THEY CALLED HIM ZONE – Single Review: “Death Drive/I Like Noise”

Death Drive Art

I’ve been revisiting a number of artists that I previously featured on this blog, and my latest is the Bradford, UK dark wave/psychedelic/electro-pop band They Called Him Zone. Formed in early 2016, they quickly released their debut EP Miami, then followed up with a stellar mini-album Crow Swan Wolf in February 2017, which I reviewed. Now they return with a double single “Death Drive / I Like Noise,” released today, the 25th of August, through their label Ambicon Records.

They Called Him Zone consists of Mik Davis (lead vocals, drones and production),  Steve Maloney (guitar, backing vocals and production), and John Bradford (keyboards and percussion). For these songs, they were joined by Cat McLaughlan who provided backing vocals. In describing their sound, sometimes the band’s own words offer the best explanation: [Our music] “combines sultry electronica with chewed-up, modulated guitars, evoking rain-drenched, neon-daubed streets, proscribed chemicals, and black-clad malcontents wearing mirror shades after dark. And it’s always dark where they come from…

They Called Him Zone 2

Both songs seem to address our darker sides. Lead track “Death Drive” evokes a shadowy netherworld of lust and danger with its hypnotic beat and harsh industrial synths. Maloney’s gritty and sometimes wailing guitars amplify the sense of foreboding, while in a rather menacing monotone, Davis sings the lyrics that seem to speak to an addiction – whether it be drugs, sex or some other obsession:

We’ve become so cold, playing out in the rain,
Waiting out for June, you make me cold sweat…
My body shakes when I’m with you, I feel no pain…
The death drive.

The equally dark video for the song was produced by Bradford-based Twenty Twenty Films, and features alternative models Zombie Cat Girl and Miss Gerrish, and method actor Mark Morris.

The B-side “I Like Noise” is a short track with a fast, repetitive beat and pulsating synths that deliver a post-punk psychedelic feel. Like the music, the lyrics are minimalist, and my guess is that they’re about numbing one’s pain by engaging in pleasurable but dangerous or taboo activities:

I like pills, I like noise, I like thrills, I like toys…
I like girls, I like boys, I like machines that make noise…
I like noise, I like, noise, I like machines, that make noise…
I tried love, I tried hate, I tried pain…

Both songs are brilliant, further demonstrating that They Called Him Zone is a cutting-edge band who pushes boundaries to create music that’s distinctive, mesmerizing and always provocative.

Connect with They Called Him Zone: Facebook / Twitter

Stream their music on  Soundcloud and purchase on Bandcamp

WIDE EYED BOY Release New Video for “Loving You Is So Easy”

Wide Eyed Boy2

Wide Eyed Boy is an exceptionally talented New Wave/Indie Pop band that’s quickly becoming one my favorites.  The Liverpool, UK based four-piece is comprised of Oliver Nagy (Vocals), Jonny Ball (Guitars), Kobi “Danger” Pham (Guitars, keyboards) and Tom Taylor (Drums).  They released a gorgeous debut single “Wolves” last March, which I reviewed, and you can read here. (It’s one of my favorite songs of 2017, reaching #1 and spending 18 weeks on my Weekly Top 20.)

The guys recently dropped their follow-up single “Loving You Is So Easy,” a track slower in tempo than “Wolves,” but every bit as beautiful. I didn’t think it possible they could come up with another song as magnificent as “Wolves,” but how foolish I was to think that, because Wide Eyed Boy have pulled it off nicely. Lush sweeping synths, Ball and Pham’s swirling guitars, Taylor’s on-point drums, and Nagy’s captivating vocals are all simply breathtaking. The song lyrics are fairly straightforward – “I don’t care the way you care. I can see it in your stare. But the way that we collide, it’s getting harder every time. Loving you is so easy. Easy when I’m down, down, down” – but Nagy delivers them quite seductively, before launching into a soaring falsetto in the chorus that raises goosebumps.

The video produced for the track is stunning. The minimalist set and subdued lighting, accentuated with background fluorescents, create the perfect mood for the sensuous track. I much prefer music videos that show the artist or band performing the song, rather than an acted-out story, unless it’s directly relevant to the lyrics. Of course, it’s always a plus when the band is charismatic, and Wide Eyed Boy has it in spades. Nagy has a magnetism that calls to mind the legendary front men Jim Morrison or Michael Hutchence.

Take a look:

Connect with Wide Eyed Boy: Facebook / TwitterInstagram

Stream their music:  SpotifySoundcloud

Purchase:  iTunes / Google Play

WILDCOHEN – Single Review: “Jacksons Son”

Indie duo WildCohen make music that’s hard to categorize. The Sheffield, UK duo, comprised of producer and multi instrumentalist Jody Wildgoose and songwriter and multi instrumentalist Rob Cohen, play songs that run the gamut from new wave psychedelic to folk and pop to alternative rock, and everything in between.  Jody plays bass and sings, and Rob plays guitars and also sings. According to an interview with Local Sound Focus, both guys were in previous bands (Jody in Various Vegetables, and Rob in Marmalade Sun), and decided to record together starting about two years ago out of mutual admiration for each others’ work.

