London, England-based Frank Joshua – an enigmatic but enormously talented singer-songwriter and producer who, wanting his music to speak for itself, shares no photos of himself – has become a favorite of mine on the strength of his gorgeous baritone voice and beguiling adult contemporary music style. The prolific artist has released a staggering amount of music over the past four years or so, including three albums, an EP and 43 singles! Every one of his songs is a captivating feast for the ears, and I love them all. I’ve previously written about four of them, most recently this past February when I reviewed his marvelous single “Walls”. After a long but steady climb, the song has finally reached #1 in its 14th week on my chart. It’s his first song to top my chart; his singles “Bluebell Wood” reached #6 in 2023 and “Winter Cowboy” reached #3 in 2024. Since “Walls”, Frank has released two more singles, including “These Words” which dropped this past Thursday, May 23rd. All of his singles have been released via British music label Numen Records.
Although Frank writes some of his songs, like the majority of his singles, “Walls” was written by his frequent collaborator Simon Pitheakley, and produced by Tony White. And like all his songs, this one’s a beauty, with gorgeous reverb-drenched bluesy guitars accompanied by warm piano keys, soaring orchestral synths and gently crashing cymbals layered over a sensuous pulsating beat. It all creates a glorious cinematic backdrop for Frank’s melancholy yet captivating vocals which are both passionate and heartfelt. It’s become my favorite of all his songs, and I never tire of listening to it. The poetic lyrics speak of the challenges of growing older and maintaining a long-term relationship, in which there’s often a tug of war between the comfort and security that comes from being with a devoted loved one, and the primal urge to be independent and free of responsibility or commitment – something I’ve long struggled with myself.
In other chart news of note, The Black Keys hold at #2 with “The Night Before”, and Fontaines D.C. move up a notch to #3 with “It’s Amazing To Be Young”. Maryland shoegaze/indie rock band Icarus Phoenix enters the top 10 with their beautiful song “Poor Sad Indie Everything”, and “Nothing I Need” by Lord Huron is the biggest upward mover this week, jumping eight spots to #17.
The one new debut this week is “Scars”, a heartwarming song of love and empathy by Welsh artist Secret Postal Society, the music project of singer-songwriter, composer and multi-instrumentalist Craig Mapstone. In addition to being a talented, hard-working artist, Craig’s a thoughtful, generous and kind soul, and though we’ve never met in person, I’ve grown quite fond of him on both a personal and professional level. It’s his third song to appear on my chart, the first being “Something From Nothing/Points of Light” in 2022 and more recently “Autumn Leaves”, which spent 19 weeks on my chart from late November 2024-early April 2025, peaking at #3 in March.
WALLS – Frank Joshua (3)
THE NIGHT BEFORE – The Black Keys (2)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (4)
TIME WAITED – My Morning Jacket (1)
BAD LARRY – Cloakroom (5)
MORTAL WOUND – The Veils (6)
THE TURNAROUND – DelCobras (7)
LAREDO – Leon Bridges (9)
SNAKESKIN – NAVE (10)
POOR SAD INDIE EVERYTHING – Icarus Phoenix (13)
ANKLES – Lucy Dacus (14)
ARCHBISHOP HAROLD HOLMES – Jack White (15)
BARBARIAN – AWOLNATION (16)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (17)
LET THINGS GO – Caamp (18)
METAVERSE – Cage the Elephant (8)
NOTHING I NEED – Lord Huron (25)
BASIC BEING BASIC – Djo (21)
TAKE THIS HEART – Brian Lambert (11)
RUSHMERE – Mumford & Sons (12)
THREE SIX FIVE – Shinedown (22)
EVERYTHING IS PEACEFUL LOVE – Bon Iver (23)
SO LONG – Wavves (24)
BACK TO FRIENDS – sombr (29)
CATCH THESE FISTS – Wet Leg (28)
RITALIN – Dexter and The Moonrocks (26)
SPACEMAN IN TULSA – Counting Crows (30)
STRAIGHT TO THE GROUND – Unquiet Nights (19)
IMPOSTER SYNDROME – Fake Empire (20) 19th week on chart
It’s been a while since my last edition of Fresh New Tracks, as I haven’t much felt like writing given the ever-worsening onslaught of mendacity and horrors issuing from America’s insanely corrupt leadership. But with so much great new music being released, it’s time for another installment in my series. Today I’m featuring deeply compelling songs by four singer-songwriters, in alphabetical order – English composer and producer Paris Alexander, Texas-based Keelan Donovan, Los Angeles-based David Haerle, and Welsh artist Secret Postal Society. I’ve previously featured Paris Alexander and Secret Postal Society many times on this blog, whereas Keelan Donovan and David Haerle are new to me.
