The song at #29 on my list of 100 Best Songs of the 2010s is “Bad Bad News” by American singer-songwriter and producer Leon Bridges. The talented Ft. Worth, Texas-based artist is like a breath of fresh air with his throwback R&B style that echoes some of the great soul singers of the 60s like Sam Cooke, Marvin Gaye and Otis Redding. It’s a reflection of my advanced age perhaps, but though most of his songs are mellow and low-key, they excite me because they remind me of so many of the artists and music coming out of Detroit (Motown), Memphis and Philadelphia from the early 60s to the mid 70s that I loved.
“Bad Bad News”, from his second album Good Thing, is fantastic, with jazzy guitar, gorgeous brass, crisp percussion and a deep bass groove set to a soulful, hypnotic beat. Add Bridges’ smooth vocals that go from sensual to plaintive, and the result is sonic heaven. He sings about overcoming others’ lack of faith in him, and making it on his street smarts, honesty and belief in himself: “Ain’t got no riches, ain’t got no money that runs long. But I got a heart that’s strong and a love that’s tall. Ain’t got no name, ain’t got no fancy education. But I can see right through, a powdered face on a painted fool./ They tell me I was born to lose. But I made a good good thing out of bad bad news.”
Though none of Bridges’ songs have appeared on the stinking Billboard Hot 100 nor even the R&B chart – which is a shocking travesty! – both of his albums have made the top 10 on the 200 Album chart, and two of his singles, “Smooth Sailin'” and “Bad Bad News” reached #1 on the Adult Alternative Chart. “Bad Bad News” spent three weeks at #1 on my own Weekly Top 30 in early summer of 2018.
The sexy video for the song was directed by Natalie Rae, and shows scenes of a woman following a man who she thinks whistled at her through an empty underground subway station and out into the streets at night, when she suddenly becomes overtaken by the song’s sensual grooves. Scenes of her are interspersed with footage of Bridges walking into an auditorium where he encounters a group of musicians jamming, and he then dances around them as he sings the song. At the end, the woman finally catches up to the man and silently confronts him before walking away.