GUY PAUL THIBAULT – Album Review: “The Road Between”

Guy Paul Thibault Album

When I last featured Canadian singer/songwriter Guy Paul Thibault on this blog back in September 2017, he had a few months earlier released his wonderful album It’s About Time, an appropriate title given the span of 17 years since his previous solo album. (You can read my review here.) Now the Cole Harbour, Nova Scotia-based musician returns with a superb follow-up effort The Road Between. Listening to his pleasing style of rock-infused Americana/Alt-Country music, it would be easy to assume he’s from somewhere like Nashville, Tennessee, rather than the maritime provinces of eastern Canada.

Over the past two years, Guy Paul has received numerous accolades, including being named 2018 Artist of the Year on New Vision Radio (New Jersey), one of the Top 40 Indie Artists of 2017 on several Ontario, Canada radio stations, having several of his singles appear on numerous Indie Music charts in Canada, the U.S., UK and Australia, and having It’s About Time named one of the top albums of 2017 by The Halifax Musicphile.

Guy Paul played most of the instruments on The Road Between, although Shawn Cherry played drums, and Ian Lewer played bass on the opening track “Anymore”. Guy Paul sang all lead vocals, and Carolyn Cherry sang most of the backing vocals, except for those on “Talk to Me” and “No One Understands”, which were sung by Lisa Comeau-McDow. Guy Paul’s daughter did all the hand claps and played tambourine.

The album features nine tracks that address love and relationships, and all the attendant joy and heartache they bring. Case in point is album opener “Anymore“, a poignant Alt-Country tune about feelings of betrayal and sadness over a love affair that went south. Against an urgent backdrop of really fine electric and slide guitar work, Guy Paul laments “You don’t know where I sleep at night anymore. You don’t know what it’s like in my life anymore. Why don’t you love me anymore?”

The Country-rock tinged “Dangerous Strangers” speaks to an illicit affair about to go down between two people – one with a faithful wife back home, and another seeking revenge on the man who cheated on her: “For a minute think you saw, what was really on my mind. A touch of evil, it could be a simple little crime. You can only think of him, how he broke your heart. Are you gonna do to him what he did to you.”

One of my favorite tracks is “Talk to Me“, a powerfully moving song about a couple struggling to communicate through the wall that’s built up between them: “Talk to me about anything you want. Just look at me like you sometimes care. Tell me what it is that you want. Show me that you’re somewhere in there.” The dramatic instrumentals, especially the intricate guitar work, are fantastic, creating a palpable tension that’s a perfect accompaniment for Guy Paul and Lisa’s beautiful, impassioned vocals.  The piano-driven ballad “Take Me” touches on the passage of time and how lovers can drift in and out of your life: “Funny how time flies. In her world and in mine. Children, death and love crimes. Chances that seemed to rush by. /  Only love can save my soul, from years of pain untold. Love me if you can. She said ‘Try to be my man’.

Another highlight for me in an album filled with them is the haunting “Who Are You“. The track opens with a mournful organ riff and drumbeat, followed by an achingly beautiful twangy guitar riff. Soon, Guy Paul’s resonant vocals enter the scene, backed by Carolyn’s soft croons as the instrumentals build, creating a lush, moody soundscape. The lyrics speak of a couple who’ve become strangers to each other after years of disappointment and hurt: “Cause here is the moonlight. And these are our scars. Though you lie here beside me, I can’t tell who you are.” This track really showcases Guy Paul’s skills for songwriting and crafting gorgeous melodies.

He lightens the mood with the celebratory “Day Drinking“, a fun rock’n’roll tune about just forgetting one’s problems and spending the day with a loved one like you’re on holiday.  Things turn serious again with the darkly beautiful “No One Understands“, an ode to someone who’s stood by you through good times and bad: “And no one understands but you. Why I do the things I do. And no one comprehends the secret wars that I have led. No one understands but you.” Once again, Guy Paul is joined by Lisa Comeau-McDow, and their vocal harmonies are sublime. The guitar solo in the bridge is pretty wonderful too.

Don’t You See Me Cry” is one of the more rock-oriented tracks on the album, with lots of great intricate guitar work, accompanied by some terrific piano keys. Instrumentally, this is one of the standouts on the album, and the distorted guitar riffs are particularly good. The dark lyrics seem to speak of someone who was already feeling bad, and put his hopes on a woman who ended up only hurting him more:  “I was such a strong man with no love left in his eyes. Well you changed all that and now I could just die. Don’t you see me cry.” The album closes on a bittersweet note with “Catch My Fall“, a song about a young runaway who he allowed into his heart and life, but was too young and unsettled to stay with him: “Much too young and always on the run. The rhythm in her feet always pulled her towards the sun. She couldn’t stop, just couldn’t settle down.”

Guy Paul’s songs have a way of boring themselves into your mind and soul, staying with you long after hearing them. I found myself liking this album more with each listen, discovering new sounds in the music, and deeper meanings in the compelling lyrics. I appreciate that he included them on his Bandcamp page, which also made my job of discussing each track easier. If you’re a fan of Americana and Country-rock, you will enjoy The Road Between.

