SERPERUS – EP Review: “Infernal Seasons”

I can’t seem to pull myself away from the UK, as here I am featuring yet another band from that island nation. There’s such a tremendous amount of musical talent based there, I could devote my blog entirely to UK artists. This time I shine my spotlight on Serperus, a Liverpool five-piece that plays aggressive and melodic heavy metal. Formed in 2014, the band consists of Joey Farrell (Vocals), Mark Coogan (Lead Guitar), Jono Walters (Rhythm Guitar), Mikey Smith (Bass) and Aaron May (Drums).

Serperus performing

They released their debut EP …with Pestilence in December 2016 to wide acclaim, and followed up with their sophomore EP Infernal Seasons this past May. Offering up six tracks of brutal, unrelenting thrash metal that address themes of authoritarian oppression, Infernal Seasons serves to further cement the solid reputation Serperus has established for themselves, and demonstrates the progression of their songwriting skills and technical experimentation.

Infernal Seasons

The title track “Infernal Seasons” sets the tone with an onslaught of wailing guitars and Smith’s buzz-saw bass lines, propelled by thunderous percussion, courtesy of May’s relentless attack on his drum kit. Coogan delivers blistering riffs while Farrell snarls the searing and topically relevant lyrics that speak of the destruction and cruelty perpetrated upon society by ruthless leaders: “A charade, a means to construct the plague. The infernal seasons, the results of tyranny. Mother nature, down to her last legs. Deliverance, for us as the non-believers. Twisting tongues of the prophet, forcing catastrophic opinions.”

Serperus dials up the speed setting on the frenetic “Divulge,” the first single released from the EP.  As the band explained to online magazine Pure Grain Audio, “‘Divulge’ is one of the fastest and most intricate songs, featuring lots of twists and turns throughout. It is our personal favourite to play live and it is perfect to showcase what [we’re] all about.” And they’re not exaggerating about the song being fast and intricate – this beast kicks ass! The scorching, rapid-fire riffs blast through the speakers from start to finish with no letup, calling to mind the epic Metallica song “Hardwired.”

Into Ruin” opens with a mysterious intro of violin, xylophone, and piano before an assault of shredded guitars, hammering drums and crushing bass rain down like thunderbolts. This track’s a real head-banger, and once again our ears are treated to killer guitar solos, which continue unabated with “Deliverance Has Come.”  The song’s lyrics assert that mankind’s suffering will only be relieved by death. “Our fate is sealed. So choke on your last breath, as you sit and wait for the sweet release of death. Light begins to fade, humanity has failed, blinded by deceit, history repeats.

Perhaps the most melodically complex track on the EP is “No Vindication,” a six and a half minute-long tour-de-force. The song starts off slowly, with strummed electric guitar and heavy bass, then a hypnotic drum beat enters the scene, accompanied by Farrell’s calm, echoed vocals. The intensity ramps up with aggressive, shredded guitars and pounding drums,  Farrell’s vocals rising in ferocity to match the brutal instrumentals. We’re then thrust headlong into the hard-hitting closing track “Spirit in Black.” Unrelenting riffs of distorted & shredded guitars are driven by jack-hammer percussion, making this track an adrenaline rush on steroids. When the guitars fade out with a final crash of the cymbal, all you can do is catch your breath.

Even though it contains only six tracks, Infernal Seasons runs over 30 minutes, as they’re all fairly long. That fact, combined with the high level of intensity throughout its entirety, make it feel more like an album than an EP. A minor criticism I have is that some of the tracks sound quite similar to one another, however, the quality of the instrumentals and compelling lyrics more than make up for it. Overall, it’s a great EP that delivers the thrash metal goods.

Connect with Serperus:  Facebook / Twitter / Instagram

Stream their music on Spotify and download for free on Bandcamp 

WIDE EYED BOY Release New Video for “Loving You Is So Easy”

Wide Eyed Boy2

Wide Eyed Boy is an exceptionally talented New Wave/Indie Pop band that’s quickly becoming one my favorites.  The Liverpool, UK based four-piece is comprised of Oliver Nagy (Vocals), Jonny Ball (Guitars), Kobi “Danger” Pham (Guitars, keyboards) and Tom Taylor (Drums).  They released a gorgeous debut single “Wolves” last March, which I reviewed, and you can read here. (It’s one of my favorite songs of 2017, reaching #1 and spending 18 weeks on my Weekly Top 20.)

