With the US of A now embroiled in a war with Iran, needlessly started by our self-described “Peace President” (aka authoritarian dictator, pedophile, grifter and lunatic mob boss Donald Trump), it almost seems pointless to write about music. Nevertheless, for those few who might give a shit, I’m sharing my latest favorite songs list.
Australian duo Royel Otis takes over the top spot with their infectious pop gem “who’s your boyfriend”. With lyrics describing an on again, off again love triangle – “Who’s your boyfriend now? ‘Cause you’re sleepin’ with him, but it’s me you’re thinkin’ about” – an old guy like me probably shouldn’t but fuck, I love it! The song is from their second album hickey, released last August. I’ve become a big fan of this talented young duo, and “who’s your boyfriend” is their third song to top my chart, after “Murder on the Dancefloor” (which ranks #4 on my 100 Best Songs of 2024 list) and “moody” (which ranks #4 on my 100 Best Songs of 2025 list).
In other chart news of note, “Rubber Band Man” by English folk rock band Mumford & Sons, with added vocals by Irish singer-songwriter Hozier, reverses course and moves up six spots to #11. It peaked at #7 in late January, but after seeing them on last weekend’s Saturday Night Live show, I realize how much I still like this song.
The lone new entry this week is “Different Kind Of Love”, by L.A.-based alternative pop rock band Young the Giant. Released February 6th, it’s their first new music since 2023 and the lead single from their forthcoming sixth album Victory Garden, planned for release on May 1st. It’s hard to believe it’s been nearly seven years since I saw them in concert in 2019.
WHO’S YOUR BOYFRIEND – Royel Otis (2)
ZOMBIE – YUNGBLUD (1)
THE GREAT DIVIDE – Noah Kahan (4)
HUMAN – Brandi Carlile (5)
12 TO 12 – sombr (3) 20th week on chart
HULA GIRL – The Neighbourhood (8)
TO SPACE – Kings of Leon (9)
LOST YOUR GHOST – Two Feet (10)
I’VE GOT A BROKEN HEART – The Lemon Twigs (7)
INFINITE SOURCE – Deftones (6)
RUBBER BAND MAN – Mumford & Sons w/Hozier (17)
DOUBLETAKE – Edgehill (15)
ALL MY FRIENDS ARE SO DEPRESSED – Joyce Manor (14)
LOST – almost monday (18)
THE WRECKAGE – Silversun Pickups (19)
WAITING FOR ME – Talk in Waves (21)
COBRA – Geese (22)
SWEET LOVE – Stephen Sanchez (23)
SLUMBER PARTY – Brigitte Calls Me Baby (24)
DRACULA – Tame Impala (16) 20th week on chart
HEATHER – Secret Postal Society (25)
THE OLD LAW – Father John Misty (26)
THE FEAR – Future Theory (11) 20th week on chart
GET THE MESSAGE – The Paradox (12)
WHITE HORSES – Wolf Alice (13)
PARACHUTE – Hayley Williams (28)
BEDROOM POSTERS – Yellowcard feat. Good Charlotte (29)
Hard to believe we’re already into March, as time seems to fly by at an ever-faster speed. YUNGBLUD remains on top for a second week with “Zombie”, while Royel Otis moves into second place with “who’s your boyfriend”. Three songs enter the top 10, beginning with “The Great Divide” by Noah Kahan, leaping seven spots to #4, “To Space” by Kings of Leon, climbing three spots to #9, and “Lost Your Ghost” by Two Feet, moving up four spots to #10.
Entering my chart this week are “Bedroom Posters” by American pop-punk band Yellowcard, along with American rock band Good Charlotte. The song is a new version of the original that’s featured on Yellowcard’s latest album Better Days, released last October. The album’s title track went to #1 last year on the Billboard Alternative Airplay chart and peaked at #6 on my chart. The second new entry, coming in at #30, is “I Remember When”, the hard-charging and boisterous new single by Texas-based duo MISSIO, who’ve been one of my favorite acts since 2017. I’ve written about them numerous times on this blog, and several of their songs have topped my charts.
