Mitski‘s bouyant but lyrically compelling dance-pop single “The Only Heartbreaker” remains at #1 for a second week on my latest Top 30, while Two Feet‘s darkly beautiful and sultry “Caviar” closes in at #2. Entering the top 10 are “I’ll Call You Mine” by young Norwegian artist girl in red (aka Marie Ulven Ringheim) and “Broken Hearts” by L.A. pop-rock duo Ships Have Sailed, who’ve had numerous songs appear on my Weekly Top 30 lists over the past three years.
The biggest upward movers on this week’s chart are “What, Me Worry?” by Portland-based alt-rock band Portugal. The Man, which jumps seven spots to #13, and the haunting James Bond-esque “Deception”, by British producer/composer Noodle Beard, with captivating vocals by Hannah Reem, which climbs eight spots to #20. After 10 songs having made their debut over the previous three weeks, there are no new entries this week.
THE ONLY HEARTBREAKER – Mitski (1)
CAVIAR – Two Feet (5)
CHAPSTICK – COIN (4)
ONE AND THE SAME – Future Theory (3)
TWO CAR FAMILY – Apollo Junction (2)
HEAD IN THE CLOUDS – Thunder Fox (8)
JUST LIKE ALWAYS – Oli Barton & the Movement (9)
REDCHURCH STREET BLUES – Philip Morgan Lewis (10)
I’LL CALL YOU MINE – girl in red (11)
BROKEN HEARTS – Ships Have Sailed (12)
B-SIDE – Khruangbin & Leon Bridges (13)
OH MY GOD – Adele (7)
WHAT, ME WORRY? – Portugal. The Man (20)
LOVE DIES YOUNG – Foo Fighters (17)
SOMETHING FROM NOTHING/POINTS OF LIGHT – Secret Postal Society (16)
Another week, another new #1 song, as there are so many great ones to choose from right now. Mitski‘s exuberant dance-pop gem “The Only Heartbreaker” takes over the top spot on my latest Weekly Top 30. From her latest album Laurel Hell, the brilliant track was co-written by Semisonic frontman Dan Wilson, marking the first time she’s ever teamed up with another songwriter. She told Apple Music that her collaboration with Wilson came about because she’d been struggling with the track for ages: “I was just sitting on it forever. I have so many iterations of it. Nothing felt right. He helped me solve so many of the problems and kind of lead me out of the labyrinth of it. And yeah, I’m really glad that I took that chance with him.”
Mitski wrote most of the songs for Laurel Hell in 2018 before finishing the album during the covid lockdowns, and she struggled to find a coherent theme for the overall album. In an interview for Rolling Stone, she explained: “This album has been a punk record at some point, and a country record. Then, after a while, it was like, ‘I need to dance.’ Even though the lyrics [for ‘The Only Heartbreaker’] might be depressing, I need something peppy to get me through this.” For the recording of the song, she programmed synths and keyboards and her longtime producer Patrick Hyland played guitar and percussion.
Holding at #3 and #4 are “One and the Same” by British alternative psychedelic rock band Future Theory, which features some of the most stunning guitar work I’ve heard recently, and the sexy “Chapstick” by Nashville pop-rock band COIN. And speaking of stunning guitars, Two Feet‘s sultry “Caviar” jumps five spots to #5. Entering the top 10 are songs by three acts I’m particularly fond of: “Head in the Clouds” by Australian soul-funk band Thunder Fox, “Just Like Always” by British alt-rock band OliBarton & the Movement, and “Redchurch Street Blues” by London singer-songwriter extraordinaire PhilipMorgan Lewis.
Four gorgeous new songs make their debut this week at #s 27-30: “I Love You” by Fontaines D.C., “Deception” by British producer/composer Noodle Beard, featuring breathtaking vocals by Hannah Reem, “Sleep” by talented and charismatic Brooklyn four-piece Gooseberry, and “Chasing Trains” by British artist HULLAH. I learned about Noodle Beard/Hannah Reem and HULLAH a week ago when I heard their wonderful songs as a guest moderator of Fresh On The Net.
