100 Best Songs of the 2010s – #8: “Uptown Funk!” by Mark Ronson featuring Bruno Mars

The song at #8 on my list of 100 Best Songs of the 2010s needs no introduction. From the moment “Uptown Funk!“, by British music producer Mark Ronson and featuring vocals by Bruno Mars, was released in November 2014 with its terrific accompanying video, the feel-good ear worm went viral, becoming an international hit. It reached #1 in 18 countries ranging from Australia, Canada and France to Mexico, Israel and South Africa, and topped the Billboard Hot 100 chart for 14 weeks, where it was also named both the #1 song of 2015 and of the decade.

Written by Ronson, Mars, Phillip Lawrence and Jeff Bhasker, the exhilarating song incorporates elements of funk, soul, boogie and what is referred to as Minneapolis sound, a subgenre of funk rock pioneered by Prince. Accordingly, it seems to pay homage not only to Prince, but to the master of funk himself James Brown, as well as Rick James and Morris Day & The Time.

A cast of characters were ultimately involved in the song’s production; besides the people listed above, additional collaborators and musicians included Mars’ backup band The Hooligans, afrobeat band Antibalas, the horn section of The Dap-Kings, and sound engineer Charles Moniz, among others. And what’s mind-boggling to me is that the song involved recording sessions in Los Angeles, London, Memphis, New York, Toronto, and Vancouver! The stress over the recording and production of “Uptown Funk” was so intense that Ronson passed out during one session while trying to perfect the guitar part. Two days later in Toronto, he finally got what he was looking for after 82 takes! (Wikipedia)

The song received critical praise and garnered numerous accolades, including Brit, Grammy and American Music awards, but also generated some blowback by artists who accused the writers of plagiarism. Copyright infringement lawsuits were filed by The Gap Band, Collage, The Sequence and Zapp. The Collage and Zapp lawsuits were later dropped, but the one from The Gap Band resulted in the writers and producers of “Oops Up Side Your Head” being added as songwriters and awarded 17% of publishing royalties. 

The entertaining official video, showing the infinitely cool Bruno Mars singing the song and dancing in the streets along with Ronson and their back-up singers, has been viewed more than four billion times.

Top 30 Songs for December 20-26, 2020

  1. MARIPOSA – Peach Tree Rascals (2)
  2. ARE YOU BORED YET? – Wallows featuring Clairo (1)
  3. VISITOR – Of Monsters and Men (6)
  4. CAN I BELIEVE YOU – Fleet Foxes (7)
  5. IS IT TRUE – Tame Impala (3)
  6. BLOODY VALENTINE – Machine Gun Kelly (4)
  7. MOOD – 24kGoldn featuring iann dior (5)
  8. VIRUS – Vanity Fear (9)
  9. THINK I’M CRAZY – Two Feet (10)
  10. FIRE FOR YOU – Cannons (11)
  11. IDENTICAL – Phoenix (8)
  12. BURN THE VISION – Amongst Liars (12)
  13. LETTER TO YOU – Bruce Springsteen (13)
  14. SKIN AND BONES – Cage the Elephant (15)
  15. TROUBLE’S COMING – Royal Blood (16)
  16. SHAME SHAME – Foo Fighters (17)
  17. NERVOUS – Au Gres (18)
  18. DIRTY – grandson (19)
  19. CAN YOU FEEL THE SUN – MISSIO (20)
  20. LEAVE ME ALONE – I DON’T KNOW HOW BUT THEY FOUND ME (23)
  21. THEREFORE I AM – Billie Eilish (24)
  22. HEAT WAVES – Glass Animals (25)
  23. 1ST TIME – Bakar (27)
  24. DOWNS – Roadkeeper (14) 21st week on list
  25. SURVIVIN’ – Bastille (26)
  26. THE ADULTS ARE TALKING – The Strokes (28)
  27. GIANTS – Dermot Kennedy (21)
  28. COME & GO – Juice WRLD featuring Marshmello (22)
  29. SOFIA – Clairo (N)
  30. HEADSTART – Jade Bird (N)

THE FRONTIER – Single Review: “Sleep”

One of my absolute favorite indie artists is The Frontier, the music project and brainchild of singer-songwriter, guitarist and producer Jake Mimikos. Based in Fairfax County, Virginia, Jake is a talented, gracious and funny guy who I’ve grown quite fond of, both as an artist and a human. Since 2015, he’s released a substantial amount of music both as a solo artist and as a band under The Frontier moniker, and we’ve been following each other on social media for nearly that long. As with many bands, the members and lineup of The Frontier have varied over the years, but for the time being, the act is now mostly a solo project.

