THE MARIGOLDS – Single Review: “Smash and Grab”

The Marigolds are an alt-rock group based in Liverpool, a city rich in music history and the birthplace of many a band. I’ve featured more artists and bands from Liverpool than I can recall, and The Marigolds are the latest. They formed in 2018 when bassist/vocalist Joe Green and guitarist Joe Morgan met at the University of Liverpool, and bonded over their love of such acts as Nirvana, Sonic Youth, Mudhoney, Weather Report, Stevie Wonder and Tame Impala. Drummer Lucas Pidgen was soon added to the mix, and they began writing songs together and playing gigs in and around Liverpool. Their rather bucolic sounding name stands in contrast with their music, which is an intense, high-energy blend of punk, funk and psychedelic elements, delivered with blistering riffs, crushing bass and fierce vocals.

The guys released their terrific debut single “Magnetic” in May, which was well-received by fans and music publications alike. Now they’ve returned with an explosive new single “Smash and Grab“, which dropped July 12th. The song’s title is a fitting description, as the song literally blasts through the speakers, laying waste to the airwaves and sending shivers up and down our spines. Wow, these guys really know how to rock! The song opens with Green’s deep, gnarly bassline, then erupts into a hard-driving, fast-paced onslaught of Morgan’s scorching, fuzz-coated riffs and Pidgen’s smashing drumbeats that never let up for a single moment.

Green’s vocals are downright fearsome as he wails and screams the lyrics touching on themes of insecurity, loneliness and poor self-esteem, viciously railing against those who are making him feel this way: “It’s a smash and grab at my feelings! Eat me, cause I feel numb. Just tear into my flesh cause I’m so done. Consume me, and swallow me whole. Keep me inside you in that deep, deep fucking hole!” Two and a half minutes into the song, the tempo abruptly shifts to a frantic punk groove that’s even more intense than before. Now Green screams with such ferocity, it’s a wonder he has any vocal chords left! I’ve written about some pretty hard-hitting music lately, but this song blows them all out of the water, and I love it!

Now that restrictions against live performances have lifted in the UK, the guys are excited about returning to the stage and sharing their new songs at their first scheduled gig on the 7th of August at Jimmy’s Liverpool.

Band photo by Joseph Conlon.

Connect with The Marigolds:  FacebookTwitter

Stream their songs: SpotifyApple Music / Soundclouddeezer

THE LEFT BACKS – Single Review: “The Feeling”

The Left Backs are an indie rock band originally from Belfast, Northern Ireland and now based in Liverpool. They were formed in 2015 by three lifelong friends Lucas Macpherson (vocals and bass), Max Lozowsky (guitar) and Benjamin Watt Doak (drums), who later relocated to Liverpool to attend university. Influenced by some of their favorite bands The Strokes, Nirvana, The Libertines and The Ramones, they make infectious, high-energy punk rock. Their songs have received airplay on BBC Introducing, and they’ve had the pleasure of performing at Threshold Festival and the renowned Sound City in their adopted home of Liverpool.

In 2017 they released their terrific debut EP The Morning After the Night Before, then followed with a number of singles, the latest of which is “The Feeling“, which dropped March 26th. With the pandemic lockdown preventing them from recording in studios, the guys decided to create their own studio in their apartment so they could record and produce their music themselves. Their last single “Welfare Lady” was the first to be recorded in their home studio, and “The Feeling” is the second. About the single, the band states “‘The Feeling’ comes at just the right time, not only dropping a couple of days before some UK social restrictions are lifted, but also it’s upbeat sound coupled with it’s feel-good nostalgic imagery make it the perfect soundtrack to the summer months being just around the corner.”

The song is a rousing, grunge-soaked banger, featuring a bombastic torrent of gnarly guitars dripping with reverb, giving it a lo-fi, yet intense, garage rock vibe. Max lives up to his name as he shreds his guitar to the max, letting loose with a blistering solo in the bridge, while Benjamin smashes his drum kit with equal fervor. Lucas lays down a punishing bass line as he wails the sparse lyrics “You know the feeling. But you can’t remember when. You want to feel it again!” It’s totally badass from start to finish!

