Top 20 Songs for February 5-11, 2017

1. CLEOPATRA – The Lumineers (2)
2. DON’T WANNA KNOW – Maroon 5, Kendrick Lamar (3)
3. MY NAME IS HUMAN – Highly Suspect (1)
4. ATLAS, RISE! – Metallica (4)
5. SQUARE HAMMER – Ghost (5)
6. STILL BREATHING – Green Day (6)
7. SHINE – Mondo Cozmo (10)
8. TAKE IT ALL BACK – Judah & the Lion (8)
9. BLOOD IN THE CUT – K.Flay (9)
10. SHAPE OF YOU – Ed Sheeran (11)
11. BLACK BEATLES – Rae Sremmurd, Gucci Mane (7)
12. I NEED A LIGHT – Run With It (14)
13. SCARS TO YOUR BEAUTIFUL – Alessia Cara (17)
14. 24K MAGIC – Bruno Mars (12)
15. RUST TO GOLD – Council (16)
16. WATER UNDER THE BRIDGE – Adele (18)
17. HEAVYDIRTYSOUL – twenty øne piløts (20)
18. HUMAN – Rag’n’Bone Man (N)
19. OBSOLETE – Agony in the Garden (13)
20. STARBOY – The Weeknd, Daft Punk (15)

Featured Song and Video: BLUE CACTUS – “I Never Knew Heartache (Then I Knew You)”

I’m not a big fan of what is generally referred to as ‘Bro-Country’, however I am quite partial to classic old-school country music of the 50s and 60s. I’m talking about Patsy Cline, Hank Williams, Johnny Cash, Loretta Lynn and Marty Robbins, all of whom could do no wrong. They wrote and sang songs about life and love that tore at your heartstrings, and their music strongly influenced a multitude of artists in other genres, including folk, rock, rockabilly, R&B, soul and the blues. I fondly remember a fantastic album my parents owned by the legendary Ray Charles called Modern Sounds in Country and Western Music, which was a huge hit in 1962, but I digress… Thankfully, there are still artists around today who make country music that stays true to the classic form. The duo who call themselves Blue Cactus are such artists. Hailing from Chapel Hill, North Carolina, Blue Cactus are singer/songwriters Steph Stewart and Mario Arnez.

blue-cactus

The pair played music together for three years as the Americana string band Steph Stewart & the Boyfriends, releasing two pretty decent albums, Over the World Below in 2013, and Nobody’s Darlin’ in 2015. They’ve now recorded their first full-length album as Blue Cactus, which is set to drop in late February. In advance of the album, they’ve released a lovely single “I Never Knew Heartache (Then I Knew You)” along with a compelling video.  

The song is about a woman whose man is being unfaithful, causing her heartache. With sorrow in her voice, Steph croons “Heartbreak will find you, wrap his arms round your waist. Hold you tight through the night, in his lonely embrace.” Musically, the song features many signature elements of a classic Country song – a pretty slide guitar riff, gentle piano keys, acoustic guitar, sweet violin and light percussion, all played at a languid pace. The lovely but rather mournful chorus adds to the overall sad vibe of the song.

The interesting video, produced by Roxanne Turpen, juxtaposes footage of the couple performing the song (in which Steph wears a short white-blonde wig) with other scenes of them acting out the story told by the song lyrics. Steph sings directly into the camera while her man spends time with another woman, unaware of her presence. Happier times are recalled in other scenes of them sharing tender moments together.

Here’s a nice video worth watching of Steph and Mario talking about why they make music and the influences for their particular style of Country.

To learn more about Blue Cactus, check out their website. Follow them on Facebook,  Twitter, and Instagram, and follow their YouTube channel. Their upcoming debut album may be pre-ordered at http://bluecactus.bigcartel.com/product/blue-cactus-cd-pre-order

Song Review: SHELITA BURKE – “Penetrate”

Last October, I reviewed singer/songwriter Shelita Burke’s steamy EDM-infused single “Belong” (which you can read here). Now she’s back with a brand new single “Penetrate,” and it’s a beautiful, sexy track. The song title is a metaphor for connecting with a lover on an emotional level, though its highly suggestive meaning is certainly up to the listener’s imagination. Opening with delicate, plucky synths and finger snaps, the song slowly builds with rich layered synth chords and gentle percussion, set to a languid electro-house beat.

