Artist Spotlight: NEIL BILLINNESS

Neil Billinness is a musician who likes to do things his way. He writes, records and produces his own unique style of electronic music and, preferring a more ‘organic’ sound that’s not too polished, his songs are not mastered. Neil, who lives in Rosyth, Scotland, started writing songs as a teenager, when he was inspired by 80’s artists Howard Jones, OMD, The Human League, Tears For Fears, David Bowie, Prince, Madonna, and even ABBA (all artists I also happen to love). His grandparents bought him his first keyboard, which was the impetus he needed to channel that creative inspiration.

Neil spent some time as a member of the bands Turbo and Ebon Night beginning in high school. He states that while he enjoyed those stints, the songs and styles he wanted to write were not always well-received by other band members, which frustrated his creative energies. For many years while building a career, he put his music on the back burner, but starting around 2011, he took up songwriting again in earnest, seemingly making up for lost time. He set up a home studio and embraced sequencing, sampling and programming, rather than playing everything manually, which has helped him produce music more easily. Still, Neil says he’s “a perfectionist when it comes to recording and writes and records at a pace that would make Kate Bush look prolific.” (Neil also has a wicked sense of humor.)

neil-billinness

Neil established an independent label NeRo Music with his late partner Robert, who he says was a continual inspiration to his songwriting, and an honest critic. Neil’s debut single “Passing Thoughts” was released in January 2016 and, tragically, Robert passed away suddenly the day after the song was released. The song calls to mind the sounds of OMD and New Order, with sharp, chiming synths and a strong pulsating beat. Neil’s vocals have a hazy, otherworldly quality as he sings “So many memories, so many fears. A bunch of photographs from through the years. I’d like to see you once again. So I could show you just how much I’ve changed.

His wonderful follow up single “Discotheque” was a newly recorded version of the song that reached number one on the Unsigned Top Chart in late Dec 2015-early Jan 2016. This incredibly catchy EDM track, about escaping the cares and worries of everyday life and letting loose at the disco, features lush synths set to a hypnotic dance beat that aims straight for the hips. The colorful and stylish psychedelic-looking video was produced by mixing video clips of Neil’s family and friends dancing to the song with live footage of him singing it.

Neil has a strong love for Science Fiction films, which has also greatly influenced his music. Many of his songs fuse mysterious, otherworldly Sci-fi synths with EDM grooves to create really compelling instrumental music. He released some of his new and earlier recorded tracks on a few EP’s, including A New Direction, Just Me, the song Do It All Again, which includes three remixes, and the three-part song Phase Three. A New Direction and Phase Three are the most futuristic-sounding collections of his songs. Their tracks are very Sci-fi, with computerized voices talking over highly synthesized instrumentals. “The Vision” from A New Direction has a great dance beat vibe that reminds me a bit of Madonna’s “Vogue.”

Just Me features four ambient instrumental tracks, one for each season. My favorite is “Autumn” with it’s complex, multi-textured synth arrangement that contrasts between the upbeat sounds of summer’s last gasp and the brooding approach of winter.

Despite the setbacks of Robert’s death and some health issues this year, Neil is working on producing a full album which will contain his two singles along with a number of re-recorded older songs. He hopes to release the album, which will be dedicated to Robert, early in 2017.  Follow Neil on Twitter , Facebook and Instagram, and subscribe to his YouTube channel. Stream his music on Soundcloud and Spotify, and purchase on iTunes or  Amazon.

EP Review: THE PUSS PUSS BAND

Today I shine my spotlight on a singer/songwriter duo that goes by the fun, quirky name The Puss Puss Band.  They are multi instrumentalists Asa Galeozzie and Lee Pugh, a mainly studio based band from South Wales. Both have worked with numerous artists and bands in the UK and the Welsh music industry over the last ten years as writers & session musicians. They perform every aspect of their music: songwriting, instrumentals, vocals, arranging, engineering, producing and mixing. Asa plays guitar, bass, percussion, piano and melodica, while Lee plays lead guitar, bass and piano. The guys also have a sense of humor; on their Soundcloud page, they state that Asa plays tap shoes and Lee the mouth trumpet.

They released their debut self-titled EP The Puss Puss Band in October, and it features four outstanding tunes in a style the guys refer to as ‘jazz rock pop chill sounds.’ Their easy-going instrumentals and smooth vocals make for an incredibly pleasing listening experience – sort of a Style Council meets England Dan & John Ford Coley with just a touch of Dan Fogelberg. All those artists made really terrific music, and I think The Puss Puss Band’s music is in the same league.