Paris Alexander – “Ride to Heartbreak”
Photo by Karim Hamid
Hailing from Brighton, England is Paris Alexander, a creative and talented singer-songwriter, composer and producer of electronic music. He’s been a long time collaborator with his life partner, British singer-songwriter, producer and muse Tina Eirene, as well as Norwegian coldwave/post-punk artist Antipole, with whom he co-wrote, produced and sang vocals/played synths on five albums together (two of which, Northern Flux in 2017 and Crystalline in 2023, I reviewed). In 2021, I also reviewed Paris & Tina’s wonderful album Renaissance, which they co-wrote and co-produced. Now Paris is back with a new single “Ride to Heartbreak“, which was co-written and co-produced with Tina, and recorded, mixed and mastered at his Blue Door Music Studios in Brighton.
The song is a darkly beautiful and mesmerizing coldwave gem, with mysterious, almost otherworldly synths layered over a hypnotic pulsating beat. Paris’ ethereal whispered vocals are at once both seductive and melancholy, backed by Tina’s soft, breathy croons, as they sing about the sadness associated with the passing of time and missed opportunities: “Sadness touches my soul, for what was meant to be has gone astray. Time said too late as I gave you a chance. Sadness is the mourning for many times have passed.”
Keelan Donovan – “The Influence”
Photo from Keelan’s Facebook account
Born and raised in Maine and now based in Austin, Texas via Nashville, singer-songwriter Keelan Donovan has been releasing music for the past decade as both a solo artist and under his indie pop alter-ego Mr. Irrelevant. His songs span across genres, encompassing everything from pop, singer-songwriter and indie rock to Americana, country and folk. His 2018 single “Like a Radio” has been streamed over 2.6 million times on Spotify alone. I learned about him recently when he reached out to me about his new single “The Influence“, which he describes as “a raw, confessional song about the quiet grip of alcohol, the weight of inherited struggles, and the fear of what we pass down to our kids.” He co-wrote the song with Canadian-born and now Nashville-based country singer-songwriter Tenille Townes, and it was produced by Kevin Kadish.
In a heartfelt Instagram post, Keelan eloquently articulated his reason for writing the song: “I wrote ‘The Influence’ because I have two boys who are always watching me. Learning not just from what I say, but from what I do. That’s a beautiful thing and also terrifying. It forces me to hold a mirror up to myself every single day. The way I handle stress, how I treat people, how I talk about myself, the habits I lean on…especially my drinking…they’re picking it all up. It’s about wanting to break cycles but sometimes slipping anyway. We all fuck up as parents. A lot. And that’s okay. It’s about guilt, grace, and the deep hope that love is louder than our flaws. One of the things I’ve struggled with is using alcohol to cope, to numb, to unwind. and sometimes I wonder what kind of message that sends. What they’ll remember. What they’ll carry with them. This song is rooted in that quiet fear. What if the parts of me I haven’t healed become the parts they inherit? I’m still figuring it out. And sometimes the shame of falling short makes it even harder to get back up. I’m learning in real time how to be the kind of man I want them to look up to. Not a perfect one. Just an honest one.”
The song has a pleasing indie folk-pop vibe in the vein of songs by Noah Kahan, Wilderado and Mumford & Sons. In fact, Keelan’s vocals remind me of Noah Kahan as he sings “If forgiveness is a virtue, a little sin, it never hurts you. It feels good to get drunk once in a while. Is it bad? It’s probably bad, but I’m doing the best I can.”
David Haerle – “To Dance On Sands (Ode to Marta Becket)”
Photo from David’s Facebook account
David Haerle is a singer-songwriter based in Los Angeles who blends rock, folk, and Americana to tell heartfelt stories inspired by his life experiences and observations of the people and places that surround him. From what I can tell, he’s released a fair amount of music since 2017, including three albums – Garden of Edendale in 2018, Death Valley in 2020 and El Camino Sierra in 2023. His music has been featured in many notable music publications including Billboard, American Songwriter, Goldmine, Under The Radar, Glide Magazine and Rock and Roll Globe, to name just a few. On his latest single “To Dance On Sands (Ode To Marta Becket),” David pays tribute to American actress, dancer, choreographer and painter Marta Becket, who left an indelible mark on California arts culture. She performed for more than four decades at her own theater, the Amargosa Opera House in Death Valley Junction. She gave her first performance in February 1968, and continued to perform until 2012. She passed away in 2017 at the age of 92.
