Today I’m pleased to present the exciting young British rock band Wild Horse. Formed in 2013 while in their early teens, the talented Heathfield, East Sussex trio consists of brothers Henry and Jack Baldwin (both of whom play guitar and sing vocals), and their school friend Ed “Barking” Barnes on drums. While presenting a fun, lighthearted image with their high-energy, punk-infused style of blues rock, the guys take their music seriously with dedication, thoughtful lyricism, and a mature approach towards the music business.
Wild Horse quickly began earning recognition, first being nominated for the “Rock the House” competition in 2014, then later becoming finalists in 2016. The Baldwin brothers are also prolific songwriters, and in 2015 the band signed with a New York record company who released some of their original tracks on mixed EPs, leading to the release of their first album It’s Begun in January 2016. Now working independently, they recorded and released three EPs between late 2017 and early 2018 containing a total of 16 tracks. They followed up in June 2018 with their second album Songs About Last Night, and this past April (2019) dropped their third album DANCE!! Like An Animal – is that a great album title or what!
The album addresses themes related to transitioning from horny, angst-ridden teenagers to the sobering realities of adulthood. It was recorded at Cobham Sound Studios, and produced, mixed and mastered by Niall Squire. Stephen Baldwin (Jack and Henry’s dad) played bass, Hilary Squire played saxophone and percussion, and along with Ella Squire, sang backing vocals.
DANCE!! Like An Animal begins with the abrupt sounds of Jack’s distinctive vocals accompanied by a pleasing little guitar riff as he sings the opening lyrics to “Blame“. His unusual vocal style is hard to describe, but has an endearing quirkiness as he plaintively croons in his strong British accent: “Sometimes I feel like I’m on my own. Wandering around with a gun in my hand. I swear if it happens again I’ll start a band, and I’ll write a song about all of my troubles and what’s going on in my other life. The one you haven’t seen.” After the line “Don’t want you to feel as fucked up as I do“, the music ramps up with a volley of shredded guitars and raging percussion, and I’m now hooked on the guys’ exuberant punk rock grooves that set a joyful tone for the album.
They next launch into “Frustrations“, a rousing banger about sexual tension. This time Henry sings lead, channeling equal measures of Michael Hutchence and a young Mick Jagger both in sound and swagger as he seductively teases “Can’t you see I’m into you. I suppose you’re into me. Can’t you see it’s got to be. Frustrations taking over us. Dance like an animal. Dance like an animal for me!” Jack provides his charming backing vocals that contrast nicely with Henry’s as they both let loose with some tasty riffs while Ed hammers out the sexy beat. I really dig this song.
Those sexual tensions reach the breaking point on the provocative “LISTEN! Stop Messing Around“, where Jack laments about how his sexual desires continue to go unmet by an unhappy set of circumstances: “I wanna take you out but I’ve got no money to spend. So let me take you closer, closer to my bed./ That time you nearly gave me head. Oh I was feeling blessed. Then your phone started to ring. You walked out the door and you left me wanting more./ Got fucking on my mind but it never ends that way. Oh girl can’t you see what it’s doing to me. I can barely stand up and I’m begging for you please.” The song has an infectious bouncy melody with some fine gnarly riffs.
The guys touch on the perils of excessive drinking and how it wastes both time and brain cells on “9:10“. Jack moans of his inability to stop, despite his best intentions: “And I swear to god I’ll stop at ten past nine. But another brings me wine. And all I see are blurred visions of the night, and stories about how I totally died.” “Why Do We Pretend?” speaks to the coming of age experience of discovering that perhaps a relationship you thought was great is just not meant to be. “Maybe I was wrong. Maybe we don’t get along. And we say it will all work out in the end. But we know it’s wrong. And when you don’t answer your phone, and I’ve just had enough of you. And I’m sure you have too.” The guys’ bluesy guitars, combined with Hilary Squire’s soulful saxophone and her and Ella Squire’s impassioned backing vocals, make this one of the standout tracks.
The guys keep the punk grooves rolling with “Hypnotise“, a fun, upbeat track that has Henry singing about being under the spell of a girl. But they then take a more serious turn on “The Kids Are on Drugs“, one of my favorite tracks on the album. The song starts off with Henry singing in a somber voice, accompanied by a simple strummed guitar: “The kids are all on drugs just to keep them sane. Oh the kids are all in pain, and they want to escape. But they can’t, because the world won’t let them.” The music suddenly erupts into a frantic punk song with raging guitars and furious drumbeats as the guys rail about the myriad anxieties facing today’s youth. I especially like these pointed lyrics about the toxic need for acceptance and validation on social media that I can relate to: “Lying on the street on a tab of ecstasy ’cause you only got 74 likes on your Instagram./ Social media makes them sad.”
Things lighten back up on “Seduction“, a sexy tune about the power of erotic attraction. I love the spicy little flourish of Latin guitar at the beginning, as well as the great piano keys and sultry bass line. Hilary’s soulful sax makes a welcome reappearance in the chorus. “(Can’t Believe How Much) The Night Has Changed You” is a song to a friend who remains unsettled and unable to connect with their true self: “I would say I wanna be you. But privately everyone is blue. So I’ll settle down. Settle down with who I am. And you should settle down with you.” The track has a lively, bass-driven beat with fantastic guitar work and Ed’s impeccable drumming. Henry’s vocals really sound like Mick Jagger on this track, and despite the huge contrast in their singing voices, he & Jack harmonize quite nicely.
“Impossible Words” is a bluesy number with a Country-rock vibe, courtesy of some marvelous twangy guitars and harmonica. The tongue-in-cheek song seems to wrap up the album, not only literally but figuratively, by pulling in some of the titles of other songs: “I have frustrations, and you’re the one to blame. All you do is hypnotise me baby, at ten past nine./ Why do we pretend? Cause I can’t believe how much the night has changed you.” I love it! Following this track are three ‘clean’ radio edit versions of “Blame”, “LISTEN! Stop Messing Around” and “The Kids Are on Drugs”.
DANCE!! Like An Animal is a wonderful album that I enjoy more with each listen. Henry, Jack and Ed are immensely talented songwriters and musicians, and with an already impressive catalog of music to their credit, I’m confident they will only continue to grow as artists. They’re currently in the process of writing and recording new music for another album, and I can’t wait to hear it!