HARROLAND – Single Review: “Home”

Harroland Home

Harroland is an alternative indie-rock band from Reading, England, comprised of siblings Michael (vocals, rhythm guitar) and Kate Kennedy (keyboards, backing vocals),  Steve Tabor (lead guitar) and Sam Tranckle (drums). They’ve just released a new single “Home“, the first of a number of releases planned for 2019. They wrote and self-recorded the track on a shoe-string budget in a freezing cold converted laundry house outside Reading, and had close friend Liam Memmott do the mixing. Mastering was done by two time Grammy Award-winning analog mastering engineer Andres Mayo.

The song opens with an ominous synth chord, then expands into a darkly beautiful soundscape of shimmering keyboard synths, chiming guitars and smooth percussion. The moody piano riff is particularly sublime. Michael has a unique vocal style that’s incredibly appealing, and Kate’s lovely backing vocals harmonize beautifully with his, making for a wonderful listening experience. I found myself wanting to hear this song again and again, liking it more with every listen.

According to Michael, “‘Home’ is told from the viewpoint of someone who gained power using empty promises and feeding on other people’s hopes and dreams. The lyrics reflect the mindset of the kind of person that only wants to enrich themselves, no matter who gets hurt because of their promises. We think it’s important to question who you can and should trust, or if they’re just telling you what you want to hear, especially in the political climate we’re all in at the moment. We’ve all been burnt by people like that.”

The lyrics are extensive, but here’s a snippet of verses that drive home the song’s message from someone intent on holding onto their own power while disregarding the hopes and dreams of others (perfectly describes the vile Liar in Chief currently occupying the White House):

Flip up the table,
But it don’t move,
Now they say,
They’re threatening,
My home, your dreams,
My right to rule

So move aside,
I won’t play no part,
I’m better to be someone with no broken heart
Don’t you ever feel it’s
Best I stake my claim.

And I got my home,
and I got my ways,
and I’ll take your dreams,
In some old fashioned way

“Home” is the band’s last collaboration with drummer Sam Trackle, who is stepping down to spend more time with his family. He will be replaced by Stu Roberts, who will debut with Harroland at their March 16th show at the Rising Sun Arts Centre.

Catch Harroland at one of these upcoming shows:

Saturday, March 16       Rising Sun Arts Centre, Reading
Saturday, March 23       Hope & Anchor, Wokingham
Wednesday, March 27  Purple Turtle, Reading
Saturday, May 18           Rising Sun Arts Centre, Reading
Saturday August 10       A Different World Festival, Abbey Rugby Club, Reading

Connect with Harroland on Facebook / Twitter / Instagram
Stream “Home” on Spotify / Apple Music
Purchase on Bandcamp / iTunes

DARKSOFT – Album Review: “Brain”

Darksoft Brain

Darksoft is the music project of Bill Darksoft, a smart and creative young artist from Seattle, Washington who’s produced one of the most interesting and brilliant concept albums I’ve heard in some time. Brain, which dropped in November 2018, is named after the very first computer virus to attack the internet back in 1986, with each track named after infamous viruses that followed.

He operates his own label and website Look Up Records (for which he also writes some pretty awesome reviews), and in addition to his music project, has played with many Seattle acts over the years. About his inspiration behind the creation of Brain, he explains: “Distanced through haunted screens, we rely on spooky contact that we don’t fully understand. At times, dark forces lurk on the other end, with a motive to con. Always a silhouetted hooded presence, the hacker has become our modern portrayal of Death; captor to the mind and its web of memories. As we stare deeper and deeper into the glowing comfort of this synthetic deception, trust has become the challenge of our modern paradigm, and the cyberscape the new Great Unknown. At its core, Brain is a story not only of the brain, but of the heart, as both confront trust and deception, the real and the synthetic, the mind and the motherboard, and the dark web connecting it all where the matter of our endless identities can be created as quickly as it can be erased, infected, encrypted…or simply revealed for what it truly is, beneath the hood.”