In her sultry voice, Shelita practically moans as she demands her lover to fully submit to her carnal passions while also respecting her: “I slow grind, Imma be on top. Penetrate my thoughts. If you want to stay with me, you better treat me right now, baby. You want this love for free, you better hold me tight now, baby.” It all makes for quite an intoxicating and sensuous song.

Follow Shelita on  Facebook,  Twitter  and Instagram, and stream her music on Spotify. “Penetrate” and her other songs may be purchased on iTunes and other sites offering music for download.

Concert Review: ADELITAS WAY & DISCIPLES OF BABYLON – Jan. 27, 2017

I recently had the pleasure of seeing two bands that I love in concert on the same bill, at The Slidebar in Fullerton, California. LA band Disciples of Babylon, whose debut EP Welcome to Babylon I reviewed a year ago (which you can read here), opened for Las Vegas band Adelitas Way. (Varna was the other opening band, but I missed part of their set so am not including them in this review.) Adelitas Way played several gigs up and down California in late January, including at The Slidebar on January 27, and will resume touring throughout the Western U.S. in early March.

The Slidebar is a pretty small venue with no seating, so everyone stands to watch artists perform. I would guess the room held no more than 200 people, so it was quite intimate, and great to be able to see the bands up close and personal. Unbelievably, the concert was free! Disciples of Babylon, a four -man rock band consisting of Eric Knight on lead vocals, Ramon Blanco on lead guitar, Gui Bodi on bass, and Chris Toeller on drums, were first to perform.

disciples-of-babylon

The guys look a bit tough in their promotional photo, but in reality are kind, generous and funny, with a great appreciation for their fans. This was their second gig I’ve attended, and they deliver 100 percent. Their set, which lasted approximately 40 minutes, included a number of new songs that will be featured on their upcoming full-length album, currently being mastered and planned for release in early Spring. They also sang their fantastic hit song “KARMA” and “The Great Pretend” off their debut EP, as well as an awesome cover of the David Bowie classic “Fame.” I filmed a portion of that song but, unfortunately, the sound quality isn’t very good (the music and bass were extremely loud in the small venue, so the sound is distorted in the audio recorded by my phone). Still, one gets a good feel for their dynamic sound and stage presence.

Adelitas Way came on stage around 10 pm, and by that time the room was filled to capacity, with anticipation running high. The band’s current line-up includes lead vocalist Rick DeJesusTre Stafford on drums, Robert Zakaryan on lead guitar and backing vocals, and Andrew Cushing on bass. The guys put on an exhilarating live show, and DeJesus is a crazy man on stage! He’s a big guy, and stalks the stage like a lion, his charisma and incredible energy charging up his audience.

They played many of their hits, including “Criticize,” “Bad Reputation,” “Sick,” “Getaway,” “Invincible,” and “The Collapse,” as well as their new song “Ready for War (Pray for Peace)” that will appear on their upcoming fifth studio album. In between songs, DeJesus engaged the audience and spoke about the band, their music and future plans. It was obvious Adelitas Way has a large, loyal base of fans, and a few people in the audience had seen them five or six times. At the end of their set, the band members circulated among the crowd, shaking hands and posing for selfies with fans. I was impressed by the amount of time and effort DeJesus put forth in meeting and greeting his fans, and his interest in them was completely genuine.

Here’s a snippet of their performance of “Bad Reputation” and once again I apologize for the poor sound quality.

Adelitas Way kicks off their Ready For War Tour 2017 on March 2 in Las Vegas, joined by opening act Letters from the Fire. If you haven’t seen them live, I highly recommend you make the effort to see them on this tour.

adelitas-way-concerts

To learn more about Adelitas Way, follow them on Facebook and Twitter, and stream their music on Spotify. Likewise, follow Disciples of Babylon on Facebook and Twitter, and stream their music on Spotify.

