I follow thousands of indie artists from around the world, and have featured several hundred of them on this blog over the past five and a half years. One that I’m particularly fond of is Canadian artist Melotika, the alter-ego of singer-songwriter Mel Yelle. The hard-working, charismatic and personable artist began her music career in Toronto, releasing her first music in early 2018, but moved back to her home town of Montreal last summer. Her distinctive, sultry vocal styling, exotic beauty, and strong sense of individuality and determination coupled with an endearing vulnerability, set her apart from a lot of other female artists. Her honest and relatable lyrics touch on the universal subjects of relationships and love, as well as timely issues such as the minefield of social media and how pressures to conform can affect our emotional well-being.
I’ve featured Melotika’s music on this blog several times over the past three years, when I reviewed her singles “Unaware Part II [Blindside]”, “Bittersweet Reality“ and “Bury the Bones“, a dark, haunting song about a woman who’s a psychopathic killer. And just last month, I featured a collaborative single “Eternal Eclipse” that she recorded with German electronic music producer Lazer Squad as one of four fresh new tracks. Now, the prolific artist returns with her latest single “Beautiful Disguise“, which I’ve chosen as my New Song of the Week. Released on February 12th, it’s the lead single from her forthcoming album Dancing Without You, due for release this coming fall. She wrote the lyrics, and the music was composed by her frequent collaborator Sean Savage, who also mixed and mastered the track.
A concept album, Dancing Without You will be a collection of songs that Melotika states are “sort of like a personal diary exposing super vulnerable moments of my life, through alternative electro pop dance music. If I were a teenager, this would have been the perfect pop album to listen to.” Especially fond of artists like Blondie, Eurythmics, Madonna and Depeche Mode, she wanted to capture the essence of their 80s dance-pop/new wave sound for “Beautiful Disguise”, and I think she and Sean succeed quite nicely. The mesmerizing song features a lush palette of shimmery, almost haunting synths and bold hand claps layered over a hypnotic dance beat. Melotika’s rich, sultry vocals were run through tape, providing a captivating vintage texture that’s quite appealing.
“Beautiful Disguise” is based on a song Melotika first wrote in her late teens. She shared some details about it on her Facebook page: “The original song was called ‘Misery’ then switched to ‘Victim’ for some time. The song was a generic angsty break-up type song. Last year when I looked back at it, I decided to reinvent the song and add some more fictional story telling. I thought that a typical break up song would be cliché and over done, so I created a tale about a beautiful forbidden lover, and breaking free from the toxic situation. The lyric ‘The devil inside of me is the devil inside of you when you got nowhere else to go’ refers to the concept ‘misery loves company’. Do we fall in love with bad people or are we obsessed and fall in love with the drama?“
For my latest installment of recent releases, I’m featuring four scintillating new singles by international artists (in alphabetical order) Favourite Daughter, Lazer Squad featuring Melotika, NAYAD and Alex Southey. Three of them – Favourite Daughter, Melotika and Alex Southey – are Canadian, Lazer Squad is German and NAYAD are Swedish.
“Long Distance” by Favourite Daughter
Favourite Daughter is the music project of Toronto-born and now Montreal-based singer-songwriter Julia Kennific, who’s just released her terrific debut single “Long Distance“. Drawing inspiration from such artists as Courtney Barnett, Hayley Williams and Julien Baker, she creates her own unique brand of infectious indie pop/rock through catchy melodies, honest, vulnerable lyrics and emphatic vocals. Julia wrote and sang vocals on the song, with assistance by Sam Eastman on guitars, Sam Donald on bass, Kate Markle on synths, Edward Scrimger on drums and Gabrièle Côté-LeBreux on percussion. The track was produced, recorded and mixed by Steven Gibb at Lites Down Studio, and mastered by Richard Addison at Studio Trillium Sound.
