Virginia singer-songwriter The Frontier holds the top spot for a second week with his beautiful and uplifting pop-rock gem “Walk Through the Fire”, while “Francesca” by Irish singer-songwriter Hozier moves up a notch into second place. Blink-182‘s “ONE MORE TIME” moves up three spots to #4, and “HONEY (ARE U COMING)?” by Italian rock band Måneskin continues its rapid upward trajectory, entering the top 10 at #6.
Three songs make their debut this week: Entering at #28 is “Angry” by TheRolling Stones, a pretty solid banger that shows the legendary rockers still have what it takes. Who would have ever imagined that Mick and Keith would still be going strong at 80 and 79, 60 years after they released their first single “Come On” in 1963.
The second debut is “Your Side of Town” by American alt-rock band The Killers, entering at #29. The synth-driven song was intended to be included on their next album, however, band frontman Brandon Flowers nixed that project. In an interview with British news publication The Sunday Times, he explained “Halfway through recording I realized, ‘I can’t do this’. I think this will be the . . . I don’t think you’ll see us making this type of music anymore. This is the crisis I’m in. The Killers are my identity, and our songs fill seats, but I’m more fulfilled making music like ‘Pressure Machine’ [their 2021 roots rock album]. I found a side of myself writing it that was strong. This was the guy I’d been looking for! I’m as proud of ‘Hot Fuss’ as you can be for something you did when you were 20, but I’m not 20. So I’m thinking about the next phase of my life.”
The third debut is “Run Away With Me” by L.A.-based indie rock band Cold War Kids (who I saw in concert in August when they opened for Tears for Fears), at #30.
WALK THROUGH THE FIRE – The Frontier (1)
FRANCESCA – Hozier (3)
KISSES – Slowdive (2)
ONE MORE TIME – Blink-182 (7)
DIAL DRUNK – Noah Kahan (4)
HONEY (ARE U COMING?) – Måneskin (11)
DAYDREAMS AND ALGORITHMS – Eleanor Collides (8)
LOVING YOU – Cannons (9)
RUNNING OUT OF TIME – Paramore (10)
GOOD VIBRATIONS – MISSIO (5)
OVERRATED – dwi (6)
WHEN WE WERE CLOSE – Jason Isbell and the 400 Unit (13)
BAD IDEA RIGHT? – Olivia Rodrigo (14)
UNDER YOU – Foo Fighters (19)
OVERCOME – Nothing But Thieves (17)
PULL ME THROUGH – Royal Blood (18)
ODYSSEY – Beck & Phoenix (12)
SAY YES TO HEAVEN – Lana Del Rey (15)
MY KINDA GIRL – The 23s (22)
DARLING – Western Jaguar (23)
THE DEATH OF PEACE OF MIND – Bad Omens (24)
HOLD ME LIKE A GRUDGE – Fall Out Boy (25)
MORE THAN A LOVE SONG – Black Pumas (27)
SUMMER OF LUV – Portugal. The Man feat. Unknown Mortal Orchestra (28)
EVICTED – Wilco (30)
THE SHAMEFUL – Amongst Liars (29)
PINEAPPLE SUNRISE – Beach Weather (16) 22nd week on chart
A long-time favorite artist of mine, on both a professional and personal level, is The Frontier, the music project of singer-songwriter and multi-instrumentalist Jake Mimikos. Based in northern Virginia, the talented, gracious and hard-working guy skillfully blends elements of pop, folk, rock and electronica to create memorable and pleasing songs about love, relationships and loss. Delivered with comforting pitch-perfect vocals, Jake’s lyrics are honest and relatable; there’s just something about his songs that makes them so addictive, and I’ve found that they continue to grow on me more with every listen.
Since 2015, he’s released an impressive number of songs, and I’ve loved them all. Three – “Dark Places”, “Can We Go Back” and “Closer” – have reached #1 on my Weekly Top 30 charts, while “Sleep” and “It’s You” both reached the top 4. His latest single, “Walk Through The Fire“, now becomes his fourth single to top my chart. Serving up three minutes of infectious toe-tapping grooves and beautiful jangly guitar notes, the song is a plea to a loved one for a second chance: “Everyone falls sometimes. Dying to stay alive. Everyone has their fight. It’s how we walk through the fire.”
In other notable chart developments, the beautiful “Francesca” by Hozier moves up three spots to #3. A whopping four songs enter the top 10, the first of which is the poignant auto-biographical song “ONE MORE TIME” by pop-punk veterans Blink-182, which is also the highest-debuting song this week, entering my chart at #7. The other three, all of which advance 4 spots, are “Daydreams and Algorithms” by British artist Eleanor Collides, at #8, “Loving You” by L.A. dream pop band Cannons, at #9, and “Running Out of Time” by Tennessee pop-punk band Paramore, at #10. For a second week, “HONEY (ARE U COMING)?” by Italian rock band Måneskin, is the biggest upward mover, jumping 10 spots to #11. And finally, besides Blink-182’s new song, the other debut is the wonderful “Evicted” by Chicago alt-rock band Wilco, which enters at #30.
WALK THROUGH THE FIRE – The Frontier (2)
KISSES – Slowdive (1)
FRANCESCA – Hozier (6)
DIAL DRUNK – Noah Kahan (5)
GOOD VIBRATIONS – MISSIO (3)
OVERRATED – dwi (4)
ONE MORE TIME – Blink-182 (N)
DAYDREAMS AND ALGORITHMS – Eleanor Collides (12)
LOVING YOU – Cannons (13)
RUNNING OUT OF TIME – Paramore (14)
HONEY (ARE U COMING?) – Måneskin (21)
ODYSSEY – Beck & Phoenix (7)
WHEN WE WERE CLOSE – Jason Isbell and the 400 Unit (16)
BAD IDEA RIGHT? – Olivia Rodrigo (17)
SAY YES TO HEAVEN – Lana Del Rey (8)
PINEAPPLE SUNRISE – Beach Weather (9) 21st week on chart
OVERCOME – Nothing But Thieves (18)
PULL ME THROUGH – Royal Blood (19)
UNDER YOU – Foo Fighters (20)
CALL ME WHAT YOU LIKE – Lovejoy (10)
FORGIVING TIES – Deer Tick (11)
MY KINDA GIRL – The 23s (23)
DARLING – Western Jaguar (24)
THE DEATH OF PEACE OF MIND – Bad Omens (25)
HOLD ME LIKE A GRUDGE – Fall Out Boy (26)
CANNONBALLERS – Colony House (15)
MORE THAN A LOVE SONG – Black Pumas (28)
SUMMER OF LUV – Portugal. The Man feat. Unknown Mortal Orchestra (29)
It’s hard to believe we’re now into October, as 2023 continues to speed past at a dizzying pace. British dream rock band Slowdive holds the top spot for a second week with their bewitching song “kisses”. Sliding into the #2 spot is “Walk Through the Fire” by Virginia singer-songwriter The Frontier, with “Good Vibrations” by Texas duo MISSIO right behind at #3. Otherwise, the top 10 songs remain the same, albeit with a bit of shuffling around. The biggest upward mover this week is “HONEY (ARE U COMING)?” by Italian rock band Måneskin, leaping nine spots to #21.
