Artist Spotlight – audiodeluxe

I head north to Scotland to shine my spotlight on audiodeluxe, an indie music duo making some really wonderful alternative electronic dream pop, with elements of rock, shoegaze and EDM. They are Sammy McHugh on vocals and Dez Bone on all music. Their bio on Soundcloud is so colorful that, rather than try to paraphrase, I’ll just quote it here in its entirety:

“Audiodeluxe are a couple of part time musical geniuses from a small but ever expanding village near Glasgow. They started writing songs together some time in the 90s and no one has forced them to stop yet. They have many influences ranging from the mighty Depeche Mode and Radiohead to Rage Against the Machine and the timeless Monty Python. They have also been brainwashed along the way by their crazy hippy parents and rather bizarre friends. They both exist happily writing tunes and turning out for the occasional gig. It’s a fine life really!”

The couple had early success with their music offerings, including local and international radio airplay, as well as licensing by the Fox sports channel for use in its broadcasts. After a period of hiatus while starting a family, they’ve recently resurrected their creative efforts, with an emphasis on growing their audience by independently releasing their music on Soundcloud and Bandcamp.

Dez Bones employs complex synthesizers to create a rich, ethereal sound, punctuated by gauzy atmospherics, psychedelic vibes or danceable grooves. The superb “Hold Me Back” has a fantastic electro-synth arrangement, while “The Day I Died” channels Depeche Mode, with its gorgeous sweeping synths. In “Treasure,” a simple, rather mournful guitar riff, accompanied by a hypnotic drumbeat, is overlain with sound effects like a train running on a track and what could be a flock of seagulls, resulting in a highly mysterious, otherworldly track.  So too, with the psychedelic-tinged instrumental gem “Stringthing.”

McHugh’s vocal styling extends across a wide emotional range. Her beguiling, slightly off-kilter robotic vocals in “Hold Me Back” call to mind those of St. Vincent, whereas her breathy vocals in “Treasure” accentuate the song’s aura of mystery. In the beautiful black and white video, McHugh sings the song while standing on a beach, storm clouds gathering around her. “I’m going down deep inside, for treasure / Going to a place, you’ll never find it’s pleasure. Can’t wait to go, you’ll never know / Too late now / Go to sleep / Close your eyes.”  Her vocals smolder with just the slightest bit of detachment in “Sunburned and Soaked” and “Too Late.”

One of my favorites is “How Long,” another great song with a strong Depeche Mode vibe. (Being a huge fan of Depeche Mode, it’s no surprise that I like audiodeluxe’s music so well.) The track’s seductive, synth-heavy groove set to a thumping beat, makes for an edgy, incredibly satisfying tune.

If you like audiodeluxe’s music, show them support and follow on Twitter and subscribe to their YouTube channel. Stream their music on Soundcloud and purchase it on Bandcamp.

Top 20 Songs for October 23-29, 2016

1. BANG BANG – Green Day (4th wk #1)
2. LIFE ITSELF – Glass Animals (2)
3. HEATHENS – twenty øne piløts (3)
4. HYMN FOR THE WEEKEND – Coldplay & Beyoncé (5)
5. WASTE A MOMENT – Kings of Leon (8)
6. ALL WE EVER KNEW – The Head and the Heart (4)
7. SAY MY NAME – (IAM)WARFACE (7)
8. YOU DON’T GET ME HIGH ANYMORE – Phantogram (6)
9. HARDWIRED – Metallica (9)
10. FEEL INVINCIBLE – Skillet (11)
11. CHANGES – MUTEMATH (12)
12. WELCOME TO YOUR LIFE – Grouplove (13)
13. RIVER – Bishop Briggs (10)
14. TONIGHT – Matto Rules (16)
15. STARS – Wons Phreely + the Horses (17)
16. GOOD GRIEF – Bastille (14)
17. WISH I KNEW YOU – The Revivalists (19)
18. STARBOY – The Weeknd & Daft Funk (N)
19. CLEOPATRA – The Lumineers (20)
20. TROUBLE – Cage the Elephant (16)

EP Review: RED LIGHT RUNNER – “What Are You Thinking About?”

My spotlight is still on the UK, where I now review the new EP What Are You Thinking About? from alternative indie post-punk rock band Red Light Runner, which dropped today, October 21st. The 5-track EP is their first release since their successful 2014 double-sided single “Lucky Thirteen/Just Might Find,” which itself arrived nearly seven years after their debut self-titled EP was released in December  2007. Those earlier tracks hold up well but, musically and lyrically, the band really ups their game with this new EP.