Follow The Left Backs:  FacebookTwitterInstagram

Stream their music:  SpotifyApple MusicSoundclouddeezer

Purchase:  iTunes 

100 Best Songs of the 2010s – #97: “Loving You is So Easy” by Wide Eyed Boy

The song at #97 on my list of 100 Best Songs of the 2010s is the gorgeous “Loving You is So Easy” by Liverpool new wave/indie pop band Wide Eyed Boy. The UK has a thriving music scene today, perhaps the best since the late 1970s, and Wide Eyed Boy are among the best acts I’ve come across. I’ve featured them several times on this blog, beginning in March 2017 with my review of their superb debut single “Wolves”. That song is so good that I didn’t think they could top it, but I was wrong, as “Loving You is So Easy” is absolutely magnificent. The swirling guitars, sultry bass line, crashing percussion, and lush, sweeping industrial synths are all breathtaking, creating a stunning backdrop for singer Oliver Nagy’s beautiful and electrifying vocals. And then there’s that xylophone, adding a dash of enchanting magic to the track!

The song lyrics are fairly straightforward – “I don’t care the way you care. I can see it in your stare. But the way that we collide, it’s getting harder every time. Loving you is so easy. Easy when I’m down, down, down” – but Nagy delivers them with a smoldering seductiveness before launching into a soaring falsetto in the chorus that raises goosebumps.

The video produced for the track is visually stunning, with a minimalist set and subdued lighting, accentuated with background fluorescents, creating the perfect mood for this charismatic band’s dramatic performance.

SEPRONA – Single Review: “Rose Tinted Eyes”

Seprona is a British indie pop-rock band based in the music city of Liverpool. I first learned about them when they recently followed me on Twitter, and I’ve had their music on repeat all weekend! From what I’ve been able to gather from their social media accounts, the five-piece formed in 2010, and currently consists of front man Daniel Badger on vocals, Lewis on guitar, Christopher on bass, Niall on keyboards and Mike on drums. Together they make outstanding music that’s lively, melodic and catchy as hell.

They released their first single “Monsters” in 2015, then followed up with a series of terrific singles, culminating with their impressive debut self-titled EP Seprona in 2018. 2019 saw the release of the beautiful and rousing “The World’s End”, followed a year later with “Lost in the Lonely Hearts”, a wonderful, hard-driving track. In August, the guys returned with their latest single “Rose Tinted Eyes“, and it’s a deliriously infectious slice of dream rock.

The song has a bit of a retro 80s new wave/punk vibe, with an exuberant dance beat that grabs us firmly by the hips. I love the swirling riffs of chiming guitars, shimmery keyboards and galloping drum beats that build to a frenzy in the choruses. They all work in tandem to create an electrifying soundscape for Daniel’s sultry, emotionally-charged vocals.

The bittersweet lyrics speak of having chronic wishful thinking, and viewing a dysfunctional and dissatisfying relationship through ‘rose-tinted eyes’: “As I replay the tears baby I fantasize through rose tinted eyes / I create an illusion maybe / Though I try baby, I just cant believe you’re too blind to see / I’ll recharge those batteries / Through all your lies baby I think I must concede that my self esteem is detached from reality.

Follow Seprona:  FacebookTwitterInstagram

Stream their music:  SpotifyApple MusicSoundcloud

Purchase:  BandcampGoogle Play

New Song of the Week – SIENNE: “Side By Side”

Sienne Side by Side art

Formed just a year ago in the summer of 2019, Liverpool indie band Sienne has in short order been making a name for themselves on the local music scene. In February, they officially released their debut single “Where is Home?”, which was premiered at the Liverpool vs Manchester United match, then followed up in April with “Coming Alive”. Now they return with “Side By Side“, which drops today. I think it’s their best song yet, and I’ve chosen it as my New Song of the Week. All three songs will be included on the band’s forthcoming debut EP, due out later this year.