For the second week, there are three new songs making their debut, though truth be told, there were seven or eight I wanted to add, but that would have meant dropping more off, which I couldn’t do. “More Than a Love Song” by Austin, Texas-based neo-soul duo Black Pumas (currently the #1 song on the Billboard AAA chart), enters at #28, “Summer of Luv” by Portland, Oregon-based rock band Portugal. The Man, featuring New Zealand psychedelic rock band Unknown Mortal Orchestra, at #29, and “The Shameful” by British hard rock band Amongst Liars (which I reviewed a month ago today), at #30.
KISSES – Slowdive (1)
WALK THROUGH THE FIRE – The Frontier (3)
GOOD VIBRATIONS – MISSIO (4)
OVERRATED – dwi (2)
DIAL DRUNK – Noah Kahan (6)
FRANCESCA – Hozier (9)
ODYSSEY – Beck & Phoenix (7)
SAY YES TO HEAVEN – Lana Del Rey (8)
PINEAPPLE SUNRISE – Beach Weather (5) 20th week on chart
CALL ME WHAT YOU LIKE – Lovejoy (10)
FORGIVING TIES – Deer Tick (12)
DAYDREAMS AND ALGORITHMS – Eleanor Collides (13)
LOVING YOU – Cannons (14)
RUNNING OUT OF TIME – Paramore (15)
CANNONBALLERS – Colony House (11)
WHEN WE WERE CLOSE – Jason Isbell and the 400 Unit (18)
BAD IDEA RIGHT? – Olivia Rodrigo (19)
OVERCOME – Nothing But Thieves (20)
PULL ME THROUGH – Royal Blood (21)
UNDER YOU – Foo Fighters (24)
HONEY (ARE U COMING?) – Måneskin (30)
WHAT WAS I MADE FOR? – Billie Eilish (17)
MY KINDA GIRL – The 23s (26)
DARLING – Western Jaguar (27)
THE NARCISSIST – Blur (16)
THE DEATH OF PEACE OF MIND – Bad Omens (28)
HOLD ME LIKE A GRUDGE – Fall Out Boy (29)
MORE THAN A LOVE SONG – Black Pumas (N)
SUMMER OF LUV – Portugal. The Man ft. Unknown Mortal Orchestra (N)
Without question, one of the prettiest songs of 2023 is “kisses” by British dream rock band Slowdive. Though they formed way back in 1989, I’m embarrassed to admit I was not familiar with them until hearing “kisses” this past June (which may partly be due to the fact they’ve never had a single chart in the U.S., and only two of their albums have appeared on the Billboard 200 Album chart). Consisting of Rachel Goswell on vocals, guitar and keyboard, Neil Halstead on vocals and guitar, Christian Savill on guitar, Nick Chaplin on bass guitar and Simon Scott on drums, they rose to prominence in the British shoegaze scene in the early 90s. (In a recent NPR interview with Scott Simon, Halstead explained that the term “shoegaze” originated in the early 90s when a journalist from the British music magazine Melody Maker coined it to describe bands such as Slowdive who didn’t have much stagecraft and spent a lot of time looking down at their shoes as they frequently turned their guitar pedals on and off.)
While their second studio album Souvlaki (1993) initially received mixed reviews, it has since been recognized as one of the best albums of the 90s and one of the greatest shoegaze albums of all time by Pitchfork, NME and PopMatters, among others. (Wikipedia) Slowdive broke up soon after the release of their third studio album Pygmalion in 1995, but reunited in 2014, and released their fourth studio album, the self-titled Slowdive, in 2017. They dropped their stunning fifth album Everything Is Alive on September 1st, which became their first top 10 album ever, reaching #4 in the Netherlands, #6 in the UK and #7 in Germany. Though I think it’s one of the best albums of 2023, it only peaked at #63 on the Billboard 200 Album chart. Unbelievably, “kisses” has not appeared on any singles chart, however, it’s the new #1 song on MY chart! About the gorgeous album and song, Halstead told NPR: “A lot of the album is sort of about time passing. And I suppose, seeing as we’re all getting on a bit now, that’s one of the things we’re writing songs about… and ‘kisses’ is about having a second act, having a different chance in life.” Those dreamy synths, shimmery chiming guitars and sublime harmonies are simply breathtaking.
In other chart developments, “Walk Through the Fire” by Virginia singer-songwriter The Frontier, and “Good Vibrations” by Texas duo MISSIO move up two spots to #3 and #4, and Irish singer-songwriter Hozier enters the top 10 with his magnificent “Francesca”. The biggest upward movers are “Loving You” by L.A. dream pop band Cannons, and “Running Out of Time” by Nashville alt-rock band Paramore, both jumping 6 spots to #14 and #15, respectively. Debuting this week are “THE DEATH OF PEACE OF MIND” by American metalcore band Bad Omens, at #28, “Hold Me Like a Grudge” by American rock band Fall Out Boy, at #29, and “HONEY (ARE YOU COMING?)” by Italian rock band Måneskin, at #30.
KISSES – Slowdive (2)
OVERRATED – dwi (1)
WALK THROUGH THE FIRE – The Frontier (5)
GOOD VIBRATIONS – MISSIO (6)
PINEAPPLE SUNRISE – Beach Weather (3)
DIAL DRUNK – Noah Kahan (8)
ODYSSEY – Beck & Phoenix (9)
SAY YES TO HEAVEN – Lana Del Rey (4)
FRANCESCA – Hozier (11)
CALL ME WHAT YOU LIKE – Lovejoy (7)
CANNONBALLERS – Colony House (14)
FORGIVING TIES – Deer Tick(15)
DAYDREAMS AND ALGORITHMS – Eleanor Collides (17)
LOVING YOU – Cannons (20)
RUNNING OUT OF TIME – Paramore (21)
THE NARCISSIST – Blur (10)
WHAT WAS I MADE FOR? – Billie Eilish (19)
WHEN WE WERE CLOSE – Jason Isbell and the 400 Unit (22)
The wonderfully trippy and boisterous “Overrated” by Canadian artist dwi holds the top spot for a second week on my latest Top 30 chart. Sliding into second place is the enchanting love song “Kisses” by British indie dream pop band Slowdive. Songs by two of my favorite acts – “Walk Through the Fire” by Virginia-based singer-songwriter The Frontier, and “Good Vibrations” by Texas-based duo MISSIO – both climb four spots to #5 and #6, respectively. Moving up five spots and entering the top 10 are “Dial Drunk” by Vermont-based singer-songwriter Noah Kahan, at #8, and “Odyssey”, a breezy collaboration between French alt-rock band Phoenix and American singer-songwriter Beck, at #9. “Dial Drunk” has become a huge breakout hit for Kahan, and his version of the song with guest vocals by Post Malone, is currently #1 on the Billboard Alternative Airplay and Adult Alternative Airplay charts.
Three songs make their debut this week: “Under You” by the mighty Foo Fighters, at #28, the sultry love song “My Kinda Girl” by British collective The 23s (which I recently reviewed), at #29, and the sweet love song “Darling” by Canadian artist Western Jaguar, from his wonderful album Oblivion (which I also reviewed), at #30.