Julia elaborates on her impetus for writing the song: “I wrote ‘Long Distance‘ on an unplugged, rented electric guitar during a blackout on a night off from an opera gig I was doing in Halifax in the summer of 2019, in tears after a frustrating phone call with my then-girlfriend. We were spending a four month stretch away from each other while I travelled for work. Neither of us were communicating well, and our daily check ins became monotonous. Both of us kept up the charade that we were good, while allowing fear and resentment to build up, which ended up costing us the relationship entirely. It’s about trying to keep up appearances that everything’s fine, while running from the inevitable.“
The rousing song features lively rhythms and chugging guitars, creating a cheerfully upbeat but anxious vibe that builds as the song progresses. It all works beautifully to convey feelings of running away from one’s problems, yet knowing you’ll have to face up to them sooner or later: “So it’ll feel like I’m dying till it doesn’t anymore / I’ll rebuild again, Lord knows that I’ve done it before.“
“Eternal Eclipse” by Lazer Squad featuring Melotika
Lazer Squad is a versatile and talented electronic artist and producer from Germany who creates EDM, Synthwave and Nu-Disco music. He began his music career over 15 years ago as a drummer for a punk and metal band, as well as playing and touring with numerous bands as a backup musician, eventually transitioning to electronic music. In 2020, he wowed critics and fans alike with his excellent debut album Undead Nightmare, which he then followed with a series of singles. His latest effort is “Eternal Eclipse“, a mesmerizing EDM track featuring sultry vocals by Montreal-based singer-songwriter Melotika, a hard-working and charming electro pop artist for whom I have a special fondness. She’s released quite a lot of music over the past three years, and I’ve had the pleasure of featuring some of it on this blog. She will soon be dropping her debut album Dancing Without You.
“Eternal Eclipse” serves up an infectious EDM groove that aims straight for the hips, giving us three and a half minutes worth of joyous escapism. The timely lyrics describe what it feels like to be stranded in the middle of a global crisis with a loved one: “Everybody’s trippin’ out / Taken back, shaken up / Nobody even knows my name / Thinking about tearing down, and I’m singing a song. Singing alone. What can I do without you?” Have a listen and prepare to move those hips!
Stockholm-based duo NAYAD create dreamy psych lofi pop, which they humorously describe as “Tame Impala, Lana Del Rey and ABBA had an orgy and the result is us” – a pretty spot-on characterization of their gorgeous sound. Last summer, they burst onto the Swedish music scene with their breakout Swedish-language single “Ingen vet”, then followed up with the English-language “Don’t be mad if I don’t come along”, gaining airplay on Swedish National Radio and other radio stations. In November, they dropped their third single “Holy Lakes (Dusk)” a stunning track celebrating their love of nature. Although the single is now more than two months old, I’m featuring it now because they just released a beautiful video for the song.
The song is utterly captivating, with achingly beautiful piano keys, accompanied by stirring atmospheric synths creating an enchanting soundscape for their sublime vocal harmonies. About the fascinating video, they provide a bit of enlightenment: “NAYAD loves mother earth. We immediately had a clear picture that the video for ‘Holy Lakes (Dusk)’ would be a journey through lakes and mountains, because that is the theme of the song. We used an introductory film to national parks around North America and cut it together with other goodies we have collected over the years.” Much of the imagery they used includes old footage of Yosemite and Yellowstone National Parks.
Alex Southey is an indie folk singer-songwriter and musician currently based in Toronto. He’s released quite a lot of music over the past few years, including two albums: Christmastown in 2019 and last year’s You’re Not Just a Body to Me. Since that release, he’s dropped three singles in advance of his forthcoming third album …And the Country Stirred, due for release on February 5th. The latest of these three singles is “Rosie“, a hauntingly beautiful and deeply personal love song to his erstwhile hometown of Vancouver. Alex sang and played guitar, piano and the soaring string arrangements, Kenny Feinstein played fiddle, and Tommy Drinkard played pedal steel and mandolin. The track was produced and mixed by JUNO Award winner John Critchley and mastered by Aaron Hutchison.
About the song’s title, Alex elaborates: “Who is ‘Rosie’? I had been wanting to write about a place, but knew that I’d have to personify it. I was trying, failing, at growing rosemary naturally on my balcony and I began to find the word alluring. I fused it with this personification concept and it became the name of the person when in reality, the song is a love letter to Vancouver where I was born. I feel a sort of mysterious attraction to Vancouver. The city sells itself well, but has its pitfalls: rain all the time, darkness, basements, high price of living – it can all seep into you. For a long time, I was giving something to it and it didn’t give me anything back.” In his sublime and plaintive vocal style, he croons of his mixed emotions: “Rosemary, I can stay away / You say it well, then you take it away / Got no problem, follow up / You’re the one I say I’m from.“