Born in 1924 in New York City, Marta was later traveling with her husband on her way to an engagement in 1967 when, due to a flat tire, she ended up in the tiny desert hamlet of Death Valley Junction, where she discovered a small abandoned theater in a community center built in the 1920s. Immediately charmed by the small town, she decided to stay and restore the theater, which she renamed the Amargosa Opera House, for her own performances. In 1970, reporters from National Geographic happened upon her performing a show to no audience, and, with the help of a story in that publication and another in Life Magazine, Marta took on a degree of notoriety. David elaborates: “I had an awareness of Ms. Becket as I am a regular visitor to Death Valley, but it was upon reading her [autobiography To Dance on Sands] and learning her story more fully that she became an artistic hero to me. Though her art was dance, choreography and painting and mine music, Ms. Becket represents a pinnacle of artistic courage to me. A true beacon and role model for what it can mean to follow, express and fulfill one’s artistic vision, impulses and ambitions.”
The track was written by David and produced alongside co-producer/mixer/engineer and frequent collaborator Jose Salazar. David sang lead vocals and played electric and acoustic rhythm guitars, along with Carson Cohen (bass, backing vocals), Reade Pryor (drums, percussion), Ken Belcher (electric guitar, acoustic guitar, backing vocals), and Jose Salazar (keyboards). To accompany his lovely Americana song, David has created a wonderful video to honor Marta’s legacy. Opening with scenes of him directed and shot by Michael Pottle, the video also features footage from Amargosa, the Emmy award-winning 2000 documentary film about Marta by Todd Robinson.
Secret Postal Society – “Scars”
Photo by Barry Hill
Welsh artist Secret Postal Society is the music project of hard-working and talented singer-songwriter, composer and multi-instrumentalist Craig Mapstone. He’s also thoughtful, generous and kind, and though we’ve never met in person, I’m quite fond of him on both a personal and professional level. We’ve been following each other on social media since early 2021, and I’ve written about him and his music several times over the past four years, most recently last month when I reviewed his EP Embrace the Fear, a collaboration he did with fellow Welsh singer-songwriter Guy Challenger to help raise funds for a UK youth suicide prevention charity. Also, his beautiful single “Autumn Leaves” recently spent more than four months on my Top 30 chart, where it peaked at #3. Now he’s back with his follow-up single “Scars“, which dropped April 15th via Lonely Bear Records. The heartwarming song was written, performed and recorded by Craig, and mastered by his frequent collaborator Brandon Green of Texas indie rock band Formerly Misinformed.
About “Scars”, Craig stated it’s “about how we all have our own scars – whether they are physical or emotional scars – that can affect us in dierent ways, but with love, understanding and support we can learn to accept that these scars have made us who we are and we can start to heal and love ourselves. Musically, ‘Scars’ was influenced by the French cafe jazz music of the 1960s, with its accordion, lush string arrangement and hypnotic acoustic guitar arpeggio.” His musical arrangements and instrumentation are always first-rate, and “Scars” is no exception. And though Craig’s vocals are generally understated, they’re always honest and heartfelt, conveying a deep sensitivity as he sings “Your broken heart, it’s in two. And I know it’s going to take some time to mend but I will wait. And see it through with you. I’ll be the constant constellation you can hang your hope on to to heal your scars.”
The Bandcamp release also includes an exclusive acoustic mix of the song.
I think Georgia-based singer-songwriter Teddy Swims (born Jaten Collin Dimsdale) is one of the finest vocalists around today. Influenced by the soul music of artists like Marvin Gaye, Stevie Wonder, and Al Green his father had introduced him to as a child, he creates powerful, highly relatable songs blending a range of genres, including soul, country, pop and alternative rock. His beautiful song “Bad Dreams”, from his second album I’ve Tried Everything but Therapy (Part 2) released in January, takes over the top spot on my latest Top 30 chart.
He wrote the song after experiencing sleepless nights with recurring nightmares, but wanted it to be upbeat rather than maudlin. Inspired by his current wife, he wrote about how her love helps comfort and heal him: “Slippin into bad dreams, where there’s no you and I. No sound when I cry. I love you and I need you to set me free from all of these bad dreams.” In addition to Swims’ raw, soulful vocals, I love the sublime melody and charming ukelele played throughout. The song reached #2 on the Billboard Adult Alternative Airplay chart, #7 on the Adult Top 40 chart, and #42 on the Hot 100. It’s Swims’ second song to reach #1 on my chart, after “Lose Control” in February of last year. His single “The Door” spent two weeks at #4 in November.
