As I continue to revisit artists I’ve previously featured on this blog, today I’m happy to discuss the exciting new EP Rabbit by alternative electronic rock duo The Diomedes. Based in London, England, The Diomedes is the studio project of friends Mark Champion (guitars and vocals) and David Myers (drums and synths). Two years ago, almost to the day, I wrote a review of their phenomenal debut album Traps. I was so impressed by it, I was inspired to write what I consider to be one of my finest reviews, and you can read it here.
For Rabbit, which was recorded at Narcissus Studios in North West London, the guys teamed up with John Catlin (who’s produced albums for the likes of Led Zeppelin, Nine Inch Nails, Foals and The Killers) and Drew Smith. The influence of NIN is strongly evident, as all three tracks are intense, gnarly and loud, with rather bleak lyrics that speak to feeling used, unloved or losing one’s mind. It’s music that raises the adrenaline, and I felt my heart race every time I listened to the songs.
The title track “Rabbit” sets the overall tone for the EP, with a barrage of Mark’s gravelly riffs and David’s tumultuous percussion that build and build to an ear-splitting crescendo. Along the way, piercing industrial synths add to the sonic cyclone that evokes images of swirling down a rabbit hole. Mark practically shrieks the lyrics that seem to address the feelings of someone under siege by everyone and everything, and the only thing worth living for – that which will plunge him down the rabbit hole – is the love he needs and desires from a certain woman.
I’m taking punches
Pressures building stack up the bricks
I’m feeling hammers
Sculpting a hole in what was me
Tear me up
Tear me up into bits
Tear me up, up, up into pieces
The only thing I need they can’t take from me
Eyes that turn my world
Something that’s worth fighting for
So they can tear me up
I’m taking shots, blows
Bruised to my core
But I only need her glance to fall down the hole
The Diomedes really show what they’re capable of with “Con Debris”, a magnificent slice of melodically complex, industrial noise rock. Things start off gently with some jangly guitar chords and reverb, then the song explodes into a thunderous maelstrom of grungy riffs, swirling synths and hammering drums. Mark’s intricate guitar work and David’s powerful drumming are impressive, and I love Mark’s resonant, quirky vocals and strong British accent as he sings the lyrics:
Come in from the cold
Rest your feet, warm your bones
Build a fire, take my chair
Put my kettle on
Make yourself at home
We’ll pretend like we’re old friends until you’re OK
Until you move on again
Because I think that you just need a little help and a day or two won’t hurt
In any case, you’ll help yourself to everything I’ve left
It’ll always be this way
With nary a second to catch our breath, we’re instantly bombarded with sounds of pummeling drums and very grimy guitars announcing the arrival of the hard-hitting “Bring Out Your Dead”. The guys deliver roiling riffs of fuzzy, distorted guitars, blustery percussion and pulsating industrial synths, punctuated by occasional melodic flourishes, all making for an electrifying listen. The song seems to address the eternal struggle to maintain one’s sanity in this crazy thing called life:
And in the end crazy makes sense
So just kiss goodbye to shattering up inside
All heart and soul and head
All you’ve left is bring out your dead
While short in length, Rabbit packs an enormous punch in its 12 1/2 minutes. Mark and David are creative and talented songwriters and musicians, and their work continues to impress me. If you like alternative electronic rock that’s intense and out of the ordinary, you will enjoy this EP.
To learn more about The Diomedes, check out their website.
Connect with them on Facebook / Twitter / Instagram
Subscribe to their YouTube channel
Stream their music on Soundcloud and Spotify
Purchase on Bandcamp / iTunes