ZOMBIE – YUNGBLUD (1)
WHO’S YOUR BOYFRIEND – Royel Otis (3)
12 TO 12 – sombr (2)
THE GREAT DIVIDE – Noah Kahan (11)
HUMAN – Brandi Carlile (5)
INFINITE SOURCE – Deftones (4)
I’VE GOT A BROKEN HEART – The Lemon Twigs (9)
HULA GIRL – The Neighbourhood (10)
TO SPACE – Kings of Leon (12)
LOST YOUR GHOST – Two Feet (14)
THE FEAR – Future Theory (6)
GET THE MESSAGE – The Paradox (7)
WHITE HORSES – Wolf Alice (8)
ALL MY FRIENDS ARE SO DEPRESSED – Joyce Manor (15)
DOUBLETAKE – Edgehill (16)
DRACULA – Tame Impala (13)
RUBBER BAND MAN – Mumford & Sons w/Hozier (17)
LOST – almost monday (19)
THE WRECKAGE – Silversun Pickups (20)
HOLY ROLLER – The Format (18)
WAITING FOR ME – Talk in Waves (22)
COBRA – Geese (24)
SWEET LOVE – Stephen Sanchez (25)
SLUMBER PARTY – Brigitte Calls Me Baby (26)
HEATHER – Secret Postal Society (27)
THE OLD LAW – Father John Misty (28)
WORLD APART – Bike Routes (23)
PARACHUTE – Hayley Williams (30)
BEDROOM POSTERS – Yellowcard feat. Good Charlotte (N)
Photo of YUNGBLUD taken from a 2025 article in Rock Sound
The beautiful anthem “Zombie” by English singer-songwriter, musician and actor YUNGBLUD takes over the top spot on my chart this week after sombr’s five-week run with “12 to 12”. He calls the song a “love letter to nurses”, and it covers me with goosebumps every time I hear it. From his fourth studio album Idols, released in June 2025, “Zombie” is the first of his singles to reach #1 on my chart, as well as the Billboard Alternative Airplay chart. Both song and album were nominated for Grammys. His 2022 single “Funeral” reached #3 on my chart and ranks #40 on my 100 Best Songs of 2022 list.
Born Dominic Richard Harrison, the charismatic YUNGBLUD’s music has been described as alternative rock, featuring elements of pop-punk, pop rock and hip-hop. He’s cited a wide range of musical influences, including such artists as Arctic Monkeys, The Beatles, The Cure, Nirvana, Avril Lavigne, the Clash, Soundgarden, My Chemical Romance, Marilyn Manson, Freddie Mercury, Mick Jagger, Elton John, Chrissie Hynde, Siouxsie Sioux of Siouxsie and the Banshees, Lady Gaga, Lorde, Post Malone, Kanye West, Eminem, and Katy Perry. He also had a close friendship with Ozzy Osbourne, who he considered a mentor. (Wikipedia)
Earlier this month, YUNGBLUD won the Grammy for Best Rock Performance for his cover of the Black Sabbath song “Changes”, featuring Frank Bello on bass, Nuno Bettencourt on guitar, Sleep Token II on drums, and Adam Wakeman on keyboards. Recorded at the Back to the Beginning benefit concert by Black Sabbath, along with a number of supporting artists, on July 5, 2025, the song was released as a charity single later that month.
In other chart news of note, “who’s your boyfriend” by Australian duo Royel Otis advances three spots to #3, while Deftones‘ “infinite source” moves up a spot to #4 and Brandi Carlile‘s inspirational “Human” moves up three spots to #5. L.A.-based alternative pop-rock band The Neighbourhood enter the top 10 with their lovely “Hula Girl”. Vermont folk rock artist Noah Kahan has the biggest upward mover this week with “The Great Divide”, which leaps 15 spots to #11, while “Lost Your Ghost” by Brooklyn, New York artist Two Feet jumps seven spots to #14.
The lone new entry this week is “Parachute” by singer-songwriter Haley Williams, who’s also a member of and lead vocalist for Nashville-based rock band Paramore. The song is from her third solo album Ego Death at a Bachelorette Party, released last August.