Connect with Guy Paul:  Website / Facebook / Twitter / Instagram
Stream his music:  Spotify / Google Play / Soundcloud
Purchase:  iTunes / Bandcamp / cdbaby

GUY PAUL THIBAULT – Album Review: “It’s About Time”

It's About Time Album

Listening to the music of Guy Paul Thibault, it would be easy to assume he’s from somewhere like Nashville, Tennessee. In reality the singer/songwriter/guitarist – who plays tremendously satisfying folk music with strong country and rock influences – hails from beautiful Nova Scotia, Canada. An accomplished musician, Guy Paul has written, recorded and produced six albums on his own. He’s also played acoustic, electric, bass and slide guitar, and sang vocals for original acts and cover bands. In June he released a new album It’s About Time, an appropriate title given the span of 17 years since his last solo album.

I’ve always loved songs that tell a story, and It’s About Time is loaded with them. Let me state right here that Guy Paul is an incredible wordsmith. Through poetic, heartfelt, and sometimes humorous lyrics, his songs address the oft-covered subjects of life, love and heartbreak, but in ways that reveal the contradictory facets of good and evil inherent in each of us. Furthermore, these colorful stories are delivered with his sublime vocals and accompanied by some pretty nifty acoustic and electric guitar. I usually like to highlight a few song lyrics in my reviews, but in this case I’ll be featuring quite a lot of them.

Guy Paul Thibault

Here She Comes” kicks off the album with a pleasing country-rock rhythm. Guy Paul instantly hooks us in with his laid back vocal delivery and nimble acoustic guitar. Gentle percussion sets the beat and the sweet violin in the bridge is a nice touch.

One of the best ‘story’ tracks is “Misdemeanor,” a catchy, guitar-driven and wry tune about an older woman who’s still got it, and always out looking for a good time:

Takes the complications with a delicate smile
Avoids one night affairs, well she has for a while
That’s what she says
Well, hello boys is her natural style
Moves on her prey like a cat in the wild

With a closer look, well she’s showing her age
But she’s still got her wit and she’s still got those legs
Ahh those legs

Guy Paul turns serious with “Hills,” a compelling song about people living a hardscrabble existence in rural America who’ve endured more than their fair share of military service and the consequential casualties, PTSD and societal breakdown:

You can hide a body forever in these hills
A thousand square miles and a hundred little stills
They took us from our homes and taught us how to fight
Now justice comes in the middle of the night
Now terror comes in the middle of the night

He strums his guitar with a forcefulness to match the searing lyrics, backed by an assertive military drumbeat and mournful harmonica. The generous use of electric guitar and bass also lend greater impact to the track.

The poignant “Tallest Man on Earth” addresses the realization that the father you once idolized, thinking you wanted to be like him, wasn’t so high in stature after all:

When I was just a young man, trying not to fall
The only thing that seemed to matter was growing up and being tall
Growing tall brings great things, like seeing past the trees
You can’t hear the whispers, your head up in the breeze
He seemed the tallest man on earth

His heart died alone they say, running against the wall
He never could comprehend life wasn’t about being tall
He seemed the tallest man on earth
The smallest man on earth

Another powerful and standout track is “We Just Don’t Care,” a hard-hitting country-rock anthem that speaks to the apathy and sense of futility caused by feelings of betrayal by society and our government. Those sentiments are expressed by an attitude of entitlement – ‘I want what’s owed to me, and to hell with everyone else’:

Sacrifice is such a lonely word
There’s not much left in this world
We’re all trying the best we can
Can’t see the beach for the grains of sand
Belief is just a long-lost dream
Slowly fades from what I’ve seen
Lack faith in our fellow man
Lost in time a simple slight of hand
This is how we are now
And we just don’t care

Guy Paul shows us his rocker side on “Saving Grace,” a rousing song with a driving beat and lots of terrific electric and rhythm guitar riffs. One of my favorite tracks is “Saturday Night,” a catchy and breezy country song about hooking up with strangers to avoid being lonely. The lyrics are rather bittersweet until he lightens things up at the end:

It’s alright, I still got my friends
That’s what I’m talkin’ about
Hey wait a minute, is that another bottle over there?
Same time next week?

Stay (For Riley)” is a lovely but wistful ballad about saying goodbye to a loved one – or a pet perhaps? “You were my best friend, chased all of my fears. Now you live in every tear. Stay.”  Guy Paul serves up jangly guitar riffs on “If I Had,” a really nice folk tune about dreaming of enjoying life by hitting the road in his car with a girl and guitar. Wrapping up the album is the sorrowful “How Far Could I Fall.” The country song speaks of hitting bottom after his girl left him and he sought comfort with booze and drugs.

It’s About Time is well worth the wait of 17 years, as it’s superb on every level. In addition to Guy Paul’s impressive songwriting and musicianship, he was assisted on the album by the musical talents of David Bradshaw and Shawn Cherry.

Connect with Guy:  Website / Facebook / Twitter / Instagram

Stream his music:  Spotify / Google Play

Purchase:  iTunes / Bandcamp / cdbaby