Scottish rock band Gloom is Okay hold the top spot for a second week with their exquisite “Repeat Offender”, while Malaysian artist extraordinaire Lyia Meta moves into second place with her powerful anthem “Raging Halls”. She just released another great single “For You” a week ago. “Doors” by Noah Kahan advances a spot to #3, and “Rein Me In” by English singer-songwriters Sam Fender and Olivia Dean, and “Private” by LA-based alt rock band The Neighbourhood, each move up two spots to #4 and #5, respectively.
After five debut songs last week, I have only one new addition to my chart this week: “I Feel Hope Coming” by Southern blues rock band Alabama Shakes. Fronted by powerhouse vocalist and guitarist Brittany Howard, the group also includes guitarist Heath Fogg and bassist Zac Cockrell. The song is the third in a series of singles they’ve been releasing over the past year that began last August with “Another Life”, which spent two weeks at #1 on my chart last November. All will be included on their forthcoming third album I Must Be Dreaming, to be released August 28th.
REPEAT OFFENDER – Gloom is Okay (1)
RAGING HALLS – Lyia Meta (3)
DOORS – Noah Kahan (4)
REIN ME IN – Sam Fender & Olivia Dean (6)
PRIVATE – The Neighbourhood (7)
SELF AWARE – Temper City (2)
EXIT WOUND – Ships Have Sailed (5)
ONLINE – Western Jaguar (9)
PICKING DRAGONS’ POCKETS – Modest Mouse (8)
MARATHONS – Sorry Ghost (10)
THE ENDLESS BORDER – Velvet Jesus (14)
HEART STOP – The Revivalists (15)
NO MORE REGRETS – almost monday (17)
WHO WILL YOU FOLLOW – Evanescence (13)
GO FUCK URSELF – Fat Dog (12)
IN THE STARS – The Rolling Stones (16)
BEACHES IN TENNESSEE – Cage the Elephant (21)
LOST BOYS – Phoebe Bridgers (23)
HOMEWRECKER – sombr (11)
FREAKING OUT – Michigander (22)
HOLD ME IN THE DARK – Myles Smith (24)
LOVE ME NOT – Grace Potter (26)
WE MIGHT AS WELL BE STRANGERS – Weezer feat. Wednesday (27)
WE SHOULD TALK – Bleachers (28)
I CAN TAKE THE SUN OUT OF THE SKY – Brigitte Calls Me Baby (29)
It isn’t often I’m blown away the first time I hear a song, but I have to say that’s what I experienced when I first listened to “Repeat Offender” by Scottish alternative metal band Gloom is Okay, as I was immediately stunned by its dramatic beauty, intricate melody and sonic majesty. Based in Glasgow, Gloom is Okay is comprised of frontman Martin Walker (vocals, guitars, synths, programming) Iain MacLeod (bass) and Mark Norris (drums). “Repeat Offender” is the lead single from their forthcoming debut album Nothing Human.
Walker says the song is essentially about dealing with narcissistic people, and the mask worn by Fiona McNeil in the video was sculpted and moulded by his wife. He states “We wanted something that felt human, but not quite. Familiar enough to recognise, uncomfortable enough to remember.” The song also represents a bit of a directional change for the band, in that Walker’s voice takes center stage. He elaborates “I’ve never been a particularly confident singer. In fact, for most of my life I’ve probably thought of myself as a guitarist who happened to sing occasionally. Putting your voice out there is a strange thing. It’s personal in a way that hiding behind a riff or a wall of guitars never is.” I think his commanding vocals are perfect, and the song ascends to the top of my chart this week.
Entering the top 10 are “Online” by Canadian artist Western Jaguar (aka singer-songwriter and multi-instrumentalist Jeffrey Trainor) and “Marathons” by the irrepressively charming four-piece Sorry Ghost, who are based in Los Angeles.
