With their expansive and eclectic sound, alternative indie rock band My Morning Jacket have been making innovative music for more than a quarter century. Formed in Louisville, Kentucky in 1998, the band currently consists of founding members Jim James (lead vocals, rhythm guitar) and Tom Blankenship (bass), as well as Patrick Hallahan (drums & percussion), Bo Koster (keyboards, percussion & backing vocals), and Carl Broemel (lead guitar, pedal steel, saxophone & backing vocals). The introspective and lovely “Time Waited” takes over the #1 spot on my latest Top 30 chart. The song is from their latest and 10th album is, released on March 25th. It’s their second song to reach #1 on my chart, their previous being the gorgeous “Feel You”, which also ranks #6 on my list of 100 Best Songs of 2020.
About the song, James told Stereogum: “I made a loop of that piano intro and listened as I went for a walk, and all these melodies started coming to me. For a long time, I didn’t have lyrics, but then I had a dream where I was in a café and a song was playing, and the lyrics to that song became the lyrics to ‘Time Waited’ — the melodies just fit perfectly. And the lyrics are about how flexible time is, how we can bend and warp time, especially if we are following our hearts, the universe and time itself can flow to work with us.” In addition to that beautiful piano, I also love the marvelous guitar work.
In other chart news of note, The Black Keys advance two spots to #3 with “The Night Before”, and English singer-songwriter Frank Joshua climbs three spots to #4 with “Walls”. Two songs enter the top 10: “The Turnaround” by Philadelphia power pop trio DelCobras, and “It’s Amazing To Be Young” by Irish alt-rock band Fontaines D.C., whose song “Starburster” was my favorite song of 2024.
Two songs make their debut, the first of which is “Ritalin” by Texas rock band Dexter and The Moonrocks, who’s previous single “Sad in Carolina” went to # in late December-early January. The second new entry is “catch these fists” by English indie rock duo Wet Leg, comprised of Rhian Teasdale and Hester Chambers. With a winning combination of infectious melodies, ascerbic lyrics, and their quirky deadpan vocal style, they burst onto the music scene in 2021 with their critically acclaimed eponymous album Wet Leg, which spawned two hits, “Chaise Longue” and “Wet Dream”. “catch these fists” is the lead single from their forthcoming second album Moisturizer, to be released in July.
TIME WAITED – My Morning Jacket (2)
METAVERSE – Cage the Elephant (1)
THE NIGHT BEFORE – The Black Keys (5)
WALLS – Frank Joshua (7)
TAKE THIS HEART – Brian Lambert (3)
RUSHMERE – Mumford & Sons (4)
BAD LARRY – Cloakroom (9)
MORTAL WOUND – The Veils (10)
THE TURNAROUND – DelCobras (11)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (12)
STRAIGHT TO THE GROUND – Unquiet Nights (8)
LAREDO – Leon Bridges (14)
IMPOSTER SYNDROME – Fake Empire (6)
SNAKESKIN – NAVE (15)
POOR SAD INDIE EVERYTHING – Icarus Phoenix (16)
ANKLES – Lucy Dacus (17)
LUTHER – Kendrick Lamar & SZA (13)
ARCHBISHOP HAROLD HOLMES – Jack White (20)
BARBARIAN – AWOLNATION (21)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (23)
LET THINGS GO – Caamp (24)
BASIC BEING BASIC – Djo (22)
THREE SIX FIVE – Shinedown (26)
EVERYTHING IS PEACEFUL LOVE – Bon Iver (27)
SO LONG – Wavves (28)
NOTHING I NEED – Lord Huron (30)
PEOPLE WATCHING – Sam Fender (18) 19th week on chart
With a continuous supply of new music being released, it’s already time for another installment of my Fresh New Tracks series. Today I’m showcasing four songs by, in alphabetical order, Brooklyn, NY-based indie rock band Atlas Engine, Australian rock band Big Wheels, Michigan singer-songwriter Matt Csiszar and English musician and composer Josephine Pascoe. I’ve previously featured Matt and Josephine on this blog, whereas Atlas Engine and Big Wheels are new to me. All songs were released over the past week.
Atlas Engine – “Comfort and Calm”
Atlas Engine is a Brooklyn, New York-based band who make what they call “celestial indie rock”, an appropriate description for their dreamy style of alternative psychedelic rock. Fronted by singer-songwriter, multi-instrumentalist, composer and producer Nick LaFalce, (who relocated to L.A. in 2023 but still spends time in Brooklyn), the five-piece also includes Garrett Hess on guitar, Patrick Cochrane on bass, Katie Glasgow on synths & vocals, and Brendan McGuckin on drums. Starting with the release of their debut EP After the End in 2016, they’ve since followed with numerous singles and EPs, along with their wonderfully-titled and gorgeous debut album When the Compass Resets, There Can Be No Regrets in 2023.
2025 has been a busy year thus far for Atlas Engine, as in March they released a single “Desert Demos: 1” to raise funds for friends affected by the Los Angeles fires, then followed two weeks later with “(Alternate State)”, consisting of three versions of an interlude at the end of “All I Want Is Everything”, from When the Compass Resets There Can Be No Regrets. In April they dropped the beautiful “New Constellation”, and now return with yet another new single “Comfort and Calm” a thoroughly enchanting song that lives up to its title. For the recording of the song, bass was played by Patrick Cochrane, drums by Jonathan Smith and additional vocals were sung by Sally Hatchet. I love the swirling ethereal synths, shimmery guitar notes, crisp percussion and gentle bass, all of which create a dreamy atmospheric backdrop for Nick and Sally’s captivating harmonies.
Big Wheels – “Lazy Bones”
Hailing from Sydney, Australia is Big Wheels, a modern indie rock band comprised of singer-songwriters Cass Ford and Lawson Doyle, along with guitarist Tyler Buchanan. Formed in late 2021 with a shared love for legendary acts like Fleetwood Mac, Jefferson Airplane, and The Black Keys, Big Wheels write songs exploring the highs, lows and complexities of life, while incorporating a sound that feels both timeless and fresh. Also, Cass is originally from Birmingham, England, giving the band have strong ties to the British music scene. They began releasing music in May 2022 with their debut single “Chain of Fire”, and have steadily dropped a series of outstanding songs ever since. Their previous single, the bluesy rocker “Silver and Black”, landed on several Spotify editorial playlists, including New Noise, All New Rock, Local Noise, and Fresh Finds AU/NZ, as well as garnering airplay on BBC Introducing, Amazing Radio UK, and Triple J.