OVERRATED – dwi (1)
KISSES – Slowdive (4)
PINEAPPLE SUNRISE – Beach Weather (2)
SAY YES TO HEAVEN – Lana Del Rey (3)
WALK THROUGH THE FIRE – The Frontier (9)
GOOD VIBRATIONS – MISSIO (10)
CALL ME WHAT YOU LIKE – Lovejoy (5)
DIAL DRUNK – Noah Kahan (13)
ODYSSEY – Beck & Phoenix (14)
THE NARCISSIST – Blur (6)
FRANCESCA – Hozier (15)
PUPPET SHOW – Beck Black (7)
BONES – HEALER (8)
CANNONBALLERS – Colony House (16)
FORGIVING TIES – Deer Tick (17)
LAST TIME EVERY TIME FOREVER – Grian Chatten (11)
DAYDREAMS AND ALGORITHMS – Eleanor Collides (18)
ORBIT – Gooseberry (12)
WHAT WAS I MADE FOR? – Billie Eilish (21)
LOVING YOU – Cannons (22)
RUNNING OUT OF TIME – Paramore (23)
WHEN WE WERE CLOSE – Jason Isbell and the 400 Unit (24)
In late May, I featured the poignant song “Better Daze” by Canadian alt-rock act Western Jaguar, the music project of singer-songwriter and multi-instrumentalist Jeffrey Trainor, on one of my Fresh New Tracks posts. Though I generally prefer to not write about an artist or band again so soon, I like his new album Oblivion so much that I just have to share it with my readers. Besides, I know the album means a lot to him, marking a return to making music after a two-year hiatus during which he’d all but given up on it, so it means a lot to me too.
Hailing from the picturesque Fraser River Valley of British Columbia east of Vancouver, Western Jaguar was born in 2012 when Trainor turned to music to get him out of a low point in his life. With the help of an evolving lineup of musicians, he released three stellar EPs and several singles between 2013 and 2019, including the excellent “Disappear”, which went to #1 on my Weekly Top 30 in 2019. Despite his prior accomplishments, when the pandemic hit in early 2020, bringing things to a halt for just about every musician and band, the social isolation allowed him to reflect on how unhappy he’d become as a musician. He says he’d become fixated on “likes, a following, positive feedback…and making music other people liked.” By the end of 2020, he decided he didn’t want to make music anymore, essentially walking away from Western Jaguar, which he conveniently blamed on the pandemic.
Thankfully, after a long break he came to realize that, just like in 2012, music could once again lift him out of his slump. He decided to restart Western Jaguar as essentially a solo act and went to work resurrecting a few previously-written songs and writing and recording new ones for what would become his latest album Oblivion, which he released on July 7th. For the recording of the album, Trainor sang vocals and played most instruments, though his former Western Jaguar bandmates Davis MacKenzie Zand played bass and AJ Buckley played electric guitar and drums, and sang backing vocals on two tracks, and musician KC Roces played electric guitar on “Daydreaming”. Trainor produced and mixed two of the tracks, with the rest produced and mixed by Zand, and mastering was done by Jordan Koop.
The album opens appropriately with “Start Again“, a lovely 57-second-long instrumental piece with guitar and gentle synths that serves as an intro to the bittersweet song “Milwaukee“. The instrumentals gradually build with the addition of beautiful jangly guitars, organ, swirling synths and spirited drums, turning the song into an arresting anthem by the final chorus. Most of the songs on Oblivion deal with aspects of love and loss, and “Milwaukee” touches on both, as expressed in the lyrics “Now my patience is strained, and my love has gone away. There’s nothing left of me, and I’m out on the streets of Milwaukee.“
Continuing on a similar theme, “Matador” speaks to regrets over allowing a love to slip through his fingers, and willing to do anything to get her back: “I loved her with all of me, you better believe that I had hoped to one day get down on my knee. But I was dumb and she left me, you better believe that I would do anything.I’d bury my heart in the depths of hell. Drive my car at the speed of sound. Get bucked off a bronco’s back just to have a chance at bringing you back.”
Like “Matador”, “Doomsday” was actually recorded pre-pandemic by the previous Western Jaguar lineup that included Davis MacKenzie Zand on bass and AJ Buckley on guitar and drums. Originally slated for release in June 2020, the song features fantastic watery guitar work by Buckley, while he and Zand keep the rhythm on solid footing with their masterful drumming and thumping bassline. The lyrics are directed to a lover who’s abandoned the relationship, despite the singer’s attempts at redemption, which Trainor sings with heartfelt conviction: “You packed it up and left while I was trying to make amends. This is something I won’t forget, though I still don’t comprehend.“
“Better Daze“ is a melancholy but pleasing song about going through hard times after a tragedy and trying to get back to better days. Musically, the song has an upbeat dream pop feel, with a breezy melody, beautiful chiming guitars and snappy drums that contrast with the darker subject matter. Trainor’s clear, pleasing vocals have a hint of sadness as he sings the lyrics telling a story about a woman named Suzie, whose fiance Harold died suddenly after a fall in the shower just before they were due to be married. Suzie falls into a deep depression, and with the best of intentions, her father insists she take medication to help improve her mood. Unfortunately, the drugs only make her feel worse: “Suzie’s felt worse since the medicine. Her lungs are burning and she can’t breath in. Her father insists on the vice, it’s the only way for a normal life. But a normal life was lost last June when Harold fell in the bathroom. She hasn’t taken them for 6 weeks. If only it was that easy. Her father asks if she’s feeling well. She gives him a smile though she feels like hell. She wants him to think that she’s okay, even though she’s thinking of better daze.”
On the beautiful and bittersweet “Daydreaming“, Trainor laments of a love that wasn’t meant to be, due to his partner’s emotional struggles and inability to commit to the relationship: “There was a time for us to move into oblivion. But you were daydreaming, just lost in your mind, leaving me behind.” The gorgeous shimmery guitars are played by KC Roces.
Though most of the songs on Oblivion deal with loss, Trainor is in fact a happily-married man, which he celebrates on the sweet love song “Darling“. Calling it the poppiest song he’s ever written, it’s definitely the most upbeat track on the album, with a bouncy melody, sunny guitar lines, plucky bass, cheerful xylophone and exuberant hand claps. The charming lyrics express the love he feels for his wife: “I’ve been waiting all my life for you, my lovely darling. I’ve been waiting all my life I’d say, it’s worth it darling. And I know you don’t prescribe to lovesick lullabies.”
Trainor turns philosophical on “Just Racing“, contemplating the rapid passage of time and the attendant challenges of making sense of the never-ending barrage of information and changes thrown at us: “It’s all moving way too fast. It’s not too much to ask, just slow it down so I can breathe. Help me take apart my enemies. /So won’t you pick me up and take me home. I’m only 25 but I feel so old. Caught up again in the cracks of my brain, racing to the end like a bullet train.” Musically, the song has a languid, introspective feel, featuring just his strummed acoustic guitar, backed by a lovely organ synth.
Similar to the opening track “Starting Again”, Oblivion closes with a simple but stunning atmospheric instrumental composition “Phases“. Consisting of a delicate piano movement accompanied by airy synths, the track nicely brings this outstanding album full circle. Trainor’s a talented, earnest and thoughtful guy, and I’m happy he resurrected Western Jaguar and gifted us with these deeply moving songs. It’s a triumphant return, and I hope we’ll continue to hear more from him in the future.