Brain opens with “Mydoom” a pleasant track with gauzy riffs of jangly guitars, subtle bass and gentle percussion. The lyrics speak to the seemingly harmless but insidious virus that keeps a watchful eye on one’s internet dealings: “I’ll just pop up in your window to see how it’s going. From time to time I will drain your battery life… Track you close, I’ll watch your move. Mydoom A has put a bug on you to stayIt’s ok to be vulnerable if you’ve got nothing to lose.” Darksoft has a velvety smooth vocal style that’s incredibly pleasing, giving the track a rather dreamy vibe. On “Elk Cloner“, he first warns about a virus that works to take over our thoughts: “They will enter your world. They can infiltrate microchips. They will stick like glue. They will modify you.” But then it’s as if the virus itself tells us not to worry and just remain calm: “No cause. No cause for alarm. No harm. We just occupy thought. No cause for alarm. No cause, just be calm.” The track has a lovely, mesmerizing melody and his vocals are really soothing, belying the rather menacing message.

Darksoft quickens the pace on the bouncy “Conficker“, though it still has a somewhat moody undertone with a mix of fuzzy and jangly guitars, shimmery synths and a determined drumbeat. The lyrics allude to the algorithms that control what we’re fed on social media, shaping our world view in the process: “We choose what you feel. No view into reality. Your life is ours… permanently.

With gnarly guitars and spooky synths propelled by a strutting bass line, “Lamex” speaks to how easy it is to escape into an artificial online world: “If you want a lame existence. They will send you a virus or two. Lamerism is the name of the tool I use”, yet yearning to break free and think clearly and independently: “I need to get out…To free my mind…To quit this code and leave the app I knew behind. If you look away you’ll open your eyes.”

One of my favorite tracks is “Heartbleed“, with its enthralling melody, irresistible drumbeat and gentle psychedelic groove, thanks to deliciously eerie synths. The jangly guitars are marvelous, the bass line’s sublime, and I absolutely love Darksoft’s warm, captivating vocals. I honestly think I would be perfectly happy listening to him sing the yellow pages!  My take on the song’s meaning is it seems to compare the feelings of someone who’s emotionally dead inside to that of a computer – a machine who only does what it’s programmed and directed to do: “Matter is a thing. You focus it’ll bring you life and pleasure. Just wait and see. Let your lead heart bleed.  Silicon and hardware respond.  Nothing really matters when you’re a machine… You live to be used by others.”

Another favorite is “Cryptolocker“, a darkly gorgeous song with dreamy and sometimes eerie synths that create a lush atmospheric soundscape. The gently-strummed chiming guitars are exquisite, as are Darksoft’s ethereal vocals that are seductive, yet menacing, as he coldly warns another not to fuck with him: “You don’t know who you’re dealing with. You don’t understand who you’re messing with. Lock me away and I will pull the plug from under you.”

I distinctly remember the virus for which “ILOVEYOU” is named. Darksoft uses it as an allegory for the emptiness and futility that can result from using online dating websites: “Every fuckin day is the same. Can’t look up from the screen. Crushes breakin over the phone. Guess that I’ll be alone. Til I see your message titled ‘love confession’. Feeling’ tempted by a lie; it’s a misdirection. You were nothing more than spam. My little love connection. Engineered to phish my soul. Been spoofed again by a false confession.” The song has an infectious drumbeat and some fine, intricate guitar work.

Code Red” is a beautiful, languid song featuring Darksoft’s resonant, pulsating guitars and sublime vocals, backed by his own harmonic choruses.  The lyrics seem to speak of clearing one’s mind of self-destructive thoughts and behaviors: “Everyone has a code. Some write them, others they follow a worm. Everyday, take a chance. Decrypt all the bullshit and break from the trance.” The final track “NightShade” is a mellow, anthemic rock song with jangly guitars and humming bass, accompanied by snappy drumbeats. NightShade seems to be a metaphor for drugs taken to numb the pains of life: “Where you’re from, how you came as I take it all away with NightShade. / If I can survive maybe then so can you. Aren’t we all playing role games? Infect the database with NightShade.”