The first track is the rather sexy “Feline Fine.” Sublime guitars and snare drum create a mellow vibe, and Lee’s beguiling vocals almost purr: “You got me working double time, you got me clocking overtime, you got me feline fine. And I know I can’t show you the things that I see, but sometimes I wish I could. Because you got something that makes me feel glad at night. And you got everything because you know you’re right.”  This is my favorite track on the EP.

The lovely ballad “Thinking of You” continues the mellow groove, but with a bittersweet edge. Its heartfelt lyrics speak about missing someone very deeply, and hoping they’re feeling the same about you. “I just wish that you could see, all the love for you I feel. But I’m descending in all this gloom. My heart free-falling like a lead balloon. Without you.” The guitars are especially nice on this track.

Alone” is a catchy, upbeat track with great chiming guitar riffs and Lee and Asa’s smooth intertwining vocal harmonies. The guys really channel the Style Council on this song. The pace slows back down to a dreamy haze with the enchanting folk-infused ballad “Perfect World.” Guest musician Patrick McDermott lays down some lovely banjo riffs over the guys’ laid back guitars.

The guys also recorded a great cover of The Cure’s “Boys Don’t Cry” a while back. Take a listen:

I love their smooth sound and am anxious to hear more music from these guys. Support The Puss Puss Band by following on Twitter and subscribing to their YouTube channel. Stream their music on Soundcloud, or purchase on Bandcamp.

Single Review: BEN WRIGHT – “Starry Nights”

Ben Wright is a singer/songwriter/guitarist from Manchester, UK (a city with a vibrant music scene, from which have come a few bands I’ve previously featured on this blog). In his bio, Ben states that he writes acoustic folk/pop music that’s influenced by blues, reggae and rock. He released a wonderful debut single “Starry Nights” in October, along with a beautifully-filmed video. He said he was inspired to write the song “whilst travelling and sleeping in the middle of nowhere in New Zealand.”

The poetic lyrics describe the simple beauty of a starry night in the rural countryside, unblemished by the artificiality or pretense of urban life. “Looking down from high above, they’re flickering til the day is born. No artificial beams can reach the sky. No piercing sounds will break the night. Starry nights relive your innocence. There’s no delusions and no hollow men.”

Musically, the song has a lovely melody, with a pleasing acoustic rhythm guitar riff overlying gentle percussion and bass.  Ben’s soothing vocals perfectly fit the music, conveying a tranquil sense that everything’s alright with the world – a feeling that’s sorely needed at the moment. The gorgeous video, which shows Ben walking and/or performing the song by a lake, nicely complements the track.

Support Ben by following him on Facebook. Ben also teaches guitar lessons on his YouTube channel, which you can check out here.  Stream the song on Spotify, and purchase on iTunes or Amazon.

Album Review: A BLUE FLAME – “What We’ve Become is All That Now Remains”

British singer/songwriter Richard Stone – who goes by the artistic name A Blue Flame – doesn’t consider himself a musician, but rather a compulsive writer of songs who also happens to play the guitar. For him, the song lyric is supreme, not the music or sound. On his album, What We’ve Become is All That Now Remains, he tells compelling stories using straightforward lyrics about life, love, faith, loss and heartbreak. And though he’s not as concerned about the music or sound of his songs, I think they’re superb, representing an amazingly eclectic range of styles from doo-wop and old-school pop to easy listening ballads and hard-driving rock.  Plus, his smooth, clear vocals perfectly suit his thoughtful lyrics.

When I asked Stone about his artistic name, he explained that ‘A Blue Flame’ just came to him, but he also liked “the balance in the name between the heat of a flame and the sadness of feeling blue. Blue flames are the hottest of all flames and they are also linked with strange, other worldly experiences like will o’ the wisps. It’s a name of contradictions between the scientific and paranormal, just like my music is a mass of contradictory influences.”  He said his songwriting has been influenced by some of the great songwriters such as Bob Dylan and the Beatles, but essentially any great song from one of any number of artists.