THE ONLY HEARTBREAKER – Mitski (5)
TWO CAR FAMILY – Apollo Junction (1)
ONE AND THE SAME – Future Theory (3)
CHAPSTICK – COIN (4)
CAVIAR – Two Feet (10)
THE HARDEST CUT – Spoon (2)
OH MY GOD – Adele (9)
HEAD IN THE CLOUDS – Thunder Fox (11)
JUST LIKE ALWAYS – Oli Barton & the Movement & Maella (12)
REDCHURCH STREET BLUES – Philip Morgan Lewis (13)
I’LL CALL YOU MINE – girl in red (14)
BROKEN HEARTS – Ships Have Sailed (15)
B-SIDE – Khruangbin & Leon Bridges (16)
WAKE ME UP – Foals (6)
I SEE THE SUN – Solar Eyes (7)
SOMETHING FROM NOTHING/POINTS OF LIGHT – Secret Postal Society (17)
LOVE DIES YOUNG – Foo Fighters (19)
THE OUTSIDE – twenty øne piløts (8)
GIVE A LITTLE LOVIN’ – Jamie Alimorad (20)
WHAT, ME WORRY? – Portugal. The Man (21)
BLACK SUMMER – Red Hot Chili Peppers (22)
IF YOU EVER LEAVE, I’M COMING WITH YOU – The Wombats (25)
After a long, steady climb, the wonderfully ebullient “Two Car Family” by Leeds five-piece Apollo Junction has reached the pinnacle of my Weekly Top 30. The song is from their latest album All In, which is so full of great songs, I could just as easily have chosen some of its other tracks to place at the top of my list. I love their melodic, high-energy brand of electro pop-rock, and so do thousands of adoring fans. I’m so happy to see their star continue to rise.
In other major chart developments this week, the captivating song of unrequited love “Caviar”, by my favorite artist Two Feet, leaps 10 spots to #10. I love the sultry vibe and gorgeous Latin-flavored guitars. Counting both his solo tracks and collaborations with SubUrban and grandson, Two Feet has continuously had a song on my Weekly Top 30 every single week since early November of 2020! Portugal. The Man‘s “What Me Worry?” and the Red Hot Chili Peppers‘ “Black Summer” both climb six spots to #21 and #22, respectively. Finally, there’s so much great new music out now, I wanted to add at least eight new tracks this week. But that would have required dropping eight from my list, which I just could not do. So, I had to settle for only three stellar new additions: “Broken Horses” by Brandi Carlisle, “Once Twice Melody” by Beach House, and “Cheer Up Baby” by Inhaler.
TWO CAR FAMILY – Apollo Junction (3)
THE HARDEST CUT – Spoon (1)
ONE AND THE SAME – Future Theory (4)
CHAPSTICK – COIN (6)
THE ONLY HEARTBREAKER – Mitski (8)
WAKE ME UP – Foals (5)
I SEE THE SUN – Solar Eyes (2)
THE OUTSIDE – twenty øne piløts (7)
OH MY GOD – Adele (10)
CAVIAR – Two Feet (20)
HEAD IN THE CLOUDS – Thunder Fox (11)
JUST LIKE ALWAYS – Oli Barton & the Movement & Maella (13)
REDCHURCH STREET BLUES – Philip Morgan Lewis (14)
I’LL CALL YOU MINE – girl in red (16)
BROKEN HEARTS – Ships Have Sailed (17)
B-SIDE – Khruangbin & Leon Bridges (19)
SOMETHING FROM NOTHING/POINTS OF LIGHT – Secret Postal Society (18)
MAGNIFICENT HURT – Elvis Costello & the Imposters (15)
LOVE DIES YOUNG – Foo Fighters (21)
GIVE A LITTLE LOVIN’ – Jamie Alimorad (22)
WHAT, ME WORRY? – Portugal. The Man (27)
BLACK SUMMER – Red Hot Chili Peppers (28)
STARTS WITH YOU – Shimmer Johnson (9) 19th week on chart
CRUTCH – Band of Horses (12)
IF YOU EVER LEAVE, I’M COMING WITH YOU – The Wombats (26)
Though they’ve been around since the mid 1990s, I’m almost embarrassed to admit that I didn’t come to fully appreciate the music of Spoon until 2017, with the release of their fantastic album Hot Thoughts. I love their distinctive sound that incorporates elements of rock’n’roll, art rock, post-punk revival and experimental rock, not to mention the raspy vocals of frontman Britt Daniel, who at 50 is still going strong. The Austin-based rock band’s gnarly stomper “The Hardest Cut” has been around awhile, and finally reaches the top of my Weekly Top 30. The song is from their 10th and latest album Lucifer on the Sofa, which was written by Daniel during lockdown.