Brain is a great album, and I love pretty much everything about it – Darksoft’s clever lyrics inspired by each of the computer viruses, his beautiful melodies, outstanding guitar work, first-rate production values, and stunning vocals. He’s an amazing talent, and I eagerly look forward to hearing what he comes up with for his next music project.

Connect with Darksoft on Facebook / TwitterInstagram
Stream his music on Spotify / Soundcloud / Google Play
Purchase on Bandcamp / iTunes / cdbaby

PAUL RENNA – Single Review: “Bound to Love”

Paul Renna

Paul Renna is a prolific and humble singer/songwriter and guitarist from Dallas, Texas who’s been writing music and performing, first with bands and later as a solo artist, for over 25 years. His signature music style is a pleasing mix of folk, soft rock and Americana. He released his first solo album Portrait in 2003, and in the years since has dropped two more full-length albums and three EPs, the most recent of which was 2018’s Valley of the Moon, a wonderful collection of folk songs. He now returns with a new single “Bound to Love“, a deeply moving song of love that he’s appropriately releasing on Valentine’s Day.

With an innate gift for writing songs that draw us in right from the start, Paul weaves compelling stories through his memorable melodies with authentic, relatable lyrics. He’s also a skilled guitarist and vocalist, bringing his songs to life with layers of beautiful acoustic and jangly electric guitars. The bass, piano, drums and backing vocals were performed by Omar Vallejo, who also produced the track at 512 Studios in Austin, TX

Paul’s slightly raspy vocal style sounds honest and heartfelt, giving even greater impact to the poignant lyrics promising his undying love and devotion for another, and that with love, they can weather through whatever life throws their way: “We can find a way. Our love will never stray. Hold me now. Together we are bound to love. / Love will find a way, you wait and see. We are bound to love. My heart is yours to hold on.

Here’s a recent live performance by Paul of the song:

Connect with Paul on Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud / YouTube / Reverbnation
Purchase on iTunes

ATOM DRIVER – EP Review: “Here They Come, the Hornets”

Atom Driver2

Atom Driver (not to be confused with actor Adam Driver) is a band I’ve been following for quite a while, and it’s high time I featured them on this blog. The Brunswick, New Jersey-based trio play post-hardcore noise rock that’s loud, frantic and fun, and I defy anyone to keep still while listening to their music. Formed in 2016, the band consists of Mark Segal on guitar and vocals, Justin Ingstrup on bass, and Mike Polilli on drums. All three are seasoned musicians, having previously played with a number of New Jersey bands. In their own words, Atom Driver was “culled from the wreckage of three local faves: Buzzkill, Boss Jim Gettys and Good Clean Fun.”

They like to produce EPs with five tracks, and released two in 2017 – Slackjaw and In the West – both of which are absolute bangers. Two weeks ago (late January 2019) they returned with another kick-ass EP Here They Come, the Hornets, serving up 13 minutes of noise rock mayhem for our listening pleasure. They get right down to business with the hard-rocking “Give Up the Ghost“. Segal delivers thrashing riffs that rip through the airwaves, while Ingstrup lays down a solid foundation with his crushing bass lines and Polilli pounds the crap out of his drum kit. Segal practically screams the refrain “Waiting to exhale. It’s time that you give up the ghost!”

We’re scarcely able to catch our breath before they’re back at us with chugging riffs of gnarly guitars, buzzing bass and an avalanche of crashing cymbals on “Vultures“. These guys are beasts on their respective instruments, giving new meaning to the term ‘noise rock’ as they launch into “Damn Mr. Pluto“, a grungy punk rock-ish head banger. Segal’s furious riffs are jaw-dropping as he shreds his guitar nearly to the breaking point – this man can play guitar! Ingstrup’s funky bass riffs are hot as hell, and Polilli beats his drums like a wild man. I can’t quite make out the lyrics Segal is singing, but who cares really, as it all sounds fantastic.