In other chart news of note, “Imposter Syndrome” by English alternative rock band Fake Empire advances two spots to #3. Even though the song runs 7:45 minutes in length, those The Cure and Depeche Mode-like musical elements sound so good I don’t want it to end. Also climbing three spots are “People Watching” by English singer-songwriter Sam Fender, “Take This Heart” by Texas singer-songwriter Brian Lambert, and “Rushmere” by English folk rock band Mumford & Sons, to #s 4, 5 & 6, respectively. The beautiful “Time Waited” by American indie rock band My Morning Jacket is the biggest upward mover this week, jumping 11 spots to #14.
And for the third week in a row there are two debut songs, the first of which is “Ankles” by Virginia-born and now L.A.-based singer-songwriter Lucy Dacus. The sweet, endearing song is from her wonderful fourth album Forever Is A Feeling, which dropped this past Friday, March 28th. Dacus is also a member of supergroup boygenius, which she formed in 2018 with Phoebe Bridgers and her current life partner Julien Baker.
The second debut, entering at #30, is the boisterous garage-blues rocker “Archbishop Harold Holmes” by Nashville-based singer-songwriter Jack White. From his sixth studio album No Name, released last July (2024), the song is a critique of religious fundamentalism, particularly those who see themselves as vessels of God entrusted with saving people for their own selfish gain. According to the music website GENIUS, “The song is written in the form of a junk letter one might get in the mail from some religious organization (expressed by the opening lyrics “Dear friend. If you want to feel better, don’t let the devil make you toss this letter“). The lyrics invoke that of preaching, but are also in the style of as-seen-on-tv advertising as well as references to internet chain mail and pyramid schemes.”
BAD DREAMS – Teddy Swims (2)
SO COLD – Balu Brigada (1)
IMPOSTER SYNDROME – Fake Empire (5)
PEOPLE WATCHING – Sam Fender (7)
TAKE THIS HEART – Brian Lambert (8)
RUSHMERE – Mumford & Sons (9)
YOU’RE MY DRUG – Talk in Waves (3)
METAVERSE – Cage the Elephant (10)
THE LINE – Twenty One Pilots (4)
SAILOR SONG – Gigi Perez (6)
SAME OLD SONG – The Lumineers (13)
WHO’S A FRAUD? – Still Traffico (12)
WITHOUT A DOUBT – Charm School (14)
TIME WAITED – My Morning Jacket (25)
STRAIGHT TO THE GROUND – Unquiet Nights (17)
WALLS – Frank Joshua (18)
LUTHER – Kendrick Lamar & SZA (19)
THE NIGHT BEFORE – The Black Keys (20)
BAD LARRY – Cloakroom (21)
MORTAL WOUND – The Veils (22)
THE FAITHFUL HEART – Wons Phreely + The Horses (15)
THE TURNAROUND – DelCobras (24)
AFTER ALL – Darksoft (23)
SHE WANTS TO GO DANCING – Mt. Joy (11)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (29)
AUTUMN LEAVES – Secret Postal Society (16) 19th week on chart
“So Cold” by Balu Brigada, the music project of multi-instrumentalist and writer/producer brothers Henry and Pierre Beasley, is still my favorite song and thus remains at #1 on my Top 30 chart for a third week. Moving into second place is the captivating “Bad Dreams” by Teddy Swims (aka American singer-songwriter Jaten Collin Dimsdale), while the darkly beautiful “Imposter Syndrome” by English alternative rock band Fake Empire moves up three spots to #5. Nashville band extraordinaire Cage the Elephant enter the top 10 with “Metaverse”, a great track from their latest album Neon Pill.
Two songs enter my chart this week, the first of which is the magical “It’s Amazing To Be Young” by Irish band Fontaines D.C., who’ve become one of my favorite acts. Their song “Starburster” was my #1 song of 2024, with “Favourite” ranking #8, both from their most recent album Romance, which was also my favorite album of 2024. As a now old man, I can attest to the fact that being young is most definitely amazing! The second debut is “Poor Sad Indie Everything” by Maryland-based shoegaze/indie rock band Icarus Phoenix. I featured the gorgeous song on a recent Fresh New Tracks post, and I absolutely love band frontman Drew Danburry’s enchanting vocals.