ZOMBIE – YUNGBLUD (2)
12 TO 12 – sombr (1)
WHO’S YOUR BOYFRIEND – Royel Otis (6)
INFINITE SOURCE – Deftones (5)
HUMAN – Brandi Carlile (8)
THE FEAR – Future Theory (3)
GET THE MESSAGE – The Paradox (4)
WHITE HORSES – Wolf Alice (7)
I’VE GOT A BROKEN HEART – The Lemon Twigs (10)
HULA GIRL – The Neighbourhood (11)
THE GREAT DIVIDE – Noah Kahan (26)
TO SPACE – Kings of Leon (12)
DRACULA – Tame Impala (9)
LOST YOUR GHOST – Two Feet (21)
ALL MY FRIENDS ARE SO DEPRESSED – Joyce Manor (16)
Given America’s ongoing descent into an authoritarian dictatorship led by a cruel and corrupt narcissistic lunatic and pedophile who operates like a literal mob boss, I haven’t been in the frame of mind to write about music since the start of the year. I’m still feeling pretty disheartened and anxious about what new horrors Combover Caligula and his odious administration will unleash upon us in the coming weeks and months, but wanted to write a post of my current favorite songs mainly because a few of my favorite indie music acts have songs on this week’s chart, and this is my way of letting them know.
First off, the amazing singer-songwriter sombr holds the top spot for a fifth week with his exuberant pop gem “12 to 12”. The talented 20-year-old was nominated for a Best New Artist Grammy, and his song “back to friends” was my favorite song last year. Moving into second place is “Zombie” by English singer-songwriter, musician and actor YUNGBLUD (born Dominic Richard Harrison). The biggest upward mover is “Lost Your Ghost” by New York City-based singer-songwriter and musician Two Feet (aka Bill Dess), jumping nine spots to #21.
The aforementioned favorite indie acts with songs on this chart are English psychedelic rock band Future Theory, who’s fantastic track “The Fear” spends its fifth week in the top 3 (peaking at #2 last week), Virginia singer-songwriter and musician Talk in Waves (aka Jake Mimikos), who’s “Waiting for Me” sits at #24, and Welsh singer-songwriter and musician Secret Postal Society (aka Craig Mapstone), who’s song “Heather” debuts at #29.
Other new debuts include “The Great Divide” by singer-songwriter Noah Kahan, at #26, “SWEET LOVE” by young Nashville-based singer-songwriter Stephen Sanchez, at #27, “Slumber Party” by Chicago-based alternative rock band Brigitte Calls Me Baby, at #28, and “The Old Law” by American singer-songwriter, musician and producer Father John Misty (aka Joshua Michael Tillman), at #30. (It seems nearly every artist has a musical alter-ego.)
12 TO 12 – sombr (1)5th week at #1
ZOMBIE – YUNGBLUD (5)
THE FEAR – Future Theory (2)
GET THE MESSAGE – The Paradox (3)
INFINITE SOURCE – Deftones (6)
WHO’S YOUR BOYFRIEND – Royel Otis (9)
WHITE HORSES – Wolf Alice (7)
HUMAN – Brandi Carlile (8)
DRACULA – Tame Impala (4) Spent 3 weeks at #1
I’VE GOT A BROKEN HEART – The Lemon Twigs (10)
HULA GIRL – The Neighbourhood (13)
TO SPACE – Kings of Leon (15)
TANANA – Portugal. The Man (11)
RUBBER BAND MAN – Mumford & Sons w/Hozier (12)
ASKING FOR A FRIEND – Foo Fighters (14)
ALL MY FRIENDS ARE SO DEPRESSED – Joyce Manor (17)
At the end of each year, I publish a list of my Top 100 Songs, representing my picks for what I think are the best songs – my favorites actually – for the entire year. Last year, at the suggestion of a member of Missouri folk rock band Voodoo Planet, I also compiled a list of my 100 favorite indie songs of 2024. That blog post nearly went viral, and over the past year has amassed over 7,000 views to become my 10th most popular post ever. (In sharp contrast, my 100 Best Songs of 2024 post has garnered only around 1,100 views.)
Because I follow, and am followed by, many indie musicians and bands on social media, I enjoy showcasing some of the exceptional music being made by them that’s every bit as good as, or even better than, that from mainstream acts, so compiling a separate list of what I think are the best indie songs makes perfect sense.
These are not necessarily “indie” songs in terms of genre (though there are many that fall into that overall category), rather songs by independent or DIY music acts. While some are in fact signed to music labels, they’re usually small or independently owned. There are 82 acts represented in this list, the majority of which are from the U.S., Canada and the U.K., but also from Australia, New Zealand, Malaysia, Spain, Portugal, Italy, France, Ireland, Norway, Sweden, Belgium, Germany and Ukraine. A number of acts have two songs, while English psychedelic alt-rock band Future Theory have three.
Of course, I must make note of the fact that this list contains only songs I’m aware of, and that there are likely hundreds of other great songs that deserve to be here, except that I’ve never heard them. The songs on this list – all of which are outstanding if I do say so myself – were generally released between November 2024 and October 2025.