It seems the guys are gonna slow things down a bit with the fourth track “We Are Whalers“. It starts off with a quiet little acoustic guitar riff, leading us to guess that perhaps we’re in for a gentle ballad, but at 0:14 seconds, the song explodes into a barrage of raging guitars and speaker-blowing percussion that continue for the rest of the track. It’s a delicious slice of exhilarating rock’n’roll confection, with strong punk elements. They close the EP on a tumultuous note with the bombastic “A Bunch of 5’s“, providing ample proof these guys are here to rock!

Here They Come, the Hornets is a terrific little EP that packs a helluva punch in its 13 minutes. If you’re a fan of guitar-driven and high-energy rock, you will like this EP. As for me, I love Atom Driver’s music, and hope they keep making more of it for us to rock out to.

Those of you in the New Jersey area can catch them at this upcoming show:

Thursday, Feb 28    Roxy And Dukes   Dunellen, NJ

Connect with Atom Driver on Facebook / Twitter / Instagram
Stream their music on Spotify Google Play
Purchase on Bandcamp / iTunes

TOP 30 Songs for February 10-16, 2019

1. WANDER – Vox Eagle with Pierre Fontaine (1)
2. IN THE WATER – The Underground Vault (3)
3. HIGH HOPES – Panic! At the Disco (2)
4. BACK DOWN – Bob Moses (5)
5. DELTA BLUES – Jetstream (6)
6. FAST TALK – Houses (8)
7. SUNFLOWER – Post Malone & Swae Lee (8)
8. APOCALIPSTICK – Lazy Queen (9)
9. HURT PEOPLE – Two Feet featuring Madison Love (4)
10. PRESSURE – Muse (11)
11. SUPERPOSITION – Young the Giant (12)
12. LOVE IT IF WE MADE IT – The 1975 (13)
13. NORTHERN LIGHTS – Death Cab for Cutie (14)
14. GUIDING LIGHT – Mumford & Sons (7)
15. WORST NIGHTS – Foster the People (16)
16. LIGHT ON – Maggie Rogers (17)
17. CHANGE – The Revivalists (18)
18. SIGUE CON EL AMOR – John Defeo (19)
19. POWER OVER ME – Dermot Kennedy (20)
20. VOLCANO – Feather Weight (22)
21. MY BLOOD – twenty one pilots (15)
22. HOME – morgxn featuring WALK THE MOON (24)
23. YOU’RE SOMEBODY ELSE – flora cash (23)
24. MOVEMENT – Hozier (27)
25. YOU’RE THE ONE – Greta Van Fleet (28)
26. LONGSHOT – Catfish and the Bottlemen (29)
27. DISAPPEAR – Western Jaguar (30)
28. S.O.S. (Sawed Off Shotgun) – The Glorious Sons (N)
29. TRAMPOLINE – SHAED (N)
30. EXITS – Foals (N)

9fm – Single Review: “Familiar Form”

9fm - Jarrod Pedone

Yet another artist I’ve previously featured on this blog who’s releasing new music in 2019 is 9fm (short for Ninth Floor Mannequin). 9fm is the solo music project of New Jersey-based singer/songwriter and multi-instrumentalist Jarrod Pedone, whose marvelous EP Little Housereviewed in September 2018. Today he returns with a new single “Familiar Form“, delivering another wonderful and compelling track featuring his signature atmospheric soundscapes and sublime vocals.

Jarrod is a big fan of the classic TV series The Twilight Zone (as am I), and some of his songs are inspired by various episodes. “Familiar Form” is based on Season 1, Episode 34 “The After Hours”, about a woman who has an unusual experience in a department store. In a nutshell, all the people in it, including her, are at various times both human and mannequin, with much of the drama taking place on the 9th floor.