The band is comprised of front man and lead singer Calan Nickle, James Rookyard, Richard Taylor andCharlie Skeggs. Nickle and Rookyard were previously with the band Hanover, who called it quits last summer. Their dynamic style of alternative rock is influenced by some of their favorite bands like The Stone Roses, Manic Street Preachers,  Blossoms and Noel Gallagher’s High Flying Birds. 

The track begins with a tentative chiming guitar riff, accompanied by Nickle’s plaintive vocals singing of his fears and negative emotions. The music then expands with a mix of fuzz-coated and shimmery jangly guitars, gentle bass and punchy drums, giving the song a dramatic and beautiful anthemic feel. The lyrics touch on the anger that keeps him down: “Two kids caught in a bar fight for the whole world there to see, put that frown away for another day, just wait. And so when all is said and done, you’ll be the lonely one.” But he eventually realizes that, with help, he’ll be alright: “And I know where to go when I’m hoping I’m still on your mind. If you would be so kind, to walk with me side by side.”

Nickle elaborates on his inspiration for “Side By Side”: “I wrote this song just under a year ago after finding clarity from a low point in my life, I found myself asking why I was writing constantly about the negatives. I had a little moment where I began to see things clearer and this song was written as a message to myself to let go of all the rubbish going on in my head and that I should embrace the new things happening. I wanted the song itself to match the lyrics in how it starts as a no holds barred cry for help, and the understanding comes as the song progresses. For me the song itself is a long, long road from being in a bad place to finding clarity and I think it came to life once we’d finished it in the studio, it’s a very personal song and one that defines what we are as a band, it came from nothing, a darker place and ventured forward into the unknown.”

“Side By Side” is a solid track, and a good indication of more quality music to come from this very promising band.

Follow Sienne:  Facebook / TwitterInstagram
Stream their music:  Spotify / Apple MusicYouTube
Purchase:  Google PlayAmazon

PAUL IWAN – Double Single Review: “Returning (Red)” & “Returning (Blue)”

Paul Iwan3

I’ve recently been revisiting a lot of artists that I’ve previously featured on this blog, as so many of them are putting out new music. One of my personal favorites is British artist Paul Iwan, a gracious and talented singer-songwriter and multi-instrumentalist from Liverpool. Last October, I reviewed his outstanding single “Reward”, which was a cover of the song originally recorded by Liverpool new wave band The Teardrop Explodes. I liked it so much, it spent four months on my Weekly Top 30. Now Paul is back with a new single “Returning”, for which he recorded two different versions – “Returning (Red)” and “Returning (Blue)”.

He wrote the song last year for submission to the Liverpool Acoustic 24 hour Songwriting Challenge at Threshold Festival 2019, and he won! Like many singer-songwriters, Paul’s lyrics often reflect his own life experiences. The theme of the 2019 Challenge was ‘Returning’, which inspired Paul to contemplate his own personal struggles with PTSD and addiction, and explore the concept of returning as it relates to his experiences with relapse and regression. The competition also pushed him to venture outside of his usual comfort zone and into a more acoustic setting, where the song could speak for itself.

Now, a year later he has released two newly recorded versions of the song to coincide with what would have been the first day of Threshold 2020 (unfortunately sidelined by the damned COVID-19 pandemic). The Red version of “Returning” is in Paul’s more typical exuberant alt-rock style, with layered synths, loops and electric guitars, whereas the Blue version is stripped back to a simple arrangement with acoustic guitar, piano, vibraphone and subtle percussion. The songs were performed and produced by Paul at Studio 45 in Liverpool, and mixed and mastered by Andy Fernihough at 3rd Planet Studios Liverpool.

So I lean into my darkness
I touch the trauma with the tips of my fingers
Under this light how can I see?
The shadows are shifting; inviting me in.

You are there
You are there
Suffocating and suffering
I hold my hands
I’ll be watching
And I’ll be waiting for you
I’m returning to my fear, its all I know
I’m returning to my tears, it’s all I know.