Though they’re ranked from #1 to 100, it doesn’t necessarily mean that a song at #30 is better than one at #60. That said, the ones closer to the top are my very favorites. And though I’d love to write a narrative about each song and artist, given my limited time and energy, not to mention people’s short attention spans, I’ve decided against that again this year. I will, however, include the marvelous video for my #1 pick, “The Faithful Heart” by immensely talented and creative L.A.-based artist Wons Phreely, as it’s so delightful that everyone should watch it! I’ve also created playlists on both YouTube and Spotify, which are included after the list itself. Enjoy!
THE FAITHFUL HEART – Wons Phreely + The Horses
IMPOSTER SYNDROME – Fake Empire
WALLS – Frank Joshua
FEELS RIGHT – Talk in Waves
TAKE THIS HEART – Brian Lambert
CONTROLLER – Moody Moody
BAD LARRY – Cloakroom
LOVE IS A FIRE – Art Block
YOU’RE MY DRUG – Talk in Waves
THE TURNAROUND – DelCobras
LONDON TOWN – HEALER
POLYESTER (YES SIR) – Sorry Ghost
STRAIGHT TO THE GROUND – Unquiet Nights
SNAKESKIN – NAVE
BETTER OFF EVENTUALLY – Bealby Point
LIGHT YEARS APART – Unobliterated
THE FEAR – Future Theory
POOR SAD INDIE EVERYTHING – Icarus Phoenix
WITHOUT A DOUBT – Charm School
MOTHER – Lyia Meta & Mark Allen Lanoue
DAY & NIGHT – Oli Barton
WHO’S A FRAUD? – Still Traffico
HORNETS – Western Jaguar
SCARS – Secret Postal Society
REALITY BUZZ – Future Theory
AFTER ALL – Darksoft
TAKE IT OR LEAVE IT – overpass
FEEL – NAVE
HERE WE GO AGAIN – Set the Tone
BAD PATTERNS – HEALER
ALWAYS WITH YOU – Ewan Patrick
THE HAZE – Future Theory
ECHOES – Antipole, Ja’kob & Pedro Code
TREPHINE – Big Orange
WHAT IT TAKES – The Radio Field
SLOW DEATH – Western Jaguar
SUPERSPREADER YEAR – Roadkeeper
BLEAK COMPANION – The Brigadier
MARK & KYLE – Icarus Phoenix
LLUMINE – Josephine Pascoe
DAYS LIKE THESE – Frank Joshua
ESPIONAGE – Rusty Shipp
CONSPIRACY OF SNAKES – Blake Rascals
CALIFORNIA – Art Block
NATIONAL TREASURE – Faint Halos
ANTICIPATE THE FALL – Pilod
FALLING DOWN – Holy Coves
CALLING OUT – Black Bear Kiss
BEERS WITH THE BEEKEEPER – The Zangwills
IT’S GETTING LATE – Sorry Ghost
IT’S ALRIGHT – The Radio Field & The Baumhoff Explosives
OH NO – John Serrano
MEDICATED – Shape of the Sun
MY DOG BRUCE – Jack Droppers & the Best Intentions
INSIDE – Skar de Line
DARLING, HE DOESN’T CARE – Olivia Miceli
ALL FOR NOTHING – Set the Tone
NOTHING REALLY MATTERS – Snap Infraction
ALONE – The Sylvia Platters
LOOK WHAT YOU DID – Jeen
WHERE IS SHE NOW – Mecuzine
SHUT UP – Esse. feat. Shimmer Johnson
PACK IT UP – Diet Lite
LOVE LIES – Caleb Nichols
WHITEBOARD (YOU CALL HOME) – FRVR
LIFESPAN – Cormac O Caoimh
I, PHONE – INNERSPEAR
EVERYTHING SEDUCTIVE – Unquiet Nights
DOUBLE DISCO – Bealby Point
ALRIGHT – naive nature
BUNK BEDS – Lost in the City
SEVENTH ROCK FROM THE SUN – Only on Weekends
SOMEDAY SOON – DelCobras
DON’T GO TO BED WITH A BAD MIND – The Brigadier
BROKEN ANIMAL – Matt Jaffe
ALL I NEED TO KNOW – PluX feat. Shimmer Johnson
I WANNA FIGHT MY CLONE – Bear Ghost & Playboy Manbaby
Photo of Dan Auerbach and Patrick Carney by Larry Niehues
“No Rain, No Flowers”, the title track from Nashville-based blues rock duo The Black Keys‘ 13th and latest album No Rain, No Flowers, is my new #1 song this week. Though the song, along with many of the other tracks on the album, has a decidedly more polished, poppy sound than their usual musical fare, I really like it. I love its smooth head-bopping dance groove, twangy guitars and Dan Auerbach’s always-cool vocals, plus it’s catchy as hell. The song and album have received mostly positive reviews, though some have criticized it for being too pop-oriented, overly produced or simply veering too far away from their blues rock roots. That said, the album’s lead single “The Night Before” spent two weeks at #1 on the Billboard Alternative Airplay chart this past May, whereas “No Rain, No Flowers” peaked at only #28 and is now falling. The song did recently peak at #2 on the Adult Alternative Airplay chart, however.