Hailing from Kent, Red Light Runner includes Dan Balson (Guitar, Lead Vocals), Russell France (Guitar), Lee Vickery (Bass) and Joe Michael (Drums).  Their fresh, high-energy music sounds like what you’d get if Blink-182 and Jimmy Eat World jointly gave birth to a new band. Catchy hooks, driving beats, assertive drums and lively, multi-textured guitars are the hallmarks of their songs. Although many of the lyrics address problematic relationships, this EP will have you on your feet from start to finish. Whether intentional or not, these are all songs meant to be performed live, and I’m sure these guys put on a great show.

red-light-runner

The EP starts off strong with “First Time,” as we’re hit with a barrage of shredded guitars and hammering drums. The track settles into a hard-driving rhythm with heavy melodic riffs, and Balson sings of disillusionment over a relationship turned sour. This is an exhilarating song that kicks ass!

The title track and first single “What Are You Thinking About?” speaks to living your own truth rather than wanting another’s life or living according to the expectations of others: “Someone else’s life is played out inside your head / Now it’s time to live the moments you have instead / Don’t allow yourself to lock you out / Always trust someone to turn you around / When you fall it seems a long way down / What are you thinking about?”  Rapid-paced guitars work in tandem with heavy bass and pummeling drums, resulting in a terrific song. This track, as well as others on the EP, feature backing vocals by songstress Charlie Dorrell.

Gnashing guitars announce the arrival of “Make You Pay,” another hard-driving track about bitterness over a failed relationship: “We’ve seen this road before, and I don’t think you understand / Another time, another place, another time and the moment slips too far away / I seem to find all my life, I’m left behind / I’ll make you pay.”  The powerful guitar riffs on this track are awesome, made even more so by Joe Michael’s thunderous percussion.

One of my favorite tracks is “Right Place Wrong Time.” The song rocks quite nicely, but with a bit more poignancy and, once again, the guitar riffs are superb, soaring to an ear-splitting distorted crescendo at the end. Charlie Dorrell’s sublime vocals are also more apparent on this track. The final track “Be Mine Again” is a rousing number, with more of the band’s signature complex, pummeling riffs and speaker-blowing percussion. The song addresses the singer’s need to survive life’s hardships: “Need to get out, pick myself up, carry on, and this world will be mine again.

I have to admit that it took a few listens for me to fully appreciate the quality and depth of the songs and lyrics, but my conclusion is that this is a very well-crafted EP that gets better with each listen. These guys are really accomplished musicians who coax some awesome sounds from their instruments, and the lyrics are not as obvious as they seem at first glance – or should I say listen?  Support these guys by following them on Twitter and Facebook, and subscribe to their Youtube channel. Stream their music on Spotify, and purchase their music on BandcampiTunes or other sites offering music for purchase.

EP Review: FLOODHOUNDS – “Look What You’ve Started”

It’s back to the UK to shine my spotlight on the incredibly talented indie-rock band FloodHounds. Hailing from Sheffield, the 3-piece band plays some really exciting guitar-heavy alternative rock infused with ample amounts of blues and funk.  Making this awesome music are Jack Flynn (lead guitar and vocals), Rhys Owens (bass) and Lauren Greaves (drums). Flynn and Owens, who’ve known each other for years, started FloodHounds after the band they were previously in broke up. They needed a drummer, and lucked out when they discovered Greaves, who joined them in late 2014 to complete the current line-up.

In 2015 they released their debut EP Bare Bones, featuring three well-crafted bluesy rock tunes. Now, the band has returned with an ambitious new EP Look What You’ve Started. Let’s dig in to see what it’s all about.

floodhounds

The EP bursts open with the hard-driving “A&E.”  Greaves’ pulse-pounding drums immediately set the pace for this powerful track, with lots of crashing cymbals adding excitement.  The stop and start composition of the track creates dramatic tension, with Flynn’s alternating scratchy and swirling guitars matching the ferocity of Owens’ heavy bass line. The guitars are really quite amazing, and Flynn’s vocals are mesmerizing.  The lyrics speak of someone – a friend or lover, perhaps – who’s going through tough times and in need of support:  “All the people look so tall, when you’re down on your luck and you fall. And though I know you’re on  your way, you need a little push to meet me halfway.

FloodHounds go all bluesy with “State of Mind,” a standout track about escaping a boring, mundane existence. Flynn sings: “Time has passed us slowly from one day to the next / All my friends are 9 to 5 and cashing their checks / And I’m running round in circles again, why do we try? They never said at school that we’d amount to much / You’re barely there it seems like you don’t give a fuck / And you’re wasting all your time outside, why don’t you try?  Makes you wonder if you’re ever gonna make it in this world alive.

