BLACK BEAR KISS – Single Review: “I Wanna Know”

I Wanna Know

British alternative garage-rock band Black Bear Kiss have been on a creative tear since the release of their terrific debut single “Hooks” in April 2018. With their exciting, guitar-driven music, strong charisma and rowdy live performances, the talented five-piece have built a loyal following in their home base of the West Midlands/Shropshire region of England and beyond – even out here in the Coachella Valley of Southern California!

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Comprised of Chris Leech on lead vocals, Colin Haden on lead guitar, Rob Jones on rhythm guitar, Rich Sach on bass, and Chris Bagnall on drums, Black Bear Kiss have been busy playing gigs and putting out a series of great singles, as well as an EP Fighting Our Corner, which they released this past March. A favorite of this blog, I’ve previously reviewed three of their singles (which you can read by clicking on the links under “Related” at the bottom of this post). Now the prolific band makes a fourth appearance with their latest single “I Wanna Know“, which dropped on August 9th.

The song gets our blood pumping right from the get-go as Haden and Jones lay down chugging riffs of gnarly quitars over Sach’s heavy, buzzing bass line. These guys play as a tight unit, propelling the song forward with their hard-driving rock’n’roll rhythms while Bagnall pounds out the beat. The layered guitars are fantastic, with aggressive, swirling riffs that create an exhilarating backdrop for Leech’s warm, earnest vocals which, along with the stellar guitar work, are a major component of Black Bear Kiss’s outstanding sound.

With regard to the meaning of the lyrics, Leech explained that the song is “about playing live and the buzz that comes from it – plus relying on your bandmates”: “Come a little closer, the room is on fire. But I’m alright, you’re gonna be fine. Ah, this is our time. I wanna know, just how much you’re meaning this. Lookin’ around, can I rely on you? Guided by stars. Wanna feel it. Wanna feel it all. Guided by stars. Take the other way, take the other way home.

“I Wanna Know” is a great tune, and yet another in a string of solid singles by Black Bear Kiss. I hope they’ll continue to strike gold with many more!

Connect with Black Bear Kiss:  Facebook / Twitter / Instagram
Stream their songs on  Spotify / Apple Music
Purchase on  iTunes cdbaby

New Song of the Week: DARKSOFT – “WannaCry”

Darksoft single art

This past February, I featured the creative and talented young Seattle music artist Darksoft when I reviewed his brilliant debut album Brain. Released in November 2018, Brain is a concept album named for the very first computer virus to attack the internet back in 1986, with each track named after infamous viruses that followed. In keeping with his penchant for writing and recording songs that address timely and relevant social and cultural issues related to technology, he’s just dropped a great new single “WannaCry“. The song was written and produced by Darksoft, and mixed and mastered by Mathieu Riede of L453RL4Dy Studios

The song features Darksoft’s signature fuzz-coated jangly guitars, accompanied by swirling synths and crisp percussion that create a dreamy, almost psychedelic soundscape. But my favorite aspect of the overall sound is his silky, almost breathy vocals that are incredibly pleasing, even when he sings of a rather disquieting subject.

The lyrics speak to the deep cultural and political divide in America, fed by our tendency to stay stuck in our own echo chambers. Reading and hearing only what we choose to read and hear makes it harder to learn the real truth, and reinforces our beliefs and opinions. Furthermore, the social networks we thought were friendly spaces now seem to be corrupted by those who use them to spread misinformation.

Maybe they just wanna give us all a say 
But I can’t help but feel like a pawn in some conspiracy 
What am I used to fight? 
Am I lined with the right history? 
Who are you working for? 
Are you buried in your day to day? 
I know, it shows 

So we live alone in our twin code 
Seeing polar sides to every lie 

wanna wanna cry 
you wanna wanna cry 
But you don’t know how… or why

Connect with Darksoft on Facebook / TwitterInstagram
Stream his music on Spotify / Soundcloud / Google Play
Purchase on Bandcamp / iTunes / cdbaby

New Song of the Week: THE MILLION REASONS – “Secrets”

The Million Reasons Secrets

Chicago rock outfit The Million Reasons has been a favorite indie band of mine ever since I first heard their magnificent song “Dizzy” almost exactly one year ago today. I featured the song on this blog, and loved it so much it ended up at #10 on my list of Top 100 Songs of 2018. They followed “Dizzy” with another fantastic single “Battle of Sound” in early November 2018, along with a humorously charming video. (I reviewed both singles, which you can read by clicking on the links under “Related” at the bottom of this page.)