Their ninth and latest single is “Lazy Bones“, a wonderful sensuous track with strong Fleetwood Mac vibes. I love those bluesy guitar riffs, chugging grooves and the marvelous interplay between Cass and Lawson’s vocals. And in fact, Cass seems to channel Stevie Nicks as she sings with such raw emotion in the chorus, I’m covered in goosebumps. The lyrics speak of letting go of past disagreements and enjoying each others’ company, at least for the night: “It’s been so long why don’t we make up. We can forget it all tonight. I know we said we’d tear the page out but maybe we stay here for a while. So lay down lazy bones, next to me. We ain’t got nowhere we need to be. Baby won’t you be my remedy, and lay down lazy bones, next to me (baby next to me).” Big Wheels will be releasing their debut EP Bury Me in Velvet in June.
Matt Csiszar – “Maria”
Matt Csiszar is an earnest and kind singer-songwriter, musician and composer from Michigan I’ve been following for the past four years. With a lifelong love for music, he started writing and recording his own songs at the age of 13, and over the years has taught himself to play guitar, piano, bass, and drums. His music is pretty eclectic, drawing from a wide range of genres and styles from pop, rock, folk, country and blues to electronic, funk, dance, industrial, jazz and even classical. A prolific artist, Matt released his debut album In The Mind in 1999 while in his early 20s, then played in the band Endless Question for a while before returning to recording and releasing music again as a solo artist in the early 2010s. He’s released numerous singles and an astonishing eight albums, most recently the excellent Many Roads in September 2022. Almost exactly three years ago to the day, on May 7, 2022, I featured his song “Chicago” in another Fresh New Tracks post. After the release of Many Roads, he took the next few years off to focus on his health and emotional well-being.
Now Matt is back with a brand new single “Maria“, a melancholy but lovely track he says “is a song of hope for survivors of childhood abuse. I want the listener to feel like I’m telling their story in hopes that it brings them strength and healing.” Accompanied by just his gentle acoustic guitar, Matt’s plaintive vocals remind me a bit of Jon Bon Jovi as he sings the poignant lyrics touching on Maria’s difficult upbringing, and offering her hope and encouragement for a safer and happier adulthood: “Her mother was so critical, she can still hear her voice calling her pitiful. Now she has no choice but to pick herself apart, breaking her own heart. Her father was a bastard to say the least. She’s triggered by the sound of stomping feet cause he’d come and scream in her face, yeah, that’s all the attention he gave. Maria, are you lonesome tonight? You know you’re getting closer to who you are meant to be. Maria, everything will be alright. you’re beautiful and someday this you will see, Maria.”
Josephine Pascoe – “Llumine”
A favorite musician and composer of mine is Josephine Pascoe, a classically trained pianist, violinist and flautist based in the London suburbs. With a life-long love of music, she studied at Trinity College of Music in London, where she began composing her own music. She also trained to be a secondary school music teacher, but prefers giving one-on-one instrumental instruction on piano and violin. Since 2017, she’s collaborated with Windsor-based guitarist and producer Neil Thom (who she met the year before when she began taking guitar lessons from him) in the creation of exceptional instrumental music infused with elements of jazz, acid jazz, classical, blues and funk. Together, they’ve released an impressive amount of outstanding singles, two of which, “Starfish” and “Odyssey”, I reviewed.
Their latest – and 20th – single is “Llumine“, delivering four minutes of pure auditory bliss. For the recording of the track, Josephine played piano, Rhodes electric piano, keyboard synths, strings and flute, while Neil played bass and drums. As with all their songs, Neil handled production and engineering. Blending acid jazz with classical influences, they create a bewitching fantasia of sound, highlighted by Josephine’s sparkling piano keys, breezy strings and lilting flute, and nicely grounded by Neil’s subtle bass and crisp percussion. I’ve loved every single one of their releases, and “Llumine” just might rank among my very favorites of them all.
Time for another Fresh New Tracks post, and for the 45th installment of my ongoing series I’m featuring four terrific new songs by, in alphabetical order, Philadelphia-based indie rock act The Obscuritans, Belgian alt-rock band Pilod, Philadelphia-based rock band Snap Infraction, and Northern Virginia-based pop-rock artist Talk in Waves.
The Obscuritans – “False Prophecy”
The Obscuritans is a Philadelphia-based studio project formed earlier this year by Marc Schuster and Nick Cervini, with the aim of writing and recording music together, then inviting various artists to collaborate with them by contributing vocals, lyrics, or whatever else they have in mind. Marc is an insanely creative and multi-talented guy who’s not only an educator, author, literary critic, music blogger and visual artist, but also a prolific songwriter and multi-instrumentalist, recording both as a solo artist and as part of numerous music projects and collaborations with an ever-expanding roster of musicians. Nick is an accomplished musician who’s also drummer for Philadelphia indie rock band Sacred Monsters, and he and Marc are also members of power pop trio DelCobras (along with singer-songwriter Jim Lorino), whose song “The Turnaround” currently sits at #11 on my Top 30 chart.
In February, the Obscuritans released their debut single “Earholes”, a trippy, mostly instrumental tribute to David Lynch on which they collaborated with Jim Lorino. They followed in early April with “Break and Bend”, featuring vocals by Samantha Goodman of Philadelphia indie band Rescue Pets. Now they return with their third single “False Prophecy“, featuring lyrics and vocals by Canadian singer-songwriter, producer and blogger Neither Could Dylan (aka Jaimee Jakobczak, who also records music under her Death Cab for Cutie cover project Death Bus for Blondie, and Jimmy Eat World cover project Jaimee Eat World). Marc and Nick have created a mysterious and languid soundcape of bold guitar notes, otherworldly psychedelic synths and crisp percussion, a perfect backdrop for Jaime’s distinctive vocals, which have never sounded better. Her lyrics seems to speak of losing her sense of self in a futile attempt to maintain a romantic relationship: “While I wait for you, I break in two. Falling apart from all the things I thought I knew. But false prophecy, I sunk in so deep. Seems the cost of keeping you is losing me.”
