ANTIPOLE – Album Review: “Northern Flux”

Antipole Album Cover

Antipole is a coldwave/post-punk project from Trondheim, Norway, and the second act from Norway that I’ve featured on this blog (the first being Sherpa, who I featured in July 2016). They just dropped their first full length album Northern Flux. Released through  Unknown Pleasures Records, the ambitious new album contains 14 tracks, including five remastered songs originally featured on their previous EP Getting Frequent Now.

Essentially a solo project of songwriter/guitarist Karl Morten Dahl, Antipole was formed in early 2014, after Karl met Anne-Christel. He had previously written songs and been in other bands, but was inspired by Anne-Christel to write and record more music on his own in an early 80s new wave and post-punk style. In 2014, Antipole released a debut digital-only EP Panoply. Songs for AC, that featured eight instrumental tracks. This was followed with a second EP Getting Frequent Now in early 2017.

The songs on Northern Flux were written by Karl in collaboration with Paris Alexander and Eirene, both of whom are from Brighton, UK, and also provided ethereal vocals for all the tracks. The album was recorded at Lysverkvegen in Trondheim, Norway, and Blue Door Studio in Brighton,UK, and produced, mixed and mastered by Paris.

In an interview with Jeff Haight of the web magazine Overblown (which you can read here), Karl describes Antipole and some of the influences on their sound:

“I’m trying to create addictive, melancholic coldwave/post-punk. When I started Antipole in early 2014 the idea was to write melodies and record them in a way that they sounded like a post-punk band recording from 1982. I started recording songs again after I met Anne-Christel. She’s heavily into obscure post-punk old and new, and listening to that inspired me a lot. Obvious influences were and are New Order, Joy Division and The Cure. Not as obvious influences would be The Chameleons, The Sound and also newer bands like The KBV, Motorama and Mode Moderne. Whether the influences can be heard or not I’m not the one to decide. “Disintegration” by The Cure has been kind of a gold template to me. Very sad and emotional music, yet so beautiful. The songs have gotten more electronic after I started collaborating with Paris Alexander. He has also contributed a lot to song ideas/arrangements/writing and of course vocals plus writing his lyrics. Lately Eirene has also contributed a lot.”

Beginning with album opener “October Novel,” the strong influences of  Joy Division and The Cure can clearly be heard in Antipole’s mesmerizing sound. Hypnotic dance beats, jangly guitar-driven melodies and dreamy synth chords are the distinctive elements of their music.  Paris’ and Eirene’s distant, almost chant-like vocals are strangely seductive, lending an otherworldly feel to most tracks. Each track flows effortlessly into the next, allowing the listener to become swept away by the spellbinding rhythmic beats.

A standout track is “Shadow Lover,” with it’s powerful, throbbing bass line and intricate, jangly guitar work. With a hint of menace in his breathy vocals, Paris sings “You see through me. And I want you. I still want you. Yes I want you.”

Another of my favorites is the captivating 8 1/2 minute-long “Narcissus.” A pulsating beat drives the track forward as mysterious synths and a constant jangly guitar riff play off each other, gradually building in intensity as the song progresses. Paris hauntingly chants “I see you.

Track listing:

1.  October Novel
2.  Shadow Lover
3.  Dans l’entrée
4.  Summer Never Ends
5.  Reflected in You
6.  Magnolia Skies
7.  All Alone
8.  Le Châtelet
9.  Someday 45
10. Narcissus
11. Distant Fall
12. Closer
13. Please Let Me Sleep
14. Insight (Joy Division Cover)

Connect with Antipole:  Facebook / Twitter
Stream their music:  Spotify
Purchase:  Bandcamp

RADIO GALAKSY – Album Review: “Free Ride”

Free Ride

Radio Galaksy is a music collaborative originally founded by Danish composer, drummer and producer Søren Jensen in 2015. Jensen calls Radio Galaksy a “music constellation,” and after listening to their album Free Ride I would say that’s a perfect descriptor. As he explains: “Based on themes such as outer space, coincidences, film scores, time, and everyday life, the album Free Ride places itself as a concept album that allows things to happen just when they do.” The album was released at the end of November 2016.

Soren Jensen
Søren Jensen

Inspired by classic acts such as Pink Floyd, Bill Frisell, Kraftwerk, Ennio Morricone, Ry Cooder and Air, Radio Galaksy skillfully combines elements of alternative rock, jazz, blues, funk, reggae and electronica to create a distinctive and captivating sound. Jensen composed all six tracks in his own music lab, then enlisted the talents of several accomplished musicians, including bassist Viktor Krauss (who’s also played bass for Bill Frisell), guitarist Aske Jacoby, and keyboardist Christoffer Jespersen. Guest appearances were made by Jakob Dahn and Sara Broberg on vocals, Lis Wessberg on the trombone, Mikkel Schnettler on percussion and Dennis Flacheberg on guitar. Additional recordings were made by Marcus Toft at Moremax Studios.