The song’s enigmatic subject matter is nicely brought to musical life by Jarrod’s use of spooky, pulsating synths and a decidedly moody tempo. His smooth, soothing vocals are similar in style to Sufjan Stevens – pleasing, yet rather melancholy as he sings the lyrics that speak to the façades that many people put forth, masking who they really are:

We simply walk 
breathe & talk 
with a different tone 
We take a form 
Far from home 
to hide who we really are 

We’re on & off 
True & false 
but who really knows 
which one is fake? 
Either way 
It all ends the same

We return & revert back seamlessly 
to what we were 
When alone, we all know just who we are 
& who came first 
Settle back into familiar form 
Only sure of where I don’t belong 

We obey 
Time & place 
For which star goes on 
Who we are 
Simply gone 
Once out the door 

Up or down 
In or out 
it all seems so right 
I’ll stay inside 
of my mind 
Keep a double life

Connect with 9fm:  Facebook / Twitter / Instagram
Stream his music:  SpotifySoundcloud / iTunes
Purchase on Bandcamp / iTunes

BLACK | LAKES – Single Review: “Dissident”

Black Lakes

A few posts back, I mentioned that it seemed half the artists and bands I’ve previously featured on this blog are releasing new music in 2019, and another one of them is BLACK|LAKES, a progressive alternative metal rock band that collectively hail from South Wales & Southwest England. Comprising the band are five enormously talented musicians – Will S. Preston (lead vocals), Scott Bradshaw (guitar, backing vocals), James Rowlands (guitar, backing vocals), Lee Harris (bass) and Dafydd Fuller (drums). Last October (2018), they released a monumental single “The Divide” which I reviewed, and now return with hard-hitting new single “Dissident“, which drops today.

The track opens with a brooding guitar riff accompanied by an ominous synth chord, then explodes with a barrage of chugging riffs, pummeling bass and thunderous drums. After ten seconds, everything calms down to a melodic interlude of pulsating guitars and measured percussion during the verses, only to ramp back up into a furious onslaught for the choruses, keeping us in a continual state of tension. The guitar work throughout the song is fantastic, really showcasing Scott and James’ considerable talents on their respective six-strings. Lee’s deep bass lines drive the track forward while Dafydd pounds his drums like his life depends upon it.

Will’s resonant vocals remind me a bit of Puddle of Mudd’s Wes Scantlin, starting off smooth and plaintive as he bitterly renounces someone who’s hurt and betrayed him: “Here inside this cage, this never ending maze. Watching myself waste away. The bitterness I taste. Complete intemperance. I sit and slowly count the days.” They turn raw and impassioned in the choruses when he defiantly screams that he will survive and move on: “The last words I’ll ever say. In spite of you I will not fade into a world plagued by you.

“Dissident” is a magnificent and electrifying rock song that proves Black|Lakes’ can continue to deliver the heavy and melodic progressive metal we’ve grown to love from this amazing band.

Connect with Black|Lakes:  Facebook / Twitter / Instagram
Stream/purchase on Spotify iTunes

KAROLINA ROSE – EP Review: “INVICTA”

KarolinaRose8

Falling in love with a song or artist the moment you first hear their music is among life’s greatest pleasures – certainly for me anyway. And that is precisely what I felt when I listened to the new EP INVICTA by Karolina Rose. Inspired by the music of artists such as Kate Bush, Debbie Harry, Florence Welch, The Cranberries, David Bowie and Madonna, the Brooklyn, New York-based singer/songwriter writes songs about her own experiences and presents them with beautiful commanding vocals.

Born and raised in Philadelphia to Polish parents, Karolina graduated from the prestigious Wharton Business School and had a successful career on Wall Street, which she ultimately left to pursue her dream of making it as a full-time musician. (I can identify with her life-changing decision to leave behind a successful career for which she spent years of study, as I left my job as a city planner to own and operate a bed & breakfast inn.) She began writing songs on her acoustic guitar, and performing them in clubs in and around New York City, gradually building a loyal following. Realizing she needed to take her music to the next level, she teamed up with Grammy Award wining producer/engineer/mixer Andros Rodriguez (Madonna, Shakira, Florence + the Machine) for her debut EP INVICTA, which dropped on February 1st.