Friday, May 26th was one of the biggest days for new music releases I can remember, at least in terms of artists and bands I follow, and from what I could tell, at least nine of them released new singles. Because I like all these artists and their songs and want to show them support, I’ve decided to feature them all in a Fresh New Tracks post. To make it easier on me, as well as not overload my readers with too many songs all at once, I’ve broken them into two separate posts. I published the first one two days ago, and this is the second, which includes a collaboration betweeen Scottish synthpop artist Jigsaw Sequence and British electro-pop artist Machina X, American singer-songwriter Johnny Ritchie, American Baroque pop duo Novus Cantus, Australian soul-funk-pop-rock band Thunder Fox, and Canadian alt-rock band Western Jaguar. I’ve previously featured all these acts on my blog, with the exception of Jigsaw Sequence. And true to my blog’s name, each of these five songs couldn’t be more different from one another.
Jigsaw Sequence + Machina X – “Late to the Party”
Jigsaw Sequence is the music project of Scottish synthpop artist Richard Tracey, and Machina X (aka Annie James) is an electro-pop artist based in Yorkshire, England. The two talented individuals have been making music both as solo artists and in collaborations with others, and recently teamed up to write and record a great new synthpop dance single “Late to the Party.” The song and collaboration marks a resurgence for Annie, after she experienced a bit of a slump, as she recently acknowledged on Twitter: “In the last 6 months I’ve thought a lot about closing the door on making music because it feels so much harder than it did. Thank you Jigsaw Sequence for believing there was more inside, and collaborating with me.”
In contrast to the exuberant, pulsating dance beat and luxurious retro 80s synth grooves, the lyrics are rather bittersweet, speaking of living in denial about a relationship that’s breaking apart, hoping things will turn around. Machina X’s lilting vocals are wonderful and heartfelt as she sings “Behind a mask where no-one sees. Hiding for the sake of sanity, ‘cos hearts like mine bruise easily when they’re washed up on the shore.Late to the party. Always early to leave. Scared by the truth, but always wanting to believe.”
Johnny Ritchie – “Chirp”
Johnny Ritchie is an engaging, intelligent and wildly imaginative young singer-songwriter and multi-instrumentalist who I’ve previously featured three times on this blog. Originally from Indiana, Johnny’s now living in Spokane, Washington. With a lifelong love for music, he began learning to play piano and drums as a child, then went on to study Contemporary, Urban, and Popular Music at Columbia College Chicago, and in 2020 earned a B.A. degree in Music at Western Michigan University. He now has his own business teaching others to play piano, keyboards and drums, as well as giving lessons in music theory, songwriting and improvisation. He also writes and records music in which he fuses alternative and experimental rock with neo-psychedelia and contemporary jazz to create incredibly fascinating and sophisticated soundscapes.
Ever-creative and continually willing to push musical boundaries, every new release of his sounds totally original and distinctive. His latest single “Chirp” is an unusual instrumental piece that couldn’t be any more different from his previous alternative psychedelic hip-hop single “Elite Deviance”. Already his fourth single of 2023, with another one on the way in a couple weeks, “Chirp” is the first that Johnny’s both recorded and produced entirely by himself. Featuring a relaxing synth groove, accompanied by deep bass and punctuated by a sharp percussive beat and beguiling piano trills, the song also features delicate bird chirps throughout that lend a charming atmospheric air to the proceedings. Johnny never fails to dazzle my senses with each release, and I cannot wait to hear what new experimental sounds he comes up with next!
Novus Cantus – “Caterpillar”
Novus Cantus is an innovative music act comprised of brothers Alexander (vocals and guitar) and Christian Herasimtschuk (drums and percussion). Based in the Hudson River Valley roughly halfway between Albany and New York City, the duo draw from a broad and eclectic mix of influences ranging from traditional ethnic music like flamenco and Hungarian folk, to classical Medieval, Renaissance and Baroque, to alternative rock, in the creation of their uniquely enchanting and exotic sound. They’ve been performing and recording together since 2010, and have released a fair amount of music. I’ve written about them four times over the past five years, most recently when I reviewed their hauntingly beautiful Civil War-themed song “Georgia”.
Now they’re back with “Caterpillar“, a bewitching song originally written for a children’s concert last year that the brothers decided was too good to not release as a single. The lyrics tell the story of a humble-looking caterpillar who starts out crawling upon the ground and feeding on plants (“and I walked in the cool of the night“), then climbs into the trees to become a chrysalis (“and I slept in the cool of the night“), finally emerging as a beautiful butterfly (“and I flew in the cool of the night“). The most striking aspect of the song for me are the beautiful sounds from a Wot, a Thai pan flute played by Christian. I love how his fluttering notes evoke the sounds of a butterfly’s wings unfolding for the first time. Of course, Alex’s lovely acoustic guitar and warm, emotive vocals, accompanied by Christian’s percussive beats, are really wonderful too.
Thunder Fox – “Feels Like Forever”
Mere words cannot express how much I adore Australian band Thunder Fox. The Sydney-based five-piece is one of the most creative, wickedly funny and insanely talented – not to mention sexiest – acts I’ve ever encountered, and have gushed about them and their music numerous times on this blog over the past four years. Now comprised of the charismatic and silky-voiced Sam Dawes (Lead Vocals/Guitar), Travers Keirle (Sax/Vocals/Rhymes), Jesse Tachibana (Trumpet/Vocals/Synths), Max Vallentine (Drums), and Casey Allan (Bass), they skillfully blend generous helpings of funk, soul, blues rock, hip hop, jazz and pop into their delectable music stew. And while their often bawdy lyrics and playful antics would seem to indicate a juvenile zaniness, their music has a stylish and jazzy sophistication, thanks to their great songwriting and musicianship, including having both a saxophone and trumpet player in their lineup.
They’ve released an impressive amount of music since 2015, including three terrific albums – Mother Machine in 2016, Love at First Sniff in 2019, and Sanctuary in 2021 – the most recent two of which I’ve reviewed. One of the singles from Sanctuary, “Head in the Clouds” reached #4 on my Weekly Top 30, and ranks #47 on my 100 Best Songs of 2022 list. On their new single “Feels Like Forever“, Thunder Fox channels Prince, Morris Day & the Time and James Brown to create a rousing slab of old-school soulful funk. I love the song’s stomping groove, courtesy of Casey’s deliciously funky bass and Max’s spirited drumbeats, and fortified with Sam’s gnarly riffs, Travers’ hot and jazzy sax notes, and Jesse’s bold trumpet blasts. It’s one of the most exuberant songs they’ve released in a long while, and I love it!
Western Jaguar – “Better Daze”
Hailing from the picturesque Fraser River Valley of British Columbia, east of Vancouver, alt-rock act Western Jaguar was born in 2012 when singer-songwriter and multi-instrumentalist Jeffrey Trainor turned to music to get him out of a low point in his life. With the help of an evolving lineup of musicians, Western Jaguar released three stellar EPs and several singles between 2013 and 2019, including their beautiful song “Disappear”, which went to #1 on my Weekly Top 30 in 2019. When the pandemic hit in early 2020, bringing things to a halt for just about every musician and band, the social isolation gave Jeffrey time to reflect on how unhappy he’d become as a musician. He’d become fixated on, in his own words, “likes, a following, positive feedback…and became hyper focused on making music other people liked.” By the end of 2020, he decided he didn’t want to make music anymore, essentially walking away from Western Jaguar, which he conveniently blamed on the pandemic.
