NATH JACKSON – EP Review: “Dreamers & Deceivers”

Nath Jackson

June 5th was a popular day for new music releases, and I’ve been writing about a fair amount of it over the past few days. My latest entry is the new EP Dreamers & Deceivers by British singer-songwriter and guitarist Nath Jackson. I first learned about the talented Leeds-based artist last summer when I reviewed an EP by electronic music project The Ocean Beneath that he collaborated on. He co-wrote and sang the lyrics on two of the tracks on that EP, and I was really impressed with his beautiful vocals.

Nath has now released a collection of songs with his own debut EP. Once again, he collaborated with The Ocean Beneath, who produced the EP. Backing vocals were sung by his brother Aaron Jackson, with drums performed by Karl Rigby. The EP contains four tracks, the first of which, “Oncoming Storm“, was released as a single last December (you can read my review here). It’s a hauntingly beautiful number, highlighted by Nath’s gorgeous strummed acoustic guitar, melancholy but lovely piano keys, and gentle cymbals evoking waves crashing on the shore in advance of an oncoming storm. His smooth, clear vocals are urgent yet comforting as he sings to someone afraid of committing themselves to love or even to life, for fear of being hurt: “But it’s all too little too late. If life’s a game then you better play. From the upside to the down. The lost and the found. You better move soon before you hit the ground. And they’ve all got something to say. Waiting for those better days. From the love that you choose. There spreading out the news. Where do you go when you got nothing to lose? Nothing to lose.”

Setting Sun” was one of the songs he co-wrote and sang for The Ocean Beneath’s EP. Their version had a lush and mesmerizing synthwave approach in the style of Giorgio Moroder, whereas Nath’s version is more stripped-down, with stunning layered acoustic and electric guitars, drums and gentle orchestral synths. Both are wonderful and I love them equally. I love the sound of his vocals as sings of someone trying their damnedest to avoid committing to love: “Well you may be the last one standing. The devil’s on your tail but you keep on graspin’. Sail your dreams out to the sea. Pulling on the line and bring them home to me. The love light and watch it shine. And I won’t stop until you are mine. You don’t know what you’ve become. And you can’t hide behind the setting sun.”

The Beatles-esque “Blink of an Eye” starts off with just Nath’s piano keys and plaintive vocals, then the music gradually builds with added percussion, strings and guitar to become a beautiful, uplifting anthem. With his brother Aaron’s soaring chorus in the background, Nath entreats a loved one about what I’m guessing is an attempt to try and get their relationship back on the right track: “Maybe there ain’t time to look back. Trying to keep peace of mind. Staying on the right track. Well I guess no one’s to blame. Or in other words, stop sliding away, before it hurts. You keep on coming in and out of my head. Wanna say the things the things that are better left unsaid. We can dance under the moon. I’ll be your fool. Make up our own rules. Staring deep into space. And we’ll watch the world go by. Within the blink of an eye.

The title track “Dreamers & Deceivers” has an edgier folk-rock vibe, with a lively guitar-driven melody. I like the mix of acoustic and swirling electric guitars, and the organ adds a nice textural sound to the proceedings. The lyrics speak of both parties coming to the realization that their relationship is broken beyond repair, and it’s time to end things and move on: “Fingertips away but oceans apart. An exit to an overplayed part. As you stand, you dream and deceive your way to the end of the line. Hit the road always the first to say, it’s time now baby, bye, bye, bye. The air that you breathe, the money you need, it feels like you’re gonna explode. Hold on to one last look. It’s high time I gotta go, go, go, go go.”

Dreamers & Deceivers is a terrific little EP, and my only criticism is that I wish it had more than just four tracks. Nath is a fine songwriter, guitarist and vocalist, and I could listen to his pleasing music for hours. For now, I’ll just have to play his EP on repeat until he releases more music.

Follow Nath: Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud/ Apple Music
Purchase on Bandcamp / Google Play

New Song of the Week – NATH JACKSON: “Oncoming Storm”

Nath Jackson

Nath Jackson is a talented singer-songwriter from Leeds, England, who I learned about this past July when I reviewed an EP he collaborated on with electronic music project The Ocean Beneath. He wrote and sang the lyrics on two of the tracks on that EP, and I was really impressed with his captivating vocals. Nath is now writing and recording songs for his own debut EP Dreamers and Deceivers, due out in Spring 2020. He’s just released “Oncoming Storm“, which I’ve chosen as my new song of the week. It’s the first single from his forthcoming EP, along with an accompanying live recording of a second track “Best Laid Plans”.  The Ocean Beneath produced the tracks, with backing vocals sung by Nath’s brother Aaron and drums performed by Karl Rigby.

Nath Jackson2

“Oncoming Storm” is a beautiful and haunting track, starting off with sounds of approaching winds and Nath’s strummed acoustic guitar, accompanied by gentle cymbals that evoke waves crashing on the shore in advance of an oncoming storm. As the song progresses, his guitar strums become more urgent, while lovely but melancholy piano keys and measured percussion enter the mix to create a stirring backdrop for his warm, resonant vocals.