After several relatively quiet weeks, I have five new additions to my chart, beginning with “Love Me Not” by singer-songwriter and musician Grace Potter. Born in Vermont and now based near Los Angeles, the beguiling Potter has released five solo albums, as well as four studio albums with Grace Potter and the Nocturnals, (a band she formed in 2002 which later disbanded in 2015 upon her divorce from her bandmate and former husband Matt Burr). Boisterous, sexy and raw, “Love Me Not” is the lead single from her forthcoming sixth album Trespasser, set for release August 21st.
Entering at #27 is “We Might as Well Be Strangers” by legendary LA-based alternative power pop band Weezer, featuring added vocals by Karly Hartzman and Xandy Chelmis of North Carolina-based alt rock band Wednesday. Since 2001, Weezer has consisted of Rivers Cuomo (lead vocals, guitar, keyboards), Patrick Wilson (drums), Brian Bell (guitar, keyboards, backing vocals), and Scott Shriner (bass, keyboards, backing vocals). Released on June 3rd, the song is the second single from their forthcoming 20th album Weezer (aka The Gold Album).
Next up is “we should talk” by American alt-rock band Bleachers. Formed in 2013 by singer-songwriter, musician and producer Jack Antonoff, the band since 2023 has included Mikey Freedom Hart, Sean Hutchinson, Evan Smith, Michael Riddleberger, and Zem Audu, all longtime touring musicians who are now official members. “we should talk” is from their sixth album Everyone for Ten Minutes, which dropped in May. I love that nifty little bassline.
The fourth new entry, at #29, is the exuberant “I Can Take the Sun Out of the Sky” by Chicago-based alt rock band Brigitte Calls Me Baby, comprised of Wes Leavins (lead vocals), Jack Fluegel (guitars), Devin Wessels (bass) and Jeremy Benshish (drums). The song is from their second album Irreversible, released this past March, which also features their marvelous single “Slumber Party” that went all the way to #1 on my chart in early June. I’m really liking this band!
Last, but certainly not least, is “Stone Over Water” by indie pop-rock band Death Cab for Cutie. Formed nearly 30 years ago in Bellingham, Washington, the group includes Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Dave Depper (guitar, keyboards, backing vocals), Zac Rae (keyboards, guitar), and Jason McGerr (drums). The song is from their 11th album I Built You a Tower, which dropped in June and was inspired by band frontman Ben Gibbard’s experiences dealing with the end of his marriage while also constantly being on tour. The song replaces their previous single “Riptides”, which drops off my chart after spending 18 weeks, two of them at #1.
REPEAT OFFENDER – Gloom is Okay (3)
SELF AWARE – Temper City (1)
RAGING HALLS – Lyia Meta (4)
DOORS – Noah Kahan (5)
EXIT WOUND – Ships Have Sailed (2)
REIN ME IN – Sam Fender & Olivia Dean (7)
PRIVATE – The Neighbourhood (8)
PICKING DRAGONS’ POCKETS – Modest Mouse (10)
ONLINE – Western Jaguar (12)
MARATHONS – Sorry Ghost (13)
HOMEWRECKER – sombr (6)
GO FUCK URSELF – Fat Dog (15)
WHO WILL YOU FOLLOW – Evanescence (16)
THE ENDLESS BORDER – Velvet Jesus (18)
HEART STOP – The Revivalists (19)
IN THE STARS – The Rolling Stones (20)
NO MORE REGRETS – almost monday (21)
GOOD2B – Goose (11)
FREAKIN’ OUT – Dexter and The Moonrocks (9)
GOING SHOPPING – The Strokes (14)
BEACHES IN TENNESSEE – Cage the Elephant (25)
FREAKING OUT – Michigander (24)
LOST BOYS – Phoebe Bridgers (30)
HOLD ME IN THE DARK – Myles Smith (26)
HEADLIGHTS – In Color (17)
LOVE ME NOT – Grace Potter (N)
WE MIGHT AS WELL BE STRANGERS – Weezer feat. Wednesday (N)
WE SHOULD TALK – Bleachers (N)
I CAN TAKE THE SUN OUT OF THE SKY – Brigitte Calls Me Baby (N)
We seem to have an embarrassment of riches at the moment, with so many great songs to choose from that it’s almost torture to have to rank them at all. And rather curiously, we have a number of songs by “animal” bands, including a mouse, goose, jaguar, dog and elephant.