Drawing upon elements of pop, folk, rock and electronica, his music is always pleasing and flawlessly crafted. I’ve featured him several times on this blog, most recently this past June when I reviewed his wonderful single “It’s You”. I love it so much, it spent five months on my Weekly Top 30, and turned out to be my most-streamed song of the year on Spotify. (You can read that and previous reviews by clicking on the links under ‘Related’ at the end of this post.) Now he’s back with a beautiful new single “Sleep“, and I already love it too! The track was recorded and produced by Austin Bello for Fearless Records.

Jake is an excellent guitarist, and here his layered strummed and chiming guitars are so stunning, they take my breath away. He’s also gotten quite adept at programming synths and keyboards to create lush, sparkling soundscapes, as well as layering his lovely, heartfelt vocals into a rich tapestry of harmonies. He plaintively sings of the pain and unease he feels over not knowing where he stands with another, and yearning for a little sleep to momentarily forget his troubles: “I lay awake, but I’m dreaming / I just can’t get my mind off of you / All of these stories keep repeating / I don’t know which voice to listen to / I’ve never been one to get what I want / I’m always trying too hard / It’s something that I’ve been working on / It’s always so close yet so far / But for now, til the answers are found / Got to quiet the sun to sleep.

“Sleep” is a gorgeous and deeply stirring track that’s sure to be another hit.

Connect with The Frontier: Facebook / Twitter / Instagram
Stream: Spotify / Soundcloud / Reverbnation / Apple Music
Purchase: Bandcamp / iTunesAmazon

New Song of the Week – “Undone” by Tough on Fridays

In early October, I wrote a review of the outstanding debut album A Fantastic Way to Kill Some Time by Texas grunge pop-rock band Tough on Fridays. I knew the talented female-fronted band had a loyal and growing fan base, but I had no idea just how large and passionate it was. In just two and a half months, the review has received nearly 1,000 views, the most of any post I’ve written in 2020! Now the trio, consisting of Caleigh on vocals & guitar, Carly on bass & vocals, and Chris on drums, are back with a great new single “Undone“, which I’ve chosen as my New Song of the Week.

The song opens strong with Carly’s intricate moody bass riff and Caleigh’s cold, matter-of-fact vocals that perfectly convey the sadness and pain expressed in the biting lyrics addressing a selfish and miserable friend of her disappointment with them: “I wish you were special / I really wish you were special / No one was miserable like you.” Suddenly, we’re hit with a blast of her raging gnarly guitars and Chris’s smashing drumbeats as the song ramps up to a fast-paced punk-like tempo. Caleigh’s vocals turn more impassioned as she bitterly informs her friend that their relationship is broken beyond repair and finally come ‘undone’. It’s a banger, and I think it’s their best song yet.

 I wish you were special
 I really wish you were special
 No one was miserable like you
 No, no one had it as bad as you
 Oh lately
 You’ll always be temporary
 
 So point blank and in your face
 Maybe you’ll learn someday
 Make sure I’m not a necessity
 Right before you dispose of me
 Hate yourself and that’s ok
 I want out of your fucked-up game
 
 You’re in misery
 Stay far from me
 I want out of your fucked-up game
 
 You never had anyone
 You never liked to have fun
 I wasn’t just anyone
 Made me come all undone
 I was never really done
 Lie to me,
 Use me
 Stay far away
 Can’t use me up anymore

Follow Tough on Fridays:  Facebook / Twitter / Instagram

Stream:  Spotify / Apple Music / Soundcloud / Reverbnation

Purchase:  Bandcamp / Amazon

100 Best Songs of the 2010s – #9: “My Name is Human” by Highly Suspect

The song at #9 on my list of 100 Best Songs of the 2010s is “My Name is Human” by by American alternative rock band Highly Suspect. Originally from Cape Cod, Massachusetts and now based in Brooklyn, New York, the band formed in 2009 as a three-piece consisting of Johnny Stevens (guitar, lead vocals) and twin brothers Rich (bass, backing vocals) and Ryan Meyer (drums, backing vocals). A fourth member Matt Kofos (guitar, synthesizer, backing vocals) joined the band in 2019. “My Name is Human” was released in September 2016 in advance of their superb second album The Boy Who Died Wolf, and peaked on the charts in early 2017. It spent eight weeks at #1 on the Billboard Mainstream Rock chart, and reached #20 on the Alternative chart.