Thankfully, after a long break he came to realize that, just like in 2012, music could once again lift him out of his slump. He decided to resurrect Western Jaguar as essentially a solo act, and beginning last November, went to work writing and recording songs in his home studio for what would become his new album Oblivion, scheduled for release on July 7th. For the recording of the album, Jeffrey sang vocals and played most instruments, though his former Western Jaguar bandmates Davis MacKenzie Zand played bass and AJ Buckley played electric guitar and drums, and sang backing vocals on two tracks, and KC Roces played electric guitar on a third track.
The first single from the album is “Better Daze“, a poignant song about going through hard times after a tragedy and trying to get back to better days. Musically, the song has an upbeat dream pop feel, with a breezy melody, beautiful chiming guitars and snappy drums. Jeffrey’s clear, pleasing vocals have a hint of sadness as he sings the lyrics about a woman named Suzie, whose fiance Harold died suddenly after a fall in the shower just before they were due to be married. Suzie falls into a deep depression, and with the best of intentions, her father insists she take medication to help improve her mood. Unfortunately, the drugs only make her feel worse: “Suzie’s felt worse since the medicine. Her lungs are burning and she can’t breath in. Her father insists on the vice, it’s the only way for a normal life. But a normal life was lost last June when Harold fell in the bathroom. She hasn’t taken them for 6 weeks. If only it was that easy. Her father asks if she’s feeling well. She gives him a smile though she feels like hell. She wants him to think that she’s okay, even though she’s thinking of better daze.”
It’s a wonderful, albeit melancholy song, and it’s great to have Western Jaguar back. I’m looking forward to hearing the rest of the songs on Oblivion.
2019 was another great year for music, with so much of it being released that even the most avid music junkie couldn’t possibly keep up with it all. With all the digital music applications and software available today, as well as music platforms like Soundcloud, Reverbnation and Bandcamp, it’s easier than ever for aspiring artists to create music from their bedroom and get it out there for public consumption, and I’ve written about quite a few of them. In fact, this year a third of the songs on my Top 100 list are by indie or unsigned artists.
As a music blogger, I’m exposed to a tremendous amount of music. I receive 5-10 submissions a day from artists, PR reps and labels wanting me to review their music, so I listen to A LOT of it in the course of a year. Nevertheless, I realize I’ve heard only a fraction of all the singles and albums released in 2019. Consequently, my list includes only songs I know, and I’m certain there are some great ones that should be on this list, except that I’ve never heard them! That said, there were so many outstanding songs in 2019, and it frustrates me to have to cull them down to only 100, omitting scores of tracks I really like. And a song ranked at #40 isn’t necessarily better than one at #60.
Music tastes are very subjective, so it’s guaranteed that not a single person reading this will agree with my song choices or their rankings. My list contains my favorite songs of the year, not necessarily songs that were ‘popular’ or influential. I’m now late middle-aged, so my song picks are going to reflect that, though I do still have my guilty pleasures. But you won’t find the tiresome “Old Town Road” by Lil Nas X and Billy Ray Cyrus (which was the longest-running #1 song ever on the Billboard Hot 100 chart, and the #1 song of 2019) on this list.
Many bloggers and critics list songs in the year they were released, while Billboard and other charts generally place them in the year they were ‘hits,’ which is what I prefer. Most of the songs on this list were released in 2019, however, a number of them were released in 2018. Because there are always a few songs that overlap from one year to the next, I include those songs on lists for both years if they spent enough time on the charts in each year. The songs in this Top 100 that also appeared on my Top 100 Songs of 2018 are indicated with an *. I’ve created a Spotify playlist for this list, which is included at the end of the post. Hopefully you’ll find some of your own personal favorites on this list. Let me know what songs were your favorites of 2019.
1. I SEE YOU – MISSIO
It’s not often that I love an entire album at first listen, but that was exactly the case with The Darker the Weather // The Better the Man by Austin, Texas-based duo MISSIO. (Read my review here). Comprised of singer-songwriter/producer Matthew Brue and songwriter/producer and instrumentalist David Butler, MISSIO’s unique, eclectic sound is a glorious mashup of alternative electronic rock, hip hop and dream pop. In 2017, they released their outstanding debut album Loner, which generated several singles, two of which – “Middle Fingers” and the mesmerizing “Bottom of the Deep Blue Sea” – ended up on my Top 100 Songs of 2017 list. Their follow-up album The Darker the Weather // The Better the Man is equally superb; three of its songs are included among my Top 100 Songs of 2019. “I See You” was the third single from the album, and it’s my favorite song of the year. This was confirmed by my Spotify Wrapped report, which identified it as my most-streamed song of 2019.
And what a gorgeous song it is, at once sad yet hopeful, and brimming with emotional intensity and sweeping instrumentals. Brue’s beautiful, stirring vocals bring chills as he sings the poignant lyrics that can be interpreted as being directed either to a loved one or to oneself, reassuring the intended that they are understood, supported and loved despite their shortcomings. “I’m alone with you, you’re alone with me. What a mess you’ve made of everything. I’m alone with you, you’re alone with me. And I’m hoping that you will see yourself like I see you.”
2. DOIN’ TIME – Lana Del Rey
One of the most delectable songs of 2019 is “Doin’ Time” by Lana Del Rey, from her stunning and critically-acclaimed album Norman Fucking Rockwell, which she co-produced with Jack Antonoff. It’s a cover of the song originally recorded by the ska punk band Sublime, which itself samples the great classic “Summertime” from the musical Porgy and Bess, written in 1934 by George and Ira Gerwshin, with lyrics by DuBose Heyward. Del Rey’s version is faithful to Sublime’s ska vibe, but her beautiful, seductive vocals and dreamy instrumentals take the song to a whole new level, as well as capturing the languid, sultry feel of the original “Summertime”. I love that she kept the lyrics and pronouns exactly as written by Sublime, which describe a cheating girlfriend whose infidelities and poor treatment of her lover makes him feel like he’s in prison. “Me and my girl, we got this relationship. I love her so bad, but she treats me like shit. On lockdown, like a penitentiary. She spreads her lovin’ all over, and when she gets home, there’s none left for me.”
3. SOCIAL CUES – Cage the Elephant
Cage the Elephant are one of my favorite bands of the past decade, with a long string of consistently great singles. The title track from their fifth studio album Social Cues, this song now ranks among my top favorites of their many songs. The bouncy tempo is incredibly catchy, and those chirpy synths are irresistible, but what I love most of all are Matt Shultz’s wonderful vocals that always sound so genuine. The rather poignant lyrics speak to the anxieties and insecurities of being a rock star: “Hide me in the back room, tell me when it’s over. Don’t know if I can play this part much longer. I don’t know if it is right to live this way, yeah. I’ll be in the back room, tell me when it’s over. People always say, ‘Man, at least you’re on the radio’.” The song’s production and arrangement are flawless.