The guys now return with a brand new single “Secrets“, which finds them taking a somewhat darker tone than their previous songs. Drummer Colin Dill explained: “We wanted to surprise people with a darker, heavier song than expected. We are all a little angry about the current state of affairs and this song represents letting people into the frustration that can be hidden deep down.” Besides Dill, The Million Reasons is comprised of Scott Nadeau (lead vocals), Ken Ugel (guitar), Mike Nichols (guitar), and Jason Cillo (bass). They’re all phenomenal musicians, consistently delivering arresting melodies, killer riffs, tight rhythms and powerful vocals. “Secrets” was produced by guitarist Ken Ugel along with Adam Beck, and mixed by Ugel and mastered by Nick Stetina.

The song starts off with a somber, bluesy guitar riff, moody bass line and pounding drum beat as Scott sings the first verse with his beautiful, understated vocals:

It’s hard to keep the days in line
And it’s hard to tell the time
When your mind is far away from here
When the light begins to fall
And your thoughts begin to stall
What do you do to entertain yourself?

Follow me a little deeper, and I’ll show you all my secrets that I keep inside
Follow me a little deeper, and I’ll show you all my secrets in this state of mind

Suddenly, Scott’s vocals erupt into an angry wail as the music intensifies with a barrage of gnarly and distorted guitars, chugging bass and tumultuous drums. He passionately rails against the current socioeconomic conditions in America (and elsewhere) that keep a sizable percentage of the population stuck in financial limbo:

Welcome to the modern age
Where there’s no jobs, no decent wage
But that’s OK
You can have some debt for free
All the problems of today
(They) never seem to go away
And the light
Is still so far from me

Follow me a little deeper, and I’ll show you all my secrets that I keep inside
Follow me a little deeper, and I’ll show you all my secrets in this state of mind

The song ends on a bombastic note, driving home the frustration and anger the band feels about this subject with powerful ferocity. It’s another winning song from The Million Reasons, offering further evidence that they’re an immensely talented band who are skilled at producing exceptional music with compelling and relatable lyrics. I love these guys, and look forward to hearing more from them soon.

Catch The Million Reasons at one of these upcoming shows:

July 19 – Beat Kitchen, Chicago
August 3 – Wedgestock 2019, Middlebury, Indiana
August 9 – Cubby Bear Wrigleyville, Chicago

Connect with The Million Reasons:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music / Soundcloud / YouTube
Purchase:  Bandcamp / iTunes / Amazon

DENSE – Single Review: “Displaced Face”

DENSE Displaced Face

DENSE is an awesomely talented psychedelic garage rock band hailing from Leeds, England, who combine thick, fuzzy grooves with fiery riffs and intricate melodies to create a unique and heavy sound that’s at once retro and futuristic. Despite their youthful, boy-next-door image, their music is incredibly intense and badass, with an impressive maturity, complexity and density – as their name would imply. The best description I can think of for their sound would be ‘industrial surf-metal psychedelic rock’. Making this phenomenal music are Charlie Fossick (Guitar/Vocals),  Dylan Metcalf (Bass) and Sam Heffer (Drums).

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I’ve previously featured them several times on this blog over the past two years, most recently last May (2018) when I reviewed their explosive single “The Smoke”. (You can check out those reviews by clicking on the “Related” links at the bottom of this page.) Now they return with another mind-blowing new single “Displaced Face“. The song is aptly-named, cause it’s positively face-melting!

