free rural Britain, is intended to satirize the rhetoric of family values used by right-wing politicians such as Donald Trump, Marine Le Pen, and members of the UK Independence Party.

As a footnote, according to an article in The Guardian, the son-in-law of Trumpton creator Gordon Murray stated that the family had not been asked permission to use the style for the video, and saw it as a “tarnishing of the brand.” He added that they would not have allowed its use, considered it a breach of copyright, and were “deciding what to do next.”

Artist Spotlight – Fiction Peaks

I love alternative rock music and am always pleased to discover new artists who play it, especially when their music is really good. Such is the feeling I experienced when I stumbled across the Irish band Fiction Peaks.  They play melodic alt-rock/pop that runs the gamut from high-energy to achingly beautiful. Their music has a rich, lush sound achieved through the use of synthesizers and multiple instruments, including horns and strings. The five band members include Joey Doyle (lead vocals, guitar and sampler), Cillian Kenny (bass guitar & trumpet), Barry Lyons (backing vocals, synth), Joáo Francisco (drums) and Brian Giles (guitar).

Formed in 2013, Fiction Peaks got their start playing shows around their hometown of Dublin, gradually sharpening their sound and building a fan base. They released their self-titled debut EP Fiction Peaks in January 2015, featuring four stellar tracks. I’d like to include them all for this review, but have chosen two that showcase the band’s diverse sound. The first, “Dye Is Cast,” is a catchy, upbeat tune that charges out of the gate with shredded guitars and a driving beat. To my ears, the song has an Oasis vibe, and Doyle’s vocals even sound a bit like Liam Gallagher. Take a listen:

“Document Dissent” is beguiling, with gentle guitar and percussion, and poignant lyrics  beautifully sung by Doyle.  “Tonight all fears are on the outside looking in. The scrambled litany, a purchased forgery. You document dissent with all your hours spent.  A tale of disbelief, was reaching from beneath.” The song builds to a emotionally-charged crescendo that raises goosebumps. I love this gorgeous song!

They followed up with a “double A-side” single Spring’s In Bloom/All I Got in February 2016.  “All I Got” is another joyously upbeat song featuring great hooks and some pretty awesome guitar riffs, set to a pulse-pounding beat.

Their latest single “In For A Penny” dropped in May of 2016, providing further evidence of this band’s incredible talent. The beautiful opening guitar riffs, Doyle’s heartfelt vocals, and soaring orchestration at the end make this an exceptional song.

https://soundcloud.com/fiction-peaks/in-for-a-penny-single

Show Fiction Peaks some love by following them on Facebook and Twitter, subscribing to their YouTube channel, and listening to more of their music on Soundcloud.