The guys recently dropped their follow-up single “Loving You Is So Easy,” a track slower in tempo than “Wolves,” but every bit as beautiful. I didn’t think it possible they could come up with another song as magnificent as “Wolves,” but how foolish I was to think that, because Wide Eyed Boy have pulled it off nicely. Lush sweeping synths, Ball and Pham’s swirling guitars, Taylor’s on-point drums, and Nagy’s captivating vocals are all simply breathtaking. The song lyrics are fairly straightforward – “I don’t care the way you care. I can see it in your stare. But the way that we collide, it’s getting harder every time. Loving you is so easy. Easy when I’m down, down, down” – but Nagy delivers them quite seductively, before launching into a soaring falsetto in the chorus that raises goosebumps.

The video produced for the track is stunning. The minimalist set and subdued lighting, accentuated with background fluorescents, create the perfect mood for the sensuous track. I much prefer music videos that show the artist or band performing the song, rather than an acted-out story, unless it’s directly relevant to the lyrics. Of course, it’s always a plus when the band is charismatic, and Wide Eyed Boy has it in spades. Nagy has a magnetism that calls to mind the legendary front men Jim Morrison or Michael Hutchence.

Take a look:

Connect with Wide Eyed Boy: Facebook / TwitterInstagram

Stream their music:  SpotifySoundcloud

Purchase:  iTunes / Google Play

Single Review: LITTLE TRIGGERS – “Silly Cigarettes”

Liverpool-based indie rock band Little Triggers is on an upward trajectory of late. Following up on their exuberant punk romp “When the Lights Are Going Out,” they’ve recently dropped a terrific new single “Silly Cigarettes.”  The delightful but emotionally wrenching song further cements the quartet’s status as one of Liverpool’s most exciting bands.

Little Triggers is Thomas Hamilton-Hughes (lead guitar & vocals), Chris Carragher (bass), Sam Gallacher (drums) and James Crawford (keyboards, backing vocals).  Their music is a happy mix of garage rock, punk and new wave influences, giving it a retro, yet freshly current sound that’s candy for the eardrums.

Little Triggers

Photo by John Latham Photography

Silly Cigarettes” opens with a strummed guitar solo and Hamilton-Hughes’ melancholy vocals expressing the heartache of knowing his girlfriend is cheating on him: “Everybody knows, you’re wearing last night’s clothes, and that you’re probably acting up again. And I know where you’ve been, no you thought I hadn’t seen you’d been ’round again.” The intensity of the music rises as the song progresses, with lots of cymbal-heavy percussion, thumping keyboards and jangly guitars. Hamilton-Hughes’ vocals become more emotionally wrought as he sings the chorus: “Cause I’ve heard everyone is taking off your party dress, while I’m sad on the outside smoking silly cigarettes. Oh don’t you know?”   The guitar solo in the bridge is wonderful, and the powerful backing vocals in the chorus call to mind those of a classic ELO song.

Have a listen to this great tune:

Here’s a video of a great acoustic version of the song that’s less intense, but still emotionally poignant.

Connect with Little Triggers: Facebook /  Twitter /  Instagram
Stream their music:  Soundcloud /  Spotify /  YouTube
Purchase:  iTunes

Song Review: WIDE EYED BOY – “Wolves”

I know that I keep featuring artists and bands from the UK on this blog, but there are just so many good ones making great music that I can’t help myself. Another recent discovery is Wide Eyed Boy, a four-man New Wave/Indie-pop collective based in Liverpool, a city rich in music history and influence. They’ve released a stunning new single “Wolves” in advance of their self-titled debut EP due for release this Spring.

wide-eyed-boy

Wide Eyed Boy consists of Oliver Nagy (Vocals), Jonny Ball (Guitars), Kobi “Danger” Pham (Guitars) and Tom Taylor (Drums). They all met at the Liverpool Institute for Performing Arts (which was founded by Paul McCartney and Mark Featherstone-Witty), and bonded over a shared love of music. They headed to Budapest, Hungary in 2016 to write songs for their album and returned to Liverpool to record it with the help of producer Rich Turvey.

“Wolves” is one of those songs that make you stand up and take notice the moment you first hear it. Everything about it is perfect – the melody, lyrics, arrangement, production, instrumentals and vocals. Musically, the song has an exuberant, hard-driving drumbeat, gorgeous sweeping synths and nimble multi-layered guitars. Nagy has an incredible voice, and his soaring vocals are absolutely mesmerizing, adding a haunting beauty to this exceptional track. I loved it at first listen, and kept hitting replay.

Nagy stated the song ‘is about letting people in that are bad for you.’ He passionately sings “Why can’t I leave it all behind? Why can’t I save myself this time? I fall just a little bit, don’t wanna be a part of it. Wolves are the only friends I know.

The beautiful video contains frenetic scenes of urban life, filmed in and around Manhattan.

Wide Eyed Boy have set the bar quite high with “Wolves,” and if their other songs are even half as good, our ears are in for a real treat when they release their EP. I for one can’t wait to hear it! Support these guys by following them on Facebook, Twitter and Instagram. Stream “Wolves” on Soundcloud.