ELLIE FORD – Album Review: “Light. Repeated.”

Ellie Ford album art

British singer/songwriter Ellie Ford is quite possibly the only harpist in the music world to head up a band. In addition to being an accomplished harpist, the multi-talented Brighton, England- based artist also plays guitar and sings like an angel, using her voice almost like another instrument. Assisting Ellie in the creation of her uniquely innovative Alternative Folk music are Fred Hills (drums & percussion), Andrew Stuart-Buttle (violin, mandolin, bass and backing vocals), Harry Haynes (guitar and backing vocals) and Freya Bowes (clarinet and backing vocals).

Ellie Ford band

Ellie first graced the airwaves in 2013 with her debut EP Show Night In, then followed up with a full album The Other Sun in 2016. Now she’s back with a lovely new album Light. Repeated., which dropped on 17 May. Featuring eight exquisite songs, the album sees Ellie further exploring themes of life, love and relationships through her poetic lyrics, unconventional melodies, richly layered instrumentals and the marvelous interplay between her glorious harp and enchanting vocals. Listening to the album is an immersive experience, and it’s easy to become enveloped by the enthralling soundscapes she and her band so skillfully weave.

The album opens with “Gold“, a captivating song in which Ellie’s shimmery harp strings take center stage, but with ample help by Freya’s clarinet, Harry’s strummed guitar, Fred’s gentle percussion, and Andrew’s violin, which gives the track a bit of a Celtic vibe. Ellie croons in her lilting vocals, “Kicking and calling and bracing for falling as I leave. But for a little gold, I could tide it over.”

Next up is “Light. Repeated.“, a bewitching tune that’s probably my favorite track on the album. The highlights for me are Fred’s hypnotic, seductive drumbeats and Freya’s jazzy clarinet, but Andrew’s bass, Harry’s guitar and that infectious rattle are all pretty terrific too. And it goes without saying that Ellie’s harp adds a magical component. Freya’s soulful clarinet takes a starring role on “Tired Eyes” with Ellie’s harp strings providing a strong counterpoint. The interplay between her fluttering vocals and Freya’s gorgeous clarinet notes is breathtaking, and the guitars, deep bass and drums are perfection.

My Bird Won’t Sing” is a re-imagining of a song that was originally included on The Other Sun. The previous acoustic version featured only Ellie’s vocals and her strummed guitar, but for this new version she lengthens the track by one and a half minutes, and gives it the full instrumental treatment by her band, yet keeping the vibe decidedly understated. The result is an intriguing song that holds our interest with unexpected melodic shifts that almost border on progressive jazz. Ellie’s ethereal vocals are sublime as she sings the lyrics that seem to speak of the thin line between reality and escape:  “My bird won’t sing. Have no idea what it means. And that’s OK, I don’t mind./ My diamond ring shines like the real thing. And that’s OK, I don’t mind. Comin’ off a little blind. What are we doing? Don’t you know that’s the ruin of our kind? I’m beginning to think that I might have lost my mind.

Ellie Ford by Chloe Imbach

The beautiful songs keep on coming. Another favorite is the bittersweet “All That is Left“, which features some of the most enthralling instrumentals of any song on the album. The mix of harp, piano, guitar, violin, clarinet, drums, and what sounds possibly like dulcimer, are absolutely stunning, and so are the vocal harmonies between Ellie and the guys. The lyrics speak to a relationship that’s over: “There will come a day when you’ll return. Dirt in your hair and your clothes all torn. And I’ll be gone. And all that is left, will be left to the dogs.” As its title suggests, “A Strange Brood” is a languid, brooding song lasting nearly six and a half minutes. Its  mysterious, spacey synths, tinkling piano keys, bluesy guitars, plucky harp, deep bassline and lots of crashing cymbals make for an enthralling listen.

Woods” starts off with an Eastern European Folk vibe, thanks to the Gypsy tones of Andrew’s violin and Freya’s clarinet, accompanied by Ellie’s plucked harp strings. But with the addition of heavy electric guitars and pounding drums in the bridge, the song transitions to a more intense rock feel. Album closer “The North Wind” really showcases the incredible synergy between Ellie’s harp playing and unique vocal style, and how she so beautifully complements one with the other. Other instrumentation on the track includes guitar and Fred’s kick drum and percussion, as well as the introduction of Andrew’s violin at the end.

I’ll admit that Light. Repeated. took a couple of plays to really grow on me. Though the songs sounded lovely and interesting when first hearing them, their complexity and unusual melodic structures required more than just a casual listen for me to fully appreciate. There’s an incredible amount of nuance and depth to the music and lyrics that are revealed with each successive listen, and even after hearing some of the songs five or six times, I discovered new sounds and textures. The production and song arrangements are flawless, and I’m impressed with the skilled instrumentation by the supporting musicians who help Ellie bring her magical songs to life.

