Fresh New Tracks, Vol. 22 – Oli Barton & the Movement, Magnetic Skies, Marc Schuster

New music releases continue at a dizzying pace, so much so that it often feels overwhelming. I should be featuring at least some of it on this blog, but alas, I just haven’t much felt like writing of late. But when I hear new songs that pique my interest, I want to share them with the world. That means it’s time for another Fresh New Tracks post, and today I’m featuring three terrific tracks from artists with totally different sounds. They are, in alphabetical order, British alt-rock band Oli Barton & the Movement, British synthpop band Magnetic Skies, and American singer-songwriter & musician Marc Schuster. I’ve previously written about Oli Barton & the Movement and Marc Schuster, while Magnetic Skies is new to me.

OLI BARTON & THE MOVEMENT – “Paid Off”

London-based Oli Barton & the Movement are a long-time favorite of mine. As indicated by their name, the band is headed by the wildly creative and charismatic singer-songwriter Oli Barton, with the Movement comprised of exceptionally talented musicians Jamal Lagoon on guitar, Marco Paone on bass, and Josh Needham on drums. Together, their eccentric yet sophisticated style of alternative rock is a colorful mix of post-punk and psychedelia, fortified with touches of funk, grunge and pop. I’ve featured them many times on this blog over the past six years, and have loved every one of their releases. Four of their songs have appeared on my Weekly Top 30 lists – their provocative 2017 single “Kinky” went all the way to #1, while “44”, “Martyr” and “Just Like Always” all reached the top 5.

On February 17th, they dropped their latest single “Paid Off“, and it’s a certifiable banger! Produced by the band’s longtime collaborator Jules Gulon, and featuring beguiling backing vocals by Portugal-born and now London-based singer-songwriter Carlota Rocchi, the song is an exhilarating, infectiously catchy romp. Opening with Needham’s galloping drum beats and Paone’s throbbing bass, which are soon joined by Barton’s distinctive croon, the song explodes into a chugging rocker, fueled by Lagoon’s scorching riffs, Barton’s vocals rising to an impassioned wail. The lyrics seem to speak of people who use others for their own gain, bleeding them until they’re dry: “I’m just a fraction of the fragment of what I was. The moment they penetrated me./ They just want to be paid off by you, by you, by you!” I love it, and the guys have another future top 5 hit on their hands!

Follow Oli Barton and the Movement:  Facebook / Twitter / Instagram

MAGNETIC SKIES – “You Shine On”

Also based in London, Magnetic Skies was originally formed as a duo in early 2019 by singer-songwriters and keyboardists Simon Kent and Jo Womar. With a shared love of 80s synth-driven post-punk and vintage analogue synths, they quickly got busy writing and recording an impressive amount of material they released in a succession of singles and three EPs – Dreams And Memories, Hold On and Into Paradise. They became a four-piece in 2021 with the addition of guitarist Carlos Aguilar and drummer Lenin Alegria, and since then have released six more singles. In preparation for writing about them, I listen to quite a bit of their back music catalogue, and it’s really outstanding. Their latest single, “You Shine On“, which dropped February 17th, will be included on their forthcoming debut album Empire Falling, set for release later this year.

Released via independent label ReprinT Records, “You Shine On” features a dreamy melody set to hypnotic driving beats and lush, atmospheric soundscapes reminiscent of such defining 80s acts as The Human League, Pet Shop Boys and Depeche Mode. There are so many fabulous touches, like the dominant pulsating bassline, gorgeous jangly guitars, swirling synths, crashing percussion and soaring vocal harmonies. About the song, the band explains: “This is a love song, a story about two people finding each other despite divisions from outside, and about being true to yourself even when that doesn’t fit with expectations from society or other people. It’s celebrating a really positive self-belief.” The track is accompanied by a stylish video featuring kaleidoscopic images of a beautiful woman dressed in a flowing, butterfly-like golden garment, interspersed with similarly-kaleidoscopic images of the band performing the song.

Follow Magnetic Skies:  FacebookTwitterInstagram

MARC SCHUSTER – “George Around the Corner”

Marc Schuster is an insanely creative, multi-talented guy from the Philadelphia area who I first got to know several years ago through blogging (he has a terrific WordPress blog called Abominations, where he writes about music and interviews lots of indie artists). Not only is he an educator, author, literary critic and visual artist, he’s also a prolific songwriter and musician, recording both as a solo artist and as part of numerous music projects and collaborations with an ever-expanding roster of musicians, including his latest project The Star Crumbles with fellow musician Brian Lambert (their song “Shadows in the Dark” recently spent two weeks at #1 on my Top 30 chart). As if all that weren’t enough, he also started doing a weekly hour-long music podcast a few months ago he calls “Tweetcore”, where he features songs by talented indie artists he’s met through Twitter. I honestly don’t know how he finds the time and energy to accomplish all that he does!