Adele’s “Oh My God” enters the top 10, and both “B-Side” by Khruangbin & Leon Bridges and “Caviar” by Two Feet leap eight spots to #19 and #20, respectively. Three new songs debut this week: “Black Summer” by the Red Hot Chili Peppers, “Love Brand New” by Bob Moses, and “Won’t Stand Down” by Muse. Though I really like Muse, most of their songs take a while to grow on me. I often dislike them upon the first few listens, but almost always end up liking or even loving them, and “Won’t Stand Down” is no exception.
THE HARDEST CUT – Spoon (2)
I SEE THE SUN – Solar Eyes (1)
TWO CAR FAMILY – Apollo Junction (4)
ONE AND THE SAME – Future Theory (6)
WAKE ME UP – Foals (7)
CHAPSTICK – COIN (8)
THE OUTSIDE – twenty øne piløts (9)
THE ONLY HEARTBREAKER – Mitski (10)
STARTS WITH YOU – Shimmer Johnson (3)
OH MY GOD – Adele (14)
HEAD IN THE CLOUDS – Thunder Fox (13)
CRUTCH – Band of Horses (5)
JUST LIKE ALWAYS – Oli Barton & the Movement & Maella (15)
REDCHURCH STREET BLUES – Philip Morgan Lewis (16)
MAGNIFICENT HURT – Elvis Costello & The Imposters (17)
I’LL CALL YOU MINE – girl in red (22)
BROKEN HEARTS – Ships Have Sailed (20)
SOMETHING FROM NOTHING/POINTS OF LIGHT – Secret Postal Society (21)
B-SIDE – Khruangbin & Leon Bridges (27)
CAVIAR – Two Feet (28)
LOVE DIES YOUNG – Foo Fighters (24)
GIVE A LITTLE LOVIN’ – Jamie Alimorad (26)
TIME IN DISGUISE – Kings of Leon (11)
GOOD FRIEND – dwi (12)
I DON’T LIVE HERE ANYMORE – The War On Drugs feat. Lucius (18)
IF YOU EVER LEAVE, I’M COMING WITH YOU – The Wombats (29)
British psychedelic pop/rock band Solar Eyes retain a firm grip on the top spot on my latest Weekly Top 30 for a second week with their beautiful track “I See the Sun“, and Spoon’s “The Hardest Cut” slides up to #2. Entering the top 10 are twenty øne piløts’ “The Outside” and Mitski’s “The Only Heartbreaker”. Sometimes it takes a while for a song to really grow on me, and after a slow start, Adele’s “Oh My God” leaps 10 spots to #14. Four great songs by artists I love make their debut this week: “B-Side” by Khruangbin & Leon Bridges, “Caviar” by Two Feet, “If You Ever Leave, I’m Coming With You” by The Wombats, and “What, Me Worry?” by Portugal. The Man.
I SEE THE SUN – Solar Eyes (1)
THE HARDEST CUT – Spoon (3)
STARTS WITH YOU – Shimmer Johnson (2)
TWO CAR FAMILY – Apollo Junction (5)
CRUTCH – Band of Horses (4)
ONE AND THE SAME – Future Theory (8)
WAKE ME UP – Foals (9)
CHAPSTICK – COIN (10)
THE OUTSIDE – twenty øne piløts (11)
THE ONLY HEARTBREAKER – Mitski (12)
TIME IN DISGUISE – Kings of Leon (6)
GOOD FRIEND – dwi (7)
HEAD IN THE CLOUDS – Thunder Fox (15)
OH MY GOD – Adele (24)
JUST LIKE ALWAYS – Oli Barton & the Movement & Maella (18)
REDCHURCH STREET BLUES – Philip Morgan Lewis (19)
MAGNIFICENT HURT – Elvis Costello & The Imposters (20)
I DON’T LIVE HERE ANYMORE – The War on Drugs feat. Lucius (13)
UNTIL I COME HOME – Two Feet & grandson (14)
BROKEN HEARTS – Ships Have Sailed (26)
SOMETHING FROM NOTHING/POINTS OF LIGHT – Secret Postal Society (27)
I’LL CALL YOU MINE – girl in red (29)
LEFT BEHIND – a million rich daughters (16)
LOVE DIES YOUNG – Foo Fighters (28)
U&ME – alt-J (22)
GIVE A LITTLE LOVIN’ – Jamie Alimorad (30)
B-SIDE – Khruangbin & Leon Bridges (N)
CAVIAR – Two Feet (N)
IF YOU EVER LEAVE, I’M COMING WITH YOU – The Wombats (N)
There’s lots of movement on this week’s Top 30. One of the downsides of curating a weekly list is that all songs must eventually move down, then off. I hate dropping songs I still like, but it must be done in order to make way for new ones on their way up. I’ve loved the music of British psychedelic pop/rock band Solar Eyes since first learning about them last summer, and have written about two of their singles, “Naked Monkey on a Spaceship” and “I See the Sun”. Inspired by the Quentin Tarantino film Once Upon A Time In Hollywood, “I See the Sun” is a glorious cinematic gem, highlighted by gorgeous spaghetti western-style guitars that would make Ennio Morricone proud. The stunning song takes over the #1 spot on my Weekly Top 30.