Viktor Krauss
Viktor Krauss

Aske Jacoby
Aske Jacoby

Christoffer Jespersen
Christoffer Jespersen

Jazz and blues influences are strong on album opener “The Lottery.” With Jensen’s crisp, gentle percussion keeping time, Jacoby creates a sultry mood with his nimble, bluesy guitar work as he playfully flirts with the sublime tones of Jespersen’s keyboard and organ. Quirky jungle sounds employed in the bridge add a touch of mystery to the track.

The melodically complex “Elephant Swing” is a gorgeous composition, and one of my favorite tracks. While continuing with a jazzy theme, the track starts out with a strong hypnotic tempo that almost gives it an R&B feel, but with Jespersen’s lovely keyboards delivering an ethereal soundscape to the proceedings. Funky guitars float above a subtle bass line as all the elements come together to create an exceptionally pleasing sound. Spacey keyboards added later in the track create an otherworldly vibe, punctuated by funky, swirling guitar as the hypnotic beat continues.

The track immediately segues into “The Bike,” a languid, nine-minute-long track that feels like an extended chill jam session. Wessberg’s seductive trombone has a starring role here, complemented by perfectly executed instrumentals. As always, the guitar work is outstanding, as are the percussion, keyboards and bass.

Radio Galaksy channels Ennio Morricone (the famed and prolific composer of scores of film soundtracks such as The Good, the Bad and the Ugly, Cinema Paradiso and The Untouchables) on “Pangæa.” Named after the super continent from half a billion years ago, the track features a subtle reggae rhythm injected into a mellow beat, replete with beguiling piano keys, peppy organ and electric guitar strums in the deeper chords. The result is a mesmerizing tune that carries you away to another time and space – to Pangæa perhaps?

Alone on Planet Earth” conjures up images of intergalactic travel with a mystical soundscape of dreamy keyboards, gentle percussion and a rather melancholy trombone. A layered mix of delicate and gritty guitar riffs add a discordant complexity to the track, as echoed spoken male and female vocals, provided by Jakob Dahn and Sara Broberg, add an extraterrestrial aura to the track: “You threw away the garbage from your past. You pack your bags, the darkness in your eyes expanded, and filled it with something vast. You wish that I would come along. I let go of gravity and second sons. And I don’t wanna run.”

The guys get deep into their groove on the fun and funky album closer “The Lottery Appendix.” The intricate guitar work is freaking amazing, nicely melding with the jazzy keyboards and deft percussion to create an infectious track that’s just too cool for words. Radio Galaksy are phenomenal musicians, and with Free Ride have crafted a brilliant album that keeps getting better with every listen.

To learn more about Radio Galaksy, check out their Website and follow on Facebook & Twitter

Stream their music:  Spotify / Soundcloud

Purchase it on iTunes

EMPIRE TO ASHES – Single Review: “My Own Phantom Limb”

Empire to Ashes is a new ambient / post-rock / alternative electronica project of Jamie Denton, a former member and bassist of the now disbanded New Zealand five-piece Poison Skies (who I loved and featured a year ago on this blog, which you can read here). So far, Empire to Ashes has been a solo project, but Jamie states that it may possibly end up as a collaborative project with other New Zealand musicians at some point in the future.

Through his music, Jamie explained that his aim is “to explore how far melodies can be bent or removed before they break.” He added that his “project is designed to produce questions, not answers.” And after listening to his debut single “My Own Phantom Limb,” which dropped today, I would attest that he fulfills his objective. The nearly six-minute long track takes us on a journey into a gorgeous soundscape of moody synths that chime and soar.

The track opens with what sounds like distorted, static-filled voices coming from a radio not fully tuned into a station, then chiming synths wash over us as Jamie’s otherworldly spoken word vocals enter the picture. His expertise as a bassist comes into play as he lays down a heavy throbbing bass line that gives the track weight, sharply contrasting with the airy synth chords. A hypnotic drumbeat settles in as the synths begin to soar, while a simple piano riff weaves in and out. Along the way, we hear sounds of gentle winds blowing. As the music fades, the song comes full circle, ending with a repeat of the static-filled voices.

The equally gorgeous and compelling video includes footage of frenetic urban life interwoven with calm scenes of nature, such as a forest with falling snow, and sunsets. Halfway through, a woman is shown sleeping, curled up in a fetal position on a bed of fresh snow, as the shadow of a person’s hands move over her as if to shield her from the elements. The imagery then returns to scenes of nature and the city which continue through to the end of the video.