Though Marc likes to experiment with different sounds, styles and textures, most of the songs he records as a solo artist have a delightful, indie bedroom-pop sensibility. Not only are they infectiously catchy, he has a wonderful knack for putting a youthful, often tongue-in-cheek perspective on everyday situations and problems many of us have faced at one time or another. He doesn’t have a powerful singing voice, but he more than makes up for it with a quirky, endearing vocal delivery that never fails to put a huge smile on my face. I seriously adore this man, who’s also been incredibly supportive of both me and my blog.

Almost a year ago to the day, I reviewed his delightful EP There Is No Down. In addition to his work with The Star Crumbles, Marc has continued putting out solo singles, his latest of which is “George Around the Corner“, a sweet song he released on February 16th. He cleverly name-drops his neighbor George, as well as a few of his fellow artist collaborators like Tim Simmons and Brian Lambert. He elaborated about the song on his blog: “‘George Around the Corner’ is more or less about real people I know. George does, in fact, live around the corner, and he did, in fact, fly a fighter jet in 1969 (and the years on either side of it). The line about him not remembering my name was true when I started working on the song, but more recently he has begun to remember my name when I see him. Tim stops by for coffee fairly regularly if not actually once a week, and sometimes I stop by his house. The line about us not speaking, however, is entirely false. We talk a lot. But ‘speak’ rhymes with ‘week.’ And Brian did visit Philadelphia once. He was actually visiting family in Delaware when he made the additional trek out to see me. His son came with him and did take a picture of us waiting for the train. However, that was not the only picture he took. Also, I stand by my claim that sometimes the best of times move kind of slow.” If you click on the Bandcamp link below, you’ll see the lyrics to the song.

Follow Marc:  Website / Twitter / Instagram

Top 30 Songs for February 19-25, 2023

In the space of only six months, alternative pop-rock trio Beach Weather have become one of my favorite bands. Though they’d been around since late 2015, I first learned about them last summer when I heard their song “Sex, Drugs, Etc.”, which I loved at first listen. The song was originally recorded in 2016, and included on their debut EP Chit Chat, but wasn’t released as a single back then, and largely went unnoticed. After dropping a second EP What a Drag, the band went on hiatus as the three members, Nick Santino, Reeve Powers, and Sean Silverman, relocated to different cities and began working on their own solo projects. Fortunately for us, they reunited in late 2021, and began work on their forthcoming debut album Pineapple Sunrise, due for release on March 3rd. In the meantime, “Sex, Drugs, Etc.” went viral on TikTok and became a huge hit on alternative radio, going all the way to #1 on the Billboard Alternative Airplay chart. It’s also spent nearly six months on my Weekly Top 30, three of them at #1, and ended up at #3 on my 100 Best Songs of 2022 list.

Last August, they started releasing a string of new singles from Pineapple Sunrise, beginning with “Unlovable”, their first new release in five years. They followed in November with the melancholy but beautiful “Trouble With This Bed”, which takes over the top spot of my Weekly Top 30. (They’ve since dropped two more singles, “Homebody” in January, which I reviewed, and “Hard Feelings” this past Friday the 17th.) “Trouble With This Bed” touches on a romantic relationship crippled by uncertainty and unfulfilled desires, acted out by a young couple in the accompanying video, interspersed with scenes of Beach Weather performing the song, all on the same bed. I particularly love the song’s beautiful languid groove, Nick’s dreamy layered vocals, and that dominant bassline. 

I’m excited to add four marvelous new songs to my list this week: “Love From the Other Side” by rock veterans Fall Out Boy, their first new music in four years, entering at #21; “Soften” by Canadian singer-songwriter Alex Southey, whose latest EP Common Fantasies I also reviewed last month, at #28; “Eyez” by Black Keys member Dan Auerbach’s side project The Arcs, at #29; and “Weightless” by hyper-talented British singer-songwriter Arlo Parks, her first appearance on my chart, bringing up the rear at #30.

  1. TROUBLE WITH THIS BED – Beach Weather (3)
  2. SHADOWS IN THE DARK – The Star Crumbles (1)
  3. THIS IS WHY – Paramore (2)
  4. NIGHT BUS – Caitlin Lavagna (5)
  5. THE LONELIEST – Måneskin (7)
  6. ANTI-HERO – Taylor Swift (4)
  7. BACKPATTERS AND SHOOTERS – The Zangwills (9)
  8. TONIGHT – Phoenix featuring Ezra Koenig (6)
  9. PAGES – White Reaper (13)
  10. DANCE FOR ME – Sam Rappaport (8)
  11. WILD AS THE WIND – HULLAH (11)
  12. MAYFLY – Callum Pitt (12)
  13. JUST BEFORE THE MORNING – Local Natives (15)
  14. TRANSMITTER – Sea Power (16)
  15. SAIL AWAY – lovelytheband (10)
  16. KILL BILL – SZA (14)
  17. YOU GOTTA DO WHAT YOU GOTTA DO – Darksoft (20)
  18. SLEEPWALKING – All Time Low (22)
  19. PEPPER – Death Cab for Cutie (24)
  20. STICK SEASON – Noah Kahan (18)
  21. LOVE FROM THE OTHER SIDE – Fall Out Boy (N)
  22. I’M IN LOVE WITH YOU – The 1975 (17)
  23. SEX, DRUGS, ETC. – Beach Weather (27)
  24. SUREFIRE – Wilderado (28)
  25. EVERGREEN – Mt. Joy (29)
  26. TROPIC MORNING NEWS – The National (30)
  27. LUX ÆTERNA – Metallica (19)
  28. SOFTEN – Alex Southey (N)
  29. EYEZ – The Arcs (N)
  30. WEIGHTLESS – Arlo Parks (N)