Top 20 Songs for January 29-February 4, 2017

1. MY NAME IS HUMAN – Highly Suspect (1)
2. CLEOPATRA – The Lumineers (2)
3. DON’T WANNA KNOW – Maroon 5, Kendrick Lamar (3)
4. ATLAS, RISE! – Metallica (6)
5. SQUARE HAMMER – Ghost (7)
6. STILL BREATHING – Green Day (8)
7. BLACK BEATLES – Rae Sremmurd, Gucci Mane (4)
8. TAKE IT ALL BACK – Judah & the Lion (10)
9. BLOOD IN THE CUT – K.Flay (11)
10. SHINE – Mondo Cozmo (12)
11. SHAPE OF YOU – Ed Sheeran (13)
12. 24K MAGIC – Bruno Mars (5)
13. OBSOLETE – Agony in the Garden (9)
14. I NEED A LIGHT – Run With It (15)
15. STARBOY – The Weeknd, Daft Punk (14)
16. RUST TO GOLD – Council (17)
17. SCARS TO YOUR BEAUTIFUL – Alessia Cara (19)
18. WATER UNDER THE BRIDGE – Adele (20)
19. WASTE A MOMENT – Kings of Leon (16) 18th week on list
20. HEAVYDIRTYSOUL – twenty øne piløts (N)

https://open.spotify.com/user/12123145298/playlist/3lwecfUSzaRc1lv6FRzGdL

Song Review: ADELITAS WAY – “Tell Me”

I have a great respect and fondness for artists and bands who appreciate their fans and make a genuine effort to acknowledge them, even when those bands become famous. One such band is the Las Vegas hard rock collective Adelitas Way. They formed in 2006 and released their debut self-titled album in 2009. Like many bands, they’ve gone through some personnel changes over the years, and the current line-up includes Rick DeJesus, Trevor Stafford, Robert Zakaryan and Andrew Cushing.

adelitas-way

Following on the massive success of their excellent fourth studio album Getaway – which included the awesome hit song “Bad Reputation” (which ranked #69 on my Top 100 Songs of 2016) – the band is now recording their fifth album, planned for release this Spring. They’ve dropped two singles thus far, the topically relevant “Ready For War (Pray For Peace)” and their latest, the beautiful rock anthem”Tell Me.”

The song immediately hooks you in with a pulsating synth beat, accentuated by hard-driving percussion and crunchy guitar riffs. With his signature power vocals, DeJesus emotionally pleads: “Tell me what you love, is it sunlight? Tell me what you feel, is it all right? / Tell me what you want out of this life. Tell me what you say, when the moon’s right.” The soaring backing choruses are so gorgeous they give me chills. Listen up:

Adelitas Way is currently touring on the West Coast in advance of their tentative album release, and I will be seeing them tonight! Show Adelitas Way support by following them on Twitter and Facebook, and subscribe to their YouTube channel. Stream their music on Spotify or purchase on iTunes and other sites offering music for purchase or download.

Album Review: THEY CALLED HIM ZONE – “Crow Swan Wolf”

It might seem to my readers that I’m obsessed with UK artists, but there’s just so much really fine music coming out of the British Isles that I’m compelled to feature their music time and time again. Another UK act I recently stumbled upon is a duo that goes by the intriguing name They Called Him Zone. Their music is hard to classify because it draws from many stylistic elements, but a good label might be ‘Dark-wave Gothic Alternative Psychedelic Electro-pop.’

Barely a year old, They Called Him Zone formed in early 2016, and consists of  Mik Davis (lead vocals, programming) and Steve Maloney (guitar, programming, backing vocals). They are joined by John Bradford on keyboards and percussion for live performances (coincidentally, the band is from Bradford, England). As their bio states, ‘Their approach combines a love of post-punk abrasiveness and electronic experimentation with a pop sensibility, albeit one at the darker end of the spectrum.’ Hallmarks of their sound are mesmerizing synth chords, heavy bass, shredded guitars and Davis’s seductive, breathy vocals.

they-called-him-zone

They released their debut EP Miami in early 2016 to wide acclaim, receiving airplay both globally and on BBC Introducing. They’ve now produced a new six track mini-album titled Crow Swan Wolf that’s due for general release through Ambicon Music in February 2017, although they’ve made two of the songs available for purchase on Bandcamp, as well as released two videos on YouTube.