Stone writes all his songs and plays guitar. He arranges them with help from Adam Ellis, who co-produces and also plays guitar.  Other session musicians add their skills to the mix as needed, including Damon Claridge on drums, Andy Robertson on bass and keyboards, and Tony Robinson (who’s also played with the Manic Street Preachers and The Beautiful South, among other bands) on keyboards and horns.

a-blue-flame

The passage of time and the challenge of keeping the faith – both in God and yourself – are recurring subjects in A Blue Flame’s songs. The album opens with the sublime track “When Time Slowed Down.”  The song features beautiful piano, gentle guitar and snare drum, along with a captivating trumpet solo. With a hint of sadness in his voice, Stone wistfully sings of the fleeting nature of time, and the need to stop and savor the precious moments: “When all is said and done, and we’re just words upon a page inside a book that never opens / How will we be found?  We lucked out, the year we found the days when time slowed down.

Time’s passage is again alluded to on the tracks “Our Memories Fade” and the anthemic “Everyday Yesterday,” where an upbeat melody belies a deeper meaning: “Everyday, yesterday gets further away. I was born for the ninth time, a fool amongst the fools. Running in the nighttime and breaking all the rules. Till I saw I was the dullest stone in a box of golden jewels. It was clear that I knew nothing and my promises were cruel.

Stone plaintively urges self-belief and acceptance in the bittersweet ballad “Be Kind to Yourself” – “You know that your hate is a weakness, you know that you need to be brave. You’re scared of that something inside you that cries in the night to be safe” – and in the edgy, hard-rocking “I Don’t Know,” where Stone’s raw vocals seem to channel an exasperated Billy Joel. In “Feeling the Same,” he expresses empathy for someone feeling lost and alone with their pain and self-doubt.

Faith in God is questioned in the rousing “From God on Down.” Stone defiantly proclaims “I have been here a billion years, and I am so tired. I may, I may not exist. You might believe, you may well laugh. We’re all in the dark, from God on down.”  So too with the catchy pop-rock track “Out There Somewhere.”  Love and loss are the theme of the wonderful but rather mournful doo-wop tune “The Sun Refused to Shine.” The guitar solo in the last third of the song is great.

One of my favorite tracks is “Marlborough Park Avenue,” a poignant tune that calls to mind the incredible storied lyrics and singing style of Harry Chapin. To a gorgeous arrangement with gentle percussion, violin and multi-textured guitars that swirl, twang and chime, Stone fervently sings of a lost loved one “Though you’re not here, you still hold me together. The blossom is swimming around me / I think I’m in heaven.  I wish you were walking beside me, but you’ve gone on ahead.

Another standout is the hard-hitting kiss-off “The Girl Inside of You.” As with some of the other songs on the album, the upbeat, high-energy music – complete with “sha la la la, ooh sha la la las” – contrasts sharply with the fiery lyrics. Stone practically spits the lines “Rain falls down from a cloudless sky / I look up and I wonder why / It seems strange to me / It’s a motherfucking mystery / Farewell from the boy in me, who so fell for the girl inside of you.

What We’ve Become is All That Now Remains is an album that keeps getting better with each listen, as the poetic beauty of the lyrics continues to sink in. Learn more about A Blue Flame by checking out his website. Follow him on Twitter and Facebook and stream his music on Spotify and Soundcloud. His music is available for purchase on CD Baby.

Artist Spotlight – The Condriacs

It’s back to the UK for a spotlight on The Condriacs, a singer/songwriting duo from Essex who make some really fine folk-pop music. The Condriacs are close friends Peter Spicer and Tony Slaven, who began writing songs together a couple of years ago, but decided to take their music more seriously in late 2015, when they began recording tracks. Spicer, who’s been making music since he was 14, plays guitar, while Slaven vocalizes their beautiful, compelling lyrics. As the guys explained in an interview with Michelle Ward on Brentwood, Essex radio station Phoenix 98FM in April 2016, they love great lyrics, especially by some of their favorite songwriters Chris Stapleton, Billy Joel and James Taylor, from whom they draw inspiration in penning their own exceptional lyrics. As for their interesting name, their wives came up with that moniker.

The Condriacs have recorded a number of songs, and are working toward producing a full -length album as time and funds permit. Spicer told me it’s a painfully slow process, but so far, they have five songs that will be on their debut album, and they’re working on two more they hope to record in the coming month. Their well-crafted songs are soothing, yet maintain enough of an edgy quality to keep from sounding too pop.

“When You’re Gone” is a lovely but sad ballad that speaks to the heartache and loneliness resulting from a lost love. With strong vulnerability in his vocals, Slaven laments “All I want is just another moment, a minute when I can feel your love. I wanna spend a whole day with you, really. How can I love you baby when you’re gone?”  Spicer’s smooth guitar and the accompanying piano, violin and gentle drums beautifully complement Slaven’s heartfelt vocals, which at times remind me of fellow Brit Rod Stewart.