The band keeps the bluesy vibe going while adding a bit of funk to the mix with “The Fear” and “Soulmates to Cellmates.” We’re treated to more stellar plucky guitar work, and Greaves’ formidable percussion skills are on full display. “The Fear” speaks to overcoming self-doubt and negativity that are holding the subject back: “Now I can’t help but wonder where you got your point of view / I don’t want to watch it bury you.”  By the time we get to “Soulmates to Cellmates,” it’s clear the EP’s theme is about dealing with inner conflict and the relationship troubles it causes.  In that track, the loved one becomes the oppressor, leaving the partner feeling shackled. “Being yours means I just have to wait / I don’t care how long it will take.

The more rock-oriented “End of the Road” offers up funky bass and shredded guitars, and the EP closer “Greatest Mistake” wraps everything up nicely with a slower, bluesy feel. The guitar riffs in this song call to mind those of the legendary Eric Clapton – at least to my ears. This is another standout track.

To sum up, Look What You’ve Started is a solid EP, with a bit of an Arctic Monkeys vibe – a good thing, as I love that band.  Support Floodhounds by checking out their website and following on Twitter and Facebook. Stream their music on Spotify and Soundcloud, and purchase on BandcampiTunes and other music purchase sites.

Top 20 Songs for October 16-22, 2016

1. BANG BANG – Green Day (1)
2. LIFE ITSELF – Glass Animals (2)
3. HEATHENS – twenty øne piløts (4)
4. ALL WE EVER KNEW – The Head and the Heart (3)
5. HYMN FOR THE WEEKEND – Coldplay & Beyoncé (6)
6. YOU DON’T GET ME HIGH ANYMORE – Phantogram (7)
7. SAY MY NAME – (IAM)WARFACE (8)
8. WASTE A MOMENT – Kings of Leon (17)
9. HARDWIRED – Metallica (12)
10. RIVER – Bishop Briggs (9)
11. FEEL INVINCIBLE – Skillet (13)
12. CHANGES – MUTEMATH (15)
13. WELCOME TO YOUR LIFE – Grouplove (14)
14. GOOD GRIEF – Bastille (5)
15. TONIGHT – Matto Rules (16)
16. TROUBLE – Cage the Elephant (10)
17. STARS – Wons Phreely + the Horses (18)
18. CHEAP THRILLS – Sia and Sean Paul (11)
19. WISH I KNEW YOU – The Revivalists (20)
20. CLEOPATRA – The Lumineers (N)

EP Review: CURE FOR GRAVITY – “Cure For Gravity”

From the moment I first listened to the opening song “Tonight” on alternative rock band Cure for Gravity’s new self-titled EP, I was bowled over by the sheer magnificence of their sound.  On October 14, the Berkeley, California based group dropped Cure For Gravity, a collection of six exceptional tracks that combine lush atmospheric synths with dazzling guitar work and strong percussion. The EP – and band for that matter – are aptly named, as their music soars straight to the heavens.

The band consists of three highly-skilled musicians – Joe Markert (Vocals, Keyboards, Guitars), Chris Gamper (Drums & Percussion) and Dave Walcott (Guitars, Wall of Sound, Backing Vocals). They released their first EP Fallen Stars in 2012, which featured four solid tracks with a mix of acoustic and harder rock sounds. They’ve taken a more experimental approach with Cure For Gravity, and the results are pretty incredible.

cure-for-gravity

“Tonight” opens with sounds from a rocket launch, then segues into distorted guitar, heavy bass and crashing cymbals before the track settles into a gorgeous sweeping affair with a Pink Floyd vibe. The song seamlessly transitions into the awesome second track “Sunspots,” by which time I was helplessly in love with this band’s music. The blistering guitar riffs in this six-minute long song are a wonder. Markert’s urgent vocals rise and fall perfectly with the music. The two tracks combined run over ten minutes, yet they’re so good they seem over in an instant.

“Just Like Candy” is pure delight, filled with playful guitar riffs that dance across big synthesizers and a buzzing bass line. With equal playfulness, his voice alternating from smoldering to falsetto, Markert sings of a woman who drives men crazy with her teasing indifference: “Violence on the dance floor / She wants less, but he wants more / They move left to right like an underwater knife fight / You’re blowing me down / She’s just like candy / Wearing a hole in me.”  At 3:25 the song erupts with a rapid, hard-driving guitar riff that reminds me a bit like the ending guitar flourish of an Allman Brothers song.

Things turn dark and heavy with the psychedelic-tinged “BlackMetal.” Once again, the band’s nimble guitar work is amazing. And the music and vocals are so gorgeous in the moving rock ballad “Push” that I’m nearly blown away. The superb closing track “Killing For the Queen” offers up more soaring synths and mind-bending guitars that prove without a doubt that these guys are masters of their craft.