The track opens strong, with an ominous, gnarly mix of deep, throbbing bass, distorted psychedelic guitar sounds and spacey background synths lasting approximately 40 seconds. Suddenly, everything erupts into a maelstrom of tortured, reverb-heavy riffs, heavy, thunderous bass and explosive percussion – all seemingly hell-bent on blowing out our eardrums and throwing us against the wall. Charlie screams lyrics I can’t quite make out, but who cares, as the music is fucking on fire! These guys are literal beasts on their respective instruments, and Charlie is a freaking madman when he opens his mouth!

I’ve loved every single one of their songs, and “Displaced Face” is no exception, delivering four minutes of intense, psychedelic ear candy. The marvelously creepy artwork for the single was designed by band friend Elle Penketh.

Connect with DENSE:  Facebook / Twitter / Instagram
Stream “Displaced Face” on  Spotify / Soundcloud / Apple Music
Purchase on iTunesBandcamp

DRAFT EVADER – EP Review: “Cashed”

Draft Evader Cashed

Draft Evader is an earnest and talented young musician from Chicago who I’ve been following for a while, and it’s been gratifying to watch him grow and mature as an artist. An interesting name for the music project of singer/songwriter and guitarist Ryan Loree, Draft Evader aptly describes his independent and rebellious nature. I first featured him on this blog in December 2017 when I reviewed his single “The Devil’s Disguise”, and at the time he explained “the name ‘Draft Evader’ is kind of a middle finger to the whole system, like ‘you can’t tell me what to do.’ So in a sense it means freedom. Freedom to be who you are and do what you love, no matter what anyone says.

Draft Evader plays a dynamic and accessible style of what he calls “pessimistic punk rock”, with rock’n’roll and grunge overtones. He writes all his songs, plays guitar and sings all vocals, and his good friend Joe Scaletta plays bass and drums, as well as mixes and masters the tracks. His deeply personal lyrics are brutally honest and always relatable; he openly addresses his struggles with depression and self-doubt, something a fair number of musicians and others involved in the arts also experience (as does yours truly).

He released a great little EP Hound Dog in the fall of 2018, featuring four stellar tracks – one of which, “In My Mind” was particularly outstanding. I loved the song so much it went all the way to #1 on my Weekly Top 30 last December. On February 12, he dropped a new two-song EP Cashed – a double-sided single of sorts. Interestingly, both tracks are 2:36 minutes long. Cashed was inspired by Ryan’s involvement in a car accident: “Ever get into a car accident during an existential crisis only to lose your job right after? Me too, and I wrote a couple songs about it.”

On the hard-rocking title track “Cashed“, he candidly speaks of depression and self-destructive behavior that often leads to additional problems, contributing to a cycle of ever deeper depression. Yet he also yearns for comfort and reassurance from a older and wiser voice. Ryan’s an impressive guitarist, and he delivers an onslaught of gnarly riffs from the get-go, driving home the seriousness of the subject matter. His scorching little guitar solo in the bridge was written by fellow musician Martijn Frazer, and I love his soaring vocals in the chorus. In fact, Ryan’s vocals have really improved with time and experience, and here he beautifully conveys the frustration and anger expressed in the biting lyrics:

Cashed my check to fill my tank up
Slow down over one more speed bump
Blowing stop signs with no license
Crash my car then stepped in dog shit
Covered in shitty ink
What would my grandma think
Kill for an old-school opinion
Pickin’ up missing teeth until my knuckles bleed
Falling deeper into a depression

On “Sunnyside“, he addresses the self-doubt about his music that sometimes plagues him. He released an EP Heel Turn in April 2018 (a very respectable effort that I also reviewed) but being a perfectionist, Ryan wasn’t satisfied with the songs or EP artwork. He incorporates the EP and song titles in the opening verse of “Sunnyside”, describing his struggle with self-confidence and feelings of not belonging:

Heel turn, I’m on a warpath
If I stutter more, I’ll complain less
All I have are some petty songs
Trying to write out all my wrongs

And I think I died in the old world
Because here I just don’t belong
And I left my soul in the old world
Behind yellow bars and heineken

Once again, he lays down chugging riffs of gritty guitar, while Joe handles the rhythm section with skilled precision. Both tracks are excellent, with catchy melodies that immediately hook us in, and driving riffs to keep us in thrall while we enjoy the ride. It’s a testament to Draft Evader’s continuing growth and ability to put out terrific rock music. I admire this young man and am happy to help promote him and his music however I can.