Pilod – “Anticipate the Fall”
Hailing from Leuven, Belgium is alternative indie rock quartet Pilod. Since forming in 2013, the band has undergone a few changes in lineup and now consists of Frédéric Baervoets (guitar, vocals), Timo Jacobs (drums), Christophe Vandewoude (bass, backing vocals) and Wouter Voorspoels (guitar). Pilod released their debut album Sunny Forecast in 2013, followed by a single “Sunny” in early 2015, then their second album Black Swan in October 2016. After undergoing a long period of touring, lineup changes and the global COVID pandemic, they finally dropped a new single “The future looks bright” in June 2022, followed by two more singles in late 2024. On May 4th, they released their latest single “Anticipate the Fall“, accompanied by a charming video directed by Robbe Maes and filmed at Sint-Jozefsinstituut (a high school in Betekom), featuring Carlo Vranken and Gonzalo Vega as instructors putting the dorky, unathletic guys through some exercises.
The band says the song “explores themes of letting go, embracing change, and finding resilience amid turbulence and uncertainty.” I love the dynamic blend of Frédéric and Wouter’s reverb-soaked melodic and grungy guitars layered over a pulsating rhythm fueled by Christophe’s driving bass and Timo’s aggressive drums. Frédéric’s plaintive vocals express a heartfelt sense of assurance as he sings “Your head will kiss the cold, hard floor. Stop looking for a tight hold and think. All we have is now and the future calls, so why are you still living in the past? Future yourself. Read the cracks in the wall. The ground’s shifting, nothing stays, so learn to anticipate the fall. Life is changing forever.“
Snap Infraction – “Nothing Really Matters”
Also from Philadelphia is Snap Infraction, a three-piece musical powerhouse comprised of Steve Karsch (vocals, guitar & percussion), Dave Kerr (bass) and Tony Iannuzzi (drums). “Distilling decades of rock n roll history into a modern sonic journey“, they’ve been a band for over 15 years, releasing their first single “Try To See It My Way” in 2009. After a long hiatus, they released a five-track EP Chin Music in May 2017, then another three years would pass until their follow-up EP Stiff Arm, in May 2020. They were quite active in 2021, releasing several double singles throughout that year, followed by a very nice cover of the Beach Boys Christmas classic “Little Saint Nick” in December 2022, then their own original Christmas song “Christmas In The Islands” in December 2023. In March 2024 they released their single “Keeping Score“ (which I reviewed), followed two months later by their debut full-length album Eephus. In what’s become an annual tradition, they dropped another Christmas single “Christmas All Over Again”, a cover of the Tom Petty song on which Steve manages to channel Petty quite well.
Now they’re back with “Nothing Really Matters” a powerful and melodic song about someone who’s in denial about their mental illness and unwilling to take meaningful steps to get better, which also negatively affects their partner, all of which is beautifully expressed by Steve’s relatable lyrics: “Nothing really matters but you do it anyway. Taking better drugs to convince us you’re ok. Twisting all your stories cause the facts get in the way. Tossing out big words like you’re Ernest Hemingway. Late at night I start to worry that I’ll probably end up dying alone. With no one to say goodbye to and nothing left to call my own.” To my ears, the song has a strong ELO feel, particularly due to the marvelous interplay between those gorgeous guitar notes and piano keys, as well as the soaring vocal harmonies. I love it!
Talk in Waves – “Feels Right”
Talk in Waves (the music project of singer-songwriter and multi-instrumentalist Jake Mimikos and formerly known as The Frontier), is a longtime favorite of mine. Based in northern Virginia, he’s an enormously talented and gracious guy, and we’ve followed each other on social media for nearly a decade. Skillfully blending elements of indie rock, synth pop and folk, his music is incredibly melodic, flawlessly crafted and always catchy. He produces and records all aspects of his music in his home studio, and as with many singer-songwriters, Jake’s songs are often inspired by personal experiences, touching on topics like love, relationships and loss, and expressed through honest, relatable lyrics. He’s released an impressive amount of music since 2015, and I’ve featured him numerous times on this blog. I’ve loved all his songs, five of which have reached #1 on my Weekly Top 30 chart. His single “Like You Do” (which I reviewed) topped my 100 Best Indie Songs of 2024 list, and his previous single “You’re My Drug” reached #2 this past March.
Now Talk in Waves returns with “Feels Right“, a joyous celebration of a budding romance, where everything’s coming together and just “feels right”. Featuring highly melodic gnarly guitars, colorful swirling synths and stomping drumbeats, the song is an exuberant pop ear worm. While not quite a dance song, it’s infectious grooves are guaranteed to have you swaying your hips and tapping your feet. Jake’s always pleasing vocals are filled with unbridled euphoria as he sings “Don’t need to wait for the right time, I think we’re already here. Now let’s go and take a fast ride. Leave everybody in the rearview mirror. Tell me don’t it feel right, what you’re feeling right now. It feels right to me.” It’s another superb release, maintaining Talk in Waves’ unbroken run of perfect singles.
Alt rock band Cage the Elephant have been one of my favorite acts for well over 10 years, and I’ve loved most of their music. Founded in Bowling Green, Kentucky in 2006, the band relocated to London, England in early 2008, then moved to Nashville in 2009, where they remain today. Their current lineup consists of founding members Matt Shultz (lead vocals & rhythm guitar), his brother Brad Shultz (rhythm guitar, keyboards), Daniel Tichenor ( bass, backing vocals) and Jared Champion (drums, percussion), as well as Nick Bockrath (lead guitar, keyboards, backing vocals) and Matthan Minster (keyboards, rhythm guitar, backing vocals), both of whom joined the band in 2017. Since 2008 they’ve released six critically acclaimed albums, two of which – Tell Me I’m Pretty in 2017 and Social Cues in 2020 – won Grammy Awards for Best Rock Album.