In other chart news of note, “Sally, When the Wine Runs Out” by Los Angeles-based ROLE MODEL (the music project of singer-songwriter Tucker Harrington Pillsbury), advances six spots to enter the top 10 at #10. And curiously, the songs at numbers 11 and 12 both have three-word titles in all B’s – “Basic Being Basic” and Bloom Baby Bloom”.
There are two new debuts again this week, the first of which is the delightful “Afterlife” by American musician, producer, and singer-songwriter Alex G (born Alexander Giannascoli in Havertown, Pennsylvania). Since 2011, the prolific musician has released ten studio albums, four EPs, three live albums, two soundtrack albums and 30 singles. The lead single from his 10th and latest album Headlights, “Afterlife” has become Alex G’s highest charting single in the U.S., currently sitting at #8 on the Billboard Adult Alternative Airplay chart. That ukelele is utterly charming.
The second new entry is “As Alive As You Need Me To Be” by American industrial rock band Nine Inch Nails, their first new music release in four years since “ISN’T EVERYONE”, a collaborative single with Los Angeles-based industrial/noise rock band Health. Formed in 1988 as a solo act by singer-songwriter, musician, and composer Trent Reznor (who was inspired by Prince to play all instruments himself except drums, which he programmed electronically), Nine Inch Nails for many years consisted of Reznor as the only official member, aided by an ever-changing group of backing musicians for live performances. He finally added English musician and long-time collaborator Atticus Ross as the act’s second permanent member in 2016. Released on July 17th, “As Alive As You Need Me To Be” is from the forthcoming soundtrack album Tron: Ares (Original Motion Picture Soundtrack), to be released September 19th. Nine Inch Nails composed the score for the film Tron: Ares, the third installment in the Tron series scheduled for release October 10th. At the age of 60, Reznor sounds as good as ever.
NO RAIN, NO FLOWERS – The Black Keys (3)
THE CONTRACT – Twenty One Pilots (1)
MOODY – Royel Otis (2)
FEELS RIGHT – Talk in Waves (5)
BACK TO FRIENDS – sombr (4)
RIPPLE – Good Neighbours (7)
BETTER OFF EVENTUALLY – Bealby Point (8)
LOVE IS A FIRE – Art Block (9)
LONDON TOWN – Healer (10)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (16)
BASIC BEING BASIC – Djo (6)
BLOOM BABY BLOOM – Wolf Alice (15)
JUPITER – almost monday ft. Jordana (17)
UNDRESSED – sombr (18)
ASSHOLE – The Lumineers (20)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (11)
NOTHING I NEED – Lord Huron (12)
SCARS – Secret Postal Society (13)
BACKSEAT – Balu Brigada (21)
POLYESTER (YES SIR) – Sorry Ghost (22)
TODAY’S SONG – Foo Fighters (23)
FIVE MORE SECONDS – Seafret & KT Tunstall (24)
WHAT WAS THAT – Lorde (14)
BETTER DAYS – Yellowcard (29)
INCOMPREHENSIBLE – Big Thief (26)
LIGHT YEARS APART – Unobliterated (28)
UNRAVELLING – Muse (30)
BONNET OF PINS – Matt Berninger (19)
AFTERLIFE – Alex G (N)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (N)
It’s a second week on top for “The Contract” by Twenty One Pilots, with “moody” by Royel Otis holding onto second place for a second week after two weeks at #1. The Black Keys move up two to #3 with “No Rain, No Flowers”, the title track to their 13th and latest album No Rain, No Flowers, which dropped this past Friday, while Talk in Waves moves up a spot to #5 with his jubilant ear worm “Feels Right”. Entering the top 10 are “Ripple” by English indie rock duo Good Neighbours, “Better Off Eventually” by Canadian alt-rock band Bealby Point, “Love Is A Fire” by English singer-songwriter Art Block and “London Town” by English rock band Healer.