Connect with Draft Evader on Twitter / Instagram
Stream/purchase his music on Spotify and Bandcamp

DARKSOFT – Album Review: “Brain”

Darksoft Brain

Darksoft is the music project of Bill Darksoft, a smart and creative young artist from Seattle, Washington who’s produced one of the most interesting and brilliant concept albums I’ve heard in some time. Brain, which dropped in November 2018, is named after the very first computer virus to attack the internet back in 1986, with each track named after infamous viruses that followed.

He operates his own label and website Look Up Records (for which he also writes some pretty awesome reviews), and in addition to his music project, has played with many Seattle acts over the years. About his inspiration behind the creation of Brain, he explains: “Distanced through haunted screens, we rely on spooky contact that we don’t fully understand. At times, dark forces lurk on the other end, with a motive to con. Always a silhouetted hooded presence, the hacker has become our modern portrayal of Death; captor to the mind and its web of memories. As we stare deeper and deeper into the glowing comfort of this synthetic deception, trust has become the challenge of our modern paradigm, and the cyberscape the new Great Unknown. At its core, Brain is a story not only of the brain, but of the heart, as both confront trust and deception, the real and the synthetic, the mind and the motherboard, and the dark web connecting it all where the matter of our endless identities can be created as quickly as it can be erased, infected, encrypted…or simply revealed for what it truly is, beneath the hood.”

Brain opens with “Mydoom” a pleasant track with gauzy riffs of jangly guitars, subtle bass and gentle percussion. The lyrics speak to the seemingly harmless but insidious virus that keeps a watchful eye on one’s internet dealings: “I’ll just pop up in your window to see how it’s going. From time to time I will drain your battery life… Track you close, I’ll watch your move. Mydoom A has put a bug on you to stayIt’s ok to be vulnerable if you’ve got nothing to lose.” Darksoft has a velvety smooth vocal style that’s incredibly pleasing, giving the track a rather dreamy vibe. On “Elk Cloner“, he first warns about a virus that works to take over our thoughts: “They will enter your world. They can infiltrate microchips. They will stick like glue. They will modify you.” But then it’s as if the virus itself tells us not to worry and just remain calm: “No cause. No cause for alarm. No harm. We just occupy thought. No cause for alarm. No cause, just be calm.” The track has a lovely, mesmerizing melody and his vocals are really soothing, belying the rather menacing message.

Darksoft quickens the pace on the bouncy “Conficker“, though it still has a somewhat moody undertone with a mix of fuzzy and jangly guitars, shimmery synths and a determined drumbeat. The lyrics allude to the algorithms that control what we’re fed on social media, shaping our world view in the process: “We choose what you feel. No view into reality. Your life is ours… permanently.

With gnarly guitars and spooky synths propelled by a strutting bass line, “Lamex” speaks to how easy it is to escape into an artificial online world: “If you want a lame existence. They will send you a virus or two. Lamerism is the name of the tool I use”, yet yearning to break free and think clearly and independently: “I need to get out…To free my mind…To quit this code and leave the app I knew behind. If you look away you’ll open your eyes.”

One of my favorite tracks is “Heartbleed“, with its enthralling melody, irresistible drumbeat and gentle psychedelic groove, thanks to deliciously eerie synths. The jangly guitars are marvelous, the bass line’s sublime, and I absolutely love Darksoft’s warm, captivating vocals. I honestly think I would be perfectly happy listening to him sing the yellow pages!  My take on the song’s meaning is it seems to compare the feelings of someone who’s emotionally dead inside to that of a computer – a machine who only does what it’s programmed and directed to do: “Matter is a thing. You focus it’ll bring you life and pleasure. Just wait and see. Let your lead heart bleed.  Silicon and hardware respond.  Nothing really matters when you’re a machine… You live to be used by others.”