SO COLD – Balu Brigada (1)
BAD DREAMS – Teddy Swims (4)
YOU’RE MY DRUG – Talk in Waves (2)
THE LINE – Twenty One Pilots (3)
IMPOSTER SYNDROME – Fake Empire (8)
SAILOR SONG – Gigi Perez (5)
PEOPLE WATCHING – Sam Fender (7)
TAKE THIS HEART – Brian Lambert (9)
RUSHMERE – Mumford & Sons (10)
METAVERSE – Cage the Elephant (12)
SHE WANTS TO GO DANCING – Mt. Joy (6)
WHO’S A FRAUD? – Still Traffico (14)
SAME OLD SONG – The Lumineers (15)
WITHOUT A DOUBT – Charm School (18)
THE FAITHFUL HEART – Wons Phreely + The Horses (16)
Charismatic duo Balu Brigada‘s wonderful “So Cold” remains at #1 for a second week, while “You’re My Drug” by one of my favorite indie artists, Northern Virginia-based Talk in Waves, moves up a notch into second place. Two songs enter the top 10 this week – the sensuous, bluesy rocker “Take This Heart” by another favorite indie artist of mine, Texas-based singer-songwriter and guitarist Brian Lambert, at #9, and the exuberant foot-stomper “Rushmere” by English folk rock band Mumford & Sons, at #10.
Debuting this week are the introspective and lovely “Time Waited” by American indie rock band My Morning Jacket, at #29. Formed in Louisville, Kentucky in 1998, the band currently consists of founding members Jim James (lead vocals, rhythm guitar) and Tom Blankenship (bass), as well as Patrick Hallahan (drums & percussion), Bo Koster (keyboards, percussion & backing vocals), and Carl Broemel (lead guitar, pedal steel, saxophone & backing vocals). Their gorgeous single “Feel You” went to #1 on my Top 30 and ranks #6 on my list of 100 Best Songs of 2020. Entering at #30 is the hauntingly beautiful “Snakeskin” by English artist NAVE, the music project of the hyper-talented and thoughtful singer-songwriter, multi-instrumentalist, composer and producer Nathan Evans, who I’ve featured several times on this blog, most recently last month when I reviewed his album X. “Snakeskin” is his second song to appear on my Top 30, the first being “Broken Record”, which went to #1 and ranks #14 on my 100 Best Songs of 2022 list.
SO COLD – Balu Brigada (1)
YOU’RE MY DRUG – Talk in Waves (3)
THE LINE – Twenty One Pilots (2)
BAD DREAMS – Teddy Swims (5)
SAILOR SONG – Gigi Perez (4)
SHE WANTS TO GO DANCING – Mt. Joy (8)
PEOPLE WATCHING – Sam Fender (9)
IMPOSTER SYNDROME – Fake Empire (10)
TAKE THIS HEART – Brian Lambert (13)
RUSHMERE – Mumford & Sons (14)
AUTUMN LEAVES – Secret Postal Society (6)
METAVERSE – Cage the Elephant (16)
DETROIT – Badflower (7)
WHO’S A FRAUD? – Still Traffico (15)
SAME OLD SONG – The Lumineers (17)
THE FAITHFUL HEART – Wons Phreely + The Horses (11)
I have a great Top 30 chart to share this week, as in addition to a marvelous new #1 song and four new entries, several of my favorite indie artists are represented here, which always makes me happy.
Alternative pop-rock act Balu Brigada is the music project of multi-instrumentalist and writer/producer brothers Henry and Pierre Beasley. Originally from Auckland, New Zealand but based in New York City since 2022, the band formed in 2016 as a four-piece but now consists of the charismatic Beasley brothers, along with Jackson Boswell on drums. Though they’ve been putting out music since 2016 – they released their first singles “Ricochet” and “Weekend” that year, followed by more singles and a 10-track EP Almost Feel Good Mixtape in 2019, a 7-track EP I Should Be Home in 2022, and a 6-track EP Find A Way in 2023 – it wasn’t until late 2024 that I learned about them when their song “So Cold” appeared on the Billboard Alternative charts. The song was released way back in June 2024, and later included on their compilation EP BALU, which came out two months later.
Balu Brigada had the good fortune to open for Twenty One Pilots on their Clancy World Tour, which exposed them to a much wider audience. The tour ran in North America from mid-August to mid-October 2024, Australia and New Zealand in November 2024 and Latin America in January and February of this year. They will also be joining Twenty One Pilots on their Europe & UK run of the tour from April-May 2025. On March 5th, the guys made their debut appearance on American television, giving an electrifying performance of “So Cold” on the Jimmy Kimmel Live show. The exuberant earworm is my new current favorite song, dethroning Twenty One Pilots from the top spot!
Entering the top 10 are “People Watching” by English alternative pop-rock singer-songwriter Sam Fender and the captivating “Imposter Syndrome” by English alternative rock band Fake Empire, at #s 9 and 10, respectively.