4. BAD GUY – Billie Eilish
2019 was a huge year for the insanely talented young Los Angeles-based singer-songwriter Billie Eilish (her full birth name is Billie Eilish Pirate Baird O’Connell). With the meteoric success of her ground-breaking debut album When We All Fall Asleep, Where Do We Go?, one of the biggest-selling albums of 2019, she became a superstar. I was blown away by her riveting performance at this year’s Coachella Music Festival, when she was only 17 years old. “Bad Guy” reached #1 on numerous music charts in the U.S. (where it thankfully ended the 19-week run at #1 of “Old Town Road”) and around the world, including Australia, Canada, Mexico, Greece, Hungary, Norway and the Czech Republic. Musically, the song has an unusual minimalist bass-driven melody that pulls us headlong into a thumping, ominous soundscape. Eilish’s clipped, breathy vocals have a seductive, almost menacing quality as she sings the provocative lyrics that seem beyond her tender years, yet she makes them believable. “I’m that bad type. Make your mama sad type. Make your girlfriend mad tight. Might seduce your dad type. I’m the bad guy, duh.” It’s brilliant!
5. TRAMPOLINE – SHAED
Indie dream-pop band SHAED is based in Washington, D.C., and consists of lead vocalist Chelsea Lee and multi-instrumentalists and twin brothers Max and Spencer Ernst. After struggling for several years to gain traction in the music business, they struck gold with their haunting breakthrough single “Trampoline”. The song was originally released back in May 2018, but got little airplay until it was featured in an Apple MacBook Air commercial that October, and the song quickly took off. The song debuted on the Billboard Alternative Chart in early December 2018, and as I write this one year later, it’s still in the Top 10! The gorgeous track was named the #1 song of 2019 on the Alternative Chart, and finishes at #5 on my list. SHAED’s inspiration for the song came one night as the trio sat together watching old family videos of Spencer and Max jumping on a trampoline as small children. The song’s meaning has been the subject of debate, ranging from death to suicide to drug addiction, but SHAED simply wanted to write a great song loosely based on the idea of the Stranger Things alternative dimension “Upside Down”.(Genius.com). This is artfully captured in the beautiful and stylish video for the song.
6. CHLORINE – twenty øne piløts
As far as I’m concerned, twenty øne piløts can do no wrong, and are one of my favorite bands of all time. Incorporating too many different genres to mention, and a vast array of instruments and synth sounds, they combine them with intricate, complex melodies, brilliant lyrics and Tyler Joseph’s amazing vocals to create truly unique and spectacular music. “Chlorine” is the third single from their monumental concept album Trench, and their seventh single to reach #1 on my Weekly Top 30. The song was co-written by Joseph and MUTEMATH frontman Paul Meany, who produced Trench, and whose voice we hear in the opening lines. They’ve stated the lyrics address how creativity can cleanse dark impulses, but also cause pain. Like many of the tracks on Trench, the song has a complex melodic structure, and shows a growing maturity in twenty one pilots’ sound and music style. I love the sweeping, spacey synths, Josh Dun’s sharp percussion and Joseph’s haunting layered vocals. The wonderful little twinkling piano riff adds a slightly menacing vibe to the track. It’s a dark and stunning song, and Joseph’s plaintive vocals in the final chorus are exquisite as he laments “I’m so sorry I forgot you. Let me catch you up to speed. I’ve been tested like the ends of a weathered flag that’s by the sea. Can you build my house with pieces? I’m just a chemical.”
7. SUPERPOSITION – Young the Giant
Alt-rock band Young the Giant has an instantly recognizable sound unlike no other, thanks to their brilliant instrumentation and front man Sameer Gadhia’s distinctive vocals. Formed in Orange County, California in late 2009, they just celebrated their 10th anniversary as a band, and I had the pleasure of seeing them in concert this past August. “Superposition” is the second single from their fourth studio album Mirror Master, and one of their most beautiful songs. Starting with a deep bass line and a rhythmic toe-tapping drumbeat, the band layers moody synths, delicate piano keys and an enchanting ukelele riff to create a gorgeous backdrop for Gadhia’s captivating vocals, which are in turn backed by lovely vocal harmonies. The term ‘superposition’ is used in physics to describe how things or items in nature overlap or interact. For the song, Young the Giant uses the term to describe the strong pull or connection we feel to those we love, and how fate and inexplicable events can bring us together, which they artfully express in the lyrics: “Superposition aims with imprecision. But when things can’t be explained – superposition. In any universe you are my dark star. I want you to want me. Why don’t we rely on chemistry? Why don’t we collide the spaces that divide us?”
8. WANDER – Vox Eagle*
Vox Eagle is the music project of Australian-born and now Colorado-based singer-songwriter, producer and multi-instrumentalist Andy Crosby, an indie artist I’ve featured numerous times on this blog over the past three years. One of the tracks from his outstanding 2018 album TriumAvium, “Wander” is the highest ranking song from an indie artist on this year’s list. It’s an enchanting mashup of melodic dream rock and hip hop, and when those magical keyboard and string synths wash over us like a shower of tiny diamonds, I’m covered with goosebumps. Eventually, a trip hop beat ensues as Andy freestyles about how communication has broken down in his relationship, his vocals going from sultry to falsetto as he sings: “We don’t talk no more, baby girl, we just wander.” Guest vocalist Pierre Fontaine’s smooth rap vocals take over for the last third of the track, adding another element of texture as he freestyles “We don’t try hard no more. / Where we all gon’ go, where we all gon’ go? We just wander, we just wander.” I love this spectacular song so much I’ve probably listened to it five hundred times.
9. THE HYPE – twenty øne piløts
I love every song by twenty øne piløts, and “The Hype” is no exception. The fourth consecutive single from Trench to reach #1 on both my and the Billboard Alternative charts, it topped the charts more than a year after “Jumpsuit”, a testament to the album’s high quality and staying power. “The Hype” is a beautiful and compelling song about remaining hopeful through difficult times, both mentally and physically. Tyler Joseph told Coup de Main magazine that the lyrics are told from the point of view of a younger version of himself. “Nice to know my kind will be on my side. I don’t believe the hype. And you know you’re a terrible sight, but you’ll be just fine. Just don’t believe the hype.”
10. UNDER THE COLD LIGHT OF THE MOON – Crystal Cities
Australian dream rock band Crystal Cities have come a long way over the past three years, from a garage in Sydney to Abbey Road Studios in London, where they recorded their extraordinary debut album Under the Cold Light of the Moon. The gorgeous, similarly titled lead single is my #10 song of 2019. Crystal Cities consists of Geoff Rana (Vocals, Guitars), Jared King (JK) (Bass, Backing Vocals) and Daniel Conte (Drums). The song was inspired by the courageous North Korean girl Yeonmi Park, who bravely escaped North Korea in search of freedom. After seeing her moving speech at the One Young World Summit 2014 in Dublin, Ireland, where she told the audience “When I was crossing the Gobi desert, scared of dying, I thought nobody in this world cared. It seemed that only the stars were with me. But you have listened to my story. You have cared. Thank you very much”, Rana felt compelled to interpret her story through a song. The uplifting track features vibrant, layered guitars, driving bass and galloping percussion that conjure up dramatic images of Park escaping on horseback. The addition of lush orchestral strings create a stirring, cinematic wall of sound that does justice to Park’s epic tale of survival. The beautiful animated video tells the adventure of her harrowing nighttime escape.
