Satin is a Los Angeles-based alternative rock band, whose music is influenced by a range of rock subgenres, including but not limited to classic, alternative, progressive, hard and even Southern rock. Fronted by singer-songwriter and guitarist Robert Cross, the group also includes David Bucci (lead guitar), Scott Wintermute (bass) and producer Tim Frantz (drums, keyboards). Cross also plays keyboards and synthesizers. They released their debut album Drop Dead Gorgeous in 2019, and on September 2nd, dropped their follow-up album Origami Heart, which they’ve asked me to review.
The album’s fairly long with 13 tracks, many of them addressing the minefields of love and relationships, and the heartache and pain that result when love dies or things go terribly wrong. But for the most part, the band lives up to their Satin moniker, delivering honest, relatable lyrics with pleasing melodies, tight rhythms, outstanding guitar work and Cross’s mostly laid-back vocal style.
Case in point is the pretty opening and title track “Origami Heart“, with it’s gently upbeat Southern rock vibes. The sweet lyrics celebrate the euphoria of feeling strong romantic love for another: “Oh I can’t escape the joy of being close to your nape. Feeling the softness of your skin as I catch your scent as I breathe in. As I fold you in my arms like an origami heart.” But the euphoria turns to sadness on the lovely Tom Petty-esque “Sabotage“, as Cross laments about how his actions damaged his relationship beyond repair: “It didn’t happen by accident. It didn’t come without cause. But I’ll never hold you again, as our love’s come to end. Yes I’m a master of sabotage.”
Continuing on that theme of feeling remorse, the dark “My Every Nightmare” speaks to the negative outcomes resulting from one’s self-destructive behavior: “Somehow it seems that by chasing my dreams, I made my every nightmare come true.” And on “Useless“, Cross sings of his sad realization that it’s now too late to make up for his bad behavior: “Cuz it tears at me from the inside out, knowing I was so naïve and clueless somehow. And I know beyond a shadow of a doubt that any love I have for you is useless now.”
Satin dip their toe into prog rock on the stunning “In This Wonderland“, one of my favorite tracks on the album. The layered jangly and psychedelic guitars are gorgeous, and the bass and measured percussion are perfection, flawlessly transitioning from subtle to tumultuous. The lyrics are filled with fairy tale references to describe feelings of losing touch with reality, unable to make sense of anything anymore: “Madness descends and surrounds me like a prison cell, As harlequins all around me chase white rabbits and dragon’s tails. This nonsense is hard to believe So forgive me if I don’t understand Cuz nothing is quite what it seems In this wonderland.”
They channel their harder rock side on “My One and Only“, where they let loose with a volley of heavy riffs and driving rhythms. Similar to “My Every Nightmare”, the lyrics speak of being unable to escape from self-destructive behaviors: “I constantly find myself wasting my precious time engaged in actions destructive to me. Deep down I know I’ve been holding on to something selfishly. My one and only love.” “Music Box” is a brief but grandiose cinematic instrumental interlude that immediately segues into “Love to Be Loved“, a lively head-bopping rocker about wanting another to love you as much as you love them.
Another favorite is “Move On“, a beautiful anthemic ballad with stirring orchestral strings and twangy guitars that lend a bit of a Western feel in the vein of great songs like “Wichita Lineman”. The poignant lyrics speak to coming to terms with the fact that a relationship is over and that it’s time to let it go and move on: “Those times went by so fast and now they’re gone. Left with the right choices and the wrong. And I’ve spent a long time waiting… And now it’s time to move on.”
Album closer “Fearless” ends things on a decidedly pessimistic note. The biting lyrics are somewhat ambiguous in that they could be directed by the singer toward another or perhaps to themselves: “Could you take a look at the lines on your face and recognize them as your own? Could you realize the scars, they can’t be erased? They only get worse as you sit there alone within your home. And there’s not a thing you can do to save your soul. Fearless as you are, you’re still out of control.” This song has a bit of prog rock feel as well, with interesting time signatures and dramatic guitar runs.
I’ll be honest, it took a couple of listens for this album to really grab me, but once it did, I came to more fully appreciate the many nuances of the music, as well as the album’s fine arrangements and production values. This is why I’m a strong believer in giving music a chance before hearing it once and quickly dismissing it. So listen to Origami Heart with open ears and an open mind, and hopefully you’ll come to like it as much as I do.