The lyrics seem to me to be about someone afraid of committing themselves to love or even to life, for that matter, fearing they’ll get hurt.

I know you wait
You waited for so long
You’ve been trying to run from the oncoming storm
So come along, won’t you come with me
I’ll get behind those eyes
I’ve got something that you better see

But it’s all too little too late
If life’s a game then you better play
From the upside to the down
The lost and the found
You better move soon before you hit the ground
And they’ve all got something to say
Waiting for those better days
From the love that you choose
The spreading out the news
Where do you go when you got nothing to lose?
Nothing to lose

On “Best Laid Plans”, it’s just Nath’s heavily-strummed acoustic guitar and strong, clear vocals, which are all that’s needed to make a highly satisfying and impactful folk-rock tune. The song speaks to not letting one’s life become trapped by too many rigid plans that can result in disappointment:  “And I find it hard to believe that the best laid plans fall apart at the seams. With just a roll of the dice, you can be free. Can’t wait til the moment’s gone. Dreamer keep dreamin’ on.

Though both quite different in sound and style, they’re both great tracks that showcase Nath’s skilled guitar work and beautiful vocals. I look forward to hearing all of Dreamers and Deceivers when it’s completed.

Connect with Nath:  FacebookTwitterInstagram
Stream on  SpotifySoundcloudApple Music
Purchase on  BandcampGoogle Play

THE OCEAN BENEATH – EP Review: “The Ocean Beneath”

The Ocean Beneath is a British electronic music project based in Leeds. Influenced by bands such as Gunship, HVOB and Talk Talk, they combine 80’s synthpop elements with modern recording techniques, analogue synthesis and huge melodic grooves to create music that sounds retro, yet fresh and now. They’ve just released their debut self-titled EP The Ocean Beneath. This EP has been a labor of love for them, working extremely closely with producer Grant Henderson and lyricist/vocalist Nath Jackson to create a first-rate musical offering. The songs were recorded at Loom Studio in Leeds, and mastered by Katie Tavini.

The EP features five tracks, three of which are instrumentals and two with lyrics written and sung by Nath Jackson. The first track “Wake Up” is a trippy instrumental, with spacey, psychedelic synths set to a languid, strutting beat that almost borders on trap. The intricate, pulsating synths have a sci-fi quality at times, giving the track a cool, mysterious vibe that’s almost mesmerizing. It nicely conveys images of that hazy state we often feel upon waking up from a deep sleep.

Next up is “Transcend“, a gorgeous track that calls to mind some of the wonderful 80s songs I loved by A-ha, New Order and Depeche Mode. More of those marvelous spacey synths abound here, but this time they’re delivered with a bouncy, upbeat tempo and accompanied by additional sweeping synths that form a lush soundscape for Nath Jackson’s stunning vocals. He wrote and sings the encouraging lyrics about overcoming one’s fears and uncertainty, and opening oneself up to all the experiences that life offers: “The secret’s hidden in you. Stop and take a look around. You never know what you might have found. Open up, and soak it in. Watch it as your time begins.” I love this song.

The blissful mood is abruptly interrupted by an unsettling, deep-bass synth accompanied by sounds of distant ambulance sirens on the brief but complex instrumental “The Meridian“. The ominous sounds are suddenly replaced with a beautiful interlude of glittery synths before ending with a return of the sirens.

Setting Sun” is a spectacular track, and probably my favorite on the EP. Everything about it perfection, starting with an enthralling EDM beat that grabs me squarely by the hips, transporting me to a dreamy place from which I want no escape. The pulsating, psychedelic synths are darkly beautiful and lush, and have I mentioned that infectious dance beat? Jackson returns to grace our ears with his warm, sensual vocals that are absolutely captivating. I really love his voice! He sings of someone trying their damnedest to avoid committing to love: “Well you may be the last one standing. The devil’s on your tail but you keep on graspin’. Sail your dreams out to the sea. Pull them on the line and bring them home to me. A love line and watch it shine. And I won’t stop until you are mine. You don’t know what you’ve become. And you can’t hide behind the setting sun.”

The brilliant video produced for the song is trippy and beautiful, showing Jackson’s handsome face superimposed with a colorful mix of psychedelic, tech, vintage, urban and nature imagery.

The final track “Nocturnality” is another instrumental, with a powerful, thumping dance beat and intricate, sweeping synths that remind me a bit of the great dance music of European composers Cerrone and Giorgio Moroder that was popular in the mid to late 70s. And, like the music of those composers, “Nocturnality” is fairly long, running nearly six minutes. It’s a wonderful, melodic track.

The Ocean Beneath is a superb little EP and a terrific debut effort for this talented music project. One of the things I especially like about it is that each song sounds and feels entirely different, making for a fascinating listening experience. Some electronic music albums and EPs can become numbing after awhile, when one track after another sounds pretty much the same, but this one always surprises with every listen.

Connect with The Ocean Beneath: Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud
Purchase:  Bandcamp / Google Play