11. READY TO LET GO – Cage the Elephant
Cage the Elephant are back with their second song on this year’s list, “Ready to Let Go”. The track was the first single from Social Cues, and reached #1 on both the Billboard Alternative and Adult Alternative charts, as well as my Weekly Top 30. The song has a slower, bluesy melody, with a strong thumping drumbeat, deep bass groove and terrific guitar work. The lyrics speak to the realization that their relationship is broken beyond repair and the time has come to end it: “Don’t you worry, baby, no sense trying to change it. I’ma strike these matches, never had control. I’m ready to let go, no, was I fooling myself? I’ma spread these ashes, never had control. I’m ready, I’m ready, I’m ready to let go.”
12. CIRCLES – Post Malone
Post Malone (born Austin Richard Post) is one of the biggest music artists today, churning out hit after hit since exploding onto the music scene five years ago with “White Iverson”. His wonderfully eclectic sound draws from hip hop, rap, R&B, rock, pop, grunge and country, and Malone himself has referred to his music as “genre-less.” “Circles” is the fourth single from his phenomenal, critically-acclaimed third album Hollywood Bleeding. The song reached #1 on the Billboard Hot 100, and was a huge hit worldwide, reaching #1 in Iceland, Malaysia and New Zealand. I’ve seen a few complaints that it’s too ‘pop’, but I love it, and it’s my favorite of his many songs. The sweetly strummed guitars, deep bass, keyboards and thumping drums are all exquisite, and set to an infectious, hauntingly beautiful melody. Malone’s impassioned vocals lament of a relationship in which the flame has gone out: “Seasons change and our love went cold. Feed the flame ’cause we can’t let go. Run away, but we’re running in circles. Run away, run away.” It’s perfection from start to finish.
13. FEAR THE FUTURE – IAMWARFACE
British electro-rock band IAMWARFACE are one of the best indie bands in the UK right now. Based in Brighton and London, their aggressive name is a fitting metaphor for their bombastic groove-based sound, and I’ve been thrilled to feature them on this blog many times. From the moment I first heard their debut single “Say My Name” in 2016 – which I likened to being hit by an atomic blast – I’ve been a devoted fan. Since their debut, they’ve continued to deliver one incredible song after another; three of their singles – “Say My Name”, “Closer” and “Fear the Future” – have reached #1 on my Weekly Top 30 chart. “Fear the Future” is a scathing attack on all the banal music and entertainment, bullshit and fear-mongering being fed to the masses in a pernicious attempt to dumb-down and divide us, making us more willing to be controlled. Musically, the song features the band’s signature explosive instrumentation and massive, driving rhythms, making for a incredibly exhilarating song that slams us against the wall. Front man Matt Warneford has a commanding powerhouse singing voice, and raises our adrenaline with his dramatic impassioned vocals. The disturbing video brilliantly brings the dark lyrics to life.
14. GO – The Black Keys
What can I say about The Black Keys other than that they’re fucking awesome! Friends since childhood, Dan Auerbach and Patrick Carney have been putting out fantastic blues/garage rock for almost 20 years. “Go” is from their ninth album “Let’s Rock”, and saw The Black Keys return to their roots after a three year long hiatus that had some speculating they had, or were considering, splitting up. It was their first release since their previous album Turn Blue in 2014, marking the longest gap between studio albums in their career. The two were simply burned out from touring, and Carney had also seriously injured his shoulder in a swimming accident, which took longer to recover than anticipated. During their hiatus, they were involved in numerous projects of their own or with other artists, including Auerbach’s band The Arcs, with whom he released an album in 2015.
After collaborating with producer Danger Mouse for their previous four albums, the duo decided to self-produce “Let’s Rock”, scrapping the keyboards in favor of just guitar, drums, and vocals. The guys got together at a recording studio in September 2018 to begin working on “Let’s Rock”, and within a few minutes, they were playing together as if no time had passed. “Go” is a short song, running only two and a half minutes, and features fairly sparse lyrics about getting out of one’s rut and hitting the open road. But man, Auerbach’s blazing riffs in the bridge are positively spine-tingling! The hilarious video pokes fun at the rumor they hated each other.
15. DARK PLACES – The Frontier
I realize I’m sounding like a broken record as I keep describing so many of the songs on this list as “gorgeous”, but dammit, the term applies to “Dark Places” by Virginia indie pop/rock band The Frontier in spades. I’ve followed The Frontier for several years, and am immensely proud of them for producing such a wonderful track as this. As the title implies, the song is dark, but also quite stunning, with a captivating sensual melody and shimmery synths, accompanied by subtle guitars, thumping bass and crisp percussion. Front man Jake Mimikos’ smooth, ardent vocals are enthralling as he sings of the internal struggles many of us experience with our darker side, and the attendant fears, anxieties, anger and even bad thoughts we must grapple with: “I’ve been to dark places in my mind. Seeing shadows in the night. It gets a little lonely when I’m in dark places in my mind, falling further from the light.” Jake stated that he was inspired to write the song by a show he watched on Netflix about serial killers.
16. COMING UP FOR AIR – Mars Motel
Mars Motel is an immensely talented alternative dream rock band hailing from Brooklyn, New York, and they make some of the most captivating music of any band I’ve heard. Their single “Coming Up for Air” is a real stunner of a tune, with swirling riffs of chiming guitars backed by shimmery synths and a pleasing rhythm section of gentle bass and thumping drumbeats. They all meld into a lush, sweeping backdrop for lead singer Sarik Kumar’s beautiful soaring vocals. He explained “This song is about an android-like being longing to be human and attempting an alteration. It captures the universal need for connection and the loneliness one can feel in being viewed as an outsider.”
17. UNDERGROUND – MISSIO
I’ve already gushed about how much I love MISSIO and their album The Darker the Weather // The Better the Man, and another of my favorite tracks from that album is “Underground“. The song instantly hooked me with its irresistible hip hop beat, trippy vibes and deliriously catchy melody. MISSIO combines an array of synthesizers, instruments and textures to create a dense, almost psychedelic sound, and I love Matthew Brue’s distinctive vocal style that registers in the higher range, just below a falsetto. He fervently croons of his frustration that success and money haven’t brought the happiness and peace of mind he expected: “I’m down. I should be on top, but I’m always underground. Things are lookin’ up, but I’m making myself drown. High anxiety that money just compounds. I’ll be right here, just waiting underground.”
18. YOU? – Two Feet
Ever since first hearing his dark and sultry “I Feel Like I’m Drowning” early in 2018, I’ve had a huge man crush on Two Feet. Based in New York City and born Zachary William “Bill” Dess, Two Feet is a soulful singer-songwriter who’s become one of the finest blues guitarists today. His songs are slow burns, characterized by scorching bluesy riffs and intense, booming basslines that cut straight to the core. I had the pleasure of seeing him live in Los Angeles in November 2018 (you can read my review here), and he spent the first few months of 2019 touring with Panic! At the Disco, which exposed him to a whole new audience who hadn’t heard of him previously. I relished all the tweets from fans who’d gone to see PATD, and came away excited new fans of Two Feet. In the fall of 2019, he began releasing new singles in advance of his forthcoming album Pink. One of those singles is “You?”, which is fucking incredible, and his guitar work and vocals sound better than ever. He had an official video made for the song, but I like this live performance better, as it features a killer extended guitar solo that really showcases his guitar skills. You can hear the original version on the Spotify playlist at the end of this post.