The first cut on the album, and also one that’s already available for purchase, is the spellbinding “Just Fall.” A hypnotic EDM beat is overlain with lush synths that alternate between soothing and raw, a warm guitar riff keeping pace. Davis’s seductive vocals lend a mysterious, almost menacing vibe to the song, although the lyrics seem to be about plunging into a romantic relationship: ‘There will be a place where we can settle down. Watch ourselves in the sun, reaching up to clouds. Waking up from dreams. Holding out for love.‘  The song’s gorgeous video features stunning computer-generated imagery.

The second released track, and a real standout, is “Devil Dying.” A delicate synth movement begins the song, then scratchy guitars are introduced, along with a heavy bass line. Halfway through, the music ramps up with a guitar riff that would make The Cure proud, and our ears are treated to more of Davis’s sultry vocals.

More dark synths and scratchy shredded guitars are featured on the ethereal “Oh Well Nevermind” and “Wish You Were Here.” The band channels Depeche Mode in “Only You,” with a catchy EDM beat and echoed synths and guitars that create a compelling, otherworldly vibe. The darkest track on the album is “Waste You.” To a languid, repetitive bass line, distorted synth chords and a mournful guitar riff, Davis menacingly sings “I’ll waste you, I’ll take you. Even in my dreams I like to hate you.” The song closes with a computer-altered voice-over of a portion of the moving speech Robert Kennedy gave in Indianapolis after the assassination of Rev. Martin Luther King, Jr., that tragically foreshadowed his own assassination two months later.

This is a great, well-crafted album that explores man’s darker sensibilities with imaginative use of electronic synthesizers and artful instrumentation. Support They Called Him Zone by following them on  Twitter and Facebook. Stream their music on Soundcloud and purchase it on Bandcamp.

Song Review: RESTLESS NATIVES – “Endless Possibilities”

I recently discovered the UK duo Restless Natives, and instantly loved their beautiful new song “Endless Possibilities.” Referring to themselves as ‘Renegade Audio Guerillas – a shadowy musical splinter cell created to enhance your mind with musical and visual splendour,’ Restless Natives are Dave Hubbard and Sam Simmons. Hailing from Lincolnshire, they play a distinctive style of music that melds electronica with alternative folk rock. In addition to their joint efforts in forming Restless Natives, they’re both accomplished solo musicians who also collaborate on different projects with other musicians. Dave is one half of funky electronic house music producers Peach Trees, while Sam plays in his alt-rock/shoegaze band The Loving Memory and is also a member of folk/punk band The Finest Hour. These are two busy guys!

endless-possibilities

With their latest song “Endless Possibilities,” the guys paint a dreamy ambient soundscape with lush, intricate synths, accentuated by a mesmerizing guitar riff. A strong drumbeat introduces us to the song, then a steady bass line takes over, providing depth and weight but never overpowering. A highlight is the delicate, beguiling flute that seemingly floats throughout the track, lending a bit of an ethereal vibe. The guys’ enchanting harmonizing vocals complete the package, making for a lovely, intensely satisfying song. Have a listen:

Support Restless Natives by following them on  Twitter and  Facebook, and subscribe to their  YouTube channel.  Their music is currently only available for streaming on Soundcloud and YouTube, but they plan to distribute their music more widely in the near future. Be sure to check out their other music projects too.

Top 20 Songs January 22-28, 2017

1. MY NAME IS HUMAN – Highly Suspect (2)
2. CLEOPATRA – The Lumineers (3)
3. DON’T WANNA KNOW – Maroon 5, Kendrick Lamar (5)
4. BLACK BEATLES – Rae Sremmurd, Gucci Mane (4)
5. 24K MAGIC – Bruno Mars (1)
6.  ATLAS, RISE! – Metallica (10)
7. SQUARE HAMMER – Ghost (12)
8. STILL BREATHING – Green Day (7)
9. OBSOLETE – Agony in the Garden (9)
10. TAKE IT ALL BACK – Judah & the Lion (11)
11. BLOOD IN THE CUT – K.Flay (13)
12. SHINE – Mondo Cozmo (20)
13. SHAPE OF YOU – Ed Sheeran (N)
14. STARBOY – The Weeknd (6)
15. I NEED A LIGHT – Run With It (16)
16. WASTE A MOMENT – Kings of Leon (8)
17. RUST TO GOLD – Council (19)
18. SURE AND CERTAIN – Jimmy Eat World (15)
19. SCARS TO YOUR BEAUTIFUL – Alessia Cara (N)
20. WATER UNDER THE BRIDGE – Adele (N)

Top Ten Best Protest Songs

Given the current political upheaval in the U.S., much of Europe and elsewhere in the world, I’ve been thinking about protest songs and the impact they’ve had on spurring conversation and action. There are so many great ones that it was difficult to choose only ten, but I’ve whittled them down to what I think are the ten best protest songs. Many were inspired by either the Vietnam War or racism.

