TWO METERS – EP Review: “The Blue Jay EP”

Two Meters EP art

While most musicians generally tend to express themselves through their music to one degree or another, Two Meters really bares his heart and soul on his songs. Based in Fort Lauderdale, Florida, Two Meters is the music project of singer/songwriter and multi-instrumentalist Tyler Costolo. Starting off with deeply personal and often brutally honest lyrics – which he expresses through vulnerable, slightly off-kilter vocals that go from barely a whisper to impassioned screams – he adds layers of heavily-textured guitars, harsh industrial synths, and other lo-fi ambient sounds to create impactful songs that elicit strong feelings from the listener. I’ve been replaying his songs for the past few hours and hear new details with every listen.

I asked Tyler how he came to call his project Two Meters. He explained “I have been playing water polo for about 15 years now. I did in college, and I was coaching too when I first started recording. Two Meters is a reference to the sport; it’s kinda similar to an offsides in soccer. I thought it sounded cool and was relevant to my life.”

Two Meters released his debut self-titled EP in June 2018, and now returns with The Blue Jay EP, which drops today. Released via the label Very Jazzed, The Blue Jay EP features five tracks that continue to explore the dark themes of loss and death that Tyler first introduced on Two Meters. He wrote and sang all lyrics and played all instruments on the EP (other than drums, for which he used sample loops or drum sounds from his  production software). Mixing was done by Yuuki Matthews and mastering by Warren Hildebrand.

The EP opens with “The Morning Train“, a brief lo-fi instrumental track consisting of dark, gnarly synths, pulsating bass and an ominous drumbeat that set a somber tone. This is followed by “Pools“, a powerful track that speaks to thoughts of drowning by suicide. Tyler explained: “I really was spending a lot of time by pools while I wrote that song and I was constantly having ‘call to the void’ type visions. I tend to gravitate toward darker themes in the music I listen to, so it makes sense that’s what I end up writing too.” The track starts off with a captivating twangy guitar riff, then moody, throbbing synths are added as Tyler sings in a morose tone “I spend a lot of time by pools. Looking deep in the water. Thinking how easy it’d be to slip under./ Just as dark sets in, it’s too late to swim back up.” Suddenly, we’re bombarded with an explosion of tortured, grinding synths and reverb-heavy distorted guitar that would make Marilyn Manson proud, as Tyler repeatedly screams “It’s too late!

Next up is “Ground“, a song about feelings of worthlessness. Tyler explained its meaning:  “At the time of writing the EP, I was feeling incredibly worthless. The idea being that in the grand scheme of everything, my life was the same as the poor bird I saw that died overnight.” The track opens with layers of heavily-strummed guitars and Tyler’s somber humming, followed by him singing in a monotone, as if to convey his emotional ennui. Then, with the introduction of distorted guitar notes, the tempo abruptly shifts as Tyler refrains the line “I am the bird, alone on the ground” in dual voices – one a dispassionate monotone, the other a desperate wail. Man, it just rips at your soul!

The appropriately-titled “Intro to an Attack” is another brilliant instrumental track. Like many Two Meter songs, it starts off with gentle synths and a bucolic strummed guitar, but 30 seconds in, the calm is shattered by that promised attack of glorious bone-crushing industrial mayhem and distortion. The final track “In the Wake” is a decidedly more hopeful song, despite its rather bleak vibe. Tyler said it speaks to his problems with panic attacks and anxiety, and how having his girlfriend Margo Dellaquila (who real life sings the reassuring vocals to him on the track) around really helps to keep him grounded.

The Blue Jay EP is a brief but astonishing work of incredible nuance, contrast and emotional honesty. Two Meters is skilled at lulling us with soothing melodies and vocals one moment, then punching us in the gut with brutal ferocity at others. The more I listened to this EP, the more I loved it.

Connect with Two Meters: Facebook / Twitter / Instagram
Stream his music: Spotify 
Purchase on Bandcamp / iTunes / Google Play

ATOM DRIVER – EP Review: “Here They Come, the Hornets”

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Atom Driver (not to be confused with actor Adam Driver) is a band I’ve been following for quite a while, and it’s high time I featured them on this blog. The Brunswick, New Jersey-based trio play post-hardcore noise rock that’s loud, frantic and fun, and I defy anyone to keep still while listening to their music. Formed in 2016, the band consists of Mark Segal on guitar and vocals, Justin Ingstrup on bass, and Mike Polilli on drums. All three are seasoned musicians, having previously played with a number of New Jersey bands. In their own words, Atom Driver was “culled from the wreckage of three local faves: Buzzkill, Boss Jim Gettys and Good Clean Fun.”