I know my storm is coming in
Whatever I’ve taken
You hold my soul my memories
This face in the mirror
The face of my nightmare
Lost and corrupted

I’m returning from a distance
But my reflection is all I see
I’m yearning for the past
The one I thought I’d lost forever
So much pain within

I’m returning to my fear
It’s all I know

I like both versions a lot, but I think I prefer the Blue version if I had to choose one over the other. I like the higher clarity of sound in the Blue version, where the lovely piano keys and acoustic guitar really stand out. Also, Paul has a distinctive and vibrant tenor singing voice, and with the more subdued instrumentals, the power of his vocals and lyrics are allowed to shine through. Take a listen to each version, and decide for yourself.

 

Connect with Paul Iwan: Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud / Apple Music / Reverbnation
Purchase on BandcampAmazonMusic Glue

New Song of the Week – THE KAIROS: “Teetotal”

The Kairos

After a brief stress-induced hiatus, I’ve decided to dip my toe back into writing about music again, as it’s just too important for me not to. Today I’m featuring the fantastic new single “Teetotal” by Liverpool band The Kairos, which I’ve selected as my New Song of the Week. It’s an electrifying, hard-driving banger of a tune and I love it!

Formed while in their early teens, The Kairos are Tom Dempsey (guitar and vocals), Owen Forrester (bass), Lewis Chambers (guitar) and Sam Bradley (drums and backing vocals). The up-and-coming young band has been making quite a name for themselves in the crowded Liverpool music scene, playing at some of the city’s famed venues like Heebie Jeebies, The Zanzibar, The Arts Club, 02 Academy and Jimmy’s. “Teetotal” is their second single, following up on their impressive debut track “Money Mind”, which they released in July 2019.

The song launches with a thunderous onslaught of jangly, reverb-soaked surf guitars, heavy, buzzing bass and aggressive drums, punctuated by flourishes of wailing guitar solos that set the airwaves afire. These guys are amazing musicians, delivering a spine-tingling barrage of sound with all the confidence and swagger of a seasoned band. Front man Tom Dempsey has a terrific, commanding vocal style, and I love how his Liverpool accent shines through in his passionate singing.

Lyrically, “Teetotal” speaks to the joys of youth and spending a night out with friends, forgetting the numbing weekday routine and more serious responsibilities: “The smell of smoke and the twist and choke, yeah it really brings me home./ The nights are gone and it wont be long before you’re back in work at ten, what on Earth will you do then?

Those of you in the Liverpool area can see them perform at the Invisible Wind Factory on Friday, February 21.

Connect with The Kairos: FacebookTwitterInstagram
Stream their music: SpotifySoundcloudApple Music
Purchase: Google Play

New Song of the Week – PAUL IWAN: “Reward”

Paul Iwan Reward

Paul Iwan is a singer-songwriter and multi-instrumentalist from Liverpool, England who’s been involved in music since his early teens, playing and touring with numerous bands and, over the past few years, writing and recording his own songs. He released his debut album Reveal in September 2016, which I reviewed, and followed up in early 2019 with his second album RESISTER, an autobiographical work addressing his newfound sobriety. In October 2018, I reviewed the first single “Parasite” from that album. Now Paul returns with a wonderful new single “Reward“, which I’ve chosen as my New Song of the Week.

“Reward” is actually a cover of a song originally recorded by Liverpool new wave band The Teardrop Explodes. Written by band members Julian Cope and Alan Gill, the song was a big hit in the UK in 1981. About the song, Paul explains: “Reward is one of the greatest songs to ever come out of Merseyside. Musically incessant and lyrically off kilter, I’ve adored this song all my life – I wanted to pull the lyrics out and expose their darkness. I always felt it was about loss of control, shame and regret which really resonates with my experiences with addiction. Music wise, I focussed on that bass line which drastically changes the atmosphere from parpy stomper to rumbling impending doom.”