Four newish songs make their debut on this week’s chart, beginning with the beautiful “Bad Larry” by northwest Indiana stoner emo band Cloakroom, which I learned about from fellow blogger Christian when he featured the act on his blog Christian’s Music Musings. I love those twangy guitars, and their sound reminds me a bit of Lord Huron. The song is from their latest album Last Leg of the Human Table. Next up is another song I learned about through Christian, the gorgeous “Mortal Wound” by British indie rock band The Veils, entering at #28. The song is from their seventh and latest album Asphodels, released on January 24th.
Coming in at #29 is the enchanting “After All” by Maine-based dream rock act Darksoft, which I featured last month in a Fresh New Tracks post. His music is always sumptuous and pleasing and his vocals ethereal and soothing, and I’ve loved every single one of his songs. His single “You Gotta Do What You Gotta Do”, from his beautiful fourth album Beigeification, ranks #71 on my 100 Best Songs of 2023 list. “After All” is from his seventh album Rationalism, which dropped February 21st. Last, but certainly not least, is the uplifting and boisterous “The Turnaround” by Philadelphia power pop trio DelCobras, a new band comprised of Jim Lorino (lead vocals, guitar & synths), Marc Schuster (bass & vocals) and Nick Cervini (drums). I featured the rousing anthem of self redemption in another Fresh New Tracks post.
SO COLD – Balu Brigada (2)
THE LINE – Twenty One Pilots (1)
YOU’RE MY DRUG – Talk in Waves (4)
SAILOR SONG – Gigi Perez (6)
BAD DREAMS – Teddy Swims (7)
AUTUMN LEAVES – Secret Postal Society (3)
DETROIT – Badflower (5)
SHE WANTS TO GO DANCING – Mt. Joy (9)
PEOPLE WATCHING – Sam Fender (12)
IMPOSTER SYNDROME – Fake Empire (13)
THE FAITHFUL HEART – Wons Phreely + The Horses (8)
Welsh indie artists Secret Postal Society and Guy Challenger have teamed up to create a wonderful little EP titled Embrace The Fear to help raise funds for the UK youth suicide prevention charity PAPYRUS. The EP contains four tracks consisting of two songs – “Embrace” by Guy Challenger and “The Fear” by Secret Postal Society, along with alternate versions of each song recorded by the other artist.
Secret Postal Society is the music project of singer-songwriter, composer and multi-instrumentalist Craig Mapstone. In addition to being a hard-working and talented musician and songwriter, Craig is also thoughtful, generous and kind, and I’m quite fond of him on both a personal and professional level. He was fairly active in the South Wales music scene, writing songs and playing in various local bands for several years, primarily as a drummer. But like every other musician, when the Covid pandemic hit in 2020 he was stuck at home with a lot of time on his hands, so late that year, he decided to focus on his music. He created Secret Postal Society as his outlet, and challenged himself to write, record and release a new original song for every week of 2021. Amazingly, he achieved his goal, ultimately putting out 53 songs, including two Christmas-themed tracks, along with a video to accompany each single, as well as original artwork for each month’s four-track bundle! (I wrote about this herculean effort here.)
Once that monumental effort was finished, he took over as host of the Welsh Connections Playlist radio show for a couple of years, and along with his friends Mike Kennedy and Kaysha Louvain, created TIWN Media and TIWN PR & Plugging, which also produces and monthly magazine featuring news, reviews and articles about independent artists from Wales and beyond. He now works for Mental Health First Aid Wales and continues to release music as Secret Postal Society, both as a solo act and in collaboration with other artists. His beautiful single “Autumn Leaves” has spent the past three months on my Top 30 chart, and currently sits at #3.
Photo by Barry Hill
Guy Challenger is a singer-songwriter and multi-instrumentalist based in Swansea. Largely inspired by the works of Daniel Johnston, Guy creates sublime, often melancholic acoustic songs touching on issues like emotional well-being and mental health. A prolific artist as well, he’s released a lot of music over the past few years, including a 24-track album Appearances this past December, two EPs earlier in the year, and an album Patina in 2023. As if all that weren’t enough, he also plays drums with Swansea garage rock band The Vandrells.
Photo by Adam
The first track on the EP is Secret Postal Society’s recording of “Embrace“, which originally appeared on Guy’s 2023 album Patina. This SPS version is languid and atmospheric, with a somewhat melancholy feel, and more than twice as long as Guy’s original. And whereas Guy’s version features primarily acoustic guitar, Craig employs gentle droning synths accompaned by a crisp percussive beat and jangly guitar notes, punctuated with some terrific rock guitar riffs. He injects a few muted shouts at one point into his smooth vocal delivery, which creates a nice bit of tension as he sings “Does everybody feels like this? Does everybody lie with the devil? If everybody feels like this, why don’t we all cry out as one?/ We’re helpless and we’re desperate. But I’ll try to tie all of this together, and embrace the bad weather.”