Temper City remain on top for a second week with “Self Aware”. I’m also thrilled to place several songs by independent acts I love near the top of my chart; Los Angeles-based Ships Have Sailed move into second place with their beautiful “Exit Wound”, Scottish band Gloom Is Okay move up three spots to #3 with “Repeat Offender”, and Malaysian artist Lyia Meta also advances three spots to #4 with her powerful “Raging Halls”.
Entering the top 10 at #7 are “Rein Me In” by Sam Fender and Olivia Dean, and “Private” by The Neighbourhood, coming in at #8. “Rein Me In” is Fender’s first song to reach #1 in the UK, where it has spent 19 non-consecutive weeks and counting on top, becoming the longest running #1 single in UK music history (besting Bryan Adams’ “Everything I Do (I Do It For You)”, which spend 16 weeks at #1 in 1991).
The lone debut this week is “Lost Boys” by singer-songwriter Phoebe Bridgers. The song is the lead single from her forthcoming third album Lost Weekend, scheduled for release on August 14th.
Photo of Temper City taken from “Self Aware” video
Late July is generally the hottest time of year for many locations in the Northern Hemisphere, and that’s definitely true for my part of the world in the Southwestern U.S. desert, where we’re experiencing our hottest temperatures so far in 2026 – 115-118 degrees Fahrenheit (46-48 C). (Which begs the question, why the fuck do I live here?!?) Needless to say, that means spending much of our time indoors, where listening to music helps to pass the time and cool tempers.
Speaking of tempers, after sombr’s three-week run at #1with “Homewrecker”, Israeli-American alternative rock band Temper City take over the top spot with their monster debut single “Self Aware”. Released in February, the earworm quickly went viral on TikTok and has now amassed over 324 million streams on Spotify, and nearly 20 million views on YouTube. I liked it at first listen, as that chorus is so damned catchy!
The song has become a worldwide hit, reaching #1 on the Billboard Alternative Airplay chart and the top 10 in Austria, Czech Republic, France, Germany, Israel, Latvia, Lithuania, Luxembourg, Slovakia, Switzerland, Turkey and the UK. The track’s style and sound have been compared to acts like Steve Lacy, Hozier, Cage the Elephant and The Neighbourhood. Temper City was founded in Los Angeles in 2021 by singer-songwriter Eytan Peled together with the producer duo Sync, consisting of Aviv Barenholtz and Chen Kordova, who’ve known each other since they were 12 years old. The three friends had previously worked together writing songs for pop and EDM artists, including Zeds Dead, Dimitri Vegas and Barns Courtney, and now have their very own hit single.
In other chart developments of note, two songs enter the top 10: “Doors” by Vermont-based singer-songwriter Noah Kahan and “Picking Dragons’ Pockets” by the always zany and edgy Portland, Oregon band Modest Mouse, at #s 8 & 10, respectively.
There’s only one new debut again the week: “Beaches In Tennessee” by the aforementioned Cage the Elephant. Formed in 2006 in Bowling Green, Kentucky and based in Nashville since 2009 (after two years spent in London, England) the band is comprised of frontman Matt Shultz (vocals), his older brother Brad Shultz (rhythm guitar), Nick Bockrath (lead guitar), Matthan Minster (guitar, keyboards), Daniel Tichenor (bass), and Jared Champion (drums). “Beaches In Tennessee” has debuted quite high on the various alternative charts, and while I’ve loved many Cage the Elephant songs, I’m still lukewarm about it.
My current favorite song is still “Homewrecker” by sombr, thus it remains at #1 for a third week, while Dexter and The Moonrocks‘ “Freakin’ Out” and Temper City‘s “Self Aware” hold at #2 and 3 for a second week. My friend Lyia Meta enters the top 10 with her powerful rock gem “Raging Halls”.