WildCohen-Photo-by-Carl-Rose-696x462

Their debut album BloochyKoo, released through indie label Spoonjuice Records, features twelve eclectic tracks, and “Jacksons Son” is the first single. The song is a bouncy psychedelic romp that immediately forces the head to bob and hips to sway. Razor sharp synths, accompanied by crisp jangly guitars and crashing cymbals, move along a humming bass line. Gritty distorted vocals and a tumultuous mix of airy and chaotic choruses add to the track’s otherworldly vibe.

The fantastic video features an artful phantasmagoria of colorful psychedelic images of planets interwoven with Jody and Rob performing the song. Check it out:

Follow WildCohen:  Facebook /  Twitter /  Website

Stream their music:  Spotify /  Soundcloud

Purchase it:  iTunes /  Amazon /  Bandcamp

Single Review: LITTLE TRIGGERS – “Silly Cigarettes”

Liverpool-based indie rock band Little Triggers is on an upward trajectory of late. Following up on their exuberant punk romp “When the Lights Are Going Out,” they’ve recently dropped a terrific new single “Silly Cigarettes.”  The delightful but emotionally wrenching song further cements the quartet’s status as one of Liverpool’s most exciting bands.

Little Triggers is Thomas Hamilton-Hughes (lead guitar & vocals), Chris Carragher (bass), Sam Gallacher (drums) and James Crawford (keyboards, backing vocals).  Their music is a happy mix of garage rock, punk and new wave influences, giving it a retro, yet freshly current sound that’s candy for the eardrums.

Little Triggers

Photo by John Latham Photography

Silly Cigarettes” opens with a strummed guitar solo and Hamilton-Hughes’ melancholy vocals expressing the heartache of knowing his girlfriend is cheating on him: “Everybody knows, you’re wearing last night’s clothes, and that you’re probably acting up again. And I know where you’ve been, no you thought I hadn’t seen you’d been ’round again.” The intensity of the music rises as the song progresses, with lots of cymbal-heavy percussion, thumping keyboards and jangly guitars. Hamilton-Hughes’ vocals become more emotionally wrought as he sings the chorus: “Cause I’ve heard everyone is taking off your party dress, while I’m sad on the outside smoking silly cigarettes. Oh don’t you know?”   The guitar solo in the bridge is wonderful, and the powerful backing vocals in the chorus call to mind those of a classic ELO song.

Have a listen to this great tune:

Here’s a video of a great acoustic version of the song that’s less intense, but still emotionally poignant.

Connect with Little Triggers: Facebook /  Twitter /  Instagram
Stream their music:  Soundcloud /  Spotify /  YouTube
Purchase:  iTunes

Song Review: WIDE EYED BOY – “Wolves”

I know that I keep featuring artists and bands from the UK on this blog, but there are just so many good ones making great music that I can’t help myself. Another recent discovery is Wide Eyed Boy, a four-man New Wave/Indie-pop collective based in Liverpool, a city rich in music history and influence. They’ve released a stunning new single “Wolves” in advance of their self-titled debut EP due for release this Spring.

wide-eyed-boy

Wide Eyed Boy consists of Oliver Nagy (Vocals), Jonny Ball (Guitars), Kobi “Danger” Pham (Guitars) and Tom Taylor (Drums). They all met at the Liverpool Institute for Performing Arts (which was founded by Paul McCartney and Mark Featherstone-Witty), and bonded over a shared love of music. They headed to Budapest, Hungary in 2016 to write songs for their album and returned to Liverpool to record it with the help of producer Rich Turvey.

“Wolves” is one of those songs that make you stand up and take notice the moment you first hear it. Everything about it is perfect – the melody, lyrics, arrangement, production, instrumentals and vocals. Musically, the song has an exuberant, hard-driving drumbeat, gorgeous sweeping synths and nimble multi-layered guitars. Nagy has an incredible voice, and his soaring vocals are absolutely mesmerizing, adding a haunting beauty to this exceptional track. I loved it at first listen, and kept hitting replay.

Nagy stated the song ‘is about letting people in that are bad for you.’ He passionately sings “Why can’t I leave it all behind? Why can’t I save myself this time? I fall just a little bit, don’t wanna be a part of it. Wolves are the only friends I know.

The beautiful video contains frenetic scenes of urban life, filmed in and around Manhattan.

Wide Eyed Boy have set the bar quite high with “Wolves,” and if their other songs are even half as good, our ears are in for a real treat when they release their EP. I for one can’t wait to hear it! Support these guys by following them on Facebook, Twitter and Instagram. Stream “Wolves” on Soundcloud.