Connect with Ellie: Facebook / Instagram
Stream her music on Spotify / Soundcloud
Purchase on Bandcamp / iTunes

DOCTOR GONZO – EP Review: “PhD”

Doctor Gonzo Phd

Doctor Gonzo is a four-piece punk ska band from the Brighton area of Sussex, UK. They’re all about having fun and not taking themselves too seriously, but are very serious when it comes to making straight-up badass rock! Formed only a year ago, Doctor Gonzo consists of Ash Miles on vocals, Andy “Gibbo” Gibson on guitars and backing vocals, Tony “Tig” Tugnutt on bass and Louis Maxwell on drums. In late April, they dropped their debut EP PhD, featuring four boisterous bangers guaranteed to kick your ass!

The EP blasts open with “Poisonous”, a blistering-hot tune with heavy, chugging riffs of gnarly guitar, crushing bass and hammering drums. Ash’s urgent vocals ooze bitterness as he snarls the lyrics addressing someone who’s toxic to his existence: “In my veins, sucking the life out of me. Filled with pain until there’s nothing left. Pulsing through me with your liquid venom. You won’t stop ’til I take my last breath! Oh!

Before we can even come up for air, the guys are back pummelling our eardrums with “Something’s Gotta Give”. Man, can these guys rock, once again delivering frantic riffs of fuzzy guitars and throbbing bass, while Louis beats the living fuck out of his drum kit! Next up is the rousing “Mary Jane”, the fantastic lead single from the EP.  It’s a delightful love song to a woman named Mary Jane, set to a hard-driving beat and the band’s signature barrage of thunderous instrumental mayhem. The lyrics are fairly simple but charming: “Mary Jane I let you take my breath away. Remember that time I took you on an aeroplane? Oh Mary Jane, I think you’re driving me insane. But when shit hits the fan I know you’ll make me feel better.” The whimsical and fun video for the song was written, directed and edited by Nick Burdett.

The final track “Royalty” serves up more hard-hitting post-punk goodness. Gibbo does some fine shredding on his six-string while Tig lays down a deep, strutting bass line and Louis pounds out the driving beat. The lyrics speak to feeling like a loser in a rut, going nowhere: “I tell myself to stop complaining. Learn to read between the lines. I wanna be somebody, instead of just a casualty. I’ll go against the grain. You’ll probably know my name. I wanna live like royalty.”

Despite it’s short run time of only 12 1/2 minutes, PhD packs a mighty punch. These guys know how to rock and set the airwaves afire with their respective instruments. I found myself loving these songs more with each listen, and am now a huge fan of Doctor Gonzo. I also love their playful sense of humor, which is strongly evident in this hilarious video of outtake bloopers from the making of the “Mary Jane” video:

Connect with Doctor Gonzo:  Facebook / Instagram
Purchase on iTunes / Google Play

IAMWARFACE – Single Review: “Fear the Future”

British electro-rock band IAMWARFACE can do no wrong when it comes to making music as far as I’m concerned. Based in Brighton and London, their aggressive name is a fitting metaphor for their bombastic high-energy, groove-based sound, and they rank high among my favorite UK bands. In addition to founder and frontman Matt Warneford, the band members include Lou Matthews (guitars), Tom Howe (DJ synth), Mike Smith (bass) and Adam Stanley (drums).

IAMWARFACE new
Photo by Caitlin Stokes

I first featured them on this blog in 2016 when they released their face-melting debut single “Say My Name”, then again in July 2018 with the release of the magnificent “Closer“. I loved both tracks so much that they peaked at #1 on my Weekly Top 30, and “Say My Name” placed at #14 on my Top 100 Songs of 2016, and “Closer” at #8 on my Top 100 Songs of 2018. They now return with another incredible, hard-hitting single “Fear the Future“, providing further proof (as if any is needed) that these guys are phenomenal musicians.

The song launches with Adam’s smashing drumbeats, Tom’s grinding synths and Lou’s jagged riffs, all hallmarks of the band’s signature electrifying sound. As the track progresses, layers of sparkling industrial synths and jangly guitar are added to the mix while Mike lays down a pulsating bass line that drives the song forward. Matt has a powerful, resonant singing voice, and he raises adrenaline levels here with his arresting, passionate vocals that soar to the heavens in the chorus as the instrumentals reach a spine-tingling crescendo.

The biting lyrics seem to address the bullshit and fear-mongering being fed to the masses in a pernicious attempt to dumb-down and divide us, thereby allowing us to be controlled.

It’s all in the news 
The act is done
They’ve got us all and alone
Praise the lord
Cheat us all
Its televised
Another fear

Its all i hear
It gives me the creeps

I fear the Future
Wont you take me with ya
Aw come on come on now

High five
Where are we now
Cheap seats the end of the world
And free lies
The Bubblegum shit
Closes eyes dreams of England

IAMWARFACE have another massive hit on their hands with “Fear the Future”. While they may fear the future with regard to the current fucked-up sociopolitical state of things, they needn’t fear for their future as a band on an straight upward trajectory.

Connect with IAMWARFACE:  Website / Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / Apple Music
Purchase on Bandcamp / iTunes