I love this song, and look forward to hearing more from this project. Connect with Empire to Ashes on Facebook and stream “My Own Phantom Limb” on Spotify or purchase on iTunes

WILDCOHEN – Single Review: “Jacksons Son”

Indie duo WildCohen make music that’s hard to categorize. The Sheffield, UK duo, comprised of producer and multi instrumentalist Jody Wildgoose and songwriter and multi instrumentalist Rob Cohen, play songs that run the gamut from new wave psychedelic to folk and pop to alternative rock, and everything in between.  Jody plays bass and sings, and Rob plays guitars and also sings. According to an interview with Local Sound Focus, both guys were in previous bands (Jody in Various Vegetables, and Rob in Marmalade Sun), and decided to record together starting about two years ago out of mutual admiration for each others’ work.

WildCohen-Photo-by-Carl-Rose-696x462

Their debut album BloochyKoo, released through indie label Spoonjuice Records, features twelve eclectic tracks, and “Jacksons Son” is the first single. The song is a bouncy psychedelic romp that immediately forces the head to bob and hips to sway. Razor sharp synths, accompanied by crisp jangly guitars and crashing cymbals, move along a humming bass line. Gritty distorted vocals and a tumultuous mix of airy and chaotic choruses add to the track’s otherworldly vibe.

The fantastic video features an artful phantasmagoria of colorful psychedelic images of planets interwoven with Jody and Rob performing the song. Check it out:

Follow WildCohen:  Facebook /  Twitter /  Website

Stream their music:  Spotify /  Soundcloud

Purchase it:  iTunes /  Amazon /  Bandcamp

Artist Spotlight – The Infinite Eights

Sometimes you come across a band whose sound is so unique that you just have to sit up and take notice. The Infinite Eights is such a band. Hailing from Tampa, Florida, the amazingly talented three-member alternative/indie rock band consists of lead vocalist Parker Wilkson (who also plays lead guitar and keyboards), bass guitarist Davin Norman, and drummer Tyler Hanks. What makes their gorgeous, richly textured music even more remarkable is their young ages; as of April 2016, Parker and Tyler are still high school seniors, while Davin is in college at the University of Tampa. The guys have a maturity well beyond their years, and their kindness and humility are very refreshing.

The Infinite Eights has been playing together for a while and, despite their youth, have already racked up quite a few accomplishments. According to their bio on Soundcloud, they won Crowbar’s annual Battle of the Bands in 2014. Shortly after, the band was the opening act for Aaron Carter, for the Tampa concert of his tour. In May 2015, they opened for Brian Bell’s (of Weezer) band The Relationship, as well as Gringo Star. Other recent engagements in the Tampa Bay area have included performances at Raymond James Stadium, WMNF Radio, Fox 13 News, ABC Action News, Tropical Heatwave Festival, Gasparilla Music Festival, The Orpheum, Orbit 19 and Market on 7th.

In December 2015, the band released their first EP Unfound, a collection of six beautiful tracks that deal with the eternal subjects of love, loss and troubled relationships. The lyrics were all written by Parker, with the music a more collaborative effort. In describing their songs, Tyler stated “I want to spread love with our music. Our music is very emotional and has a good message that I want a lot of people to hear.” Parker added “When people write us online and tell us our song moved something in them, I can’t even describe how much that means to me and the group. It’s the best feeling in the world to know that your music is moving people.”

I can’t emphasize enough how incredibly awesome The Infinite Eights’ music is, even better than that of many seasoned bands with years of experience. At their young age, these guys are already gifted musicians. Their majestic, sweeping sound at times reminds me of Coldplay (one of my all-time favorite bands, I might add), with delicate but formidable piano and keyboards, mesmerizing guitar and strong, though not overwhelming, percussion. Parker’s ethereal, heartfelt vocals perfectly complement the beauty of their music. In addition to Coldplay, the band says their sound is influenced by some of their favorite artists such as U2, New Order, The Smiths, Tears For Fears, The Cure, Muse and One Republic, among others, which explains why their music is so magnificent.

Here are three songs from Unfound that showcase the band’s exceptional talents:

https://soundcloud.com/the-infinite-eights/calling-out

Another beautiful, previously recorded song is “Chasing Fading Lights,” with superb intricate guitar riffs that call to mind the band Interpol:
https://soundcloud.com/the-infinite-eights/chasing-fading-lights

The Infinite Eights music is available on iTunes, Spotify, Amazon, Soundcloud and their website http://www.theinfiniteeights.com/