To sum up, I love this fantastic EP and am now a huge fan of Cure For Gravity. Learn more about them by checking out their website, and support these guys by following on Twitter and Facebook, and subscribe to their YouTube channel. Stream their music on  Spotify and Soundcloud, and purchase on iTunes or Bandcamp.

Album Review: A BLUE FLAME – “What We’ve Become is All That Now Remains”

British singer/songwriter Richard Stone – who goes by the artistic name A Blue Flame – doesn’t consider himself a musician, but rather a compulsive writer of songs who also happens to play the guitar. For him, the song lyric is supreme, not the music or sound. On his album, What We’ve Become is All That Now Remains, he tells compelling stories using straightforward lyrics about life, love, faith, loss and heartbreak. And though he’s not as concerned about the music or sound of his songs, I think they’re superb, representing an amazingly eclectic range of styles from doo-wop and old-school pop to easy listening ballads and hard-driving rock.  Plus, his smooth, clear vocals perfectly suit his thoughtful lyrics.

When I asked Stone about his artistic name, he explained that ‘A Blue Flame’ just came to him, but he also liked “the balance in the name between the heat of a flame and the sadness of feeling blue. Blue flames are the hottest of all flames and they are also linked with strange, other worldly experiences like will o’ the wisps. It’s a name of contradictions between the scientific and paranormal, just like my music is a mass of contradictory influences.”  He said his songwriting has been influenced by some of the great songwriters such as Bob Dylan and the Beatles, but essentially any great song from one of any number of artists.

Stone writes all his songs and plays guitar. He arranges them with help from Adam Ellis, who co-produces and also plays guitar.  Other session musicians add their skills to the mix as needed, including Damon Claridge on drums, Andy Robertson on bass and keyboards, and Tony Robinson (who’s also played with the Manic Street Preachers and The Beautiful South, among other bands) on keyboards and horns.

a-blue-flame

The passage of time and the challenge of keeping the faith – both in God and yourself – are recurring subjects in A Blue Flame’s songs. The album opens with the sublime track “When Time Slowed Down.”  The song features beautiful piano, gentle guitar and snare drum, along with a captivating trumpet solo. With a hint of sadness in his voice, Stone wistfully sings of the fleeting nature of time, and the need to stop and savor the precious moments: “When all is said and done, and we’re just words upon a page inside a book that never opens / How will we be found?  We lucked out, the year we found the days when time slowed down.

Time’s passage is again alluded to on the tracks “Our Memories Fade” and the anthemic “Everyday Yesterday,” where an upbeat melody belies a deeper meaning: “Everyday, yesterday gets further away. I was born for the ninth time, a fool amongst the fools. Running in the nighttime and breaking all the rules. Till I saw I was the dullest stone in a box of golden jewels. It was clear that I knew nothing and my promises were cruel.

Stone plaintively urges self-belief and acceptance in the bittersweet ballad “Be Kind to Yourself” – “You know that your hate is a weakness, you know that you need to be brave. You’re scared of that something inside you that cries in the night to be safe” – and in the edgy, hard-rocking “I Don’t Know,” where Stone’s raw vocals seem to channel an exasperated Billy Joel. In “Feeling the Same,” he expresses empathy for someone feeling lost and alone with their pain and self-doubt.

Faith in God is questioned in the rousing “From God on Down.” Stone defiantly proclaims “I have been here a billion years, and I am so tired. I may, I may not exist. You might believe, you may well laugh. We’re all in the dark, from God on down.”  So too with the catchy pop-rock track “Out There Somewhere.”  Love and loss are the theme of the wonderful but rather mournful doo-wop tune “The Sun Refused to Shine.” The guitar solo in the last third of the song is great.

One of my favorite tracks is “Marlborough Park Avenue,” a poignant tune that calls to mind the incredible storied lyrics and singing style of Harry Chapin. To a gorgeous arrangement with gentle percussion, violin and multi-textured guitars that swirl, twang and chime, Stone fervently sings of a lost loved one “Though you’re not here, you still hold me together. The blossom is swimming around me / I think I’m in heaven.  I wish you were walking beside me, but you’ve gone on ahead.

Another standout is the hard-hitting kiss-off “The Girl Inside of You.” As with some of the other songs on the album, the upbeat, high-energy music – complete with “sha la la la, ooh sha la la las” – contrasts sharply with the fiery lyrics. Stone practically spits the lines “Rain falls down from a cloudless sky / I look up and I wonder why / It seems strange to me / It’s a motherfucking mystery / Farewell from the boy in me, who so fell for the girl inside of you.