The brilliant song is truly mind-blowing, featuring some of the most unusual instrumentals of any song on this list. The thunderous gravelly bass riff at the opening immediately sends shivers down my spine, then spooky guitars, crunchy percussion and piercing, otherworldly synths ensue along with Johnny Stevens’ intense, breathtaking vocals that go from coldly seductive to passionate wailing, adding goosebumps to the ones already covering my body. The track is perfection from start to finish.

The song’s surreal video was released in February 2017 on the Vanity Fair website, and shows a female robot, portrayed by actress Chloe Bridges, being built by robots and then given finishing touches by Stevens. It’s a little creepy, yet stylish and riveting. Stevens commented to Vanity Fair about the song’s meaning: “A lot of people think the song is about being a human. I believe some of us aren’t human at all. Or at least not completely, but that is still our name. At some point in the last couple hundred years something changed. The androids, the aliens…They aren’t coming. We are here.”

Okay

I’m feeling the way that I’m feeling myself
Fuck everyone else
Gotta remember that nobody is better than anyone else, here
(Do you need some time to think it over?)
Look what they do to you
Look what they do to me
Must be joking if you think that either one is free, here

Get up off your knees, girl
Stand face to face with your God
And find out what you are
(Hello, my name is human)
Hello, my name is human
And I came down from the stars
(Hello, my name is human)

I’m ready for love and I’m ready for war
But I’m ready for more
I know that nobody’s ever been this fucking ready before, hey
(Do you need some time to think it over?)
So figure it out or don’t figure it out
I figured it out
The bigger the river (the bigger the river)
The bigger the drought (the bigger the drought)

Get up off your knees, boy
Stand face to face with your God
And find out what you are
(Hello, my name is human)
Hello, my name is human
And I came down from the stars
(Hello, my name is human)

Fire world, I love you
Fire world

I’m up off my knees, girl
I’m face to face with myself
And I know who I am
(Hello, my name is human)
I stole the power from the sun
I’m more than just a man
(No longer disillusioned)

(I’m not asking questions)
(‘Cause questions have answers)
(And I don’t want answers)
I came down from the stars (so I’ll take my chances)
(And what are the chances)
(That I could advance)
(On my own circumstances)
(Said “what are the chances?”)
Hello, my name is human (and what are the chances?)
(I don’t want your answers)
(I’m not asking questions)
(So you keep your answers)
And I know who I am (so you keep your answers)
(I’m not asking questions)
(I’m taking my chances)

100 Best Songs of the 2010s – #10: “I See You” by MISSIO

We’ve finally reached the final ten of my list of 100 Best Songs of the 2010s, and the song at #10 is “I See You” by MISSIO. It’s not often that I love an entire album at first listen, but that was the case with the spectacular The Darker the Weather // The Better the Man by the Austin, Texas-based duo. Comprised of singer-songwriter and producer Matthew Brue and songwriter/producer and instrumentalist David Butler, MISSIO’s unique, eclectic sound is a glorious mashup of alternative electronic rock, hip hop and dream pop. In 2017, they released their outstanding debut album Loner, which generated several singles, including “Middle Fingers” and the mesmerizing “Bottom of the Deep Blue Sea”, both of which received significant play on AltNation radio and made me a big fan of theirs.

“I See You” was the third single from The Darker the Weather // The Better the Man, and my favorite song of 2019. This was further confirmed by my Spotify Wrapped report, which identified it as my most-streamed song of 2019. And what a gorgeous song it is, at once sad yet hopeful, and brimming with emotional intensity. The lush, sweeping instrumentals, highlighted by beautiful piano, a deep bass groove, shimmery synths and crisp percussion create a stunning soundscape for Brue’s stirring falsetto vocals. I love his beautiful and distinctive singing voice that never fails to bring tears to my eyes and a lump in my throat as he sings the poignant lyrics that can be interpreted as being directed either to a loved one or to oneself, reassuring the intended that they are understood, supported and loved despite their shortcomings.