1.  WHAT’S GOING ON – Marvin Gaye (1971)
One of the most beautiful and compelling songs of protest ever recorded, Marvin Gaye’s “What’s Going On” is a masterpiece. Recorded in 1971 as one of many tracks for his brilliant album of the same name, the song was originally inspired by a police brutality incident during an anti-war protest in Berkeley, California’s People’s Park, witnessed by Renaldo “Obie” Benson, a member of the Motown group The Four Tops. Gaye had likewise been inspired by events such as the 1965 Watts riots and Vietnam War, which made him question how he could keep writing and singing love songs when the world seemed to be exploding around him. The song was composed by Benson, Al Cleveland and Gaye, and produced by Gaye after Motown exec Berry Gordy was set against recording such a song (and album). Rolling Stone named “What’s Going On” the fourth-greatest song of all time. Sadly, most of the issues Gaye sang about are still thorny in 2017.

2. MASTERS OF WAR – Bob Dylan (1962)
The week Bob Dylan arrived in New York City, Dwight Eisenhower, in his final address as President, warned of the dangers of the “military-industrial complex.” His words were largely ignored, and just two years later the world was on the verge of nuclear war, while the arms industry was making a fortune and spreading money all over Washington. The situation enraged Dylan, and he funneled this anger into writing “Masters of War.” The lyrics are searing: “I hope you die and your death will come soon. / I’ll follow your casket in the pale afternoon and I’ll watch while you’re lowered to your death bed and I’ll stand over your grave ’til I’m sure that you’re dead.” The song has been covered by scores of musicians, including the Staples Singers, Ed Sheeran and Pearl Jam in this chilling version.

3.  WAR – Edwin Starr (1970)
The defiant anti-Vietnam War anthem “War” was written by legendary Motown songwriters Norman Whitfield and Barrett Strong (who penned numerous hits for the Temptations, Four Tops, and Undisputed Truth, among others). It was initially recorded by the Temptations for inclusion on their album Psychedelic Shack but, fearful of alienating their fan base, both the Temptations and Motown executives decided against releasing their version as a single. Motown contract singer Edwin Starr volunteered to record the song, and man did he deliver, his fierce vocals spitting and screaming the scathing lyrics. The music is downright brutal, with raging guitars, savage percussion and screaming brass that match the ferocity of Starr’s vocals. It went all the way to #1 on the Billboard Hot 100, and was later covered by Frankie Goes to Hollywood, Bruce Springsteen and, more recently, Black Stone Cherry.

4.  HOLIDAY – Green Day (2005)
From Green Day’s brilliant album American Idiot, “Holiday” is a true protest anthem, inspired by the Bush Administration’s invasion of Iraq. Billie Joe Armstrong emphatically rails against the neo-conservatives who pushed for war and their strategy of pitting one group against another. According to Armstrong, the chorus’s refrain – “This is our lives on holiday” – was intended to reflect the average American’s ambivalence on the issues of the day.

5.  OHIO – Crosby, Stills, Nash & Young (1970)
In May 1970, students at Kent State University in Ohio were demonstrating against the Vietnam War when the Ohio National Guard attempted to disperse the crowd. Ultimately, four unarmed students were shot to death and nine others injured, resulting in outrage throughout the nation. A few days afterward, Neil Young saw the now Pulitzer-Prize winning photo of 14-year-old Mary Ann Vecchio kneeling over the dead body of college student Jeffrey Miller. Young was so infuriated that he immediately wrote the song “Ohio” and convinced his fellow band members to record the song with him. “Tin soldiers and Nixon coming / We’re finally on our own / This summer I hear the drumming / Four dead in Ohio.” Interesting bit of trivia: future Pretenders lead singer Chrissie Hynde was then a student at Kent State and witnessed the event.