Making their debut this week are songs by two legendary bands, the first of which is “Better Days” by pop punk band Yellowcard, who formed in 1997, broke up in 2017, then reunited in 2022. Their lineup has changed over the years, and now consists of Ryan Key (lead vocals), Ryan Mendez (lead guitar), Josh Portman (bass) and Sean Mackin (violin). Their music is notable for its distinct and unique sound due to their prominent use of Mackin’s violin. The song is the lead single and title track from their forthcoming eleventh studio album Better Days, due for release on October 10. The album was produced by blink-182 drummer Travis Barker, who played drums on every song.
The second debut, coming in at #30, is “Unravelling” by English alternative space rock band Muse, who since forming in 1994 have consisted of Matt Bellamy (lead vocals, guitar, keyboards), Chris Wolstenholme (bass guitar, backing vocals), and Dominic Howard (drums, percussion). Though I’m a pretty big fan of Muse, I find it always takes several listens for many of their songs to grab me, which was the case with “Unravelling”. But grab me it did, and I now like it a lot.
THE CONTRACT – Twenty One Pilots (1)
MOODY – Royel Otis (2)
NO RAIN, NO FLOWERS – The Black Keys (5)
BACK TO FRIENDS – sombr (3)
FEELS RIGHT – Talk in Waves (6)
BASIC BEING BASIC – Djo (4)
RIPPLE – Good Neighbours (11)
BETTER OFF EVENTUALLY – Bealby Point (13)
LOVE IS A FIRE – Art Block (14)
LONDON TOWN – Healer (15)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (7)
Photo of Twenty One Pilots from their Facebook account
One of my favorite music acts for the past ten years is Twenty One Pilots, comprised of the dynamic duo of singer-songwriter and multi-instrumentalist Tyler Joseph and power drummer Josh Dun. Their latest single “The Contract” is my new #1 song this week, marking their 13th song to reach the top of my chart, and their third in just the past year, following “The Craving” last September and “The Line” this past March. The lead single from their forthcoming eighth studio album Breach, to be released September 12th, “The Contract” starts the final act of the narrative begun on their 2015 album Blurryface and continued through Trench, Scaled And Icy, and last year’s Clancy.
The song is a frenetic and electrifying mash-up of music styles, something Twenty One Pilots have incorporated into many of their songs over the years. As Kory Grow observed in his article about the single for Rolling Stone, the song “ping-pongs between pop, rap, emo, and drumline practice.” While I love that about the song and their music in general, some do not. Paulo Ragusa, a writer who’s obviously not a Twenty One Pilots fan, trashed the song in his article for Consequence Sound, calling it “a complete mess, a sloppy hodge-podge of genres and styles that directly compete with one another from moment to moment.” Well, to each their own I say, as “The Contract” takes its place among a long line of songs I love by this talented duo.
In other chart news, Lorde enters the top 10 with “What Was That”, and we have two new debuts. The first is “Five More Seconds”, a wonderfully exuberant collaboration by English duo Seafret and Scottish singer-songwriter KT Tunstall, which enters at #29. Seafret, based in Yorkshire and comprised of singer Jack Sedman and guitarist Harry Draper, released three albums and a number of singles from 2015-2023 and saw their debut 2015 single “Atlantis” go viral on TikTok over the past three years, eventually racking up over 1.1 billion streams on Spotify alone. KT Tunstall burst onto the British music scene in 2004 with her debut album Eye to the Telescope, which spawned the hit singles “Black Horse and the Cherry Tree” and “Suddenly I See”, which won the Ivor Novello Award for Best Song in 2006. “Five More Seconds” marks both Seafret and KT Tunstall’s first new music in two years.
The second debut is “light years apart” by Unobliterated, the music project of England-born and now Portugal-based singer-songwriter and musician Gary Taylor. In my review of the song upon its July 11 release, I described it as “majestic”, with a haunting melody driven forward by a strong pulsating groove and layered with swirling atmospheric synths and warm guitar notes to create a mesmerizing backdrop for Taylor’s arresting vocals that masterfully convey a sense of both despair and hopeful optimism.