Speaking on the meanings behind the title and theme of INVICTA, Karolina explains: “The word ‘INVICTA’ means unconquered, and is found on the coat of arms of Warsaw (the city where my parents come from), so the title represents my strength and who I am. From quitting my job on Wall Street to having to navigate a brand new industry, there was a lot to learn on the journey towards INVICTA’s creation. Following your truth is not always the easy choice. And for that I call the record INVICTA; it is to say ‘I did it’ and I am ready to fight for what I love.”

KarolinaRose

The EP kicks off with the anthemic “Crystal Gem“, a hopeful declaration of Karolina’s determination to pursue her dream, no matter the odds. Backed by shimmering synths and a driving dance beat, she confidently sings: “No one can stop me now, from doing what I want to do. How nice it would be, to be taken care of endlessly. ” The track sounds like a song Katy Perry could have sung, only better. “Love Crazy” is a sultry affair that speaks to how we throw caution and common sense out the window when the pangs of love hit us like a ton of bricks. The track features lush swirling synths and fluttering percussion, creating a beautiful backdrop for Karolina’s fervent vocals that convey the blind passion of falling madly in love, helpless to resist its siren call: “Love, it makes you do crazy things. / Nothing else matters.”

One of my favorite tracks is “Going to Berlin“, a fantastic dance pop anthem that tells the tale of a woman who overcomes heartbreak by going off and jet-setting the world’s greatest cities. Karolina explains: “The concept first came to me when I was hanging at the Russian baths in downtown Manhattan with a good friend discussing her growth and how much she’s changed. She had left an old love behind in Europe to move to NYC and fearlessly follow her dreams. She then, of course, went to Berlin…” I love the throbbing EDM beat and Karolina’s wonderful layered vocals, and this lyric is so good: “She was lip-smacking good. Hold her tight if he could. But he lost her. Regret seeps in. She’s not coming back.”

Downhill” is a slow, moody track filled with powerful sweeping synths and mesmerizing percussion. In an interview with webzine CelebMix, Karolina states that the lyrics speak to the “simultaneous feelings of excitement and fear when pursuing something entirely new and unknown.” She passionately sings “I’m on the edge, lost and found. Can you hear the screaming sounds? We reach the skies before we go downhill.”

A standout track is the sad but beautiful “Goodnight, Mr. Moon“, inspired by Karolina’s experiences of exploring grief through dreams and nightmares. On her Facebook page she explained: “I have suffered from nightmares for many years. I often have hallucinations when I sleep. I wake up and see things in my bedroom or projected onto the walls or something within my room takes a different shape and moves. The first verse of the song takes inspiration from one of my nightmares where I woke up and it literally looked as if the moon was projecting a spotlight onto my wall and it looked like a scene was playing out. It may sound magical, but it was quite frightening. I started coming up with the visualization of someone hallucinating in the middle of the night, bringing back their loved one by talking to Mr. Moon. She communicates with her lost love in the nighttime. She processes her grief through dreams. She thinks it’s real until the end of the song when she wakes up from the dream and knows it’s really time to say goodbye.

The dreamy synths, gentle percussion and her mix of soft and soaring vocals are a perfect match for the poignant lyrics: “How do I get it all back? All the pieces of my heart? How do I get it all back? All the pieces came apart. How do I get you back?

The final track “Move With Me” was actually Karolina’s very first single, which she released two years ago, in February 2017. The song has a wonderful throwback 80s New Wave vibe that’s become so popular again recently. I love the bouncy EDM beat that aims straight for the hips, along with the glittery techno synths that remind me of songs by A-ha and New Order. Karolina’s vocals exude seduction as she implores the object of her desire to quit wasting time and get busy loving her: “Check my pulse. Am I still alive? / Do you know you took me by surprise? Fragile, young love. What will be, will be. Move a little bit faster now. Go a little bit faster now. There’s no time to waste, so baby pick up the pace and move with me.

