KÅRP is a rather enigmatic band based in Gothenburg, Sweden who make fascinating electronic music they describe as “death disco”. Fronted by breathy-voiced singer Anna-Maria Lundberg, their dark, ethereal sound has been compared with fellow Swedish acts The Knife, Kite and Lykke Li. Their love for the paranormal, outer space and the apocalyptic state of current affairs are recurring themes in both their music and lyrics. They released their debut single “Therapist^2” in 2017, followed by several more singles that culminated in the release of their beautiful self-titled debut album KÅRP in 2019. They dropped the single “Left Handed” in 2020, then in December 2021, they released “It Looks Bad”, the first single from their planned triptych of EPs to be released throughout 2022. The first of the three EPs KRIS, released on January 27, is the subject of today’s review.
The triptych series are intended to represent the three stages of the apocalypse: Chaos, Silence and the New World Order. KRIS explores the downfall of society, with all it’s attendant chaos and disorientation, and thus sounds the darkest of the three. KÅRP elaborates: “The world is burning. The police are shooting innocent people to death. Natural disasters and wars are forcing families to flee for their lives. The barbed wire gets sharpened by the wealthy nations’ borders and a pandemic is closing our societies down in a way that’s never been seen before. We started working on this trilogy after the release of our debut album in 2019. At that time you could sense the downfall like a darkness at the end of the tunnel. We soon realized that the apocalypse was already here. That’s why the first leg of this triptych of EP’s is pretty dark sounding. The next one will be slightly more mellow. And on the last one, we’re allowing ourselves a few major chords and some hope.“
The EP opens with the enchanting title track “Kris“, relatively brief piece that seems to serve as an introduction to this first installment of the triptych. KÅRP layers skittering eerie synths over a undulating synth bass groove to create a lovely but unsettling backdrop for Anna-Maria’s bewitching ethereal vocals. As its title suggests, things turn decidedly darker on the next track “It Looks Bad“. The harsh industrial synths are both spooky and beautiful, hovering over a powerful beat and heavy, pulsating rhythm, nicely conveying a sense of global upheaval. Anna-Maria laments to her child of the impending chaos and uncertainty that’s about to turn their world upside down: “Oh sweetheart, what to do with your pictures from school. The butterfly collection and your wild diaries, the family tree. Bring out the matches ‘cuz nobody will be here. No more grounds to stand on, nothing to grow here.”
I can’t quite make out the meaning of “Humdrum“, but it’s a sonically gorgeous track, with a colorful soundscape of intricate spacey synths, galloping beats and Anna-Maria’s fervent ethereal vocals. And on the marvelous “Honey Play“, KÅRP reaches deep into their sonic arsenal to produce a haunting, cinematic song befitting a soundtrack for an epic sci-fi or apocalyptic film. The sweeping industrial synths, powerful driving rhythms, and Anna-Maria’s soaring vocal harmonies are spectacular. The lyrics speak of standing up to dark forces trying to divide us: “I’ve already decided you can’t force me. You don’t understand all that matters. I’ve already decided you can’t force me. You want us to play under your division.”
I’m a big fan of electronic music, and KÅRP makes some of the most dramatically beautiful that I’ve heard in a while. KRIS is a stunning work, and I’m really looking forward to hearing the next two installments of their tryptich.