THE CONTRACT – Twenty One Pilots (3)
MOODY – Royel Otis (1)
BACK TO FRIENDS – sombr (2)
BASIC BEING BASIC – Djo (4)
NO RAIN, NO FLOWERS – The Black Keys (7)
FEELS RIGHT – Talk in Waves (9)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (5)
Photo of Otis Pavlovic and Royel Maddell by Shervin Lainez
I’m still loving “moody” by Royel Otis a lot, thus it remains at #1 for a second week, while sombr‘s “back to friends” holds at #2 for a second week after spending three weeks at #1. Twenty One Pilots and Djo move up one spot each to #s 3 and 4 with “The Contract” and “Basic Being Basic”. Entering the top 10 are “No Rain, No Flowers” by The Black Keys, jumping seven spots to #7, and “Scars” by my favorite Welsh artist Secret Postal Society, moving up a notch to #10.
Two songs make their debut on my chart this week, the first of which is “Today’s Song” by rock legends the Foo Fighters, entering at #29. In a note accompanying the single’s release, band frontman Dave Grohl stated it’s a tribute to former band members including recently fired drummer Josh Freese, founding drummer William Goldsmith, guitarist Franz Stahl and late drummer Taylor Hawkins, who died in 2022. The second debut is the quite lovely “Incomprehensible” by Brooklyn, New York-based indie folk band Big Thief. Formed in 2015, the band now consists of vocalist-guitarist Adrianne Lenker, guitarist Buck Meek and drummer James Krivchenia. (Founding bassist Max Oleartchik left the band in 2024.) The song is the lead single from their forthcoming sixth studio album Double Infinity, set for release on September 5th.
MOODY – Royel Otis (1)
BACK TO FRIENDS – sombr (2)
THE CONTRACT – Twenty One Pilots (4)
BASIC BEING BASIC – Djo (5)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (3)
NOTHING I NEED – Lord Huron (6)
NO RAIN, NO FLOWERS – The Black Keys (14)
BONNET OF PINS – Matt Berninger (9)
FEELS RIGHT – Talk in Waves (10)
SCARS – Secret Postal Society (11)
WHAT WAS THAT – Lorde (12)
CATCH THESE FISTS – Wet Leg (7)
RIPPLE – Good Neighbours (15)
RITALIN – Dexter and The Moonrocks (8)
BETTER OFF EVENTUALLY – Bealby Point (16)
EMERGENCE – Sleep Token (18)
LOVE IS A FIRE – Art Block (19)
LONDON TOWN – HEALER (20)
BLOOM BABY BLOOM – Wolf Alice (21)
RELATIONSHIPS – HAIM (17)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (26)
JUPITER – almost monday ft. Jordana (27)
UNDRESSED – sombr (28)
ARCHBISHOP HAROLD HOLMES – Jack White (13)
ASSHOLE – The Lumineers (25)
BACKSEAT – Balu Brigada (29)
POLYESTER (YES SIR) – Sorry Ghost (30)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (22) 19th week on chart
Photo of Otis Pavlovic and Royel Maddell by Shervin Lainez for Flood Magazine
We have a new #1 song this week, as well as four new debuts. Over the past year, I’ve become a fan of Australian act Royel Otis on the strength of their infectious guitar-pop sound and charming, laid-back persona. Formed in 2019 by Royel Maddell (who rarely shows his face) and Otis Pavlovic, the Sydney-based duo draw from elements of indie pop, indie rock, new wave, pop rock, post-punk and psychedelic rock in the creation of their music. They released two EPs in 2021 and 2022 to little notice until the song “Oysters in My Pocket”, from the second EP Bar n Grill, gained traction in late 2022. Their third EP Sofa Kings, released in 2023, proved more successful, with the breakthrough title track marking their first appearance on American charts and eventually peaking at #12 on the Billboard Alternative Airplay chart. In late January 2024, they released their electrifying cover of “Murder on the Dancefloor”, the 2001 disco pop hit by British singer-songwriter Sophie Ellis-Bextor which they performed on the Australian radio station Triple J for their Like a Version program. The song went viral and reached #1 on the Billboard Alternative chart, as well as my own Top 30 chart. I couldn’t get enough of it, and it ended up ranking #4 on my 100 Best Songs of 2024 list. The guys quickly followed with their debut album Pratts & Pain in February 2024, which debuted at #1 on the Australian Albums Chart, and went on to win four awards at the 2024 ARIA (Australian Recording Industry Association) Music Awards. They also released a wonderful cover of The Cranberries’ classic “Linger”.