INVICTA is an outstanding EP that beautifully showcases the impressive songwriting and vocal talents of this very lovely artist. Every track is superb, making for a thoroughly enjoyable listening experience. I want to give special thanks to fellow blogger Hasan Bayez of SheBOPS for recommending Karolina. Check out his great blog too!

To learn more about Karolina, check out her Website
Connect with her on Facebook / Twitter / Instagram
Stream her music on Spotify / Soundcloud / Apple Music
Purchase on iTunes / AmazonBig Cartel

WIDE EYED BOY – EP Review: “Sun Again EP”

Wide Eyed Boy Sun Again EP

Since first hearing their incredible debut single “Wolves” two years ago, I’ve been totally smitten with British band Wide Eyed Boy. I’ve featured the charismatic Liverpool foursome on this blog three times now, beginning with my review of “Wolves” almost exactly two years ago, in February 2017, then a review of their magnificent follow-up single “Loving You is So Easy” that July, and an interview in May 2018, shortly after the release of their third single “Sun Again”. They’ve just dropped their first EP Sun Again EP, and it’s my pleasure to feature them for the fourth time.

Wide Eyed Boy consists of Oliver Nagy (Vocals), Jonny Ball (Guitars), Kobi “Danger” Pham (Guitar, keyboards) and Tom Taylor (Drums). They all met at the Liverpool Institute for Performing Arts, and quickly bonded over their shared love of music. They made the decision to release a series of singles to get their music out there and heard, and they’ve succeeded quite nicely. Since the release of “Wolves”, they’ve earned a reputation as one of Britain’s best indie bands, and have gained a large following of loyal fans.

The EP includes their three aforementioned singles, plus two new tracks. It opens with the title track “Sun Again,” an exuberant affair, with roiling riffs of Jonny and Kobi’s fuzzy guitars and bass, propelled by Tom’s furious drums and wildly crashing cymbals. Oliver has one of the most beautiful voices around today, and his smooth, clear vocals are dazzling, soaring along with the instrumentals as they build to a goosebump-inducing crescendo. About the song, the band states: “It’s about escape. Breaking out of that vicious cycle of mundane life and getting back that sense of freedom to go do whatever the hell you want.”

The beautiful new video just released for “Sun Again” features actor Daniel Donskoy, and alternately shows scenes of Wide Eyed Boy performing the song, and scenes of Donskoy portraying a man who’s angry and in distress, racing his car through the English countryside, then running from the car into a field and collapsing on the ground, spent and finally feeling free.

I loved “Wolves” the moment I heard it, and made me an instant fan of this band. Everything about this phenomenal track is perfect – the haunting melody, compelling lyrics, flawless arrangement and production, propulsive drumbeat, gorgeous sweeping synths, nimble, layered guitars, and Oliver’s incredible vocals that are absolutely mesmerizing. Oliver stated the song ‘is about letting people in that are bad for you.’ He passionately sings “Why can’t I leave it all behind? Why can’t I save myself this time? I fall just a little bit, don’t wanna be a part of it. Wolves are the only friends I know.”

“Wolves” was so awesome that I didn’t think the guys could top it, but I was even more blown away by their magnificent follow-up single “Loving You is So Easy“. The swirling guitars, sultry bass line, sweeping gnarly synths and Oliver’s captivating vocals are all positively breathtaking. The song lyrics are fairly straightforward – “I don’t care the way you care. I can see it in your stare. But the way that we collide, it’s getting harder every time. Loving you is so easy. Easy when I’m down, down, down” – but Oliver delivers them quite seductively, before launching into a soaring falsetto in the chorus, adding more chills to the ones already covering my body. I love this song so much it ranks #13 on my Top 100 Best Songs of 2017 (“Wolves” was #17).

Next up is “See the Light“, yet another beautiful song from this amazing band. This track is slower in tempo and more ballad-like than their other songs, with acoustic guitar, shimmery synths and gentle percussion. The song is about a relationship that’s failed past the point of return and the desire to move on. Oliver’s heartfelt falsetto vocals are sublime as he plaintively sings the poignant lyrics: “I’ve gone missing. Something’s not alright. I don’t wanna run but I’m struggling to see the light. / Can’t you see what I’ve become? Stay away from me.”

