100 Best Indie Songs of 2025

Photo courtesy of FREEP!K

At the end of each year, I publish a list of my Top 100 Songs, representing my picks for what I think are the best songs – my favorites actually – for the entire year. Last year, at the suggestion of a member of Missouri folk rock band Voodoo Planet, I also compiled a list of my 100 favorite indie songs of 2024. That blog post nearly went viral, and over the past year has amassed over 7,000 views to become my 10th most popular post ever. (In sharp contrast, my 100 Best Songs of 2024 post has garnered only around 1,100 views.)

Because I follow, and am followed by, many indie musicians and bands on social media, I enjoy showcasing some of the exceptional music being made by them that’s every bit as good as, or even better than, that from mainstream acts, so compiling a separate list of what I think are the best indie songs makes perfect sense.

These are not necessarily “indie” songs in terms of genre (though there are many that fall into that overall category), rather songs by independent or DIY music acts. While some are in fact signed to music labels, they’re usually small or independently owned. There are 82 acts represented in this list, the majority of which are from the U.S., Canada and the U.K., but also from Australia, New Zealand, Malaysia, Spain, Portugal, Italy, France, Ireland, Norway, Sweden, Belgium, Germany and Ukraine. A number of acts have two songs, while English psychedelic alt-rock band Future Theory have three.

Of course, I must make note of the fact that this list contains only songs I’m aware of, and that there are likely hundreds of other great songs that deserve to be here, except that I’ve never heard them. The songs on this list – all of which are outstanding if I do say so myself – were generally released between November 2024 and October 2025.

Though they’re ranked from #1 to 100, it doesn’t necessarily mean that a song at #30 is better than one at #60. That said, the ones closer to the top are my very favorites. And though I’d love to write a narrative about each song and artist, given my limited time and energy, not to mention people’s short attention spans, I’ve decided against that again this year. I will, however, include the marvelous video for my #1 pick, “The Faithful Heart” by immensely talented and creative L.A.-based artist Wons Phreely, as it’s so delightful that everyone should watch it! I’ve also created playlists on both YouTube and Spotify, which are included after the list itself. Enjoy!