Spoon’s “The Hardest Cut” climbs three spots to #3, British band Apollo Junction’s “Two Car Family” moves up two spots to #5, and three songs enter the top 10: “One and the Same” by British alternative psychedelic rock band Future Theory, “Wake Me Up” by British alt-rock band Foals, and “Chapstick” by Nashville pop-rock band COIN. After a sluggish few weeks, twenty øne piløts’ “The Outside” and Mitski’s “The Only Heartbreaker” leap eight spots to #11 and #12, respectively. Debuting this week are “I’ll CallYou Mine” by girl in red and “Give a Little Lovin’” by Jamie Alimorad, which enter at #29 and #30.
I SEE THE SUN – Solar Eyes (2)
STARTS WITH YOU – Shimmer Johnson (1)
THE HARDEST CUT – Spoon (6)
CRUTCH – Band of Horses (3)
TWO CAR FAMILY – Apollo Junction (7)
TIME IN DISGUISE – Kings of Leon (4)
GOOD FRIEND – dwi (5)
ONE AND THE SAME – Future Theory (13)
WAKE ME UP – Foals (14)
CHAPSTICK – COIN (17)
THE OUTSIDE – twenty øne piløts (19)
THE ONLY HEARTBREAKER – Mitski (20)
I DON’T LIVE HERE ANYMORE – The War on Drugs feat. Lucius (8)
UNTIL I COME HOME – Two Feet & grandson (16)
HEAD IN THE CLOUDS – Thunder Fox (18)
LEFT BEHIND – a million rich daughters (9)
SMILE – Wolf Alice (10)
JUST LIKE ALWAYS – Oli Barton & the Movement & Maella (22)
REDCHURCH STREET BLUES – Philip Morgan Lewis (23)
MAGNIFICENT HURT – Elvis Costello & The Imposters (24)
THE TIPPING POINT – Tears for Fears (11)
U&ME – alt-J (12)
JOURNEYMAN’S BALLET – Sam Rappaport (15)
OH MY GOD – Adele (26)
INDUSTRY BABY – Lil Nas X featuring Jack Harlow (21)
BROKEN HEARTS – Ships Have Sailed (28)
SOMETHING FROM NOTHING/POINTS OF LIGHT – Secret Postal Society (29)
Jamie Alimorad is a talented, charismatic and congenial singer-songwriter based in Los Angeles. Music has been a big part of his life since his early teens, and by the time he was a college student at Northeastern University in Boston, he released his first EP Cornerstone (in 2010), then followed up two years later with his critically-acclaimed full-length album Words Left Unsaid, winning several music and songwriting awards. His very first video, for the song “Beautiful” from that album, has been viewed over 2 million times. Jamie then experienced a creative slump lasting several years, during which he became filled with crippling self-doubt, wondering if he’d ever be successful again.
He eventually decided to take a few classes with famed singer-songwriter, musician and producer Gino Vannelli, who offers small Art of Song & Voice Master Class sessions at his music studio outside Portland, Oregon. The two hit it off, and Gino eventually became his mentor. The two began working together writing and recording songs for what would become Jamie’s outstanding second album This is Tomorrow Calling, which was released in September 2019. (You can read my review of the album here.)