“Metaverse”, the third single from their latest album Neon Pill, ascends to #1 on this week’s chart. It’s their second single from that album to reach #1, after last year’s title track “Neon Pill”, and their eighth song to reach #1 on my chart. The song seems to be about the struggles of being in a band and striving for perfection but sometimes failing to achieve it: “It’s a natural progression. No need for affection. Just a perfect deflection when you got no perspective. Every day spent far from my family. Double check, checked out, I’m half asleep. What the hell? Oh, well, that’s life. What the hell? I keep running and running.“
There are lots of really lovely songs out now, and one of the best is the poignant “Time Waited” by My Morning Jacket, which moves up two spots to #2. The song is from their latest album is, released on March 25th. Two songs enter the top 10, the first of which is “Bad Larry”, by northwest Indiana stoner emo band Cloakroom. From their latest album Last Leg of the Human Table, the song has a bit of a Lord Huron sound, courtesy of achingly beautiful twangy guitars and the velvety-smooth vocals of lead singer Doyle Martin. The second is the gorgeous “Mortal Wound” by British indie rock band The Veils, from their seventh and latest album Asphodels. And speaking of Lord Huron, the L.A.-based indie folk rock band’s latest single “Nothing I Need” is the lone debut song this week. Fronted by singer-songwriter Ben Schneider, they’ve become one of my favorite bands since the release of their magnificent 2021 album Long Lost.
METAVERSE – Cage the Elephant (2)
TIME WAITED – My Morning Jacket (4)
TAKE THIS HEART – Brian Lambert (1)
RUSHMERE – Mumford & Sons (3)
THE NIGHT BEFORE – The Black Keys (6)
IMPOSTER SYNDROME – Fake Empire (5)
WALLS – Frank Joshua (8)
STRAIGHT TO THE GROUND – Unquiet Nights (7)
BAD LARRY – Cloakroom (12)
MORTAL WOUND – The Veils (13)
THE TURNAROUND – DelCobras (14)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (15)
LUTHER – Kendrick Lamar & SZA (11)
LAREDO – Leon Bridges (20)
SNAKESKIN – NAVE (17)
POOR SAD INDIE EVERYTHING – Icarus Phoenix (18)
ANKLES – Lucy Dacus (19)
PEOPLE WATCHING – Sam Fender (9)
SAME OLD SONG – The Lumineers (10)
ARCHBISHOP HAROLD HOLMES – Jack White (22)
BARBARIAN – AWOLNATION (23)
BASIC BEING BASIC – Djo (25)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (26)
The rousing garage rocker “Take This Heart” by Denton, Texas-based singer-songwriter Brian Lambert remains at #1 for a second week, while “Metaverse” by Nashville alt-rock band Cage the Elephant moves up two spots to #2 and “Rushmere” by English folk rock band Mumford & Sons holds at #3.
Four songs make their debut on my chart this week, starting with the upbeat and gentle “Let Things Go” by Columbus, Ohio-based folk band Caamp, comprised of Evan Westfall, Taylor Meier, Matt Vinson and Joseph Kavalec. Their songs have always performed well on the Billboard AAA (Adult Alternative Airplay) chart, with three reaching #1; “Let Things Go” currently sits at #5 on that chart.
The second debut, entering at #28, is “Three Six Five” by long-time Florida rock band Shinedown. Formed in 2001, the band presently consists of founding member and front man Brent Smith, as well as Barry Kerch, Zach Myers and Eric Bass. They’ve garnered the most #1 singles on the Billboard Mainstream Rock charts with 20 and counting, and every one of their singles have reached the top five on that chart.
The third debut is “Everything Is Peaceful Love” by American indie folk band Bon Iver. Originally founded in 2006 as a solo project by singer-songwriter Justin Vernon, Bon Iver eventually became a band consisting of Vernon, Sean Carey, Michael Lewis, Matthew McCaughan, Andrew Fitzpatrick and Jenn Wasner. The sweet, uplifting song is from their fifth studio album SABLE, fABLE, released on April 11th.
Entering at #30 is the fourth and final debut, “So Long” by San Diego-based indie rock band Wavves. Like Bon Iver, Wavves was originally formed as a solo project in 2008 by singer-songwriter Nathan Williams, but ultimately grew to become a full band, and after several lineup changes now also includes Alex Gates, Stephen Pope and Ross Traver. Their first new music since their 2021 album Hideaway, “So Long” was released on February 28th, and will be included on their forthcoming ninth album Spun, set for release in June. I love the song’s exuberant pop-punk sound that’s reminiscent of songs by Green Day, Blink-182 and The Orwells, and it marks their first appearance on my chart.
TAKE THIS HEART – Brian Lambert (1)
METAVERSE – Cage the Elephant (4)
RUSHMERE – Mumford & Sons (3)
TIME WAITED – My Morning Jacket (5)
IMPOSTER SYNDROME – Fake Empire (2)
THE NIGHT BEFORE – The Black Keys (8)
STRAIGHT TO THE GROUND – Unquiet Nights (9)
WALLS – Frank Joshua (10)
PEOPLE WATCHING – Sam Fender (6)
SAME OLD SONG – The Lumineers (7)
LUTHER – Kendrick Lamar & SZA (13)
BAD LARRY – Cloakroom (14)
MORTAL WOUND – The Veils (15)
THE TURNAROUND – DelCobras (16)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (17)
WITHOUT A DOUBT – Charm School (11)
SNAKESKIN – NAVE (19)
POOR SAD INDIE EVERYTHING – Icarus Phoenix (20)
ANKLES – Lucy Dacus (21)
LAREDO – Leon Bridges (22)
SO COLD – Balu Brigada (12)
ARCHBISHOP HAROLD HOLMES – Jack White (24)
BARBARIAN – AWOLNATION (25)
BAD DREAMS – Teddy Swims (18)
BASIC BEING BASIC – Djo (29)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (30)
For the 44th installment of my Fresh New Tracks series, I’m featuring new songs by an array of international artists I’m particularly fond of, including, in alphabetical order – Canadian artist dwi, French producer E-Klozion and English singer-songwriter Liam Croker, Welsh band Set the Tone, and Canadian artist Western Jaguar. I’ve previously featured all of them on this blog, with the exception of E-Klozion who is new to me.
dwi – “Doom Scroll’n”
Photo of dwi from his Facebook account
Based in the suburbs of Vancouver, British Columbia, dwi is the music project of singer-songwriter and multi-instrumentalist Dwight Abell, who’s also the longtime bassist for Canadian alternative/power pop band The Zolas. He’s an immensely creative, talented and imaginative guy, with a totally original sound and an endearingly quirky vocal style that make his music so uniquely distinctive. I think he’s one of the brightest stars today in the Canadian music scene, or anywhere really, and I’m quite fond of him. He’s released two outstanding albums – Mild Fantasy Violence in 2021 and Zoo Life in 2023, both of which I reviewed, as well as numerous singles. Three of this songs – “Good Friend” (2021), “Party4One” (2022) and “Overrated” (2023) – reached #1 on my personal Top 30 chart.