  1. THE FAITHFUL HEART – Wons Phreely + The Horses
  2. IMPOSTER SYNDROME – Fake Empire
  3. WALLS – Frank Joshua
  4. FEELS RIGHT – Talk in Waves
  5. TAKE THIS HEART – Brian Lambert
  6. CONTROLLER – Moody Moody
  7. BAD LARRY – Cloakroom
  8. LOVE IS A FIRE – Art Block
  9. YOU’RE MY DRUG – Talk in Waves
  10. THE TURNAROUND – DelCobras
  11. LONDON TOWN – HEALER
  12. POLYESTER (YES SIR) – Sorry Ghost
  13. STRAIGHT TO THE GROUND – Unquiet Nights
  14. SNAKESKIN – NAVE
  15. BETTER OFF EVENTUALLY – Bealby Point
  16. LIGHT YEARS APART – Unobliterated
  17. THE FEAR – Future Theory
  18. POOR SAD INDIE EVERYTHING – Icarus Phoenix
  19. WITHOUT A DOUBT – Charm School
  20. MOTHER – Lyia Meta & Mark Allen Lanoue
  21. DAY & NIGHT – Oli Barton
  22. WHO’S A FRAUD? – Still Traffico
  23. HORNETS – Western Jaguar
  24. SCARS – Secret Postal Society
  25. REALITY BUZZ – Future Theory
  26. AFTER ALL – Darksoft
  27. TAKE IT OR LEAVE IT – overpass
  28. FEEL – NAVE
  29. HERE WE GO AGAIN – Set the Tone
  30. BAD PATTERNS – HEALER
  31. ALWAYS WITH YOU – Ewan Patrick
  32. THE HAZE – Future Theory
  33. ECHOES – Antipole, Ja’kob & Pedro Code
  34. TREPHINE – Big Orange
  35. WHAT IT TAKES – The Radio Field
  36. SLOW DEATH – Western Jaguar
  37. SUPERSPREADER YEAR – Roadkeeper
  38. BLEAK COMPANION – The Brigadier
  39. MARK & KYLE – Icarus Phoenix
  40. LLUMINE – Josephine Pascoe
  41. DAYS LIKE THESE – Frank Joshua
  42. ESPIONAGE – Rusty Shipp
  43. CONSPIRACY OF SNAKES – Blake Rascals
  44. CALIFORNIA – Art Block
  45. NATIONAL TREASURE – Faint Halos
  46. ANTICIPATE THE FALL – Pilod
  47. FALLING DOWN – Holy Coves
  48. CALLING OUT – Black Bear Kiss
  49. BEERS WITH THE BEEKEEPER – The Zangwills
  50. IT’S GETTING LATE – Sorry Ghost
  51. IT’S ALRIGHT – The Radio Field & The Baumhoff Explosives
  52. OH NO – John Serrano
  53. MEDICATED – Shape of the Sun
  54. MY DOG BRUCE – Jack Droppers & the Best Intentions
  55. INSIDE – Skar de Line
  56. DARLING, HE DOESN’T CARE – Olivia Miceli
  57. ALL FOR NOTHING – Set the Tone
  58. NOTHING REALLY MATTERS – Snap Infraction
  59. ALONE – The Sylvia Platters
  60. LOOK WHAT YOU DID – Jeen
  61. WHERE IS SHE NOW – Mecuzine
  62. SHUT UP – Esse. feat. Shimmer Johnson
  63. PACK IT UP – Diet Lite
  64. LOVE LIES – Caleb Nichols
  65. WHITEBOARD (YOU CALL HOME) – FRVR
  66. LIFESPAN – Cormac O Caoimh
  67. I, PHONE – INNERSPEAR
  68. EVERYTHING SEDUCTIVE – Unquiet Nights
  69. DOUBLE DISCO – Bealby Point
  70. ALRIGHT – naive nature
  71. BUNK BEDS – Lost in the City
  72. SEVENTH ROCK FROM THE SUN – Only on Weekends
  73. SOMEDAY SOON – DelCobras
  74. DON’T GO TO BED WITH A BAD MIND – The Brigadier
  75. BROKEN ANIMAL – Matt Jaffe
  76. ALL I NEED TO KNOW – PluX feat. Shimmer Johnson
  77. I WANNA FIGHT MY CLONE – Bear Ghost & Playboy Manbaby
  78. CANDY HEARTS – Risley
  79. APRIL FOOLS – The Goods
  80. GRANADA – John Serrano
  81. AIN’T THAT SOMETHING – Modern Neutrals
  82. BLUE TONIC – Defined By
  83. TIBER CREEK – Lillian King
  84. NEVER GOT THAT FAR – Thunder Fox
  85. MET YOU SOMEWHERE – Early Nites & Eunith
  86. I BET YOU HATE ME – Shallowdrown
  87. MIRRORS – Loveproof
  88. READ MY MIND (VIBES SONG) – Wild Horse
  89. FED TO THE TEETH – Homeless Radio
  90. GLIMMER – Petrov, the Hero
  91. A RECURRING THOUGHT – Terry Gomes
  92. ON THE EDGE – Drawing on Scars
  93. SOUNDS LIKE A DEAL – Alex Little
  94. CREATURE COMFORT – The Rat Utopia Experiment
  95. THE BLOOD MOON – Caged Animals
  96. POLLY AND ANDY – Rec Centre
  97. GROWING UP IS SCARY – Taylor DeRousse
  98. MARIA – Matt Csiszar
  99. LUNACY – Collette McLafferty
  100. GAMBLING WITH THE RAIN – David Gergen

The YouTube playlist:

The Spotify playlist:

Fresh New Tracks, Vol. 46 – Atlas Engine, Big Wheels, Matt Csiszar, Josephine Pascoe

With a continuous supply of new music being released, it’s already time for another installment of my Fresh New Tracks series. Today I’m showcasing four songs by, in alphabetical order, Brooklyn, NY-based indie rock band Atlas Engine, Australian rock band Big Wheels, Michigan singer-songwriter Matt Csiszar and English musician and composer Josephine Pascoe. I’ve previously featured Matt and Josephine on this blog, whereas Atlas Engine and Big Wheels are new to me. All songs were released over the past week.

Atlas Engine – “Comfort and Calm”

Atlas Engine is a Brooklyn, New York-based band who make what they call “celestial indie rock”, an appropriate description for their dreamy style of alternative psychedelic rock. Fronted by singer-songwriter, multi-instrumentalist, composer and producer Nick LaFalce, (who relocated to L.A. in 2023 but still spends time in Brooklyn), the five-piece also includes Garrett Hess on guitar, Patrick Cochrane on bass, Katie Glasgow on synths & vocals, and Brendan McGuckin on drums. Starting with the release of their debut EP After the End in 2016, they’ve since followed with numerous singles and EPs, along with their wonderfully-titled and gorgeous debut album When the Compass Resets, There Can Be No Regrets in 2023.