Another favorite is “Cryptolocker“, a darkly gorgeous song with dreamy and sometimes eerie synths that create a lush atmospheric soundscape. The gently-strummed chiming guitars are exquisite, as are Darksoft’s ethereal vocals that are seductive, yet menacing, as he coldly warns another not to fuck with him: “You don’t know who you’re dealing with. You don’t understand who you’re messing with. Lock me away and I will pull the plug from under you.”

I distinctly remember the virus for which “ILOVEYOU” is named. Darksoft uses it as an allegory for the emptiness and futility that can result from using online dating websites: “Every fuckin day is the same. Can’t look up from the screen. Crushes breakin over the phone. Guess that I’ll be alone. Til I see your message titled ‘love confession’. Feeling’ tempted by a lie; it’s a misdirection. You were nothing more than spam. My little love connection. Engineered to phish my soul. Been spoofed again by a false confession.” The song has an infectious drumbeat and some fine, intricate guitar work.

Code Red” is a beautiful, languid song featuring Darksoft’s resonant, pulsating guitars and sublime vocals, backed by his own harmonic choruses.  The lyrics seem to speak of clearing one’s mind of self-destructive thoughts and behaviors: “Everyone has a code. Some write them, others they follow a worm. Everyday, take a chance. Decrypt all the bullshit and break from the trance.” The final track “NightShade” is a mellow, anthemic rock song with jangly guitars and humming bass, accompanied by snappy drumbeats. NightShade seems to be a metaphor for drugs taken to numb the pains of life: “Where you’re from, how you came as I take it all away with NightShade. / If I can survive maybe then so can you. Aren’t we all playing role games? Infect the database with NightShade.”

Brain is a great album, and I love pretty much everything about it – Darksoft’s clever lyrics inspired by each of the computer viruses, his beautiful melodies, outstanding guitar work, first-rate production values, and stunning vocals. He’s an amazing talent, and I eagerly look forward to hearing what he comes up with for his next music project.

Connect with Darksoft on Facebook / TwitterInstagram
Stream his music on Spotify / Soundcloud / Google Play
Purchase on Bandcamp / iTunes / cdbaby

LOUD HOUND – Single Review: “Youthful Stranger”

Loud Hound Youthful Stranger

I’ve featured hundreds of artists and bands on this blog over the past three-plus years, and it seems half of them have released new music since the first of the year! Today I’m writing about LOUD HOUND, the music project of Tommy Florio, a talented young singer/songwriter from Ventnor City, New Jersey. The self-described “beachy boi extraordinaire” fuses elements of garage, surf and psych rock to create wonderful songs filled with catchy melodies, honest lyrics and irresistible guitar grooves.

In early 2018, he released his debut single “Fine By Me” – a lo-fi, high-energy, surf rock gem, then followed that May with the outstanding introspective single “Runnin’,” which I reviewed. Now he’s back with a great new single  “Youthful Stranger“, delivering a somewhat moodier dream pop vibe than his two previous singles. It really showcases his skill at writing songs with diverse melodies and instrumentation, and keeping his music sounding fresh.

Starting with a mix of strummed acoustic and jangly electric guitars as the primary drivers, LOUD HOUND adds some distortion, fuzzy bass and low-key percussion to create an intriguing backdrop for his slightly seductive echoed vocals. The music and vocals build as the song progresses, with some nice riffage in the chorus, then slows back down toward the end, with an interesting watery reverb effect on the guitars.

The lyrics seem somewhat ambiguous, but my take is that they speak to depression in a young adult who takes drugs to make it through life, feeling invincible once they take effect:

Youthful stranger watch as your dreams fall apart
Little blue pills keeps your friend up at night
The lonely dreamer survives the night
The lonely dreamer survives the night

Youthful stranger watch as your dreams come to life
Let’s pretend and play God
My life ready to stand tall
The lonely dreamer survives the night
The lonely dreamer survives the night

Connect with LOUD HOUND:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Apple Music / Soundcloud
Purchase:  iTunes / Bandcamp

BOOGIE BOARD – EP Review: “Rippers Only”

boogie board ep art

Last year, I wrote about Chicago-based surf/garage rock artist Boogie Board and his album Ferric Tape Noir, along with two extra singles (which you can read here). Boogie Board is the music project of guitarist and composer Stephen Denning, who describes his music as “fuzzy midwestern garage/ psych/ surf rock.” He writes, performs, records and masters all his music directly onto a 4-track tape machine in order to achieve a gritty lo-fi sound. I’m a big fan of surf guitar and all it’s permutations, so am pleased to feature him once again, with his latest release Rippers Only.

