Top 30 Songs for July 30-August 5, 2023

Photo by Alex Finlay

I’ve been a fan of British alternative psychedelic rock band Future Theory since early 2017, and love their intelligent songwriting and ace musicianship. Comprised of Max Sander on rhythm guitar and vocals, Chris Moore on lead guitar, Jacob Brookes on bass and Rohan Parrett on drums, they blend alternative and progressive rock, psychedelia, grunge, shoegaze and funk to create arresting songs characterized by complex melodies and arrangements, lavish instrumentation, and Max’s distinctive mesmerizing vocals. I’ve written about them and their outstanding music many times on this blog, and it’s been gratifying to see them mature and grow as artists. One of their singles “One and the Same”, from their 2022 debut album Future Theory, spent 18 weeks on my Weekly Top 30 and ranks #42 on my 100 Best Songs of 2022 list. They began releasing a series of new singles this past April, the first of which, “Why”, is a dramatic and beautiful song about a dysfunctional relationship that’s breaking apart. They’ve since dropped two more great singles, “Rage” and “Too Bad”, but “Why” remains my favorite. Now, in its 14th week on my Top 30 chart, it reaches the top at last.

In other notable chart developments, the top 10 contains the same 10 songs for the third week in a row, albeit in different positions. Lana Del Rey‘s “Say Yes To Heaven” is the biggest upward mover, climbing five spots to #11. Two songs make their debut this week: Entering at #29 is the captivating “kisses” by longtime British dream rock band Slowdive, which I learned about from Andy Peterson, a superb writer with great music taste who writes his own blog The Voice Of Unreason. Bringing up the rear at #30 is “Dial Drunk” by Vermont singer-songwriter Noah Kahan, who’s also represented on this list by “We’re All Gonna Die”, a duet with American singer-songwriter Joy Oladokun that sits at #14.

And now for a special rant about the Billboard Hot 100 and the questionable music tastes of the American public. Two weeks ago, Olivia Rodrigo’s “vampire” debuted at #1, which led me to believe she would enjoy a long run at the top. But I was terribly wrong, and her song has already fallen to #7. Meanwhile, the top songs on the chart are a catchy but throwaway pop song from Junk Kook, one of the members of South Korean K-pop boy band BTS, who sings about fucking his beloved seven days a week, accompanied by rapping by female rapper Latto. That is followed by three Country songs – Jason Aldean’s awful “Try That in a Small Town”, Morgan Wallen’s tiresome “Last Night” (which spent 12 weeks at #1), and Luke Combs’ remake of Tracy Chapman’s “Fast Car”,  which I concede isn’t bad. The song at #6 is the horrific “fukumean” by American rapper Gunna. Whatever…

Here’s my far superior song list:

  1. WHY – Future Theory (5)
  2. ESSENCE – Refeci & Shimmer Johnson (1)
  3. RESCUED – Foo Fighters (2)
  4. THE NARCISSIST – Blur (7)
  5. PINEAPPLE SUNRISE – Beach Weather (6)
  6. PSYCHOS – Jenny Lewis (8)
  7. VAMPIRE – Olivia Rodrigo (9)
  8. LEAVING – Au Gres (3)
  9. RESCUE ME – Dirty Heads (4)
  10. NOT STRONG ENOUGH – boygenius (10)
  11. SAY YES TO HEAVEN – Lana Del Rey (16)
  12. STUCK – 30 Seconds to Mars (14)
  13. PUPPET SHOW – Beck Black (15)
  14. WE’RE ALL GONNA DIE – Joy Oladokun & Noah Kahan (13)
  15. IN MY HEAD – Mike Shinoda & Kailee Morgue (11)
  16. HELLO – GROUPLOVE (12)
  17. SPELLBINDING – The Smashing Pumpkins (20)
  18. BONES – HEALER (21)
  19. WALK THROUGH THE FIRE – The Frontier (22)
  20. ORBIT – Gooseberry (23)
  21. OVERRATED – dwi (24)
  22. LAST TIME EVERY TIME FOREVER – Grian Chatten (25)
  23. CALL ME WHAT YOU LIKE – Lovejoy (26)
  24. GOOD VIBRATIONS – MISSIO (27)
  25. DAYLIGHT – David Kushner (28)
  26. KID – The Revivalists (17) 20th week on chart
  27. EAT YOUR YOUNG – Hozier (18)
  28. I DON’T BELIEVE IN YOU – Brian Lambert & Jr Moz Collective (30)
  29. KISSES – Slowdive (N)
  30. DIAL DRUNK – Noah Kahan (N)

14 thoughts on “Top 30 Songs for July 30-August 5, 2023

  1. “Why” by Future Theory is instant love. Sometimes all you need to know you’re gonna dig a song are a few of the opening bars. That guitar sound drew me in right away!

    As for the Billboard Hot 100, while I like to cite when writing about “old music,” I pretty no longer pay attention nowadays when looking for new music. That said, I wasn’t aware of Luke Combs’ cover of “Fast Car”. I love the original by Tracy Chapman and agree Combs did a nice job.

    Liked by 1 person

      1. You commented on how much you liked the song back in April when I featured it on a Fresh New Tracks post: “My early favorite is the tune by Future Theory, which has a really great sound. Their name also sounded vaguely familiar to me, possibly because I previously read about them on your blog and perhaps even commented!”

        Liked by 1 person

  2. “…they blend alternative and progressive rock, psychedelia, grunge, shoegaze and funk to create arresting songs…”

    What on earth is “shoegaze?”

    Future Theory reminds me of The Boxer Rebellion, in a way.

    Liked by 1 person

    1. From Wikipedia: “Shoegaze (originally called shoegazing and sometimes conflated with “dream pop”) is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume. It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts.”

      Liked by 1 person

  3. H.G.O's avatar H.G.O

    I had listened to slowdive before but had no idea they had a new track. I like it.

    And yes, your list is a thousand times better than whatever is on the Billboard Hot 100. Unfortunately, any list based on popularity is going to have the same problem. Way too many people will think they like or love a song just because it’s popular or heard it on TikTok. It’s more about marketing than craftmanship.

    Liked by 1 person

    1. I can’t believe I wasn’t previously familiar with Slowdive, but happy I know about them now. As for the Billboard Hot 100, it went to shit once they based it almost entirely on streaming stats, since what goes “viral” is rarely good. Jason Aldean’s shitty song is case in point.

      Liked by 1 person

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