They like to produce EPs with five tracks, and released two in 2017 – Slackjaw and In the West – both of which are absolute bangers. Two weeks ago (late January 2019) they returned with another kick-ass EP Here They Come, the Hornets, serving up 13 minutes of noise rock mayhem for our listening pleasure. They get right down to business with the hard-rocking “Give Up the Ghost“. Segal delivers thrashing riffs that rip through the airwaves, while Ingstrup lays down a solid foundation with his crushing bass lines and Polilli pounds the crap out of his drum kit. Segal practically screams the refrain “Waiting to exhale. It’s time that you give up the ghost!”

We’re scarcely able to catch our breath before they’re back at us with chugging riffs of gnarly guitars, buzzing bass and an avalanche of crashing cymbals on “Vultures“. These guys are beasts on their respective instruments, giving new meaning to the term ‘noise rock’ as they launch into “Damn Mr. Pluto“, a grungy punk rock-ish head banger. Segal’s furious riffs are jaw-dropping as he shreds his guitar nearly to the breaking point – this man can play guitar! Ingstrup’s funky bass riffs are hot as hell, and Polilli beats his drums like a wild man. I can’t quite make out the lyrics Segal is singing, but who cares really, as it all sounds fantastic.

It seems the guys are gonna slow things down a bit with the fourth track “We Are Whalers“. It starts off with a quiet little acoustic guitar riff, leading us to guess that perhaps we’re in for a gentle ballad, but at 0:14 seconds, the song explodes into a barrage of raging guitars and speaker-blowing percussion that continue for the rest of the track. It’s a delicious slice of exhilarating rock’n’roll confection, with strong punk elements. They close the EP on a tumultuous note with the bombastic “A Bunch of 5’s“, providing ample proof these guys are here to rock!

Here They Come, the Hornets is a terrific little EP that packs a helluva punch in its 13 minutes. If you’re a fan of guitar-driven and high-energy rock, you will like this EP. As for me, I love Atom Driver’s music, and hope they keep making more of it for us to rock out to.

Those of you in the New Jersey area can catch them at this upcoming show:

Thursday, Feb 28    Roxy And Dukes   Dunellen, NJ

Connect with Atom Driver on Facebook / Twitter / Instagram
Stream their music on Spotify Google Play
Purchase on Bandcamp / iTunes

THE EDGE OF REASON – Single Review: “RIVER”

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There’s some outstanding hard rock music coming out of Germany these days. One excellent band I’ve featured on this blog is HOUNDWOLF, and another recent find is post-hardcore band The Edge Of Reason (TEOR). Founded in 2012 and based in Regensburg, TEOR combines elements of metal, hard rock and punk to create music that’s exciting and heavy. Their hard-driving rhythms, infectious melodies and meaningful lyrics are delivered with blistering riffs, dynamic percussion and the impassioned, multi-faceted vocals of charismatic band front man Ro Seven. And if all that talent weren’t enough, like HOUNDWOLF, TEOR are incredibly kind, gracious and humble guys.

In addition to Seven, the TEOR lineup includes Billy Oldboy (guitar), Alex Gorst (guitar), Dani Shorty (bass) and Niko van Laak (drums). They released their debut album Broken But Not Torn in 2017. The hard-hitting album was inspired by Seven’s personal struggles in dealing with his psychological and emotional problems, and regaining his mental health, and features 11 powerful tracks with some of the most brutally honest lyrics I’ve seen in a while.

In November, the band dropped their latest single “RIVER”, a dramatic song about obsession over another person. The band explains “‘RIVER’ describes the mental addiction to a person whose love you can never reach. On the way to affection you die of thirst, although the river full of water is so close. An inner voice does not let you get away from it. The glass on the cover artwork symbolizes the unreachable salvation you are crawling to.”

The track starts off with a distorted riff backed by pulsating synths, then erupts into a galloping rhythm of scorching guitars, deep, buzzing bass and furious hammering drums. Seven’s vocals are impressive, fervent and vulnerable one moment, then exploding into savage wails the next as he sings of his frustrating obsession that’s driving him mad:

I’m crawling to the river. I’m dying of thirst.
Cause when my love is leaving, my heart, it will burst.
Am I just an incurable mess?!
I’m crawling to the river. I’m crawling to you!
And I will drown! Drown in you!

It’s a fantastic song, and I love the video that really showcases the band’s electrifying performance.

Connect with The Edge of Reason:  Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music / Soundcloud / Deezer
Purchase on iTunes / Bandcamp / Amazon