Top 30 Songs for February 12-18, 2023

The Star Crumbles remain on top for a second week with their aptly-titled gem “Shadows in the Dark”, while Paramore‘s “This Is Why” holds at #2 again after spending three weeks at #1. Sliding into third place is the beautiful and sultry “Trouble With This Bed” by Beach Weather, who’ve become one of my favorite bands over the past year. Their song “Sex, Drugs, Etc.”, which spent three weeks at #1 on my chart last fall and ranks #3 on my 100 Best Songs of 2022, re-enters at #27, as I still can’t get enough of it. The biggest upward mover this week is the lovely “You Gotta Do What You Gotta Do” by Darksoft, jumping seven spots to #20.

Three wonderful new songs make their debut this week at #s 28-30: “Surefire” by Oklahoma-based folk-rock band Wilderado, “Evergreen” by L.A.-based indie rock band Mt. Joy (whose previous single “Lemon Tree” peaked at #7 on my chart last September), and “Tropic Morning News” by legendary alt-rock band The National (their previous single “Weird Goodbyes”, with added vocals by Bon Iver, peaked at #6 on my chart in late December-early January). I absolutely love The National front man Matt Berninger’s distinctive soothing vocals.

  1. SHADOWS IN THE DARK – The Star Crumbles (1)
  2. THIS IS WHY – Paramore (2)
  3. TROUBLE WITH THIS BED – Beach Weather (5)
  4. ANTI-HERO – Taylor Swift (3)
  5. NIGHT BUS – Caitlin Lavagna (6)
  6. TONIGHT – Phoenix featuring Ezra Koenig (4)
  7. THE LONELIEST – Måneskin (8)
  8. DANCE FOR ME – Sam Rappaport (9)
  9. BACKPATTERS AND SHOOTERS – The Zangwills (10)
  10. SAIL AWAY – lovelytheband (7)
  11. WILD AS THE WIND – HULLAH (13)
  12. MAYFLY – Callum Pitt (14)
  13. PAGES – White Reaper (15)
  14. KILL BILL – SZA (16)
  15. JUST BEFORE THE MORNING – Local Natives (19)
  16. TRANSMITTER – Sea Power (21)
  17. I’M IN LOVE WITH YOU – The 1975 (11)
  18. STICK SEASON – Noah Kahan (18)
  19. LUX ÆTERNA – Metallica (22)
  20. YOU GOTTA DO WHAT YOU GOTTA DO – Darksoft (27)
  21. EVERYTHING I OWN – Dom Thomas (23)
  22. SLEEPWALKING – All Time Low (24)
  23. DISORDER – Columbia (12)
  24. PEPPER – Death Cab for Cutie (30)
  25. OUT OF MY SYSTEM – Louis Tomlinson (17)
  26. OFFCUTS – Mount Famine (20)
  27. SEX, DRUGS, ETC. – Beach Weather (RE)
  28. SUREFIRE – Wilderado (N)
  29. EVERGREEN – Mt. Joy (N)
  30. TROPIC MORNING NEWS – The National (N)

The23s – Single Review: “Never Be The Same”

Hailing from Sheffield, England are The 23s, a collaborative music project comprised of singer-songwriter and electronica musician Rob Cohen, singer-songwriter Rob Gurruchaga, and producer Tom Taylor. Cohen has previously been a member of other bands and also collaborated with producer/musician Jody Wildgoose on their 2015 album BloochyKoo, released under the music project WildCohen (I reviewed one of the album’s tracks “Jackson’s Son”). He was approached in late 2021 by Taylor and Gurruchaga, who pitched their idea for a new collaborative music project The 23s, named after Taylor’s Channel 23 Studio.

With a shared love of acts like David Bowie, Peter Gabriel, Blaqk Audio, Gary Numan, Depeche Mode, The Cure and Thomas Dolby, the enigmatic trio clicked right from the start, and began working on song demos which they shared across the internet from their home studios in Sheffield. Eventually, they gathered in person at Taylor’s Channel 23 Studio to put the final touches and overdubs on what will be a full album of genre-bending anthems addressing these troubled times, steeped in feelings of fear and anxiety. Using analog synthesizers and synth guitars, they create melodic indie electro-pop arrangements that are mesmerizing, yet accessible.