Brue and Butler are great guys who frequently engage with their fans and followers, sometimes sharing their deeply personal feelings and thoughts on social media. I reviewed The Darker the Weather // The Better the Man a few months after its release, and was blown away when they not only retweeted and thanked me for my review, adding that mine was the best they’d seen of their album, but also followed me on both Twitter and Instagram! Needless to say, it made me love them even more. That review is also the 7th most-viewed post of the more than 1,200 I’ve written.

I see you when you’re down and depressed, just a mess
I see you when you cry, when you’re shy, when you wanna die
I see you when you smile, it takes a while, least you’re here
I see you, yes, I see you

I’m alone with you, you’re alone with me

I see you when you hide, and when you lie it’s no surprise
I see you when you run from the lie within your eyes
I see you when you think that I don’t notice all those scars
I see you, yes, I see you

I’m alone with you, you’re alone with me
What a mess you made of everything
I’m alone with you, you’re alone with me
And I’m hoping that you will see yourself

Like I see you
Yes, I see you
I see you
Yes, I see you
(I’m alone with you, you’re alone with me)

I see you when you chase all the dreams inside your head
I see you when you laugh and when you love to the bitter end
(I see you) In the dark, at the dawn of something new
I see you, yes, I see you

I’m alone with you, you’re alone with me
And I’m hoping that you will see yourself

Like I see you
Yes, I see you
I see you
Yes, I see you

Even when you cry and even when you’re shy
You mean everything to me
Even when you lie and even when you hide
You mean everything to me
I see you
(I see you, I see you, I see you)
Yes, I see you
(I see you, I see you, I see you)
I see you
Even when you cry and even when you shine
Yes, I see you
(I see you, I see you, I see you)

I’m alone with you, you’re alone with me
And I’m hoping that you will see yourself

The poignant video, directed by Ben Fee, filmed by Kai Saul, and produced by Sascha Fix, shows a hairy creature, played by Veda Carmine-Ritchie, hidden by an oversize freaky mask, feeling alone and lost, alternately trying to either hide or be noticed by others, and fit in with a crowd of people who seem to be ignoring them. MISSIO is shown quietly standing in the background.

Here’s a stripped-down live performance that provides further proof of not only what a beautiful song this is, but also how wonderful they are:

ImageBeatZ – Single Review: “Now or Never”

ImageBeatZ is the latest music project of British composer and producer Justin Stephens. Based in the historic town of Ipswich in the eastern English county of Suffolk, the prolific musician has recorded and produced an impressive amount of electronic music since early 2016, both as a solo artist and in collaboration with other artists. He’s covered a wide range of styles, including Deep House, Chill House, Chill Step, Trap, Trip Hop and Lounge, though his preferred style is Deep House.

His first music project was called Infected Sun, and I reviewed one of his mini-EPs “Summer Nights” in 2018. He created his second music project AudioBytes in early 2020, and continued to release a tremendous output of music, including a terrific 18-track album Hold Me Tonight in September. He also hosts Friday Night House Sessions, a two-hour Deep House show he runs every other week on Facebook Live at 7:30 pm GMT, where he’s often joined by other special guest DJs. It’s an enjoyable show, so check it out if you’re into House music. He’s amassed more than a quarter million streams under that name. Now he’s created yet another new project ImageBeatz, which he’ll launch on New Year’s Day 2021 with his first single “Now or Never“.

With his latest project ImageBeatZ, Stephens blends Deephouse with NuDisco and pop to create a more upbeat and accessible sound. His first single “Now or Never” is an infectiously catchy dance song that aims straight for the hips. The lyrics speak to taking a chance on something or someone new. Starting with a thumping Deephouse EDM bass groove, he layers crisp percussive beats and sultry synths, then tops it off with a deliciously funky Nile Rodgers-style guitar riff. His use of a more prominent guitar is something new for Stephens, and I like the extra textural dynamic it adds to the track.

The lovely vocals are provided by a singer who, for reasons that both Stephens and I cannot fathom, does not wish to be named. She sings to someone to whom she’s attracted, wanting to be more than just friends: “I believe we can find what we’re looking to find / Someone to make us whole again / Doesn’t take very much to look around and see us, maybe we can be more than friends / You know we’ll make it feel right / We can turn this night into something new to relive again / So take my hand, take a chance / Let’s not let this night end, again / Now or never, let’s take a chance and do what we would never do.”