Jamie in the studio with Ross Vannelli
Now Jamie is back with a great new single “Give a Little Lovin’“, his first release in more than two years. The song was co-written by Jamie and composer, songwriter and producer Ross Vannelli (Gino’s brother), who also produced and arranged the track. The duo spent several months last year writing, arranging, recording, and mixing lots of new songs that Jamie plans on releasing in 2022. “Give a Little Lovin'” is the first of them. Drawing inspiration from the music of Prince, Morris Day & The Time and Bruno Mars, the two have fashioned an infectious and upbeat pop gem imbued with sexy swagger and funky grooves. From the wonderful opening guitar strums to the swirling synths, sultry strings, funky bass and lively drumbeats, the song is a master class in arrangement and instrumentation. Everything about the song is flawless and fresh-sounding, without ever feeling over-produced.
Jamie told me the song is “essentially about the chase; man sees woman, falls in love/lust with woman. Will she let him in?” As always, his strong, emotive vocals are exquisite, perfectly capturing his feelings of being intensely besotted with a beautiful woman:
Cross my heart and hope to die I want you and that’s no lie Never been so captivated Don’t wanna make it complicated I hope that I can make it clear tonight
From the moment that I saw you I couldn’t live my life without you I wanna make it all about you Oh oh oh oh oh
Give a little lovin’
“Give a Little Lovin'” is marvelous, and if Jamie’s upcoming songs are half this good, we’re in for a treat!
Singer-songwriter Jamie Alimorad has had music in his blood practically all his life. As a teen, he played in a garage band, for which he wrote all the songs, and in high school, he was literally the face of the music department. By the time he was attending college at Northeastern University in Boston, he released his first EP Cornerstone (in 2010), then followed up two years later with his critically-acclaimed full-length album Words Left Unsaid, winning several music and songwriting awards. His very first video, for the song “Beautiful” from that album, has been viewed over 2 million times! Writing and recording songs had always seemed to come easy to him. Then, suddenly, it wasn’t so easy anymore.
Starting in early 2015, and continuing over the next few years, he wrote and recorded dozens of songs for a new album, but none of them satisfied him. He grew frustrated and filled with crippling self-doubt, wondering if he’d ever be successful again. So, he took a couple of classes with famed singer-songwriter, musician and producer Gino Vannelli, who offers small Art of Song & Voice Master Class sessions at his music studio in Troutdale, Oregon. Jamie took one of his songs “A Moment Is All I Ask” to the second class, and after working on the song together, he and Vannelli realized they’d make a great team collaborating on an original project. That project ultimately became Jamie’s second album This is Tomorrow Calling, which was released on September 27th.
Working with Vannelli was an artistic rollercoaster ride for Jamie, filled with unique challenges and opportunities. He recalls “No one had ever told me in music, ‘It’s not good enough.’ No one had ever said, ‘You could be better.’ Gino put me on an island. No map, no shelter, no supplies. Make the island paradise, find a way out, or die. Those were the options, and it was up to me to create my tomorrow. Eventually Gino and I recorded eight songs together. Upon moving to Los Angeles, I did two more cuts with [Gino’s brother] Ross Vannelli. These two legends took me under their wings and opened my eyes to who I am. I’m eternally grateful for everything they’ve done for me.”
For the album, Jamie sang lead and backing vocals, and played keyboards, acoustic guitar and programming. Gino Vannelli played additional keyboard, organ, acoustic guitar, synth bass, drums, percussion and programming. Ross Vannelli sang backing vocals and also played keyboard, electric guitar, synth bass, drums, percussion and programming. Additional keyboards and programming were provided by George Whitty and Greg Goebel, electric guitar by Dalton Cyr, and backing vocals by Julie LaMeng and Moorea Masa. The album was produced by Gino Vannelli, though two of the tracks were produced by Ross.
Jamie’s pleasing sound could probably best be classified as adult contemporary pop-rock, although his music includes elements of folk, Americana, country and jazz. His thoughtful, relatable lyrics are set to catchy melodies and brought to life through superb instrumentation and rich sound textures. Listening to This is Tomorrow Calling, I’m struck by how good it sounds – the beautiful arrangements, lush soundscapes and, most notably, Jamie’s marvelous vocals. Every track is superb, showcasing his skillful songwriting, musicianship and impressive vocal range, but I’ll highlight my personal favorites.