What makes the song even more special is that Paul bought Julian Cope’s iconic (but broken) 1965 Lime Green Framus guitar, which he lovingly restored and used to record this track at Studio 45 in Liverpool. Paul elaborates: “It’s a really weird story: Bill Drummond was a big believer in what he called interstellar ley lines. He said Liverpool had this direct line into the energy of the universe and you could feel it if you stood on a certain manhole cover in Matthew Street (under the bust of Carl Jung). He’d send the Teardrops and Bunnymen off on tour and stand on this manhole cover soaking up this cosmic energy as they performed. Now, I’m not one to believe that sort of stuff but when I got the message about Julian’s Lime Green Framus guitar, I was stood on Matthew Street….under Carl Jung’s bust…. on that manhole cover! To say I was a bit freaked out is an understatement.”

Paul Iwan guitar

Well, Paul does great justice to both Cope’s guitar and song, blowing our minds with his gorgeous, resonant guitar notes. Based on his previous songs, I’ve always considered Paul a skilled guitarist, but on “Reward” his guitar-playing rises to a whole new level. And about that rumbling bass line; It’s so deep, intense and melodic, cutting straight to our cores! Add in the dark, almost psychedelic synths and thunderous percussion, and the song has been transformed into a dramatic, almost grandiose production that soars straight to the heavens. It’s a magnificent song, and Paul’s finest work yet.

I also love his clear, powerful vocal style that registers in the higher octaves. He belts out the lyrics with a fervent passion that elicits chills.

Prisoner, stand accused, I stand accused
Live in solitude like Howard Hughes
All wrapped up the same
All wrapped up the same
Silence has it, arrogance has it
I can’t have it until I learn to accept my reward

For context, here’s the original recording of “Reward” by The Teardrop Explodes, which is a faster-paced new wave/punk style song:

Connect with Paul Iwan: Facebook / Twitter / Instagram
Stream his music on Spotify / Soundcloud / Apple Music / Reverbnation
Purchase on  AmazonMusic Glue

WIDE EYED BOY – EP Review: “Sun Again EP”

Wide Eyed Boy Sun Again EP

Since first hearing their incredible debut single “Wolves” two years ago, I’ve been totally smitten with British band Wide Eyed Boy. I’ve featured the charismatic Liverpool foursome on this blog three times now, beginning with my review of “Wolves” almost exactly two years ago, in February 2017, then a review of their magnificent follow-up single “Loving You is So Easy” that July, and an interview in May 2018, shortly after the release of their third single “Sun Again”. They’ve just dropped their first EP Sun Again EP, and it’s my pleasure to feature them for the fourth time.

Wide Eyed Boy consists of Oliver Nagy (Vocals), Jonny Ball (Guitars), Kobi “Danger” Pham (Guitar, keyboards) and Tom Taylor (Drums). They all met at the Liverpool Institute for Performing Arts, and quickly bonded over their shared love of music. They made the decision to release a series of singles to get their music out there and heard, and they’ve succeeded quite nicely. Since the release of “Wolves”, they’ve earned a reputation as one of Britain’s best indie bands, and have gained a large following of loyal fans.

The EP includes their three aforementioned singles, plus two new tracks. It opens with the title track “Sun Again,” an exuberant affair, with roiling riffs of Jonny and Kobi’s fuzzy guitars and bass, propelled by Tom’s furious drums and wildly crashing cymbals. Oliver has one of the most beautiful voices around today, and his smooth, clear vocals are dazzling, soaring along with the instrumentals as they build to a goosebump-inducing crescendo. About the song, the band states: “It’s about escape. Breaking out of that vicious cycle of mundane life and getting back that sense of freedom to go do whatever the hell you want.”

The beautiful new video just released for “Sun Again” features actor Daniel Donskoy, and alternately shows scenes of Wide Eyed Boy performing the song, and scenes of Donskoy portraying a man who’s angry and in distress, racing his car through the English countryside, then running from the car into a field and collapsing on the ground, spent and finally feeling free.

I loved “Wolves” the moment I heard it, and made me an instant fan of this band. Everything about this phenomenal track is perfect – the haunting melody, compelling lyrics, flawless arrangement and production, propulsive drumbeat, gorgeous sweeping synths, nimble, layered guitars, and Oliver’s incredible vocals that are absolutely mesmerizing. Oliver stated the song ‘is about letting people in that are bad for you.’ He passionately sings “Why can’t I leave it all behind? Why can’t I save myself this time? I fall just a little bit, don’t wanna be a part of it. Wolves are the only friends I know.”