The sole new entry this week is “Hold Me In The Dark” by British singer-songwriter and guitarist Myles Smith, an immensely popular folk-pop artist with over 22 million monthly listeners on Spotify and 1.7 million followers on Instagram. His music is generally upbeat with infectious melodies, and his 2024 smash hit “Stargazing” has been streamed over 1.1 billion times on Spotify. Released in May, “Hold Me In The Dark” is included on his debut album My Mess, My Heart, My Life, which dropped June 16th. The talented 28-year-old also earned a degree in sociology from the University of Nottingham in 2019.
Not a lot of movement from last week for the majority of my latest chart, although there are five new entries. “Homewrecker” by sombr remains at #1 for a second week, while Dexter and The Moonrocks‘ “Freakin’ Out” inches up a spot to #2. “Repeat Offender” by Scottish band Gloom Is Okay enters the top 10 at #9.
There were at least eight songs I wanted to add to this week’s chart, but I had to cull my list down to only five as there were no other songs I was ready to drop. The first new entry is “Here” by English folk rock band Mumford & Sons, featuring American folk/alt-country singer-songwriter Sierra Ferrell. The song was originally recorded with Chris Stapleton and is included on the Mumford & Sons latest album Prizefighter, released this past February. This new version was recorded with Ferrell for an Apple Music Session on May 28th, and as much as I like Chris Stapleton, I like this version with Ferrell better. The song is currently #1 on the Billboard Adult Alternative chart.
The second new entry is “Heart Stop”, an emotionally powerful tune by alternative roots rock band The Revivalists. Based in New Orleans, the eight-piece collective is comprised of Ed Williams (pedal steel guitar, guitar), David Shaw (lead vocals), Zack Feinberg (guitar), Rob Ingraham (saxophone), George Gekas (bass guitar), Andrew Campanelli (drums and percussion), Michael Girardot (keyboards and trumpet), and Paulet “PJ” Howard (drums and percussion). Their 2023 single “Kid” topped my chart and ranks #9 on my Top 100 for that year. “Heart Stop” is the first in a series of singles they began releasing in April.
Coming in at #28 is “In The Stars” by legendary rockers The Rolling Stones. Formed in London in 1962, the band currently consists of original founders Mick Jagger and Keith Richards, along with Ronnie Wood since 1975 – all of whom seem to have discovered the fountain of youth! – as well as touring members keyboardist Chuck Leavell (since 1982), backing vocalist Bernard Fowler (since 1989), keyboardist Matt Clifford (off and on since 1989), bassist Darryl Jones (since 1994), saxophonists Tim Ries (since 1999) and Karl Denson (since 2014), drummer Steve Jordan (since 2021) and female vocalist Chanel Haynes (since 2022).(Wikipedia) The song is from their 25th and latest studio album Foreign Tongues, which dropped this past Friday, July 10th. The song is surprisingly good, with a guitar riff reminiscent of the one played by Bill Bottrell on Michael Jackson’s hit single “Black or White”.
Debuting at #29 is “no more regrets” by San Diego, California-based indie pop band almost monday, made up of Dawson Daugherty, Luke Fabry and Cole Clisby. I’m a big fan of their breezy dance pop, so “no more regrets” immediately grabbed my attention. Their single “Jupiter” reached #1 on my chart last fall.
The fifth new entry is “Freaking Out” (not to be confused with my #2 song by Dexter and The Moonrocks) by alternative pop-rock band Michigander. Founded in 2014 by singer-songwriter and musician Jason Singer in Michigan and now based in Nashville, the band includes Jake LeMond on guitar, Aaron Senor on drums, and Connor Robertson on bass. (I’ve previously reviewed music by Michigander as well as solo music by LeMond and Senor.)
I’m pretty confident that the majority of my fellow bloggers and readers – at least those few who even bother to read my posts – probably shake their heads at my music tastes and that’s okay, as each of us likes what we like at the end of the day. That said, my new #1 song this week is “Homewrecker” by sombr (born Shane Michael Boose), who turns 21 today. Over the past year he’s become one of my favorite artists, and “Homewrecker” is his fourth song to top my chart, following “back to friends” (which was #1 on my chart a year ago today and is my top song for 2025), “undressed” and “12 to 12” (which spent five weeks at #1).