Guy has also recorded a new version of his wonderful original, which now sounds more vibrant with the addition of what sounds like subtle string synths accompanying his urgently-strummed acoustic guitar. His lovely vocals are filled with emotion as he sings his heartfelt lyrics about letting go of our fears and trying to find some peace of mind amid the chaos.
Secret Postal Society’s “The Fear” was originally released in September 2021 and has been remixed and remastered by Brandon Green, a Texas-based musician and producer he’s collaborated with several times. (Brandon mastered all four tracks on the EP.) His version is a compelling, guitar-driven pop/rock song about the challenges of maintaining honest and open communication in a relationship, expressed in the poignant lyrics: “Ask me no questions, I’ll tell you no lies. I’ll give you the answers in my own time. I thought I was ready, I guess that I was wrong. But nobody’s perfect, just look in their eyes. We all play our part in the great disguise. I wanted to hide, but I found my mask was gone. As I lay here it’s taking me over./ Again I feel the fear building up all around me in here.” Craig is a terrific guitarist, and I love his spirited riffs throughout the track.
Guy reimagines the song in his own acoustic style, giving it a totally different but equally marvelous treatment. His beautiful guitar work, an intricate combination of strumming and finger-picking techniques, is positively sublime. His plaintive vocals nicely convey the wrenching emotions expressed in Craig’s lyrics.
In their press release for the Embrace The Fear, the guys explain: “The overall message of the EP is to follow your heart, listen to the goodness in the world and bloom in adversity by not letting the difficulties of the past stop you from achieving your potential. Embrace those fears, forgive those fears, let those fears go. Then forge ahead stronger, confident and fearless.” I think it’s pretty brilliant how Craig and Guy have combined their two songs into a coherent and relatable narrative, and for a great cause no less!
Embrace The Fear is available for download on Bandcamp through Rushed Records, with 100% of the proceeds going to the charity PAPYRUS, one of the leading youth suicide prevention charities in the UK. Their suicide prevention helpline, HOPELINE274, is staffed by trained suicide prevention advisers, who work with young people – and anybody concerned for a young person – to help keep them safe from suicide.
Not a lot of changes on this week’s Top 30, with Twenty One Pilots holding the top spot for a second week with their beautiful and cinematic “The Line”, while Balu Brigada remain at #2 with “So Cold”. Two songs by powerhouse acts make their debut this week, the first of which is “luther” by rapper Kendrick Lamar and alternative R&B/hip hop singer-songwriter SZA (born Solána Imani Rowe). The two previously collaborated on “All The Stars” in 2018, one of my favorite songs of the 2010s. “luther”, which is currently #1 on the Billboard Hot 100, features a sample of “If This World Were Mine”, a 1982 song by the late, great Luther Vandross and Cheryl Lynn, and I Iove the beautiful strings. The second debut is “The Night Before” by always wonderful blues rock band The Black Keys. The song is the lead single from their forthcoming 13th album No Rain, No Flowers, to be released later in the year.
THE LINE – Twenty One Pilots (1)
SO COLD – Balu Brigada (2)
AUTUMN LEAVES – Secret Postal Society (5)
YOU’RE MY DRUG – Talk in Waves (6)
DETROIT – Badflower (7)
SAILOR SONG – Gigi Perez (8)
BAD DREAMS – Teddy Swims (10)
THE FAITHFUL HEART – Wons Phreely + The Horses (4)
SHE WANTS TO GO DANCING – Mt. Joy (9)
ARROW – The Head and The Heart (3)
DAY & NIGHT – Oli Barton (11)
PEOPLE WATCHING – Sam Fender (13)
IMPOSTER SYNDROME – Fake Empire (15)
AFTERLIFE – Sharon Van Etten (12)
TAKE THIS HEART – Brian Lambert (18)
RUSHMERE – Mumford & Sons (19)
HERE WE GO AGAIN – Set the Tone (17)
WHO’S A FRAUD? – Still Traffico (23)
METAVERSE – Cage the Elephant (24)
SAME OLD SONG – The Lumineers (25)
IN THE LIVING ROOM – Maggie Rogers (14)
SAD IN CAROLINA – Dexter and The Moonrocks (16)
WITHOUT A DOUBT – Charm School (27)
STRAIGHT TO THE GROUND – Unquiet Nights (29)
WALLS – Frank Joshua (30)
GILD THE LILY – Billy Strings (21)
BOBBY SOX – Green Day (20)
NEVERENDER – Justice & Tame Impala (22) 20th week on chart
I’ve been a huge fan of American alternative rock/electropop/hip hop duo Twenty One Pilots since learning about them in early 2015, and they’ve remained my favorite musical act for the past 10 years. Still based in their hometown of Columbus, Ohio, the band is comprised of singer-songwriter and multi-instrumentalist Tyler Joseph and drummer/percussionist Josh Dun. I think they have one of the most unique sounds of any act in existence today, and with a few minor exceptions, virtually all of their musical output has been brilliant. Their 2015 masterpiece Blurryface is one of my all-time favorite albums, and spent 276 consecutive weeks – more than five years! – on the Billboard 200 Album chart. It ultimately racked up over 300 weeks on that chart.