Today, they share the fruits of their labor with the release of their debut single “Never Be The Same“, and plan to follow with a new single release each month. The song starts off with a rather unsettling electronically-altered sci-fi sounding vocal repeating lines I can’t make out, accompanied by ominous gentle synths. Rob’s clear vocals soon enter as he croons “The pain washes the world away, believe me when I say, everything has changed, it’ll never be the same. Never, Never be the same.” The music expands into a darkly beautiful soundscape of swirling synths, crisp percussive beats and gorgeous guitar notes. Though melancholy in tone, the beauty of the instrumentation offers glimmers of hope. The song is marvelous, and a very promising sign of what we can expect with their forthcoming singles.

The compelling video features vintage black and white footage of school children practicing those nonsensical duck-and-cover drills that were common in Britain, the U.S. and elsewhere in the 1950s as fears of atomic bomb attacks grew in response to the escalating arms race.

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Top 30 Songs for February 5-11, 2023

The Star Crumbles came to be rather serendipitously last year when singer-songwriter Brian Lambert, who’s based in Denton, Texas, reached out to singer-songwriter and multi-instrumentalist Marc Schuster, who lives in suburban Philadelphia, for some help with his song “Kids”. The two originally met on Twitter, but had never previously worked together on a music project. Well, they immediately hit it off, so much so that they decided to collaborate together on more music projects, eventually leading to their creation of a new music act they dubbed The Star Crumbles. Last fall, they released their marvelous debut album The Ghost of Dancing Slow (which I reviewed). One of my favorite tracks from that album, “Shadows in the Dark”, has spent 15 weeks and counting on my Top 30 chart, and at long last ascends to the top spot. The darkly beautiful song has a strong retro 80s vibe that borders on darkwave, with moody synths and brilliant guitar work, highlighted by a scorching little guitar solo and Brian’s fervent vocals, which have never sounded better. The cool video, created by Marc, features pixelated renditions of the band trapped in an eight-bit Atari nightmare.

In other chart highlights, the beautiful “Backpatters and Shooters” by astonishingly talented British four-piece The Zangwills enters the top 10. Two equally gorgeous songs make big upward moves: “Just Before the Morning” by L.A.-based indie alt-rock band Local Natives climbs six spots to #19, and “Transmitter” by British band Sea Power leaps eight spots to #21. The lone debut this week is “Pepper”, a great new single by veteran alternative pop-rock band Death Cab for Cutie, who never disappoint.

  1. SHADOWS IN THE DARK – The Star Crumbles (2)
  2. THIS IS WHY – Paramore (1)
  3. ANTI-HERO – Taylor Swift (3)
  4. TONIGHT – Phoenix featuring Ezra Koenig (4)
  5. TROUBLE WITH THIS BED – Beach Weather (6)
  6. NIGHT BUS – Caitlin Lavagna (8)
  7. SAIL AWAY – lovelytheband (7)
  8. THE LONELIEST – Måneskin (9)
  9. DANCE FOR ME – Sam Rappaport (10)
  10. BACKPATTERS AND SHOOTERS – The Zangwills (12)
  11. I’M IN LOVE WITH YOU – The 1975 (5)
  12. DISORDER – Columbia (13)
  13. WILD AS THE WIND – HULLAH (15)
  14. MAYFLY – Callum Pitt (16)
  15. PAGES – White Reaper (17)
  16. KILL BILL – SZA (18)
  17. OUT OF MY SYSTEM – Louis Tomlinson (11)
  18. STICK SEASON – Noah Kahan (22)
  19. JUST BEFORE THE MORNING – Local Natives (25)
  20. OFFCUTS – Mount Famine (14)
  21. TRANSMITTER – Sea Power (29)
  22. LUX ÆTERNA – Metallica (23)
  23. EVERYTHING I OWN – Dom Thomas (24)
  24. SLEEPWALKING – All Time Low (27)
  25. LOVE DON’T LIVE HERE ANYMORE – Crystal Cities (19)
  26. THEN IT ALL GOES AWAY – Dayglow (20)
  27. YOU GOTTA DO WHAT YOU GOTTA DO – Darksoft (30)
  28. WHITE HORSES – Art Block (21) 19th week on chart
  29. SNAP – Rosa Linn (26)
  30. PEPPER – Death Cab for Cutie (N)

ALEX SOUTHEY – EP Review: “Common Fantasies”

Canadian singer-songwriter Alex Southey is a thoughtful and talented artist who makes some really outstanding music. Originally from Vancouver and currently based in Toronto, the busy artist has released a lot of music over the past four years, including three albums, three EPs and numerous singles. His style can generally be described as alternative indie folk, but it’s much more than that, as his sound is varied and eclectic, drawing from rock, folk, singer-songwriter and shoegaze elements. Like all creative artists, he’s not afraid to explore and experiment with his music, and as a result, each of his albums and EPs sound quite different from one another. I’ve featured him twice on this blog, most recently in September 2021, when I reviewed his exquisite EP My Nights On the Island. Last month (December 2022), Alex returned with a new EP Common Fantasies, containing six wonderful tracks.  