In other charts developments of note, the lovely “Exit Wound” by Ships Have Sailed, a longtime favorite act of mine from Los Angeles, enters the top 10.
And I’m thrilled to add the captivating “The Endless Border”, by Belgian four-piece Velvet Jesus, to my chart this week. I can’t remember how or where I learned about it, but I love the song’s enchanting Middle Eastern sound and beautiful intricate guitar work. Based in Leuven, the band is comprised of Anton Fannes (lead vocals, guitar, synths, samples), Bart Catoor (bass, samples, backing vocals), Christophe Vandewoude (guitar) and Peter De Clercq (drums). They released their debut single “Qatar” in 2023, which they followed a year later with their album of the same name. The band states that their latest single “is about the strange world of today, and in particular how one population imposes a border on another, while a national border is nothing more than a line on a map.”
HOMEWRECKER – sombr (2)
GOING SHOPPING – The Strokes (1)
FREAKIN’ OUT – Dexter and The Moonrocks (4)
HEADLIGHTS – In Color (5)
SELF AWARE – Temper City (6)
RIPTIDES – Death Cab for Cutie (3)
DROP DEAD – Olivia Rodrigo (7)
GOOD2B – Goose (8)
UNTIL THE SUN EXPLODES – Sublime (9)
EXIT WOUND – Ships Have Sailed (11)
REPEAT OFFENDER – Gloom Is Okay (12)
IN MY ROOM – Julia Wolf (10)
RAGING HALLS – Lyia Meta (18)
RIDE LONESOME – Beck (16)
PICKING DRAGONS’ POCKETS – Modest Mouse (17)
BACK IN LOVE – Suki Waterhouse (21)
MARATHONS – Sorry Ghost (22)
ONLINE – Western Jaguar (23)
DOORS – Noah Kahan (25)
DRAG PATH – Twenty One Pilots (15)
PRIVATE – The Neighbourhood (27)
REIN ME IN – Sam Fender & Olivia Dean (28)
SLUMBER PARTY – Brigitte Calls Me Baby (13) 21st week on chart
BEDROOM POSTERS – Yellowcard feat. Good Charlotte (14)
The Strokes remain on top for a second week with “Going Shopping”, while sombr moves into second place with “Homewrecker”. Three songs enter the top 10: “Good2B” by Goose, “Until The Sun Explodes” by Sublime and “In My Room” by Julia Wolf, at #s 8, 9 and 10, respectively. Scottish band Gloom Is Okay are this week’s biggest upward movers as their darkly beautiful “Repeat Offender” leaps 10 spots to #12.
Four songs make their debut this week, beginning with “Private” by Los Angeles alt-rock band The Neighbourhood, which enters at #27. The song is from their fifth studio album (((((ultraSOUND))))), which also features “Hula Girl” that spent two weeks at #1 on my chart in April. I can’t think of a single song of theirs I haven’t loved, and “Private” is no exception.
Next up is “Rein Me In”, a beautiful song by English singer-songwriter Sam Fender, with added vocals by English singer-songwriter Olivia Dean, who won the Best New Artist Grammy earlier this year (which should have gone to sombr, but I digress). The song is a remix of the original from Fender’s third studio album People Watching. “Rein Me In” was released in June 2025 as the sixth single from the album and eventually became Fender’s first song to reach #1 on the UK Singles Chart in February 2026, as well as winning the Brit Award for Song of the Year. It also topped the charts in Australia and Ireland, reached #2 in New Zealand, and became Fender’s first song to appear on the Billboard Hot 100, peaking at number 64.
Entering at #29 is “Who Will You Follow” by American alternative metal rock band Evanescence. Formed in Little Rock in 1994, the band has undergone some lineup changes over the years and now consists of founding member Amy Lee (lead vocals, piano, keyboards, harp), Troy McLawhorn (guitar), Tim McCord (guitar, bass), Emma Anzai (bass, backing vocals) and Will Hunt (drums). They released their debut album Fallen in 2003 and followed with five more albums at the rate of one every three to six years. “Who Will You Follow” is the second single from their sixth and latest album Sanctuary, which dropped June 5th.