2025 has been a busy year thus far for Atlas Engine, as in March they released a single “Desert Demos: 1” to raise funds for friends affected by the Los Angeles fires, then followed two weeks later with “(Alternate State)”, consisting of three versions of an interlude at the end of “All I Want Is Everything”, from When the Compass Resets There Can Be No Regrets. In April they dropped the beautiful “New Constellation”, and now return with yet another new single “Comfort and Calm” a thoroughly enchanting song that lives up to its title. For the recording of the song, bass was played by Patrick Cochrane, drums by Jonathan Smith and additional vocals were sung by Sally Hatchet. I love the swirling ethereal synths, shimmery guitar notes, crisp percussion and gentle bass, all of which create a dreamy atmospheric backdrop for Nick and Sally’s captivating harmonies.

Big Wheels – “Lazy Bones”

Hailing from Sydney, Australia is Big Wheels, a modern indie rock band comprised of singer-songwriters Cass Ford and Lawson Doyle, along with guitarist Tyler Buchanan. Formed in late 2021 with a shared love for legendary acts like Fleetwood Mac, Jefferson Airplane, and The Black Keys, Big Wheels write songs exploring the highs, lows and complexities of life, while incorporating a sound that feels both timeless and fresh. Also, Cass is originally from Birmingham, England, giving the band have strong ties to the British music scene. They began releasing music in May 2022 with their debut single “Chain of Fire”, and have steadily dropped a series of outstanding songs ever since. Their previous single, the bluesy rocker “Silver and Black”, landed on several Spotify editorial playlists, including New Noise, All New Rock, Local Noise, and Fresh Finds AU/NZ, as well as garnering airplay on BBC Introducing, Amazing Radio UK, and Triple J.

Their ninth and latest single is “Lazy Bones“, a wonderful sensuous track with strong Fleetwood Mac vibes. I love those bluesy guitar riffs, chugging grooves and the marvelous interplay between Cass and Lawson’s vocals. And in fact, Cass seems to channel Stevie Nicks as she sings with such raw emotion in the chorus, I’m covered in goosebumps. The lyrics speak of letting go of past disagreements and enjoying each others’ company, at least for the night: “It’s been so long why don’t we make up. We can forget it all tonight. I know we said we’d tear the page out but maybe we stay here for a while. So lay down lazy bones, next to me. We ain’t got nowhere we need to be. Baby won’t you be my remedy, and lay down lazy bones, next to me (baby next to me).” Big Wheels will be releasing their debut EP Bury Me in Velvet in June.

Matt Csiszar – “Maria”

Matt Csiszar is an earnest and kind singer-songwriter, musician and composer from Michigan I’ve been following for the past four years. With a lifelong love for music, he started writing and recording his own songs at the age of 13, and over the years has taught himself to play guitar, piano, bass, and drums. His music is pretty eclectic, drawing from a wide range of genres and styles from pop, rock, folk, country and blues to electronic, funk, dance, industrial, jazz and even classical. A prolific artist, Matt released his debut album In The Mind in 1999 while in his early 20s, then played in the band Endless Question for a while before returning to recording and releasing music again as a solo artist in the early 2010s. He’s released numerous singles and an astonishing eight albums, most recently the excellent Many Roads in September 2022. Almost exactly three years ago to the day, on May 7, 2022, I featured his song “Chicago” in another Fresh New Tracks post. After the release of Many Roads, he took the next few years off to focus on his health and emotional well-being.

Now Matt is back with a brand new single “Maria“, a melancholy but lovely track he says “is a song of hope for survivors of childhood abuse. I want the listener to feel like I’m telling their story in hopes that it brings them strength and healing.” Accompanied by just his gentle acoustic guitar, Matt’s plaintive vocals remind me a bit of Jon Bon Jovi as he sings the poignant lyrics touching on Maria’s difficult upbringing, and offering her hope and encouragement for a safer and happier adulthood: “Her mother was so critical, she can still hear her voice calling her pitiful. Now she has no choice but to pick herself apart, breaking her own heart. Her father was a bastard to say the least. She’s triggered by the sound of stomping feet cause he’d come and scream in her face, yeah, that’s all the attention he gave. Maria, are you lonesome tonight? You know you’re getting closer to who you are meant to be. Maria, everything will be alright. you’re beautiful and someday this you will see, Maria.”