Alex recorded the EP with the help of fellow musicians Christina Dare on bass & backing vocals, Gab Lavoie on Korg synth & piano, and Craig McCann on drums & percussion, all of whom played on four of the tracks (they also support him for live shows). Production, mixing and mastering were handled by Alex Gamble.

Before I discuss the songs, I’ll share what Alex wrote about his evolving creative process for the EP: “There were a lot of iterations of this EP in my mind at different times. There’s a version where it’s a full album; another where it’s a double album! There’s a version where it’s just three songs. There’s also an option where – why put it out at all? (A classic part of the process, I realise over and over and over). This is the version I went with. I felt like by placing together two delicate acoustic songs along with four bigger, grander songs there’d be this push and pull of inertia. All my big ideas would have remained totally abstract if it wasn’t for Alex Gamble, Christina Dare, Gab Lavoie, and Craig McCann, who were able to come in and help shape these blue prints into songs with real personality. This happened all the way from practices to live shows to rehearsals for the studio, to the studio, to the mix after the studio.

Photo by Ryan Brough of Zeebrah Media

Common Fantasies opens with “Come and See“, a mostly instrumental track that starts off with a pleasant little acoustic guitar riff accompanied by soothing synths, before bursting into a riotous cinematic soundscape of explosive percussion and dramatic synths. Alex croons “Come and see“, then his vocals soar to an impassioned falsetto with the music, leaving us breathlessly anticipating what comes next! He answers with the electrifying title track “Common Fantasies“, a glorious mélange of blazing gnarly guitars, driving rhythms and smashing drums. Alex and company really let loose here, making this one of the hardest rocking songs I’ve heard by him. I’m not quite sure about the song’s meaning, but the lyrics seem to address the conflict between self-preservation and giving oneself over completely to another in a romantic situation: “I’m caught in the in-between. Loving you and loving me. I’m right where the lightning strikes, like my anger might. And these are high highs. Sucker. And common fantasies.”

Soften” is simply stunning, with a lush synth-driven melody overlain with marvelous jangly and chiming guitars, dreamy piano keys and snappy drums. But as beautiful as the music is, it’s Alex’s plaintive vocals that really resonate with me. I love his singing voice, which goes from an emotive croon to airy falsetto, all the while raising the hairs on the back of my neck. Christina’s backing vocals are wonderful too, adding tremendous emotional heft to the song. The lyrics seem to urge us to be kinder to the earth and, by extension, ourselves: “Soften the earth so we can grow up here. Caught in the surf. Caught it in just the right way. And if you believe, they’ll teach you to serve. Teach you the right way to pray.

The languid and gentle “Twist It” is the first of two mostly acoustic tracks on which Alex played all the instruments – guitar, Roland Juno-60 analog synthesizer and piano. He describes it as “kind of a mini cliff hanger song in a way. At the end you feel an instinct to lean forward and there is nothing to catch you.” The lyrics start off with Alex taking a rather defiant stance “I don’t like to wait. Won’t learn your name. But I can always listen“, but by the end of the song, he’s come around to a more amenable approach: “We’re cool. It won’t hurt to wait. And it won’t hurt to listen. So seal your fate and come on and twist it.”

Open Season” is another terrific hard-driving rocker that starts off with a bit of a Foo Fighters vibe (at least to my ears), but once those sweeping synths kick in, the song transitions to more of a new wave feel, only to be shattered by a blistering guitar solo at the end. And yet again, the lyrics are somewhat ambiguous to me, but my take is that they speak to issues of honesty and trust in a romantic relationship: “You don’t lie the way I do. In the blink of an eye. Let’s share clothes and attitudes, and swap our half lines.”

The EP closes with “You Want It Brighter“, a poignant track consisting of just Alex’s pleasing acoustic guitar work and melancholy vocals. He states that he “wrote the majority of ‘You Want It Brighter’ (which is a for-no-good-reason play on ‘You Want It Darker’, a late Leonard Cohen thing) maybe two or three years ago at an ex-partner’s place.” The bittersweet lyrics speak of a relationship that’s over, with the protagonist coming to terms with having to be the one who leaves his home and son behind: “I will wait. I will sit awhile and watch as the sun sets on my son. And I admit it’ll take a while to live in – and out – of this place./ And you’ll stay. And I’ll go ‘Cause you asked for this.”