Coming in at #30 is “Go Fuck Urself” by English techno punk band Fat Dog. Formed in 2020 during the COVID-19 lockdowns, the band consists of Joe Love, Chris Hughes, Morgan Wallace, and Ellis D, and is known for their boisterous live performances. The provocative and deliciously catchy song was released as their eighth single on May 11th and I love it!
GOING SHOPPING – The Strokes (1)
HOMEWRECKER – sombr (4)
RIPTIDES – Death Cab for Cutie (2)
FREAKIN’ OUT – Dexter and The Moonrocks (5)
HEADLIGHTS – In Color (3)
SELF AWARE – Temper City (7)
DROP DEAD – Olivia Rodrigo (6)
GOOD2B – Goose (11)
UNTIL THE SUN EXPLODES – Sublime (12)
IN MY ROOM – Julia Wolf (16)
EXIT WOUND – Ships Have Sailed (17)
REPEAT OFFENDER – Gloom Is Okay (22)
SLUMBER PARTY – Brigitte Calls Me Baby (8) 20th week on chart
BEDROOM POSTERS – Yellowcard feat. Good Charlotte (9)
Well, I thought 2024 was a trying year, but 2025 turned out to be an even bigger shitshow! Between the death of my cat and the unending nightmare of the odious and spectacularly corrupt Trump regime, it’s a wonder I (and millions of others) survived this year intact. Thankfully, there was lots of great music to help keep us relatively sane.
As I do at the end of each year, I’ve compiled a list of my 100 favorite songs for the past year. I’ve previously posted my list of the 100 Best Indie Songs of 2025 (which you can read here), and now this new list represents a compilation of my favorite songs of 2025 (23 of which also appear on my 100 Best Indie Songs list.) I avoid ranking albums, as there are simply far too many I’ve either not heard or had the time to fully listen to, therefore any list I might compile would be woefully inadequate.
As a music blogger, I’m exposed to a tremendous amount of new music over the course of a year, both from the thousands of artists and bands I follow, as well as all the music I learn about from fellow bloggers. Despite this, I’ve heard only a tiny fraction of all the music released in 2025, which was clearly evident to me when I perused the year-end best song lists of music sites and publications like Consequence, The Fader, Rolling Stone, NPR, etc. Therefore, my list includes only songs I know, and I’m certain there are likely hundreds of great ones that should be included, except that I’ve never heard them. Among the thousands of songs I did hear in 2025, there were many outstanding ones, and it frustrates me to have to cull my list down to only 100, omitting quite a few that I really like. It’s also a challenge ranking them, because a song at #40 isn’t necessarily any better than a song at #70. Perhaps it’s a pointless exercise to even rank them at all, except for the fact that I love making lists!
Music tastes are very subjective, and while I don’t understand how others cannot share my love for a particular song or artist, I fully realize that not one person will agree with all my song choices or rankings. I’m an unapologetic lover of pop, but also love dream rock, folk rock and alternative rock, so a lot of songs on my list reflect those genres. My favorite music artist this year was sombr (the hyper-talented 20-year-old American singer-songwriter and producer born Shane Michael Boose), who’s gorgeous, anthemic torch song “back to friends” is #1, while his equally great “undressed” is #11 and “12 to 12” comes in at #29. Also ranking highly are songs from favorite acts of mine who ranked highly on previous years lists, including Royel Otis, Lord Huron, Twenty One Pilots, Fontaines D.C., The Black Keys, Talk in Waves and Frank Joshua.
Most of the songs on this list were released in 2025, however, several were released in 2024 but didn’t ‘peak’ until 2025. Likewise, several songs released after November 1st are still moving up my weekly charts and won’t peak until early 2026, thus will appear on next year’s list. The few songs in this Top 100 that also appeared on my 100 Best Songs of 2024 list are indicated with an asterisk *. I’ve created both YouTube and Spotify playlists for this Top 100, which are included at the end of the post. Hopefully you’ll find some of your own personal favorites on it. Let me know what songs resonated with you in 2025.