Their charming single “moody“, released on May 9th, is a love song of sorts, detailing a problematic relationship with a woman who drives the singer crazy in both good ways and bad. She’s jealous, bitchy and cranky, yet he’s hopelessly in love with her: “She’s always givin’ it to me. Late nights, she always accusin’. Last time, she said she would kill me. My girl’s a bitch when she’s moody. But she’s my everything. She’s all that I need.” I love the song’s languid laid back groove, highlighted by Royel’s terrific guitar noodling and Otis’ sweet vocals, and it ascends to #1 on my latest chart.
The joyoustly upbeat “Feels Right” by northern Virginia artist Talk in Waves, who’s no stranger to my charts, enters the top 10 at #10. And as I noted above, four songs make their debut this week, three of which are spelled in all lower case letters. Entering at #27 is “jupiter” by San Diego-based indie pop band almost monday, comprised of Dawson Daugherty (vocals), Cole Clisby (guitar), and Luke Fabry (bass), and featuring L.A.-based indie pop singer-songwriter Jordana. The song was originally included on their 2014 album DIVE as a recording by only the band, but a new version with Jordana singing backing vocals was released in January on a deluxe version of DIVE. It’s the third song by almost monday to appear on my chart, following 2020’s “broken people” and last year’s smash hit “can’t slow down”.
The second debut, coming in at #28, is the relentessly catchy “undressed” by sombr, whose single “back to friends” just spent three weeks at #1 and now sits at #2. The song continues the theme exploring the challenges of moving on from a failed relationship that was first introduced in “back to friends”. Next up is “Backseat” by New Zealand-born and now New York City-based duo Balu Brigada, comprised of multi-instrumentalist brothers Henry and Pierre Beasley, whose single “So Cold” spent three weeks at #1 on my chart in March. Though a long one, running nearly six and a half minutes, “Backseat” is a compelling, melodically complex song that’s sure to be another hit for the talented brothers.
Last but certainly not least is the delightful “polyester (yes sir)” by L.A. indie pop-rock band Sorry Ghost, which I featured in a recent Fresh New Tracks post. As I noted in that post, the charismatic band – comprised of Dan Anton (vocals), Matt Polito (guitar and vocals), Tate Silver (drums) and Sean Duong (guitar and vocals) – have a cheeky sense of humor and frequently delight their fans and followers with hilarious and endearing video reels of themselves on Instagram and TikTok. I love the song’s mellow vibe that sits in a sweet spot between sunny and melancholy, as well as the colorful blend of jangly and chiming guitars accompanied by pleasing harmonies.
MOODY – Royel Otis (2)
BACK TO FRIENDS – sombr (1)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (4)
THE CONTRACT – Twenty One Pilots (8)
BASIC BEING BASIC – Djo (5)
NOTHING I NEED – Lord Huron (3)
CATCH THESE FISTS – Wet Leg (6)
RITALIN – Dexter and The Moonrocks (9)
BONNET OF PINS – Matt Berninger (10)
FEELS RIGHT – Talk in Waves (11)
SCARS – Secret Postal Society (12)
WHAT WAS THAT – Lorde (13)
ARCHBISHOP HAROLD HOLMES – Jack White (7)
NO RAIN, NO FLOWERS – The Black Keys (18)
RIPPLE – Good Neighbours (17)
BETTER OFF EVENTUALLY – Bealby Point (19)
RELATIONSHIPS – HAIM (20)
EMERGENCE – Sleep Token (21)
LOVE IS A FIRE – Art Block (22)
LONDON TOWN – HEALER (23)
BLOOM BABY BLOOM – Wolf Alice (24)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (14)
BARBARIAN – AWOLNATION (15)
LET THINGS GO – Caamp (16)
ASSHOLE – The Lumineers (26)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (30)
JUPITER – almost monday ft. Jordana (N)
UNDRESSED – sombr (N)
BACKSEAT – Balu Brigada (N)
POLYESTER (YES SIR) – Sorry Ghost (N)
I feel guilty including a Spotify playlist anymore, but here it is in case anyone cares to check out any of the songs:
ECLECTIC MUSIC LOVER 