To sum up, Common Fantasies is another superb effort by Alex, and I think it’s one of my personal favorites of all his releases. He’s an outstanding songwriter and musician, with a distinctive vocal style that effortlessly flows from comforting croon to emotion-packed rawness to soaring falsetto, all of which are on fine display. He and his fellow musician collaborators have much to be proud of here.

Those of you living in, or planning to visit, Ontario in February can catch Alex at one of these upcoming shows:

Connect with Alex on  Facebook / Instagram

Stream his music on  Spotify / Apple Music / Soundcloud / YouTube

Purchase on  Bandcamp

Top 30 Songs for January 29-February 4, 2023

Paramore maintain their firm grip on the #1 spot for a third week on my Top 30 with “This Is Why”, while The Star Crumbles‘ “Shadows in the Dark” holds at #2 for a second week. Taylor Swift‘s “Anti-Hero” (which recently spent eight non-consecutive weeks at #1 on the Billboard Hot 100) moves up a notch to #3. Entering the top 10 are “The Loneliest” by Italian rock band Måneskin, at #9, and “Dance For Me” by talented Brooklyn singer-songwriter Sam Rappaport, at #10.

I’m thrilled to add two fantastic new songs I’ve fallen in love with this week: The first is “Transmitter” by British alt-rock band Sea Power. Though they formed in the mid-90s and have been putting out great music since 2001 (originally as British Sea Power, which they shortened to Sea Power in 2021 due to, in their words, “a rise in a certain kind of nationalism in this world – an isolationist, antagonistic nationalism we don’t want to run any risk of being confused with“, I only recently became aware of them when I heard their brilliant 10th studio album Everything is Forever, which was hailed by many critics as one of the best albums of 2022. It’s certainly one of mine!

The second debut this week is the dreamy “You Gotta Do What You Gotta Do” by Portland, Maine-based artist Darksoft. The song is from his latest album Beigeification, a gorgeous work I recently reviewed. It’s his second song to appear on my Weekly Top 30, the previous being “Wannacry”, which spent three months on my chart, and ranked at #84 on my 100 Best Songs of 2019 list.

  1. THIS IS WHY – Paramore (1) 3rd week at #1
  2. SHADOWS IN THE DARK – The Star Crumbles (2)
  3. ANTI-HERO – Taylor Swift (4)
  4. TONIGHT – Phoenix featuring Ezra Koenig (3)
  5. I’M IN LOVE WITH YOU – The 1975 (5)
  6. TROUBLE WITH THIS BED – Beach Weather (7)
  7. SAIL AWAY – lovelytheband (6)
  8. NIGHT BUS – Caitlin Lavagna (10)
  9. THE LONELIEST – Måneskin (11)
  10. DANCE FOR ME – Sam Rappaport (12)
  11. OUT OF MY SYSTEM – Louis Tomlinson (8)
  12. BACKPATTERS AND SHOOTERS – The Zangwills (16)
  13. DISORDER – Columbia (15)
  14. OFFCUTS – Mount Famine (9)
  15. WILD AS THE WIND – HULLAH (18)
  16. MAYFLY – Callum Pitt (19)
  17. PAGES – White Reaper (20)
  18. KILL BILL – SZA (21)
  19. LOVE DON’T LIVE HERE ANYMORE – Crystal Cities (14)
  20. THEN IT ALL GOES AWAY – Dayglow (17)
  21. WHITE HORSES – Art Block (13)
  22. STICK SEASON – Noah Kahan (25)
  23. LUX ÆTERNA – Metallica (27)
  24. EVERYTHING I OWN – Dom Thomas (28)
  25. JUST BEFORE THE MORNING – Local Natives (29)
  26. SNAP – Rosa Linn (22)
  27. SLEEPWALKING – All Time Low (30)
  28. WEIRD GOODBYES – The National featuring Bon Iver (23)
  29. TRANSMITTER – Sea Power (N)
  30. YOU GOTTA DO WHAT YOU GOTTA DO – Darksoft (N)

Fresh New Tracks, Vol. 21 – 5ON5, Brian Lambert, Wild Horse

It’s been over two and a half months since my last Fresh New Tracks post, as I haven’t felt much enthusiasm for writing about music, but I thought it was time to try and get back into the groove. Accordingly, today I’m featuring three new singles by three very different artists I’ve previously featured on this blog. They are, in alphabetical order, German collective 5ON5, Texas singer-songwriter Brian Lambert, and British indie pop-rock band Wild Horse.