The band closes out the EP with the rousing pop/rock banger “Fire“. The radio-friendly track features a catchy melody, pulsating synths, chiming guitars and pummeling drums that all build to an exciting crescendo in the chorus. The lyrics are a plea to someone for whom the singer has strong feelings to save him with their love and support: “Fire! I’m burning now. I really need you now. Fire! Don’t let me down. Pull me from the ashes.

Sun Again is an awesome little EP with five outstanding tracks, and a testament to Wide Eyed Boy’s impressive songwriting and musicianship. I cannot wait to hear what new songs they come up with next to dazzle our eardrums.

Connect with Wide Eyed Boy: Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud
Purchase:  iTunes / Google Play

SAMUEL ASHTON – EP Review: “Spreading Light”

Samuel Ashton EP

Samuel Ashton is a singer/songwriter based in Canterbury, England, who makes what he beautifully refers to as “acoustic soul.” Drawing inspiration from such artists as Michael Kiwanuka, Paolo Nutini, Leon Bridges and Nathaniel Rateliff, Samuel blends smooth blues, soul and country to create uplifting and powerful songs. He’s also spent years travelling around the world, and the various different cultures he experienced and came to embrace also strongly influence his music.

In January, he released his debut EP Spreading Light through independent label 2728 Records, and received a warm response at his EP launch show in Canterbury on the 19th. He’s also been playing at venues throughout Kent and southeast England, including Brighton and London, and is currently booking future shows throughout England for this Spring.

Samuel Ashton

First up is the title track “Spreading Light“, a moving and hopeful song about staying positive in the face of adversity and troubled times, and spreading truth and goodness through our actions. The song’s melody is rather simple, driven by a strummed acoustic guitar and light percussion, but a closer listen reveals lots of added subtle textures such as somber piano keys, bluesy electric guitar and delicate, moody synths. In his deep and resonant vocals, Samuel urgently sings “Said we got to keep on spreading light. Even in the dark and lonesome night, we gotta keep on spreading light. Oh how I moan, when my heart feels woe when there’s such injustice and pain.”

Send Me Angels” has a bit of a gospel feel, with a prominent organ providing the basis of the melody, and Samuel’s emotional vocals pleading “Send me angels, come on save my soul.” I like the way he uses both acoustic and jangly electric guitars to achieve a fuller, multi-textured sound. On the slow and bluesy “Freedom Never Lies“, his intricate layered guitar work is outstanding, creating a sultry mood for his soulful, fervent vocals. He sings about surrendering oneself freely to passion: “There’s a light that’s shining in your eyes. There’s a fire that burns inside you that you just can’t disguise. Let it burn. Freedom never lies. / I’m so close to the edge, I’m still wanting more.”

Love is in the Sun” is an uplifting folk song about the presence of love everywhere we look and in everything we do. “Love is in the earth, love is in the sea. Love is in the power, power that heals.” The track has a pleasing gospel-like melody, with acoustic guitar and gentle hand claps. The Americana song “Medicine Music” speaks to the healing powers of music, something I think everyone who loves and appreciates music can attest to. “Healing my soul, my heart is full of love./ Medicine music, purify me. Medicine music, show me freedom. Medicine music heals.” The backing choruses have a Native American sound, as if being sung by a Shaman. And once again, Samuel’s guitar prowess is on full display, as his riff that closes out the track is marvelous.

Spreading Light is a wonderful EP and a fine debut effort from this thoughtful and talented musician who’s intent on spreading his positive message of love and healing in our troubled times. Samuel’s compelling lyrics, outstanding guitar work and soulful vocals make for pleasing songs you want to hear again and again.

To learn more about Samuel, check out his Website
Connect with him on  Facebook / Instagram / Twitter
Stream his music on  Spotify / Soundcloud / Apple Music
Purchase on  iTunes