6. STRANGE FRUIT – Billie Holiday (1939)
Perhaps the most haunting protest song of them all, “Strange Fruit” was first written as a poem, then later set to music, by teacher Abel Meeropol in 1937. It protested American racism and the lynching of African Americans, and ‘strange fruit’ is a metaphor for lynching victims hanging from trees. The most iconic recording of the song was by Billie Holiday, but deeply moving versions have also been recorded by Nina Simone, Diana Ross, Jill Scott and Annie Lennox. Simone called it “the ugliest song she had ever heard.”

7.  BLOWIN’ IN THE WIND – Bob Dylan (1962)
Though not originally intended to be a protest song, Bob Dylan’s classic “Blowin’ in the Wind” quickly took on powerful meaning for many people in the ways it spoke to the issues of war, peace and civil rights. Dylan recorded it in 1962 for inclusion on his second album, The Freewheelin’ Bob Dylan, but it was the beautiful cover version by Peter, Paul and Mary in 1963 that made it famous, becoming a #1 hit.

8. AMERICAN IDIOT – Green Day (2005)
Another hard-hitting protest song from Green Day, “American Idiot” was inspired by the American public’s patriotic support of the Bush Administration’s war against Iraq. Band frontman Billie Joe Armstrong believed that mass media orchestrated paranoia and idiocy among the public. Citing cable news coverage of the Iraq War, Armstrong recalled, “They had all these Geraldo-like journalists in the tanks with the soldiers, getting the play-by-play.” He wrote the song after hearing the Lynyrd Skynyrd song “That’s How I Like It” on his car radio. “It was like, ‘I’m proud to be a redneck’ and I was like, ‘Oh my God, why would you be proud of something like that?’ This is exactly what I’m against.”

9.  FIGHT THE POWER – Public Enemy (1989)
“Fight the Power” by hip hop/rap group Public Enemy was written for the Spike Lee film Do the Right Thing. The song is a scathing attack on racism and classism, incorporating various samples and references to African-American culture, including civil rights, black church services and the music of James Brown. The website NME observed that “the brilliance of ‘Fight The Power’ is that it recognizes that cultural imperialism can be just as repressive a force as more obvious forms of state authority. Everyone knows about the Elvis lyric – but only Chuck D could tease out the unsettling racial stereotypes reinforced by Bobby McFerrin’s ‘Don’t Worry Be Happy’.”

10.  EVE OF DESTRUCTION – Barry McGuire (1965)
“Eve of Destruction” was written by singer/songwriter P.F. Sloan in 1964, when the Vietnam war was still in its infancy, but the Cuban Missile Crisis was a very recent memory and there was widespread fear of nuclear war. The lyrics also address civil rights injustice. Sloan initially presented the song to the Byrds, who rejected it. It was subsequently recorded by the Turtles, Jan and Dean and the Grass Roots, but the version that became most famous was by Barry McGuire. His recording was a rough demo not intended for release, but it somehow got leaked to a DJ who began playing it, and it quickly became a huge hit, going all the way to #1 on the Billboard Hot 100 in 1965.

Honorable Mentions:
Fuck tha Police – N.W.A.
Fortunate Son – Creedence Clearwater Revival
We Shall Overcome – Pete Seeger
Sun City – Artists United Against Apartheid
A Change is Gonna Come – Sam Cooke
The Blacker the Berry – Kendrick Lamar
Killing in the Name – Rage Against the Machine
Inner City Blues (Make Me Wanna Holler) – Marvin Gaye
Sign O the Times – Prince
I-Feel-Like-I’m-Fixin’-To-Die Rag – Country Joe & the Fish
The Times They Are A-Changin’ – Bob Dylan
A Hard Rain’s A-Gonna Fall – Bob Dylan
Hurricane – Bob Dylan
War Pigs – Black Sabbath
For What It’s Worth – Buffalo Springfield
Born in the U.S.A. – Bruce Springsteen
Sunday Bloody Sunday – U2
Mississippi Goddam – Nina Simone
Zombie – The Cranberries
Say It Loud, I’m Black and I’m Proud – James Brown
Revolution – The Beatles
Divisive – Calling All Astronauts