The album opener “Brighter Days” is a terrific, upbeat song about not letting your problems overwhelm you, and staying positive in the hope that things will get better. A phrase in one of the lyrics is the album’s title, and really encapsulates its overall theme of love and resilience. “When living’s hard and you think you’re better off dead. This is tomorrow calling, there are brighter days ahead.” The genre-bending song has an infectious dance beat, with a bit of a country-rock vibe thanks to twangy guitars and some great vocal harmonies, and hits us in all the right feels. In conjunction with its release this past August, Jamie partnered with the American Foundation for Suicide Prevention to raise funds for their cause. Proceeds from sales of a “Brighter Days” t-shirt at https://www.teepublic.com/user/jamiealimorad will be donated to the American Foundation for Suicide Prevention.
On “Not Just Another Pretty Face“, Jamie sings of the many virtues of the object of his affection in addition to her good looks. “You’re more than a heavenly sight. Not just a Renoir on the wall, or a statue in a marble hall. You’re not just another pretty face. That’s what I love most of all.” The jazzy piano, organ runs and lively percussion, along with his smooth vocals and occasional scatting, make for an incredibly delectable song in the style of Michael Bublé.
“Down on Golden Shores” is a lovely but bittersweet song about loss, with some especially poignant lyrics like these: “Poor Louie was one of the best-looking dudes you ever did see. Kandahar sure did a number on his perfect body. /My Alex was so full of life. I thought someday to make her my wife. But the world is full of best-laid plans, made by sea and golden sands.” The piano, gentle guitar, harmonica and strings are all sublime, as are Jamie’s heartfelt vocals.
The radio-friendly “Not Ready to Say Goodbye” was the lead single from the album, and with its haunting melody, beautiful guitar work and infectious Latin rhythms, is definitely one of the standout tracks. Jamie passionately implores to the woman he’s fallen for to not end their budding relationship: “I fell head over heels, I jumped when you said jump. Too fast, too deep, just call me a chump. Not ready to say goodbye. Not ready to take the fall. Not ready to say goodbye. I’m in it for the long haul.”
A track that jumped right out at me on my first listen of the album was “Lucky Me“, a delightful kiss-off song that Jamie wrote as needed therapy after a bad breakup. The amusing lyrics describe how he quickly fell for her, only to discover that she was toxic: “They popped right out of my head when I laid my eyes on her, not knowing what kind of claptrap lay in my future. Lucky me! She came and went in a New York minute. Lucky me! It’s a beautiful world and I’m right back in it. The two best days of my life: One was finding her. Ooh the second one was losing her. Lucky me.” With its jazzy organ, guitar and percussive grooves, the song has a cool, late 70s Steely Dan vibe, and is one of my favorites on the album. And need I mention yet again how good Jamie’s vocals are?
“How Could I Love Again” is a poignant song about having such a deep, intense love for someone that you don’t believe you are capable of ever loving another. The beautiful, piano-driven melody provides a moving backdrop for Jamie’s heartfelt vocals as he laments “Once I loved one woman such, that I thought to die without her touch. Because I loved her far too much, how could I love again?”
On the album closer “Nights In the Back Bay“, Jamie seems to recall his experiences while attending college in Boston, and wanting to recapture the passion and creativity he had for making music back then. “I remember when the road had no end. My faith has been shaken, my heart keeps aching to return to those nights in the Back Bay. I’ve gotta get born all over again.” Musically, the song has a hauntingly beautiful melody that sounds brooding at times, yet uplifting and hopeful at others. The laid-back twangy guitars give the track an Americana feel, and the tinkling piano keys, synths, bass and crisp percussion are all wonderful.
This is Tomorrow Calling is a gorgeous work, with some of the finest production values of any album I’ve heard in a long while. Jamie and the Vannelli brothers should be very proud of their creation, as it’s impressive on every level. While its laid-back, easy-listening style probably won’t appeal to everyone, anyone who enjoys quality music, great lyrics and beautiful male vocals will enjoy this album.
Jamie will be opening for Gino Vannelli on Saturday, October 12 at the Saban Theater in Beverly Hills, CA.