BACK TO FRIENDS – sombr
THE FAITHFUL HEART – Wons Phreely + The Horses (my #1 indie song)
SO COLD – Balu Brigada
MOODY – Royel Otis
NOTHING I NEED – Lord Huron
NO RAIN, NO FLOWERS – The Black Keys
THE LINE (from Arcane League of Legends) – Twenty One Pilots
IT’S AMAZING TO BE YOUNG – Fontaines D.C.
IMPOSTER SYNDROME – Fake Empire
FIVE MORE SECONDS – Seafret & KT Tunstall
UNDRESSED – sombr
SAD IN CAROLINA – Dexter and The Moonrocks *
TIME WAITED – My Morning Jacket
ENSENADA – Sublime
WALLS – Frank Joshua
ANOTHER LIFE – Alabama Shakes
THE CONTRACT – Twenty One Pilots
FEELS RIGHT – Talk in Waves
ARROW – The Head And The Heart
TAKE THIS HEART – Brian Lambert
THE WEATHER – All Time Low
BAD DREAMS – Teddy Swims
CITY WALLS – Twenty One Pilots
METAVERSE – Cage the Elephant
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL
NEVER ENOUGH – TURNSTILE
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child
JUPITER – almost monday feat. Jordana
12 TO 12 – sombr
PEOPLE WATCHING – Sam Fender
DRACULA – Tame Impala
THE NIGHT BEFORE – The Black Keys
BOBBY SOX – Green Day *
SUSHI AND COLA COLA – St. Paul & The Broken Bones
RUSHMERE – Mumford & Sons
CONTROLLER – Moody Moody
NEVERENDER – Justice feat. Tame Impala *
A TEAR IN SPACE (AIRLOCK) – Glass Animals *
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges
BAD LARRY – Cloakroom
LOVE IS A FIRE – Art Block
YOU’RE MY DRUG – Talk in Waves
THE TURNAROUND – DelCobras
BASIC BEING BASIC – Djo
BACKSEAT – Balu Brigada
ARCHBISHOP HAROLD HOLMES – Jack White
SAILOR SONG – Gigi Perez
AUTUMN LEAVES – Secret Postal Society
IN THE LIVING ROOM – Maggie Rogers
MISTAKES – Caamp
DOWNSTAIRS – Matt Maeson
LONDON TOWN – HEALER
MORTAL WOUND – The Veils
DETROIT – Badflower
POLYESTER (YES SIR) – Sorry Ghost
LAREDO – Leon Bridges
CATCH THESE FISTS – Wet Leg
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails
LUTHER – Kendrick Lamar & SZA
BETTER DAYS – Yellowcard
SAME OLD SONG – The Lumineers
SHE WANTS TO GO DANCING – Mt. Joy
STRAIGHT TO THE GROUND – Unquiet Nights
RIPPLE – Good Neighbours
BETTER OFF EVENTUALLY – Bealby Point
SNAKESKIN – NAVE
THE FATE OF OPHELIA – Taylor Swift
BARBARIAN – AWOLNATION
BONNET OF PINS – Matt Berninger
ORDINARY CREATURE – Of Monsters and Men
POOR SAD INDIE EVERYTHING – Icarus Phoenix
WITHOUT A DOUBT – Charm School
ASSHOLE – The Lumineers
GILD THE LILY – Billy Strings
SPECTER – Bad Omens
LIGHT YEARS APART – Unobliterated
LET THINGS GO – Caamp
RITALIN – Dexter and The Moonrocks
SO FAR SO FAKE – Pierce the Veil
THE FEAR – Future Theory
THE SUBWAY – Chappell Roan
SPIKE ISLAND – Pulp
WRECK – Neko Case
MOTHER – Lyia Meta & Mark Allen Lanoue
BLOOM BABY BLOOM – Wolf Alice
DAY & NIGHT – Oli Barton
LUCY – Mt. Joy
WHO’S A FRAUD? – Still Traffico
HORNETS – Western Jaguar
ANKLES – Lucy Dacus
HESITATE – Meltt
GIVING UP – Michigander
THREE SIX FIVE – Shinedown
RELATIONSHIPS – HAIM
AFTERLIFE – Alex G
GET THE MESSAGE – The Paradox
DANG – Rainbow Kitten Surprise
SUGAR ON MY TONGUE – Tyler, The Creator
WHAT WAS THAT – Lorde
AFTERLIFE – Sharon Van Etten
Honorable Mention (these songs would rank #s 101-115):
With their expansive and eclectic sound, alternative indie rock band My Morning Jacket have been making innovative music for more than a quarter century. Formed in Louisville, Kentucky in 1998, the band currently consists of founding members Jim James (lead vocals, rhythm guitar) and Tom Blankenship (bass), as well as Patrick Hallahan (drums & percussion), Bo Koster (keyboards, percussion & backing vocals), and Carl Broemel (lead guitar, pedal steel, saxophone & backing vocals). The introspective and lovely “Time Waited” takes over the #1 spot on my latest Top 30 chart. The song is from their latest and 10th album is, released on March 25th. It’s their second song to reach #1 on my chart, their previous being the gorgeous “Feel You”, which also ranks #6 on my list of 100 Best Songs of 2020.