Josephine Pascoe – “Llumine”

A favorite musician and composer of mine is Josephine Pascoe, a classically trained pianist, violinist and flautist based in the London suburbs. With a life-long love of music, she studied at Trinity College of Music in London, where she began composing her own music. She also trained to be a secondary school music teacher, but prefers giving one-on-one instrumental instruction on piano and violin. Since 2017, she’s collaborated with Windsor-based guitarist and producer Neil Thom (who she met the year before when she began taking guitar lessons from him) in the creation of exceptional instrumental music infused with elements of jazz, acid jazz, classical, blues and funk. Together, they’ve released an impressive amount of outstanding singles, two of which, “Starfish” and “Odyssey”, I reviewed.

Their latest – and 20th – single is “Llumine“, delivering four minutes of pure auditory bliss. For the recording of the track, Josephine played piano, Rhodes electric piano, keyboard synths, strings and flute, while Neil played bass and drums. As with all their songs, Neil handled production and engineering. Blending acid jazz with classical influences, they create a bewitching fantasia of sound, highlighted by Josephine’s sparkling piano keys, breezy strings and lilting flute, and nicely grounded by Neil’s subtle bass and crisp percussion. I’ve loved every single one of their releases, and “Llumine” just might rank among my very favorites of them all.

100 Best Indie Songs of 2024

Photo courtesy of FREEP!K

At the end of each year, I publish a list of my Top 100 Songs, representing my picks for what I think are the best songs – my favorites actually – for the entire year. This year, at the suggestion of John Gilbert, guitarist and lead vocalist of Missouri folk rock band Voodoo Planet, I’ve also compiled a list of my 100 favorite indie songs of 2024 (their song “Adrift” is included in this list). Because I follow, and am followed by, many indie musicians and bands on the various social media platforms, I want to highlight some of the really outstanding music being made by them that’s every bit as good as that from mainstream acts.

These are not “indie” songs in terms of genre (though there are many that fall into that overall category), but songs by independent or unsigned music acts. Some are in fact signed to music labels, but they’re usually small, independently owned labels. There are 89 acts represented in this list, the majority of which are from the U.S., Canada and the U.K., but also from Australia, Malaysia, Norway, Spain, Germany and Ukraine. Of course, I must make note of the fact that this list contains only songs I’m aware of, and that there are likely hundreds or even thousands of other songs that deserve to be here, except that I’ve never heard them.

Though they’re ranked from #1 to 100, it doesn’t mean that a song at #30 is better than one at #70. That said, the ones closer to the top are my very favorites. And though I’d love to write a narrative about each song and artist, given my limited time and energy, not to mention people’s short attention spans, I’ve decided against that. I’ve created playlists on both Spotify and YouTube, which are included after the list itself. Enjoy!