“Wolves” was so awesome that I didn’t think the guys could top it, but I was even more blown away by their magnificent follow-up single “Loving You is So Easy“. The swirling guitars, sultry bass line, sweeping gnarly synths and Oliver’s captivating vocals are all positively breathtaking. The song lyrics are fairly straightforward – “I don’t care the way you care. I can see it in your stare. But the way that we collide, it’s getting harder every time. Loving you is so easy. Easy when I’m down, down, down” – but Oliver delivers them quite seductively, before launching into a soaring falsetto in the chorus, adding more chills to the ones already covering my body. I love this song so much it ranks #13 on my Top 100 Best Songs of 2017 (“Wolves” was #17).

Next up is “See the Light“, yet another beautiful song from this amazing band. This track is slower in tempo and more ballad-like than their other songs, with acoustic guitar, shimmery synths and gentle percussion. The song is about a relationship that’s failed past the point of return and the desire to move on. Oliver’s heartfelt falsetto vocals are sublime as he plaintively sings the poignant lyrics: “I’ve gone missing. Something’s not alright. I don’t wanna run but I’m struggling to see the light. / Can’t you see what I’ve become? Stay away from me.”

The band closes out the EP with the rousing pop/rock banger “Fire“. The radio-friendly track features a catchy melody, pulsating synths, chiming guitars and pummeling drums that all build to an exciting crescendo in the chorus. The lyrics are a plea to someone for whom the singer has strong feelings to save him with their love and support: “Fire! I’m burning now. I really need you now. Fire! Don’t let me down. Pull me from the ashes.

Sun Again is an awesome little EP with five outstanding tracks, and a testament to Wide Eyed Boy’s impressive songwriting and musicianship. I cannot wait to hear what new songs they come up with next to dazzle our eardrums.

Connect with Wide Eyed Boy: Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud
Purchase:  iTunes / Google Play

THE GEAR – Single Review: “Secret That Lies Behind”

thegear28229

Liverpool is one of the most legendary centers for music on the planet, and I’ve featured a number of artists and bands from that historic city on the Mersey. My latest is the immensely talented young alternative rock band The Gear. Comprised of Callum Thompson (vocals, guitar), Ben Harper (lead guitar), Jack Crone (bass) and Ben Wall (drums), since forming in 2017 the band has been amassing a passionate fan base with their exciting, guitar-driven sound built upon the their love of blues, psychedelic, grunge and progressive rock.

They released a stunning debut single “There’s a Place” in Summer 2018, and it’s already garnered over 66,000 streams on Spotify. Today they drop their new single “Secret That Lies Behind“, and it’s fantastic! The song opens strong with a barrage of raging guitars and Ben’s thunderous drumbeats, then settles down a bit as Callum’s plaintive vocals implore to a loved one about why they’re unable to communicate with him, instead running off to find consolation in another: “Why didn’t you tell me the secret that lies behind? Where did you run to? Or did you go to a friend? I was trying to find my faith in you.”

As the track progresses, the guys employ several tempo change-ups, keeping our attention firmly in their grasp and thrilling our senses. Things reach a climax with a blistering guitar solo starting at 2:35, before calming back down to a gorgeous soundscape of chiming guitars, pulsating bass and razor-sharp percussion that continue to the end. The guys’ skilled songwriting and musicianship is impressive, and they’ve got another hit on their hands with “Secret That Lies Behind”. With two superb singles to their credit, I’m confident we’ll be hearing more great music from The Gear – soon I hope!

An interesting side note about the photo used for the single: it’s a double-image of a scene at one of my favorite places on earth, Sedona, Arizona. The photo and artwork were done by Anton Eager and Paddy Clegg.

Connect with The Gear:  Facebook / Twitter / Instagram
Stream their music on Spotify
Purchase on iTunes