5ON5 – “Balloon”

Based in beautiful, cosmopolitan Berlin, Germany, 5ON5 is a collaborative music project comprised of four distinctly unique artists spanning two generations and coming from completely different music backgrounds. The brainchild of Max Koffler, a singer-songwriter, musician and producer with over 20 years experience in the music industry and two solo albums to his credit, 5ON5 also includes singer-songwriter and producer $INAN (aka Sinan Pakar), rapper and visual artist Maxx B, and singer Yumin. Their unusual name 5ON5 was inspired by Max’s music label sonsounds, and reflects the group’s eclectic blend of music genres and styles, including EDM, synth pop, hip hop and alternative rock. I’ve previously featured Koffler’s music on this blog twice in 2018, as well as two of 5ON5’s singles, “Runaway” in 2021, and most recently last January, “Don’t Dance” (which was one of my most-read reviews of 2022). They followed with four more singles in 2022, and now kick off 2023 with their latest single “Balloon“, accompanied by an animated video, which dropped January 12th.

The song, which was produced by Koffler along with Steve van Velvet, and mixed and mastered by Jeson Huang, seems to be about going on a journey without any particular agenda “I don’t know where we’re meant to fly so purposeless, so purposeless…” One of the things I like most about 5ON5’s music is how well their individual voices harmonize together, and I love the song’s airy dance groove, spacey synths and delicate mix of chiming and twangy guitar notes.

The colorful video, created by Max Klumker, shows animated versions of the four band members singing and dancing against a glorious ever-changing backdrop of figures, ranging from Mary Poppins and Easter Island statues to astronauts and lovable aliens, floating through the skies in hot air balloons, spaceships or by their own accord.

Connect with 5ON5:  Facebook / Instagram  

Stream their music:  Spotify / Apple MusicSoundcloudYouTube

BRIAN LAMBERT – It’s Good

Brian Lambert is an engaging, thoughtful and extremely prolific singer-songwriter and musician based in Denton, Texas. He’s been writing and recording music for many years, and says he’s “reinvented himself more times than he can count.” He even tried his hand at country music for a while, but came to the realization that it just wasn’t for him. More recently, he’s been making indie rock music inspired by some of his favorite acts like Spoon, Gang of Youths, Soul Asylum and the Replacements. He used to play gigs all over the DFW metroplex, but with Covid putting a halt to that, in 2021 he challenged himself to writing, recording and producing a new song every week for a year, an ambitious feat he went on to accomplish! He’s continued to write and record songs both as a solo artist and in collaboration with a host of other musicians he’s met on Twitter. One he’s worked with the most is Marc Schuster, a singer-songwriter and musician from the Philadelphia area who’s also an educator, author, literary critic, blogger and visual artist. Together they’ve collaborated to create a separate music act The Star Crumbles, and last September, they released their fantastic debut album The Ghost of Dancing Slow (which I reviewed). Now Brian returns with his latest single “It’s Good“, which dropped yesterday, January 27th. 

The song is a collaboration with Schuster as well as fellow musician Mike Mosely, who performs under his own musical moniker Jr Moz Collective. Brian elaborates: “I had Covid over Christmas, and had some pretty wild dreams. In this particular dream, I got the chords to a song, and whenever that happens, it seems to make sense to get up as soon as you can, and grab your guitar and write it down. Lyrically, I wasn’t exactly sure where to go with it, so I decided to write a letter to my 11-year-old self. I cut a demo, and sent it to my friend Mike Mosely, who said ‘cut the song today’“. Even though Brian’s voice was still gravelly due to the effects of Covid, he went ahead and recorded the song anyway. He also played acoustic guitar and keyboards, with electric guitars and bass played by Mike and drums by Marc.

The result is a really compelling tune with a bit of a roots rock vibe, highlighted by some fine guitar work. The heartfelt lyrics, which Brian’s ravaged vocals make all the more poignant, offer encouragement to a young boy in that awkward transitional period between his childhood and teen years: “And you are, whatever you think you are. As bright as a shining star. Yeah, it’s good.” The video shows Brian driving around town and visiting vintage and resale shops in what I’m guessing are in and around his hometown of Denton.

Connect with Brian:  Facebook / Twitter / Instagram

Stream his music: SpotifyApple MusicSoundcloudYouTube

WILD HORSE – “Cougar”

Hailing from East Sussex, England is the talented and very charismatic young pop-rock band Wild Horse, consisting of brothers Henry and Jack Baldwin and long-time friend Ed Barnes. Now in their early 20s, the guys are seasoned musicians who’ve been writing and recording songs since forming in 2013, when they were barely teenagers. Both Henry and Jack are multi-instrumentalists who play guitar, bass and keyboards, as well as sing vocals, while Ed plays drums and percussion, sings backing vocals and plays guitar on a few tracks. The Baldwin brothers are also prolific songwriters who’ve penned hundreds of songs over the years, with five albums, three EPs and numerous singles to their credit. I’ve been following them for over five years, and love their music. I have reviewed two of their albums, DANCE!! Like An Animal in 2019, and When the Pool Is Occupied in late 2021, as well as one of their singles “Bitter” last September (which you can read here) The song spent two months on my weekly top 30 last fall. They’ve been releasing new singles every few months, and their latest is “Cougar” which also dropped yesterday, January 27th. 