  1. LIKE YOU DO – Talk in Waves
  2. ALL I DIE FOR – SWiiMS
  3. THE FAITHFUL HEART – Wons Phreely + The Horses
  4. WINTER COWBOY – Frank Joshua
  5. A FORETOLD ECSTASY – Mayflower Madame
  6. ATTRACTION – Wild Horse
  7. I’VE GOT LOVING FOR YOU – Bottlecap Mountain
  8. KOOL AID BLUE – The Sylvia Platters
  9. WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH
  10. FOR US ALL – Asgard Raven
  11. DIAMOND AND THE MISSING SON – Unquiet Nights
  12. YOU JUST PLAYED MY MIND – Oli Barton
  13. BLUSH – Vazum
  14. TAKE IT OR LEAVE IT – Dead Slow Hoot
  15. FIND MY WAY – Ships Have Sailed
  16. WAR – HEALER
  17. GOLD – Caitlin Lavagna
  18. HONEY – Mr Bewlay
  19. MIND GAME (3:33) – Collette McLafferty & John Serrano
  20. TOO MUCH OR NOT ENOUGH? – Candid
  21. YOUR WORLD NOW – Marc Schuster
  22. WAKING LIFE – Nicholas a. Milillo, Dee Wolf, Bobby Jasso & Gabrielle Marella & the voice of Tony Milillo
  23. VICES – 5ilas & Shimmer Johnson
  24. ADRIFT – Voodoo Planet & Mikey J
  25. BICYCLE AWAY – Sam Rappaport
  26. PERMANENT RECORD – GG Fearn
  27. AUTUMN LEAVES – Secret Postal Society
  28. HOLOGRAM – Raker
  29. GOOD TIMES GO – The Kid and I
  30. JUST WANNA SLEEP – Halfloves
  31. IT’S OVER NOW – Oli Barton
  32. DYING TO MEET YOU – Gooseberry
  33. OH, WELL – John Serrano
  34. SUBMARINE – Homeless Radio
  35. BRAND NEW DAY – Ben Gorb
  36. DOWNING STREET – Brain Ape
  37. LOOSIE LUNA – Coppa Londra
  38. TEMPTATION – Pylon Poets
  39. WHY DO YOU CARE – The Muldoons
  40. I AM AM I? – NAVE
  41. THIS ALL ENDS HERE – Minus Cube & Natalie Lucie
  42. NEW PONY – The Nanners
  43. KEEPING SCORE – Snap Infraction
  44. WAKE ME UP – HEALER
  45. ODYSSEY – Josephine Pascoe
  46. LIKE THE SUN – A.Wake
  47. SMALL MERCIES – Brian Lambert & Marc Schuster
  48. EASIER AND EASIER – Lyia Meta
  49. VICTIM – Frank Joshua
  50. SMUDGE – Mock Deer
  51. THE LOST – The Ocean Beneath
  52. INVISIBLE INK – Ships Have Sailed
  53. BY DESIGN – Amongst Liars & Felin
  54. LITTLE SELF-INDULGENT – Western Jaguar
  55. PIECE OF CAKE – Bottlecap Mountain
  56. COLLISION – The Zangwills
  57. ROADS – HULLAH
  58. GUYS LIKE YOU – Olivia Miceli
  59. YOUTH – The 23’s
  60. STATELINE – Nathan Ball
  61. CHASING YOUR DREAMS – Asgard Raven
  62. ELEVEN – Minus Cube & P’like
  63. DREAM TONIGHT – The Ocean Beneath & Liz Mann
  64. SELF CONTROL – John Laurant, Ron van den Beuken & Shimmer Johnson
  65. THE BEST – Thunder Fox
  66. NEW MOON – Morning Fuzz
  67. REPOSSESS – Western Jaguar
  68. YOU ARE NOT A SLAVE – Amongst Liars
  69. CREATURE FEATURE – dwi
  70. BAD LUCK – The Macrotones
  71. WITCH TRAIN – The Blackburns
  72. NOCTURNALLY YOURS – Scoopski
  73. TANTALUS – John Serrano
  74. REAL COLORS – The Nanners
  75. DO YOU REALLY WANNA KNOW? – Set the Tone
  76. PRETTY ALRIGHT – Caitlin Lavagna
  77. LET’S RUN AWAY – Solar Eyes
  78. ONE ROOM PAST WAITING – Chief Springs
  79. ARE YOU REALLY FREE? – Alba
  80. FIREBIRD – Josephine Pascoe
  81. CHILDHOOD FRIENDS – naive nature
  82. SPACE TRAVEL – Sandrom
  83. MORE – Andrew Neil and Code Purple
  84. SMALL TIME FISH (BIG TIME POND) – Sorry Ghost
  85. THE VOID – Fuzzle
  86. GREEN EYED MONSTER – Olivia Miceli
  87. ALL I WANT – The Heroic Enthusiasts
  88. WHY DON’T YOU LOVE ME – Tom Burton
  89. COCK OF THE FIFTH YEAR – The Empty Page
  90. NOT READY YET – Sean Magwire
  91. GHOST – Grizzly Madams
  92. ALWAYS DO – Melody Zenith
  93. MISSED YOU – Mal Fantome
  94. WOULD YOU WANT IT (IF YOU HAD IT) – The Barons
  95. THE UNBEARABLE WEIGHT OF WHAT IF – Eleanor Collides & Emily Gray
  96. EVERYTHING FITS – Wons Phreely + The Horses
  97. ANYWAY – The Crushing Violets
  98. PUSH IT BACK – Kiffie
  99. ALL THE SAME TO YOU – Quizboy & Marc Schuster
  100. SHADE – Microfilm

Fresh New Tracks, Vol. 32 – Bottlecap Mountain, Josephine Pascoe, Lissy Taylor, Loud Hound