Today dwi’s back with a wonderful new single “Doom Scroll’n“, a nostalgic, melancholy song he calls his “sappiest” yet. It was recorded, engineered and produced by James Younger and Jeffrey Innes, who are both members of Canadian indie rock band Yukon Blonde and also played on the track. In an Instagram post about the the song, Dwight noted “Originally the post chorus hook was played using this mutilated digital synth midi sound but James was like ‘fuck that I’m playing guitar’, and it was a very correct choice.” James also mixed the track, which was mastered by Montano Mastering. The song starts off with a twangy guitar line, then settles into an exuberant melodic tune with a strong, head-bopping groove overlain with lots of marvelous and quirky musical textures. The lyrics speak of missing a woman he was once romantically involved with but no longer sees, and how he tortures himself by scrolling through her social media posts on his mobile phone: “And there’s a ghost, she’s living in my phone.And I can’t look away from her, so instead I’m doom scroll’n“
The photo used for the cover art is of Dwight’s wife Caitlin taken on one of their date nights.
E-Klozion x Liam Croker – “Never Coming Down”
E-Klozion is an electronic music producer and self-described “intergalactic DJ” based in Montpellier, France. Composing music with strong emotions drawn from various influences (ethnic, oriental, bass music, psychedelic, techno, house and organic), his mission is “to sow groove on the dancefloor”. He’s played alongside many internationally renowned artists such as Boris Brejcha, Nto, Extrawelt, Ann Clue and Arjuna. Liam Croker is frontman and lead vocalist of Manchester, England-based electro-funk/soul collective WINACHI, who’ve been releasing infectious sexy grooves – which they describe as “swaggering Mancunian tenacity spliced with smooth Californian G-Funk soul” – since forming in 2015. I’ve featured them and their music numerous times, most recently in March 2023 when I reviewed their single “FOR YOU I’D KILL” featuring Natalie Wilde. I had the pleasure of meeting Liam and his fellow WINACHI band members Antony Egerton and Inder Goldfinger in 2022 when they played at the landmark club The Mint in Los Angeles.
Now E-Klozion and Liam Croker have teamed up to create a new electronic dance/funk single “Never Coming Down“, which drops today. The track was co-written by them both, and produced by E-Klozion, who programmed the cool synths. Liam sang lead vocals on the track, Antony Egerton played guitar, and English singer-songwriter Christie Bellis sang backing vocals. The song is a seductive celebration of the hedonistic joys of partying with beautiful people at the dance club: “You’ll never hear me ask for just a touch, because just a touch won’t ever do much for me. You’ll see. I’m never coming down, never coming down, never coming down, cause it’s too low. Once your lost is found, where do you go?/ I’m a professional sinner, this is what I do. I ain’t no beginner baby, and I ain’t through with you.” I like the song’s funky groove and the interplay between Liam’s sassy playful croons and Christie’s teasing backing vocals. The entertaining video for the single was filmed “during an extremely hot sweaty night” at The Black Sheep music venue in Montpellier.
Set the Tone – “All for Nothing”
Photo of Set the Tone from their Facebook account
Hailing from Pontypridd, Wales (the birthplace of legendary singer Tom Jones) is Set the Tone, a pop/rock band comprised of Liam Richards on acoustic guitar and vocals, Nate Jones on electric guitar, Dan Hayman on electric guitar and backing vocals, and Rob Williams, who recently replaced outgoing member Kage Jones on bass. With their winning combination of intelligent songwriting, an infectious and pleasing sound melding elements of classic and contemporary rock, folk and pop, and charismatic stage presence, the guys have quickly built a loyal following in South Wales. Almost a year ago to the day, they released their first singles “Happy” and “Take This Chance” on April 26, followed by “Do You Really Wanna Know?” on July 5th and “Here We Go Again” on November 29th. I reviewed “Here We Go Again” last December, and the song ended up spending eight weeks on my Top 30 chart earlier this year.
The guys returned on April 4th with their fifth single “All for Nothing“, a rousing kiss off song with a harder-rocking feel than their previous releases. Over a hard-charging galloping beat fueled by a throbbing bassline and aggressive drums, the guys layer a hearty blend of melodic and grungy guitar riffs that create a thunderous backdrop for Liam’s fervent vocals. The lyrics touch on a relationship that’s run its course and is now broken beyond repair. Liam proclaims his antipathy toward his former romantic partner, while still retaining enough grace to wish her well: “I can’t wait to get over you. Now our time is done, it’s through. Take good care of your life. Not coming home to you tonight. Now it’s done, it was all for nothing. A complete waste of time.” “All for Nothing” is another fine effort by Set the Tone, keeping their record for putting out excellent songs fully intact.
Western Jaguar – “Flower Box”
Photo by Dale Klippenstein
Another personal favorite artist of mine is Western Jaguar, the music project of singer-songwriter and multi-instrumentalist Jeffrey Trainor, Like dwi, he’s from the Vancouver region of British Columbia, Canada, and has been releasing music since 2013 as both a band comprised of an evolving lineup of musicians and more recently as a solo artist. Skillfully blending indie rock, dream pop and shoegaze, he writes songs exploring common themes of life, love, emotional well-being and loss, expressed through poetic, relatable lyrics which he delivers with pleasing vocals. I’ve been following him for nearly seven years, and have featured him four times on this blog, most recently last May (2024) when I reviewed his single “Repossess”, which was later included on his fourth album Vacationland. Two of his songs, “Disappear” (2019) and “Darling” (2023) have reached #1 on my Top 30 chart.