Despite their young ages, Wild Horse are not afraid to tackle mature subjects, and “Cougar” is perhaps their most ‘adult’ song yet. The band explains: “‘Cougar’ is a tale of a lonely housewife who starts using psychedelics and visiting younger men to escape the pain of real life and her failing marriage. Told from the point of view of one of her conquests, the funky indie pop track expresses secret desires, bitter regrets and sweet oblivion. The song’s ending refrain of “how sweet the sound” features the soulful gospel vocals of Jalissa Livermore and reminds everyone that even if you know it won’t end well, you can’t turn back. It simply feels too good.”

It’s a terrific song, and I love the sensuous groove, lush synths, sparkling keyboards, snappy drums, and funky guitars. Jack’s plaintive vocals nicely convey the conflicting emotions expressed in the lyrics “Cougar, You tell me that you’re married. You say it’s not a problem. He’s always working out of town. You tell me that you want me. You’re getting yourself ready. And like a deer under the headlights I find myself drawn into your life. This isn’t gonna end well. That man has left you broken. Confined inside these four gold walls.”

Connect with Wild Horse:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / Apple Music / Reverbnation
Purchase:  Bandcamp / Amazon

Randy Rainbow Skewers Kevin McCarthy in “Speaker of the House”

I don’t usually write political posts, but perilous times call for extraordinary measures. I loathe the American GOP – a party that’s now gone full MAGA and Fascist – with a burning passion. It needs to be destroyed, so that it may one day be reborn again as a rational party. If I offend any of my readers’ sensibilities, so be it.

Comedian Randy Rainbow is a national treasure, frequently skewering the blatant hypocrisy of politicians and others in hilarious videos. His latest target is the obsequious Kevin McCarthy, who endured 14 humiliating losses before finally winning the Speakership of the U.S. House of Representatives on the 15th vote.

In this video, Rainbow calls out McCarthy and a number of other crazy Republican House members like Marjorie Taylor Greene (Ga.), Lauren Boebert (Colo.), Matt Gaetz (Fla.) and George Santos (N.Y), in “Speaker of the House” a brilliant spoof of the show stopper “Master of the House” from the legendary musical Les Misérables. A great example of his altered lyrics: “Speaker of the House/cunning little chap/covetous, conservative and full of crap. Thirsty as a fish/Quick to compromise/Only took the motherfucker 15 tries.” I love it!

Top 30 Songs for January 22-28, 2023

Paramore‘s defiant “This Is Why” remains at the top spot for a second week on my latest Top 30 chart, while The Star Crumbles‘ darkwave beauty “Shadows in the Dark” slides into second position. Entering the top 10 are “Trouble With This Bed” by Beach Weather, jumping five spots to #7, and “Night Bus” by Welsh singer-songwriter Caitlin Lavagna, moving up one spot to #10. Two songs make their debut: the beautiful “Just Before the Morning” by L.A.- based indie alt-rock band Local Natives, entering at #29, and “Sleepwalking” by American pop/punk rock band All Time Low, at #30.

  1. THIS IS WHY – Paramore (1)
  2. SHADOWS IN THE DARK – The Star Crumbles (3)
  3. TONIGHT – Phoenix featuring Ezra Koenig (2)
  4. ANTI-HERO – Taylor Swift (5)
  5. I’M IN LOVE WITH YOU – The 1975 (4)
  6. SAIL AWAY – lovelytheband (7)
  7. TROUBLE WITH THIS BED – Beach Weather (12)
  8. OUT OF MY SYSTEM – Louis Tomlinson (9)
  9. OFFCUTS – Mount Famine (6)
  10. NIGHT BUS – Caitlin Lavagna (11)
  11. THE LONELIEST – Måneskin (15)
  12. DANCE FOR ME – Sam Rappaport (13)
  13. WHITE HORSES – Art Block (8)
  14. LOVE DON’T LIVE HERE ANYMORE – Crystal Cities (10)
  15. DISORDER – Columbia (16)
  16. BACKPATTERS AND SHOOTERS – The Zangwills (18)
  17. THEN IT ALL GOES AWAY – Dayglow (20)
  18. WILD AS THE WIND – HULLAH (21)
  19. MAYFLY – Callum Pitt (22)
  20. PAGES – White Reaper (23)
  21. KILL BILL – SZA (25)
  22. SNAP – Rosa Linn (14)
  23. WEIRD GOODBYES – The National featuring Bon Iver (17)
  24. SEX, DRUGS, ETC. – Beach Weather (19) 21st week on chart
  25. STICK SEASON – Noah Kahan (26)
  26. UNHOLY – Sam Smith featuring Kim Petras (24)
  27. LUX ÆTERNA – Metallica (29)
  28. EVERYTHING I OWN – Dom Thomas (30)
  29. JUST BEFORE THE MORNING – Local Natives (N)
  30. SLEEPWALKING – All Time Low (N)