The gorgeous “Devil’s Mist” is a standout track and my personal favorite. The first few opening musical notes can make or break a song for me, and in “Devil’s Mist” they’re positively captivating. The song’s arrangement and rich instrumentation are perfect from start to finish. Lyrically, the song is about hurt and betrayal over a failed relationship, and such powerful words they are:

“Raging nights, rumbling skies, lighting strikes me, I’m paralyzed. War with words that really hurt. We’ve just dragged up the past and dirt. When that red mist covers me, have to set that devil free. The open road where the air is free, brings me back to you. Why do you leave me in the pouring rain? Always running, never take the blame? I assume you’re OK, ’cause I’ve lost my rage.”

“I’ll Take it All” is a beguiling, upbeat song about life, love and hope. The track was just released as a single in Asia in August.

Another standout is “Run Run Run.” This remix has bit more synth-heavy vibe than the other tracks.

https://soundcloud.com/thecondriacs/run-run-run-remix

Here’s a lovely acoustic performance of the tender ballad “Can’t You See.” It really showcases the guys’ warmth and authenticity, not to mention Slaven’s wonderful a capella vocals.

I look forward to hearing what these fellows come up with next. Show them support by following on Twitter, liking on Facebook and subscribing to their YouTube channel.  They do not yet have music available for purchase, but it can be streamed on Soundcloud.

Album Review: Paul Iwan – “Reveal”

Note: Subsequent to my writing this review, Paul removed the album from all streaming services, rending my review meaningless and obsolete.

British singer-songwriter and multi-instumentalist Paul Iwan has been playing in bands since he was 14 years old. He’s toured the UK with various bands over the years, and played international festivals in Germany, France and the U.S. In 2008 he was mentored and championed by Ray Davies (of The Kinks) and continues to collaborate with other artists and friends across the UK.  After years of writing songs and perfecting his craft, he has finally created and self-produced his first album, and it’s a thing of beauty and a real tour-de-force!

Set to be released in September 2016, Reveal is – in Paul’s words – “a collection of songs exploring themes of truth, honesty, regret and rebirth. Evoking early Simple Minds, it channels the avant-garde artistry of Melt era Peter Gabriel via the soaring melodies of Vince Clarke to create a deeply personal yet uplifting body of work.”

Paul Iwan pic

Paul’s highly melodic music is primarily synthesized, with lush orchestration featuring multiple instruments.  The opening track, “I Come Alive” is an exuberant celebration set to gorgeous sweeping orchestration, throbbing bass and nimble guitar riffs. Paul’s high-pitched vocals soar along with the arrangement. The second track – and the first album cut to be released as a single – is the beguiling electro-pop gem “Dream Stealing.”  Once again, we’re treated to lush big synth orchestration and dazzling guitar riffs. Take a listen:

Another great track is the lovely but bittersweet “Red and Gold.”  Set to a rather catchy, funk-infused beat, the song addresses the pain of a lost love. “I turn my face towards the sun, and it’s red and gold. And I slowly walk towards the shore, as the sea inhales. Yet there’s one thing I know, you will always be here. When I’m alone and crippled with fear, reaching out to nothing, thinking you’re hear with me.”

https://soundcloud.com/paul_iwan/paul-iwan-red-and-gold

“My Heart Bursts Into Flames” and “Poles Apart,” are two of the more radio-friendly pop/rock-oriented tracks on the album, with gnashing guitars and assertive drums.  Paul turns things down a notch with “My Scars,” where his dramatic piano takes center stage. “The Sun In January” is a lovely, upbeat ballad about love and commitment, with some pretty neat jangly guitar. Paul dials it back up with the joyously uptempo “Midnight Angel,” where his vocals soar once again to great heights.  “How Far the Apple Falls,” is another fine song about regret over a failed relationship.

One of my favorites is the alt-rock instrumental “Something Came In With This Storm,” which has a bit of a Pink Floyd vibe, with a formidable, extended guitar riff.  The album closes with the beautiful, hopeful “Reborn,” which features great rock guitar riffs toward the end.  It’s quite evident that Paul poured his heart and soul into this extraordinary debut album.

Support Paul by following him on Twitter and Facebook, and stream his music on Soundcloud. Reveal may be pre-ordered on Bandcamp and, after September 16, purchased on itunes or Amazon.