Their beautiful and cinematic song “The Line”, from the Season 2 Soundtrack of the Netflix animated action-adventure series Arcane: League of Legends, ascends to the top of my chart this week. The song is about Viktor, one of the main protagonists of the Arcane series, and plays in the 8th episode of season 2. The song is thought to be about crossing “the line” by disappointing loved ones and turning them into enemies, represented by Viktor’s decision to give up his humanity to save humanity, while others think it’s essentially about crossing from life to death. Whatever it’s about, I love it, and it’s their 12th song to reach #1 on my chart, following “The Craving”, which spent three weeks on top this past August and September. “The Line” is also their second song from a film soundtrack, their previous being “Heathens”, which was included on the motion picture soundtrack to the DC Comics 2016 film Suicide Squad.
In other noteworthy chart news, the marvelous “So Cold” by Balu Brigada moves into second place, while “She Wants To Go Dancing” by Mt. Joy and “Bad Dreams” by Teddy Swims enter the top 10. There are two debuts again this week, the first of which is the powerful “Straight to the Ground” by Northern Ireland-based rock band Unquiet Nights (which I reviewed on January 31st), entering at #29, and “Walls”, a captivating track by English singer-songwriter Frank Joshua (which I featured in a Fresh New Tracks post on February 1st), coming in at #30.
THE LINE – Twenty One Pilots (4)
SO COLD – Balu Brigada (3)
ARROW – The Head and The Heart (1)
THE FAITHFUL HEART – Wons Phreely + The Horses (2)
The beautiful, uplifting song “Arrow”, by Seattle folk rock band The Head and The Heart, takes over the top spot on my latest Top 30 chart after a five-week-long run by Wons Phreely + The Horses’ “The Faithful Heart”. Formed in 2009 by Josiah Johnson and Jonathan Russell, The Head and The Heart currently consists of Russell (vocals, guitar, percussion), Charity Rose Thielen (violin, guitar, vocals), Chris Zasche (bass), Kenny Hensley (piano), Tyler Williams (drums), and Matt Gervais (guitar, vocals). Since 2011, they’ve released five albums and numerous singles, several of which have appeared on my chart. “Arrow” is their second song to reach #1 on my chart, their first being “All We Ever Knew” in 2016, and has spent the past nine weeks at #1 on the Billboard AAA (Adult Alternative Airplay) chart. The lyrics speak to feelings of restlessness, yet finding reassurance and peace of mind in oneself: “There’s times I need direction, there’s times I need to roam. I move station to station, I showed up here alone. I am my own arrow. I am my own home.”
In other notable chart developments, “So Cold” by Balu Brigada moves up two spots to #3, and “The Line” by twenty one pilots, from the Season 2 Soundtrack of the Netflix animated action-adventure series Arcane: League of Legends, jumps eight spots to #4, making it the biggest upward mover for a third week.
Two songs debut this week, the first of which is “Same Old Song” by Denver-based alternative folk band The Lumineers, which took a while to grow on me. The lead single from their fifth studio album Automatic, which dropped this past Friday, February 14th, “Same Old Song” is already in the top five on the various Alternative charts. The lyrics speak to the downsides of being a musician, struggling to pay rent, feeling insecure, getting your instruments stolen, and questioning the meaning of life while still holding onto dreams of making it big. The second debut, entering at #30, is “Without A Doubt” by Louisville, Kentucky-based post punk band Charm School, which I learned about from fellow blogger Christian in a recent post on his blog Christian’s Music Musings. The wonderful song is from their debut album Debt Forever, which dropped January 24th. I love those dramatic jangly guitars!
ARROW – The Head and The Heart (2)
THE FAITHFUL HEART – Wons Phreely + The Horses (1)
ECLECTIC MUSIC LOVER 