About the song, James told Stereogum: “I made a loop of that piano intro and listened as I went for a walk, and all these melodies started coming to me. For a long time, I didn’t have lyrics, but then I had a dream where I was in a café and a song was playing, and the lyrics to that song became the lyrics to ‘Time Waited’ — the melodies just fit perfectly. And the lyrics are about how flexible time is, how we can bend and warp time, especially if we are following our hearts, the universe and time itself can flow to work with us.” In addition to that beautiful piano, I also love the marvelous guitar work.
In other chart news of note, The Black Keys advance two spots to #3 with “The Night Before”, and English singer-songwriter Frank Joshua climbs three spots to #4 with “Walls”. Two songs enter the top 10: “The Turnaround” by Philadelphia power pop trio DelCobras, and “It’s Amazing To Be Young” by Irish alt-rock band Fontaines D.C., whose song “Starburster” was my favorite song of 2024.
Two songs make their debut, the first of which is “Ritalin” by Texas rock band Dexter and The Moonrocks, who’s previous single “Sad in Carolina” went to # in late December-early January. The second new entry is “catch these fists” by English indie rock duo Wet Leg, comprised of Rhian Teasdale and Hester Chambers. With a winning combination of infectious melodies, ascerbic lyrics, and their quirky deadpan vocal style, they burst onto the music scene in 2021 with their critically acclaimed eponymous album Wet Leg, which spawned two hits, “Chaise Longue” and “Wet Dream”. “catch these fists” is the lead single from their forthcoming second album Moisturizer, to be released in July.
TIME WAITED – My Morning Jacket (2)
METAVERSE – Cage the Elephant (1)
THE NIGHT BEFORE – The Black Keys (5)
WALLS – Frank Joshua (7)
TAKE THIS HEART – Brian Lambert (3)
RUSHMERE – Mumford & Sons (4)
BAD LARRY – Cloakroom (9)
MORTAL WOUND – The Veils (10)
THE TURNAROUND – DelCobras (11)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (12)
STRAIGHT TO THE GROUND – Unquiet Nights (8)
LAREDO – Leon Bridges (14)
IMPOSTER SYNDROME – Fake Empire (6)
SNAKESKIN – NAVE (15)
POOR SAD INDIE EVERYTHING – Icarus Phoenix (16)
ANKLES – Lucy Dacus (17)
LUTHER – Kendrick Lamar & SZA (13)
ARCHBISHOP HAROLD HOLMES – Jack White (20)
BARBARIAN – AWOLNATION (21)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (23)
LET THINGS GO – Caamp (24)
BASIC BEING BASIC – Djo (22)
THREE SIX FIVE – Shinedown (26)
EVERYTHING IS PEACEFUL LOVE – Bon Iver (27)
SO LONG – Wavves (28)
NOTHING I NEED – Lord Huron (30)
PEOPLE WATCHING – Sam Fender (18) 19th week on chart
ECLECTIC MUSIC LOVER 