Artists and bands I follow on social media continue to release new music at a dizzying pace, so in order to try and showcase even some of it, it’s time for another Fresh New Tracks installment. Today, I’m featuring four recently-released songs by, in alphabetical order – Texas rock’n’roll band Bottlecap Mountain, English musician and composer Josephine Pascoe, English singer-songwriter Lissy Taylor, and New Jersey singer-songwriter Loud Hound, all of them quite prolific in their musical output. I’ve previously written about Josephine Pascoe and Loud Hound, while this is the first time I’m featuring Bottlecap Mountain and Lissy Taylor. So let’s get to it!

BOTTLECAP MOUNTAIN – “I’ve Got Loving For You”

Bottlecap Mountain is a self-described “24 Carat Rock & Roll” band from Austin, Texas, comprised of Stewart Gersmann (lead vocals, lead guitar), Chris Stangland (bass), Yvonne Love (organ, backing vocals), Doug Pena (rhythm guitar, backing vocals) and Ray Flynt (drums). Their sound is a happy mix of alternative, garage and indie rock, infused with generous doses of power pop and classic rock & roll, accompanied by honest, thought-provoking and relatable lyrics delivered with pleasing vocals and wonderful harmonies.

Over the past 10 years, the prolific band has released six full-length albums, their most recent being their brilliant 0! Fantastik Melancholy last year. Today they return with “I’ve Got Loving For You”, the first single from their upcoming seventh album Electric Love Spree, due out this summer. The song opens with sounds of a revving motorcycle engine, then we’re off to the races with a cool, retro-sounding rock & roll gem that harkens back to some of the great songs of the 60s and 70s, but with a fresh approach. I love the stabbing guitar notes, spirited drumbeats and abundant crashing cymbals, all layered over a charming organ riff and punctuated here and there with some tasty acoustic and electric guitar work. The straightforward lyrics are a simple yet profound declaration of love, beautifully sung by Stewart and backed by his fellow bandmembers’ warm harmonies.

Follow Bottlecap Mountain:  FacebookX (Twitter)InstagramThreads

JOSEPHINE PASCOE – “Odyssey”

Josephine Pascoe is a classically trained pianist, violinist and flautist based in the London suburbs. With a life-long love of music, she studied at Trinity College of Music in London, where she began composing her own music. She also trained to be a secondary school music teacher, but prefers giving one-on-one instrumental instruction on piano and violin. Since 2017, she’s collaborated with guitarist and producer Neil Thom, who she met the year before when she began taking guitar lessons from him, in the creation of exceptional instrumental music with ever-changing elements of jazz, acid jazz, classical, blues and funk.

Together, they’ve released an impressive amount of singles – 17 to be exact. One of them, “Starfish”, I reviewed last May. Their latest single, released March 23, is “Odyssey“, a beautiful acid jazz instrumental. For the track’s recording, Josephine played piano, strings and flute, while Neil played guitar, bass and drums. Like all their songs, Neil handled production and engineering. Whereas “Starfish” has a spirited dance-oriented feel with a strong lively beat, “Odyssey” is more contemplative and bluesy. I love Josephine’s warm piano keys, soothing strings and lilting flute, and as always, Neil’s bluesy guitars and funky bass provide a marvelous and edgy counterpoint to her more classical-sounding instrumentals.

Follow Josephine: Facebook / X (Twitter) / InstagramThreads

LISSY TAYLOR – “Life Changing”

Lissy Taylor is a lovely, hard-working young singer-songwriter from Stoke-On-Trent, England. From what I can tell, she’s been releasing music since January 2020, including numerous singles and two EPs. According to her bio, she toured fairly extensively in 2023 in support of such acts as The View, Sea Girls and The Lottery Winners, and performed at the Isle of Wight Festival. Her songs have garnered airplay on Radio 1 Future Alternative, BBC Radio 2, John Kennedy Radio X and Amazing Radio. This year, she’s already played shows in support of Circa Waves and Haiku Hands, and is set to open the mainstage at YNOT Festival ahead of Headliner Noel Gallagher. She was also chosen by an expert panel of artists to perform at Manchester City FC opening for Barclays Women’s Super League on April 21.