“Now or Never” will be available for streaming on Spotify and for purchase (if you would like to support the artist) at Beatport.com on 01/01/2021.

Stephens also hosts the Friday Night House Sessions, a two-hour Deep House show he runs every two weeks on Facebook Live at 7:30 pm GMT. He’s often joined by other special guest DJs like DJ JerryS and DJ Embrace. It’s an enjoyable show, so check it out if you’re into House music.

Follow ImageBeatZ:  FacebookInstagram

100 Best Songs of the 2010s – #11: “Need You Now” by Lady Antebellum

The song at #11 on my list of 100 Best Songs of the 2010s is the poignant “Need You Now” by Nashville-based Country band Lady Antebellum, who changed their name to Lady A this past summer in response to nationwide protests over the police killing of George Floyd. (That name change subsequently led to further controversy, as there was already another artist, Seattle-based African American activist and blues, soul, funk, and gospel singer Anita White, who’d been using the moniker “Lady A” for over 20 years. She and the band have sued each other over the use of the name; both cases have yet to be resolved.) Formed in 2006, the band is comprised of Hillary Scott on lead vocals, Charles Kelley on guitar and co-lead vocals, and Dave Harwood on guitar, piano, mandolin and backing vocals.  

I haven’t cared for very many country songs in recent years, however, I love “Need You Now” and it was my favorite song of 2010. The song contains strong pop elements, so it can be argued it’s more pop than country, which might explain why I like it so much. The stunning and bittersweet song was first released as a single and title track from their second studio album Need You Now in August 2009, and went to the top of the Billboard Hot Country Songs chart that December. It became so popular that it crossed over to the pop charts in early 2010, going all the way to #1 on the Adult Top 40 and Adult Contemporary charts, and #2 on the Hot 100. “Need You Now” won four Grammys in 2011, including for Record and Song of the Year.

The song’s arrangement and instrumentation are exquisite, especially the somber piano keys and mournful slide guitar that really tug at our heartstrings. The highly relatable lyrics, beautifully sung by vocalists Hillary Scott and Charles Kelley, describe making a phone call to a former lover in the middle of the night out of loneliness and longing for companionship: “And I wonder if I ever cross your mind / For me it happens all the time / It’s a quarter after one / I’m a little drunk and I need you now / Said I wouldn’t call, but I lost all control and I need you now.” The line “Guess I’d rather hurt than feel nothin’ at all” really sums up the sometimes painful conundrum of love, relationships and life.

100 Best Songs of the 2010s – #12: “Dark Necessities” by Red Hot Chili Peppers

The song at #12 on my list of 100 Best Songs of the 2010s is “Dark Necessities” by Red Hot Chili Peppers. The Los Angeles-based funk-rock band have been making great music for more than 35 years, racking up scores of hits. They formed in 1983 while the four original members – singer Anthony Kiedis, guitarist Hillel Slovak, bassist Flea, and drummer Jack Irons – were students at Fairfax High School. Sadly, Slovak died of a heroin overdose in 1988 and Irons, devastated over Slovak’s death, left the band, and would later become a member of Pearl Jam. By the time “Dark Necessities” and its album The Getaway were recorded, the band consisted of founding members Kiedis and Flea, as well as Josh Klinghoffer on guitar and Chad Smith on drums.

Red Hot Chili Peppers in 2016

Thirteen of their songs have reached #1 on the Billboard Alternative chart, more than any other artist in the chart’s 31-year history. I love many of their songs, but my favorite of them all is “Dark Necessities”, from their 11th studio album The Getaway. I think it’s their greatest song yet and a real masterpiece. The band teamed up with Brian Burton aka Danger Mouse for the writing and production of the song and album, and say what you will about the use of more complex melodies and instrumentation, but I love it. Flea’s wonderful opening bass riff, the vibrant piano keys, and Josh Klinghoffer’s layered funky guitars are all drop-dead gorgeous, and I especially love the repeated “aah aah” in the backing chorus. The song was released in May 2016, and became their 13th #1 hit on both the Alternative and Adult Alternative charts.