On April 18th, he released his latest single “Flower Box“, a rather melancholy but poignant song about someone who keeps making bad relationship choices. Jeff has this to say about the song: “‘Flower Box’ looks at a broken relationship, but viewed from a caring outsider’s perspective. It’s clear to the narrator that this person whom this friend is engaged with is a bad fit for them, and the narrator attempts to sway them to see the truth. The repeating line, ‘Are we doing this again?’ hints that this is not the first time they have felt the need to interject about the poor circle of partners this person has chosen.” With a sense of sad resignation in his voice, Western Jaguar laments “She thinks that he can be a good man. I think that he’s a good salesman. All she wants is for him to fully love her, but he’s too busy playing games on servers with her brother./ I just don’t know what you see in him.“
Brian Lambert is an affable, thoughtful and talented singer-songwriter from Denton, Texas who refers to himself as a “Friendly Neighborhood Rock and Roller”, and is also one of the most prolific musicians I know of. When Covid put a halt to playing live, he challenged himself to writing, recording and producing a new song every week for a year, an ambitious feat he went on to accomplish in 2021. Since then, he’s continued his prodigious output, writing and recording numerous songs both as a solo artist and in collaboration with a host of other musicians, including his frequent musical partner Marc Schuster (with whom he also has a side band called The Star Crumbles).
His lively, eclectic sound runs the gamut from rock’n’roll, indie folk and garage rock to grunge, punk and synthpop. In addition to a dizzying array of singles, he also released a terrific album Wild in September 2023 and EP Everything’s a Business in June 2024. I’ve featured him many times on this blog, most recently this past January when I reviewed his single “Take This Heart“. Inspired by the 90’s music of some of his favorite bands like Soul Asylum, the Goo Goo Dolls and Better Than Ezra, “Take This Heart” is a smoldering, foot-stomping garage rock banger of a love song. Brian wrote the music and lyrics, played all instruments and self-produced the track. I love it, and am pleased to finally place it at the top of my latest chart.
Entering the top 10 are “The Night Before” by The Black Keys, “Straight to the Ground” by Northern-Ireland rock act Unquiet Nights, and “Walls” by English singer-songwriter Frank Joshua, at #s 8, 9 & 10, respectively.
There are two new additions this week, the first of which is “Basic Being Basic” by Djo, the music project of American actor Joseph David Keery, known for his roles as Steve Harrington in the Netflix series Stranger Things and Gator Tillman in the fifth season of the crime drama series Fargo. The song is from his third album The Crux, which was released April 4th. His sleeper hit song “End of Beginning”, which went viral on TikTok and has been streamed over 1.4 billion times on Spotify, spent 15 weeks in my Top 30 last year, and ranks #43 on my 100 Best Songs of 2024 list. Djo is about to embark on a 36-date tour of the U.S. and Europe that will start in Salt Lake City on April 21st.
The second new entry, debuting at #30, is “Porcelain (Losing All My Patience)” by Irish alternative indie rock band Somebody’s Child, fronted by the charismatic singer-songwriter Cian Godfrey. The beautiful song is from their wonderful second album When Youth Fades Away, released on March 28th, and accompanied by an endearing video showing Godfrey singing and dancing to the song in London’s Waterloo Station. I don’t normally include videos for other songs on my charts other than the one at #1, but this one’s so charming I want to share it.
TAKE THIS HEART – Brian Lambert (3)
IMPOSTER SYNDROME – Fake Empire (1)
RUSHMERE – Mumford & Sons (4)
METAVERSE – Cage the Elephant (5)
TIME WAITED – My Morning Jacket (7)
PEOPLE WATCHING – Sam Fender (2)
SAME OLD SONG – The Lumineers (6)
THE NIGHT BEFORE – The Black Keys (13)
STRAIGHT TO THE GROUND – Unquiet Nights (11)
WALLS – Frank Joshua (12)
WITHOUT A DOUBT – Charm School (10)
SO COLD – Balu Brigada (9)
LUTHER – Kendrick Lamar & SZA (14)
BAD LARRY – Cloakroom (16)
MORTAL WOUND – The Veils (17)
THE TURNAROUND – DelCobras (18)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (19)
BAD DREAMS – Teddy Swims (8)
SNAKESKIN – NAVE (22)
POOR SAD INDIE EVERYTHING – Icarus Phoenix (23)
ANKLES – Lucy Dacus (24)
LAREDO – Leon Bridges (27)
WHO’S A FRAUD? – Still Traffico (15)
ARCHBISHOP HAROLD HOLMES – Jack White (26)
BARBARIAN – AWOLNATION (28)
YOU’RE MY DRUG – Talk in Waves (20) 19th week on chart
THE LINE – Twenty One Pilots (21)
THE FAITHFUL HEART – Wons Phreely (25) 21st week on chart
BASIC BEING BASIC – Djo (N)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (N)
It’s been a while since my last edition of Fresh New Tracks, as I haven’t much felt like writing given the ever-worsening onslaught of mendacity and horrors issuing from America’s insanely corrupt leadership. But with so much great new music being released, it’s time for another installment in my series. Today I’m featuring deeply compelling songs by four singer-songwriters, in alphabetical order – English composer and producer Paris Alexander, Texas-based Keelan Donovan, Los Angeles-based David Haerle, and Welsh artist Secret Postal Society. I’ve previously featured Paris Alexander and Secret Postal Society many times on this blog, whereas Keelan Donovan and David Haerle are new to me.
Paris Alexander – “Ride to Heartbreak”
Photo by Karim Hamid
Hailing from Brighton, England is Paris Alexander, a creative and talented singer-songwriter, composer and producer of electronic music. He’s been a long time collaborator with his life partner, British singer-songwriter, producer and muse Tina Eirene, as well as Norwegian coldwave/post-punk artist Antipole, with whom he co-wrote, produced and sang vocals/played synths on five albums together (two of which, Northern Flux in 2017 and Crystalline in 2023, I reviewed). In 2021, I also reviewed Paris & Tina’s wonderful album Renaissance, which they co-wrote and co-produced. Now Paris is back with a new single “Ride to Heartbreak“, which was co-written and co-produced with Tina, and recorded, mixed and mastered at his Blue Door Music Studios in Brighton.
The song is a darkly beautiful and mesmerizing coldwave gem, with mysterious, almost otherworldly synths layered over a hypnotic pulsating beat. Paris’ ethereal whispered vocals are at once both seductive and melancholy, backed by Tina’s soft, breathy croons, as they sing about the sadness associated with the passing of time and missed opportunities: “Sadness touches my soul, for what was meant to be has gone astray. Time said too late as I gave you a chance. Sadness is the mourning for many times have passed.”