Her latest single is “Life Changing“, released on March 15th. The song is an indie rock banger, fueled by an infectious driving beat overlain with a glorious mix of reverb-soaked guitars, humming bass, roiling synths and thunderous drums. Lissy’s vocals, which remind me a bit of fellow English songstress Ellie Goulding, are soft yet commanding here. About the song’s meaning, she elaborates “There’s so many people that go through struggles, myself included, and this song champions pulling yourself through to the otherside. This is a song to cheer you on when there’s doubts and to throw you up in the air when you’re winning. This is the sound of the underdog.”

Follow Lissy:  FacebookX (Twitter)InstagramThreads

LOUD HOUND – “Clumsy”

LOUD HOUND is the music project of Tommy Florio, a talented singer/songwriter from Ventnor City, New Jersey. The silky-voiced artist fuses elements of garage, surf and psych rock with dream pop to create wonderful songs filled with infectious melodies, honest lyrics and irresistible guitar grooves. He’s recorded and released a tremendous amount of music since 2018, including two albums – It’s Okay to Be Lonely Part I in 2022 and It’s Okay to Be Lonely Part II in 2023, as well as more than 20 singles, two of which, “Runnin'” and “Youthful Stranger”, I reviewed. Hard to believe it’s been over five years since I’ve featured him on this blog, so it’s high time I revisit his music.

Since the beginning of this year, he’s been dropping new songs in “waterfall releases”, in which singles are released in a progressive series, with each new release adding to the previous one to eventually create a kind of EP. It seems to be an increasingly popular way artists are releasing their music, as I’ve seen numerous examples of this. LOUD HOUND’s latest release is “Clumsy”, a delightfully catchy song he says he wrote “back in 2020 as a romantic ode to my clumsiness while in pursuit of an uninterested lover. It’s a perfect pop-rock tune, with wonderful twangy guitars and swirling keyboards layered over a breezy melody. The lyrics are a heartfelt plea to a woman he desires to love him back: “With your golden smile that made me spill my coffee, I want you forever I’m just a little clumsy. Won’t you come and stay with me? I heard you needed some company. The love that you want and the love that you need, it’s right here baby don’t you see.”

Follow LOUD HOUND: FacebookX (Twitter)Instagram

JOSEPHINE PASCOE – Single Review: “Starfish”

Today I have the pleasure of introducing a wonderful artist named Josephine Pascoe who, together with guitarist and producer Neil Thom, creates exceptional instrumental music with various and ever-changing elements of jazz, acid jazz, classical, blues and funk. Based in the London suburbs, she’s a classically trained pianist, violinist and flautist with a life-long love of music. She began studying piano at the age of five, then violin at eight and flute at thirteen, much of it at Trinity College of Music in London, where she also began composing her own music. She also trained to be a secondary school music teacher, but prefers giving one-on-one instrumental instruction on piano and violin.   

According to an article about Josephine on the music blog COOLTOP20, she met Neil in 2016 when she began taking guitar lessons from him. Besides teaching guitar, Neil is a producer and sound engineer with a wealth of experience working with various artists, bands and record companies. One night, after a few rounds of drinks, the two decided to have a go at writing something together, and took some jazzy chords Josephine had been playing with and developed it into what would become their first track “Florescence”, which they released in May 2017. In the years since, they’ve recorded and released 14 more songs, their latest of which is “Starfish“, an exuberant acid jazz tune which dropped May 5th. Josephine and Neil are both big fans of English funk and acid jazz band Jamiroquai, whose influence is strongly evident in their music.

Like most of their songs, “Starfish” was co-written by Josephine and Neil. For the track’s recording, she played piano, Rhodes electric piano, strings and flute, while he played guitar, bass and drums. Neil also produced and engineered the track. As I mentioned at the beginning of this review, their songs incorporate an ever-changing mix of styles that make each one sound unique. Whereas their previous single “Eden” has a mellow jazz vibe, “Zomer” is breezy acid jazz, and “Before The Light Goes Out” is a soothing, contemplative piano ballad, “Starfish” has a more spirited dance-oriented feel, with a strong lively beat. Highlights for me are Josephine’s resonant piano keys, spirited strings and airy flute. Neil’s funky guitars and bass provide a wonderful, edgy counterpoint to the more classical-sounding strings and flute, yet complement both quite nicely. It’s a marvelous track.

Here’s “Starfish” on YouTube:

And on Bandcamp:

Connect with Josephine: FacebookTwitterInstagram

Find her music on BandcampSpotifyApple MusicSoundcloudYouTube