In a video interview for the band’s YouTube channel, lead singer Anthony Kiedis explained that the song “speaks to the beauty of our dark sides and how much creativity and growth and light actually comes out of those difficult struggles that we have on the inside of our heads that no one else can see.” He added that the song meant a lot to Burton and it was one of his favorites on the album. Mine too! The meaningful lyrics show a real maturation of The Red Hot Chili Peppers sound, which is totally appropriate for a band whose members by then were in their late 40s to early 50s.

Coming on to the light of day
We got many moons that are deep at play
So I keep an eye on the shadow smile
To see what it has to say

You and I both know
Everything must go away
What do you say?

Spinning Knot that is on my heart
Is like a bit of light in a touch of dark
You got sneak attack from the zodiac
But I see your fire spark

Eat the breeze and go
Blow by blow and go away
What do you say?

Yeah

You don’t know my mind
You don’t know my kind
Dark necessities are part of my design
And tell the world that I’m falling from the sky
Dark necessities are part of my design

Stumble down to the parking lot
You got no time for the afterthought
They’re like ice cream for an astronaut
Well, that’s me looking for we

Turn the corner and
Find the world at your command
Playing the hand

Yeah

You don’t know my mind
You don’t know my kind
Dark necessities are part of my design
Tell the world that I’m falling from the sky
Dark necessities are part of my design

Do you want this love of mine?
Darkness helps us all to shine
Do you want it? Do you want it now?

Do you want it all the time?
But darkness helps us all to shine
Do you want it? Do you want it now?

Pick you up like a paper back
With the track record of a maniac
So I move it in and we unpack
It’s the same as yesterday

Any way we roll
Everything must go away
What do you say?

Yeah

You don’t know my mind
You don’t know my kind
Dark necessities are part of my design
Tell the world that I’m falling from the sky
Dark necessities are part of my design

The official video was directed by actress Olivia Wilde and filmed by Chris Blauvelt, and features four female long boarders (Carmen Shafer, Amanda Caloia, Amanda Powell, and Noelle Mulligan) skating around various locations in Los Angeles, interspersed with humorous scenes of the band acting silly and playing the song.

100 Best Songs of the 2010s – #13: “Tongue Tied” by Grouplove

The song at #13 on my list of 100 Best Songs of the 2010s is “Tongue Tied” by alternative rock band Grouplove. I love this song with a passion. It’s an exhilarating synth pop song that fills me with strong feelings of euphoria, like a kid jumping up and down on a bed at a slumber party. So it was a surprise to discover in researching about the song that it was widely panned by music critics upon its release. A lot of music critics make me sick. They’re so smug, self-impressed and full of shit. OK, now that I’ve got that off my chest, let me say that I think “Tongue Tied” is absolutely wonderful, and one of the best songs of the 2010s. Despite its mixed to poor reviews, the song went all the way to #1 on the Billboard Alternative chart, where it ended up as the #2 song of 2012. It peaked at #42 on the Hot 100.

Grouplove’s music is fun, quirky and infectious, and always a joy to listen to, even their downtempo songs. Now based in Los Angeles (where a third of the artists and bands with songs on this list seem to also reside), they formed in 2009 after meeting on the island of Crete. Hannah Hooper (vocals, keyboards) and Christian Zucconi (vocals, guitar) actually first met in New York City, then traveled to Crete to attend an artist residency program, where they met the other three founding members – London-born songwriter and guitarist Sean Gadd, Los Angeles pro surfer and musician Andrew Wessen, and his childhood friend drummer Ryan Rabin, who’s the son of former Yes guitarist Trevor Rabin. (Gann and Rabin later left the band, and have been replaced by Daniel Gleason on bass and Benjamin Homola on drums.)

“Tongue Tied” is from their debut album Never Trust a Happy Song, and was released in September 2011. It starts off with a sweet guitar riff that sounds kind of like a ukelele or banjo, then explodes into a cacophony of exuberant synths, deep bass, smashing drums and a boisterous chorus of cheers that set the stage for the adventure about to unfold as they head to a party. Singers Hannah Hooper and Christian Zucconi wail “Take me to your best friend’s house / Go around this roundabout Oh yeah / Take me to your best friend’s house / I loved you then and I love you now Oh yeah / Don’t leave me tongue tied / Don’t wave no goodbye Don’t… / Right!” By song’s end, I’m left feeling happy, and isn’t that one of the greatest things a good song has to offer?