What We’ve Become is All That Now Remains is an album that keeps getting better with each listen, as the poetic beauty of the lyrics continues to sink in. Learn more about A Blue Flame by checking out his website. Follow him on Twitter and Facebook and stream his music on Spotify and Soundcloud. His music is available for purchase on CD Baby.

Top 20 Songs for October 9-15, 2016

1. BANG BANG – Green Day (1)
2. LIFE ITSELF – Glass Animals (3)
3. ALL WE EVER KNEW – The Head and the Heart (2)
4. HEATHENS – twenty øne piløts (4)
5. GOOD GRIEF – Bastille (5)
6. HYMN FOR THE WEEKEND – Coldplay featuring Beyoncé (6)
7. YOU DON’T GET ME HIGH ANYMORE – Phantogram (9)
8. SAY MY NAME – (IAM)WARFACE (10)
9. RIVER – Bishop Briggs (11)
10. TROUBLE – Cage the Elephant (7)
11. CHEAP THRILLS – Sia & Sean Paul (8)
12. HARDWIRED – Metallica (12)
13. FEEL INVINCIBLE – Skillet (13)
14. WELCOME TO YOUR LIFE – Grouplove (14)
15. CHANGES – MUTEMATH (15)
16. TONIGHT – Matto Rules (16)
17. WASTE A MOMENT – Kings of Leon (18)
18. STARS – Wons Phreely + the Horses (20)
19. WAKE UP CALL – Nothing But Thieves (17)
20. WISH I KNEW YOU – The Revivalists (N)

Song Review: Shelita Burke – “Belong”

Singer/songwriter Shelita Burke is one of those artists who come along every so often and, upon first hearing her music, you immediately wonder “wow, who is this woman with such a unique and beautiful voice?” Originally from Seattle, Burke spent a few years traveling in Europe, soaking up influences from a myriad of cultures and developing her singular music style in the process, until settling in Los Angeles.  Out of that journey was born her brilliant, highly-acclaimed debut EP Transfixed.  Released in late 2015, The EP features five gorgeous tracks, plus a remix of the title track. The jazz-infused songs offer up mesmerizing strumming guitar and Burke’s captivating, ethereal vocals that transport the listener to a dreamy otherworldliness.

Now Burke has completely changed things up with her hot new single “Belong.” Departing from the jazzy, ethereal sounds of Transfixed, Burke dives headfirst into EDM territory, creating a steamy dance track that proves beyond a doubt that, not only is she a vocalist with considerable range, she’s also one with a lot to tell us. In “Belong,” Burke submits herself willingly over to passion while seducing her lover to own her: “Let’s get it on, and on and on and on. Belong. What’s wrong with belong?  I can’t resist all you needed to say. You get me, you get me, you got me. You find me sweet and pretty. If you would own me, I’m easy to please. If you would use me, I would never leave. Crawling, for that something more.”  Whew!

Propelled by a hypnotic, driving beat, swirling synths and bold hand-claps set the tone for Burke’s smoldering, seductive vocals. This is one sexy number that will lure even the biggest wallflower onto the dance floor!  With nearly 700,000 plays on Spotify in less than three months, Burke has a certifiable hit on her hands.

Show Shelita some love by following her on Twitter and Facebook, and subscribing to her YouTube channel.  Stream her music on Spotify or Soundcloud, and purchase it on iTunes and other online music sites.

Top 20 Songs for October 2-8, 2016

1. BANG BANG – Green Day (2)
2. ALL WE EVER KNEW – The Head and the Heart (1)
3. LIFE ITSELF – Glass Animals (4)
4. HEATHENS – twenty øne piløts (3)
5. GOOD GRIEF – Bastille (6)
6. HYMN FOR THE WEEKEND – Coldplay featuring Beyoncé (8)
7. TROUBLE – Cage the Elephant (5)
8. CHEAP THRILLS – Sia & Sean Paul (7)
9. YOU DON’T GET ME HIGH ANYMORE – Phantogram (9)
10. SAY MY NAME – (IAM)WARFACE (11)
11. RIVER – Bishop Briggs (12)
12. HARDWIRED – Metallica (13)
13. FEEL INVINCIBLE – Skillet (14)
14. WELCOME TO YOUR LIFE – Grouplove (17)
15. CHANGES – MUTEMATH (19)
16. TONIGHT – Matto Rules (18)
17. WAKE UP CALL – Nothing But Thieves (10)
18. WASTE A MOMENT – Kings of Leon (N)
19. SEND MY LOVE (To Your New Lover) – Adele (15)
20. STARS – Wons Phreely (N)