One of my favorite American indie bands is alt-rock quartet Roadkeeper, who since forming in 2018 have released a string of exceptional singles. Based in the eastern Texas city of Tyler, the band consists of songwriter/producer John Hetherington (vocals, synths, rhythm guitar), Trevor Tull (lead guitar), Nick Cogdill (drums) and Daniel Griffith (bass), all long-time friends. Roadkeeper is completely independent and self-produced, doing their recording, producing and mixing in John’s studio, and releasing their songs on their own label Equal Temperament. Blending dreamy shoegaze and dramatic psychedelic rock with complex melodic structures, they craft lush soundscapes that are a perfect backdrop for their intelligent, socially conscious, sometimes political, and always topically relevant lyrics that give us something to think about.
I’ve featured them three times on this blog over the past two years (you can read my reviews under ‘Related’ at the bottom of this article). I love all their songs, but two that stand out for me personally are “Old Man’s War”, a beautiful track about anxiety and worry over things, both real and imagined, and “Downs”, stunning song about impostor syndrome and not finding one’s place within the cultural and sociopolitical milieu. “Downs” went to #1 on my Weekly Top 30, and ranked #15 on my Top 100 Songs of 2020 list. Now they’re back with their 7th single “Enemy Mine“, which I’ve chosen as my New Song of the Week. While still featuring their dream rock elements we’ve come to love from Roadkeeper, the song is darker and more sonically intense than their previous singles, befitting the politically-charged lyrics.
The band doesn’t shy away from making their progressive-leaning views known, and states that the song “is about the far right radicalization of vulnerable young people in the U.S. by white nationalist professional pundits who are fed viewers and readers by algorithms on social media and YouTube. There is an organized effort to convert impressionable young people into radical white supremacists and encourage them to undertake radical action against marginalized people and progressive political movements. ‘Enemy Mine’ is about the dissonance between the perceived realities of radical white supremacists and that of everyone else.”
The track opens with ominous cinematic synths that build for nearly a minute, then pounding drumbeats ensue along with wailing guitars, only to calm back down as John begins to sings the verses in his beautiful falsetto. John and Trevor’s blend of jangly and psychedelic guitars are enveloped by shimmery synths, while Daniel and Nick drive the rhythm forward with their thumping bass line and aggressive drums. Everything erupts into an electrifying crescendo of wailing guitars, screaming synths and explosive percussion in the bridge, continuing through to the end of the track for a powerful climax to a gorgeous rock song.
Even words we never say Turn their heads from soft to something strange Waiting on some kids to sign on Twisting up their roots to point their sharp to Zion Their undeveloped brain’s distastes For things they’ve never seen are set in place It’s such a shame Bitter little loners Look to those who look like them to find themselves Born without a purpose Led to think they’re worthless until now Feed their doubt Give them some kind of god to worship Weapons always find their way to Enemies’ front lines Spreading lies, blacking flags Even if they hesitate there’s No way that they’re ever coming back Safe behind the soft glow waiting Self appointed sergeants have their backs Faceless basement Terrorist replacements Holy war, hiding places The worst of them will steal our words
The dramatic video, produced by Robert Woodward, shows digitally-altered footage of recent political protests juxtaposed with old footage of 50’s films, atomic blasts, space exploration and scenes of the band performing the song.