Keelan Donovan – “The Influence”
Photo from Keelan’s Facebook account
Born and raised in Maine and now based in Austin, Texas via Nashville, singer-songwriter Keelan Donovan has been releasing music for the past decade as both a solo artist and under his indie pop alter-ego Mr. Irrelevant. His songs span across genres, encompassing everything from pop, singer-songwriter and indie rock to Americana, country and folk. His 2018 single “Like a Radio” has been streamed over 2.6 million times on Spotify alone. I learned about him recently when he reached out to me about his new single “The Influence“, which he describes as “a raw, confessional song about the quiet grip of alcohol, the weight of inherited struggles, and the fear of what we pass down to our kids.” He co-wrote the song with Canadian-born and now Nashville-based country singer-songwriter Tenille Townes, and it was produced by Kevin Kadish.
In a heartfelt Instagram post, Keelan eloquently articulated his reason for writing the song: “I wrote ‘The Influence’ because I have two boys who are always watching me. Learning not just from what I say, but from what I do. That’s a beautiful thing and also terrifying. It forces me to hold a mirror up to myself every single day. The way I handle stress, how I treat people, how I talk about myself, the habits I lean on…especially my drinking…they’re picking it all up. It’s about wanting to break cycles but sometimes slipping anyway. We all fuck up as parents. A lot. And that’s okay. It’s about guilt, grace, and the deep hope that love is louder than our flaws. One of the things I’ve struggled with is using alcohol to cope, to numb, to unwind. and sometimes I wonder what kind of message that sends. What they’ll remember. What they’ll carry with them. This song is rooted in that quiet fear. What if the parts of me I haven’t healed become the parts they inherit? I’m still figuring it out. And sometimes the shame of falling short makes it even harder to get back up. I’m learning in real time how to be the kind of man I want them to look up to. Not a perfect one. Just an honest one.”
The song has a pleasing indie folk-pop vibe in the vein of songs by Noah Kahan, Wilderado and Mumford & Sons. In fact, Keelan’s vocals remind me of Noah Kahan as he sings “If forgiveness is a virtue, a little sin, it never hurts you. It feels good to get drunk once in a while. Is it bad? It’s probably bad, but I’m doing the best I can.”
David Haerle – “To Dance On Sands (Ode to Marta Becket)”
Photo from David’s Facebook account
David Haerle is a singer-songwriter based in Los Angeles who blends rock, folk, and Americana to tell heartfelt stories inspired by his life experiences and observations of the people and places that surround him. From what I can tell, he’s released a fair amount of music since 2017, including three albums – Garden of Edendale in 2018, Death Valley in 2020 and El Camino Sierra in 2023. His music has been featured in many notable music publications including Billboard, American Songwriter, Goldmine, Under The Radar, Glide Magazine and Rock and Roll Globe, to name just a few. On his latest single “To Dance On Sands (Ode To Marta Becket),” David pays tribute to American actress, dancer, choreographer and painter Marta Becket, who left an indelible mark on California arts culture. She performed for more than four decades at her own theater, the Amargosa Opera House in Death Valley Junction. She gave her first performance in February 1968, and continued to perform until 2012. She passed away in 2017 at the age of 92.
Born in 1924 in New York City, Marta was later traveling with her husband on her way to an engagement in 1967 when, due to a flat tire, she ended up in the tiny desert hamlet of Death Valley Junction, where she discovered a small abandoned theater in a community center built in the 1920s. Immediately charmed by the small town, she decided to stay and restore the theater, which she renamed the Amargosa Opera House, for her own performances. In 1970, reporters from National Geographic happened upon her performing a show to no audience, and, with the help of a story in that publication and another in Life Magazine, Marta took on a degree of notoriety. David elaborates: “I had an awareness of Ms. Becket as I am a regular visitor to Death Valley, but it was upon reading her [autobiography To Dance on Sands] and learning her story more fully that she became an artistic hero to me. Though her art was dance, choreography and painting and mine music, Ms. Becket represents a pinnacle of artistic courage to me. A true beacon and role model for what it can mean to follow, express and fulfill one’s artistic vision, impulses and ambitions.”
The track was written by David and produced alongside co-producer/mixer/engineer and frequent collaborator Jose Salazar. David sang lead vocals and played electric and acoustic rhythm guitars, along with Carson Cohen (bass, backing vocals), Reade Pryor (drums, percussion), Ken Belcher (electric guitar, acoustic guitar, backing vocals), and Jose Salazar (keyboards). To accompany his lovely Americana song, David has created a wonderful video to honor Marta’s legacy. Opening with scenes of him directed and shot by Michael Pottle, the video also features footage from Amargosa, the Emmy award-winning 2000 documentary film about Marta by Todd Robinson.
Secret Postal Society – “Scars”
Photo by Barry Hill
Welsh artist Secret Postal Society is the music project of hard-working and talented singer-songwriter, composer and multi-instrumentalist Craig Mapstone. He’s also thoughtful, generous and kind, and though we’ve never met in person, I’m quite fond of him on both a personal and professional level. We’ve been following each other on social media since early 2021, and I’ve written about him and his music several times over the past four years, most recently last month when I reviewed his EP Embrace the Fear, a collaboration he did with fellow Welsh singer-songwriter Guy Challenger to help raise funds for a UK youth suicide prevention charity. Also, his beautiful single “Autumn Leaves” recently spent more than four months on my Top 30 chart, where it peaked at #3. Now he’s back with his follow-up single “Scars“, which dropped April 15th via Lonely Bear Records. The heartwarming song was written, performed and recorded by Craig, and mastered by his frequent collaborator Brandon Green of Texas indie rock band Formerly Misinformed.