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He’s produced quite a lot of music the past couple of years, starting with his debut 12-track album Surf N Turf in May 2017, followed by a five-track EP Dream Telepathy that September, then Ferric Tape Noir in late January 2018, and a double single Portal Window & Infinity Stairs two months later. On January 19, he dropped a new EP Rippers Only, delivering four new pieces of grungy surf rock candy for our listening enjoyment.

Most of Boogie Board’s tracks are on the short side, generally running approximately two minutes, give or take. At a total of only seven minutes, the EP comes and goes in a flash, but it’s a fun ride! The first track “Slow Roller” is catchy as hell, with a peppy drumbeat and a deep, gravelly riff that feels like bass, except it’s not. Denning likes to occasionally run his guitar through a bass amp to achieve a heavier sound. His vocals are as heavily distorted as the guitars as he chants “Slow roller. Go slow gonna take a drive. Slow roller. Gonna take my time.” Next up is “Keep It In Line“, with dense, grungy riffs set to a driving beat. Once again, Denning chants lyrics in heavily distorted vocals, however these I can’t make out. The track closes with lots of reverb.

Play It Cool” features very gnarly guitars over a repetitive frantic beat. Denning adds tasty little guitar flourishes to the mix as he shouts “I’m feeling good! Got to slow it down. I’m playing it cool!” The track leaves us feeling pretty good too. He closes things out with the title track “Rippers Only“. It’s very brief, running only 45 seconds, but it’s a gritty little banger overflowing with pulsating distortion. I really like it, but wish he’d made it into a more substantial track, as there’s a lot going on for him to work with.

Connect with Boogie Board:  Facebook / Instagram
Stream his music: Spotify
Purchase on Bandcamp

THUNDERIAN SUMMER – EP Review: “Misdirection of Self-Control”

thunderian summer ep art

Thunderian Summer is a five-piece band from the British Midlands who play honest, guitar-driven, blues-infused rock’n’roll, the kind you love hearing at the hottest club in town on a Saturday night. They don’t seem to take themselves too seriously, but are quite serious when it comes to crafting great music. The band members are DT (Dave Thomas) on vocals, Alex on lead guitar, Tim on rhythm guitar, Nic on bass, and Pabs on drums.  When I last featured them on this blog nearly a year ago, they had just released their debut EP By The Gun (check out that review). Now they’re back with Misdirection of Self-Control, a new EP that dropped January 4th, featuring six tracks they describe as “A Story of Excess and Reflection.”

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Getting right to down to business with the ‘excess’ part of the story, they kick things off with “Wind It Down” a ribald rock’n’roll ditty about getting it on with your hot babe. With his rough, seductive vocals, DT sounds downright lascivious as he croons the pretty explicit lyrics: “Wind it down, wind it slow, I took her out, I brought her home. She’s coming next, she’s getting wet. Wind it down, wind it slow. I took her high when I went low. Back and forth. Pretty little thing, she wants some more. / She’s my girl.”  Whew!

Things take a more serious turn with “Listen for the Shot“, a song that seems to be about coming to terms with a death of sorts – of a relationship perhaps? The guys deliver hard-driving riffs of fuzzy and jangly guitars set to fast-paced drums and deep, buzzing bass. The bluesy and deeply moving “Dark Times” recounts many tough moments in the singer’s troubled life, knowing those adversities have made him stronger, and holding onto faith that he’ll survive with enough love and support. The intricate guitar work is superb, but it’s DT’s raw, emotionally wrought vocals that are the highlight of this song, ripping at our heartstrings as he plaintively laments “They were dark times, dark times, darkest times of my life. / Shine your light on me. Your light is the only light I want to see.”