About “Scars”, Craig stated it’s “about how we all have our own scars – whether they are physical or emotional scars – that can affect us in dierent ways, but with love, understanding and support we can learn to accept that these scars have made us who we are and we can start to heal and love ourselves. Musically, ‘Scars’ was influenced by the French cafe jazz music of the 1960s, with its accordion, lush string arrangement and hypnotic acoustic guitar arpeggio.” His musical arrangements and instrumentation are always first-rate, and “Scars” is no exception. And though Craig’s vocals are generally understated, they’re always honest and heartfelt, conveying a deep sensitivity as he sings “Your broken heart, it’s in two. And I know it’s going to take some time to mend but I will wait. And see it through with you. I’ll be the constant constellation you can hang your hope on to to heal your scars.”
The Bandcamp release also includes an exclusive acoustic mix of the song.
Not many changes to my latest Top 30, as Fake Empire‘s “Imposter Syndrome” holds onto the #1 spot for a second week, and there are no new debuts this week. Sam Fender moves into second place with hs touching “People Watching”, while Texas-based singer-songwriter Brian Lambert moves up two spots with his sultry rocker “Take This Heart”. “Without A Doubt” by Kentucky-based “No Wave Post Punk” rock band Charm School enters the top 10.
IMPOSTER SYNDROME – Fake Empire (1)
PEOPLE WATCHING – Sam Fender (3)
TAKE THIS HEART – Brian Lambert (5)
RUSHMERE – Mumford & Sons (6)
METAVERSE – Cage the Elephant (7)
SAME OLD SONG – The Lumineers (8)
TIME WAITED – My Morning Jacket (9)
BAD DREAMS – Teddy Swims (2)
SO COLD – Balu Brigada (4)
WITHOUT A DOUBT – Charm School (11)
STRAIGHT TO THE GROUND – Unquiet Nights (13)
WALLS – Frank Joshua (14)
THE NIGHT BEFORE – The Black Keys (16)
LUTHER – Kendrick Lamar & SZA (15)
WHO’S A FRAUD? – Still Traffico (10)
BAD LARRY – Cloakroom (18)
MORTAL WOUND – The Veils (19)
THE TURNAROUND – DelCobras (21)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (22)
YOU’RE MY DRUG – Talk in Waves (12)
THE LINE – Twenty One Pilots (17)
SNAKESKIN – NAVE (25)
POOR SAD INDIE EVERYTHING – Icarus Phoenix (26)
ANKLES – Lucy Dacus (27)
THE FAITHFUL HEART – Wons Phreely (23) 20th week on chart
What a horrific week it’s been in America – and around the world, quite frankly – as our delusional, ignorant psychopath of a president precipitated a global financial meltdown with his pointless and insane tariffs, not to mention all his other illegal and incompetent actions. Be that as it may, at least we have lots of great music to drown our sorrows in, and my latest Top 30 is so good that every song belongs in the top five.
The darkly beautiful “Imposter Syndrome” by English alt-rock band Fake Empire dethrones Teddy Swims as it takes over the top spot this week. I loved it at first listen, and it continues to strongly resonate with me every time I hear it. I love the lush, haunting synths and The Cure-esque jangly guitars set to an enthralling beat and accompanied by arresting vocals. It’s the perfect song for sitting back with headphones and letting yourself be enveloped by its gorgeous soundscapes. To my mind, the lyrics seem to be about living lives that are inauthentic and controlled by other sociopolitical and cultural forces, leaving us acting like sheep, unable to be our true selves or even know who we really are: “Imposter syndrome. You’re sinking like a stone. How can you live when your life is not your own? Our lives are not our own.” Based in the south of England, Fake Empire consists of Simon Brookes, Les Black and Becky Bellinger, who together have been putting out music since 2017, all in the form of singles which now number 20 in total.
The beautiful anthem “People Watching” by English singer-songwriter Sam Fender moves up a notch to #3 this week. Included on his third studio album People Watching, which dropped February 21st, Fender wrote the song as a tribute to his friend and mentor Annie Orwin, who passed away last November. Describing her as being like a surrogate mother to him, he drew inspiration from his walks to and from the care home where she was a patient. He remained by her side at the end, sleeping on a chair next to her bed. He explained on his social media: “It’s kind of ironic because she was the one that gave me the confidence to go on stage, and always used to be like ‘why haven’t you mentioned my name in your acceptance speech’. But now an entire song (and album) connects to her. I hope that wherever she is now she’s looking down saying ‘about time kid’“. Fender co-produced the song and album in Los Angeles with Markus Dravs and Adam Granduciel of the American rock band the War on Drugs.
“Same Old Song” by Denver-based alterntive folk band The Lumineers finally enters the top 10 at #8, as well as “Time Waited” by American rock band My Morning Jacket at #9 and “Who’s a Fraud?” by English band Still Traffico, at #10. Debuting this week are songs by two long-time favorite acts of mine, the first of which is the beautiful “Laredo” by Texas-based singer-songwriter Leon Bridges. It’s the second single from his latest album Leon, which was released last October, and follows “Peaceful Place” which spent four weeks at #1 on my chart last fall. The second debut is “Barbarian” by L.A.-based alt-rock band AWOLNATION, from their sixth album The Phantom Five, which dropped last October. The song follows their previous single “Panoramic View” which spent 21 weeks on my chart last summer & fall, 12 of them in the top 10, and peaked at #3.
IMPOSTER SYNDROME – Fake Empire (3)
BAD DREAMS – Teddy Swims (1)
PEOPLE WATCHING – Sam Fender (4)
SO COLD – Balu Brigada (2)
TAKE THIS HEART – Brian Lambert (5)
RUSHMERE – Mumford & Sons (6)
METAVERSE – Cage the Elephant (8)
SAME OLD SONG – The Lumineers (11)
TIME WAITED – My Morning Jacket (14)
WHO’S A FRAUD? – Still Traffico (12)
WITHOUT A DOUBT – Charm School (13)
YOU’RE MY DRUG – Talk in Waves (7)
STRAIGHT TO THE GROUND – Unquiet Nights (15)
WALLS – Frank Joshua (16)
LUTHER – Kendrick Lamar & SZA (17)
THE NIGHT BEFORE – The Black Keys (18)
THE LINE – Twenty One Pilots (9)
BAD LARRY – Cloakroom (19)
MORTAL WOUND – The Veils (20)
SAILOR SONG – Gigi Perez (10)
THE TURNAROUND – DelCobras (22)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (25)
THE FAITHFUL HEART – Wons Phreely + The Horses (21)
ECLECTIC MUSIC LOVER 