Next up is “Shake Your Sins“, a plea to someone on a downward spiral of drug abuse to change their self-destructive habits before it’s too late: “It looks like the drugs have taken their toll. Some misdirection self-control. Can’t you hear the ticking of the clock? Well don’t let it take your soul. / Your times are changing, they’re changing my friend. You better shake your sins.” Mournful jangly guitars and DT’s urgent vocals emphasize the powerful sentiments expressed in the lyrics.

Around the Sun” is an optimistic message that everything will be alright, delivered with hard-hitting, reverb-drenched jangly guitars and a high-energy rhythm section. DT passionately implores “Please hold my hand so tight. You won’t feel this pain much longer now. I know I can make it right. How much time do we have? When all is said and done, we’ve only got so many trips around the sun.” Everything builds to a crescendo of raging guitars and crashing cymbals as DT repeatedly wails “Hold my hand so damn tight!

Closing out the EP is the delightful “Pretty Pants“, a new studio version of the same song that was featured as an acoustic track on their previous EP By The Gun. This version is more melodic and fully-developed, with heavier instrumentation and stronger vocals. The song samples the Counting Crows classic “Mr. Jones” – using the great lines “And we will stare at beautiful women. Are they looking at you? No girl, they must be looking at me.”  It’s a wonderful track, and a fine finish to another terrific effort from Thunderian Summer. I really enjoy their style of rock that feels genuine, without gimmicks or overreach. Their straightforward lyrics are by turns entertaining, compelling and/or moving, delivered by some of the rawest, most passionate vocals I’ve heard in a while.

thunderian summer shows

Connect with the band: Website / Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music / Soundcloud
Purchase on iTunes cdbaby

FEATHER WEIGHT – Single Review: “Volcano”

feather weight

Feather Weight is a fairly new band from Toronto, Canada who play music that incorporates elements of Garage Rock, Dream Pop and Psych. They’ve released only two singles thus far – their debut “Just Take the Pill” in May 2018, and “Volcano”, which dropped in late November – and I can unequivocally state I’m already a big fan of theirs. When their drummer Raymond Cara (who I know from his also being part of Toronto bands The Autumn Stones and Andrew LaTona & the Nightshades, both of which I’ve featured on this blog) shared “Volcano” with me the other day, it was love at first listen. In addition to Raymond on drums, the other band members include Alistair Bundale on lead vocals & guitar, Neil Culbert on guitar and backing vocals, and Jordan Quinn on bass and backing vocals. All are accomplished musicians who’ve been involved with other bands in the thriving Toronto music scene.

The song starts off with a subtle but intriguing little guitar riff, then a pounding drumbeat enters, leaving us anticipating what’s coming next. Suddenly, a gorgeous chiming guitar arrives, immediately engulfing our eardrums in a shimmering soundscape. The tempo adjusts to a gentle driving beat as more guitar is layered over the primary riff that continues throughout the song. Alistair’s passionate echoed vocals enter the mix and the result is a song so sublime it brings goosebumps. Given the perfection of this and their first single, I expect we’ll be hearing more fantastic songs from Feather Weight – and soon, I hope!

I asked Raymond about the song’s meaning and how they chose the vintage footage for the wonderful video. He told me it was actually from an old GM promo from the early 1960s for an electronics and car showcase. About the song’s meaning, he explained: “I would say a lot of the basis of this song deals with the pressure of human repression building up underneath and the process of liberating ourselves from that pressure. The way we framed the video is in a way to show a woman finding her liberation at a time when women’s roles were strongly defined by positions occupied in the home. I would think of this more though as an analogy for the meaning of the song rather than the actual point of the song. [But] even though we may find a sense of liberation, that doesn’t mean we are free. The human condition in the cultures and societies we have created foster isolation and alienation and cause many mental health issues, so at some level she is running a fool’s errand, so to speak.” Watch, listen, and prepare to be blown away by this marvelous song.

Connect with Feather Weight:  Facebook / Instagram
Stream their songs on Spotify / Apple Music
Purchase on Bandcamp / iTunes