19. ESCAPE – Ships Have Sailed
Los Angeles-based duo Ships Have Sailed have built a huge following over the past several years with their pleasing style of alternative pop-rock, characterized by infectious melodies, uplifting lyrics, and sublime instrumentation. This past February, they released their deeply moving anthem “Escape”, which I loved so much it spent five months on my Weekly Top 30, going all the way to #1. Vocalist Will Carpenter has a beautiful voice with an impressive range. As the music intensifies in the third verse, with drummer Art Andranikyan’s crashing cymbals and assertive drumbeats adding drama to the track, Will’s vocals rise to the occasion, becoming raw and impassioned, and raising goosebumps on the back of my neck. “Escape” is about a person struggling with personal demons and addiction. About the song, Will explained “Born as the stark expression of an especially trying year, ‘Escape’ represents a shift from what we’ve become best known for, exposing a more vulnerable angle. It represents musical honesty in its most raw form, and we truly hope it makes you feel something.” It certainly resonated with me.
20. FALLING WITH STYLE – Heist At Five
Heist At Five is a wickedly talented and undeniably charismatic electro-rock band based in London, but with an international pedigree. Band front man and lead vocalist Oskar Abrahamsson is from Sweden, bassist Marco “Fuzz” Paone is from Italy, guitarist Jozef Veselsky is from Slovakia, and drummer Josh Needham is from England. Together, they play an aggressive, innovative style of alternative rock that borders on experimental, with complex melodies, intricate chord progressions and spine-tingling electronic and guitar-heavy instrumentation. I’ve featured them a number of times on this blog, most recently when I reviewed their magnificent single “Falling With Style”. The band states that the song “is about fully embracing the idea of failure and finding comfort in it.” The imaginative and surreal video tells the story of a young woman who sees moments of her life in flashbacks, which ends up changing her perspective about life, and in the process breaks her old pattern of decision making.
21. GUIDING LIGHT – Mumford & Sons*
22. SIGUE CON EL AMOR – John Defeo
23. DISAPPEAR – Western Jaguar
24. POWER OVER ME – Dermot Kennedy
25. LONGSHOT – Catfish and the Bottlemen
26. BURY A FRIEND – Billie Eilish
27. SOMEONE YOU LOVED – Lewis Capaldi
28. GOOD THINGS FALL APART – ILLENIUM with Jon Bellion
29. SUNFLOWER – Post Malone, Swae Lee
30. RUBBING SHOULDERS WITH THE DEVIL – Revolvers
31. DELTA BLUES – Jetstream
32. HIGH HOPES – Panic! At the Disco
33. MISSED CONNECTION – The Head and the Heart
34. ALLIGATOR – Of Monsters and Men
35. 3 NIGHTS – Dominic Fike
36. DISSOLVE – Absofacto
37. WHEN AM I GONNA LOSE YOU – Local Natives
38. IN THE WATER – The Underground Vault
39. HURT – Oliver Tree
40. CRINGE – Matt Maeson
41. ROOM TO BREATHE – Made of Eyes
42. LOVE IT IF WE MADE IT – The 1975
43. VOLCANO – Feather Weight
44. STILL FEEL. – half-alive
45. CHANGE – The Revivalists
46. ASSUME FORM – James Blake
47. YOU’RE SOMEBODY ELSE – flora cash*
48. BACK DOWN – Bob Moses
49. FIGHTER – Joseph
50. UNDER THESE SCARS – Falling Into Red featuring Dev
51. OLD MAN’S WAR – Roadkeeper
52. STAY HIGH – Brittany Howard
53. RAGGED TOWN – Second Player Score
54. SEVENTEEN – Sharon Van Etten
55. MIGHT BE RIGHT – White Reaper
56. THE MIDDLE – Agency Panic
57. S.O.S. (Sawed Off Shotgun) – The Glorious Sons
58. HARMONY HALL – Vampire Weekend
59. RAD DRUGZ – MISSIO
60. HOME – morgxn featuring WALK THE MOON
61. PATIENCE – Tame Impala
62. TWILIGHT – Anderson .Paak
63. APOCALIPSTICK – Lazy Queen
64. THESE ARE MY FRIENDS – lovelytheband
65. TIME – Morosity
66. DRIFTING AWAY – Stereohaze
67. WHITE LIES & PALM TREES – The Lovepools
68. HEAT OF THE SUMMER – Young the Giant
69. FAST TALK – Houses
70. BELOVED – Mumford & Sons
71. I’LL BE AROUND – Morning Fuzz
72. PRESSURE – Muse
73. NORTHERN LIGHTS – Death Cab for Cutie
74. LOVE CRAZY – Karolina Rose
75. “99” – Barns Courtney
76. FOUR WINDS – Unquiet Nights
77. GOODBYES – Post Malone featuring Young Thug
78. OBSESSION – Joywave
79. LONELY – Secret American
80. CALM DOWN – Pete Yorn
81. SECRETS – The Million Reasons
82. EXITS – Foals
83. SAW LIGHTNING – Beck
84. WANNACRY – Darksoft
85. MOVEMENT – Hozier
86. NOVOCAINE – The Unlikely Candidates
87. REWARD – Paul Iwan
88. LIGHT ON – Maggie Rogers
89. HERE WE GO – Ben Priory & Charlie Pereira
90. THIS LIFE – Vampire Weekend
91. THANK U, NEXT – Ariana Grande
92. GENERATION Y – Guide Dog
93. CELLOPHANE – FKA Twigs
94. 16 – Highly Suspect
95. SECRET THAT LIES BEHIND – The Gear
96. STORM WILL COME – Morgendust
97. LO/HI – The Black Keys
98. DESERVING OF LOVE – Lyia Meta
99. BROTHERS – Harroland
100. SPAZTIC ROBOT – Spaztic Robot
1. ESCAPE – Ships Have Sailed (3)
2. DARK PLACES – The Frontier (1)
3. I SEE YOU – MISSIO (7)
4. BAD GUY – Billie Eilish (5)
5. MISSED CONNECTION – The Head and the Heart (6)
6. FEAR THE FUTURE – IAMWARFACE (2)
7. HURT – Oliver Tree (4)
8. ALLIGATOR – Of Monsters and Men (12)
9. STILL FEEL. – half alive (8)
10. I’LL BE AROUND – Morning Fuzz (13)
11. OLD MAN’S WAR – Roadkeeper (14)
12. SAW LIGHTNING – Beck (15)
13. BURY A FRIEND – Billie Eilish (9)
14. BELOVED – Mumford & Sons (10)
15. PATIENCE – Tame Impala (11)
16. ROOM TO BREATHE – Made of Eyes (20)
17. MAYBE, I’M AFRAID – lovelytheband (19)
18. FALLING WITH STYLE – Heist at Five (23)
19. COMING UP FOR AIR – Mars Motel (24)
20. ECHOES – Ignite the Fire (25)
21. RUBBING SHOULDERS WITH THE DEVIL – Revolvers (26)
22. DISAPPEAR – Western Jaguar (16) 22nd week on chart
23. CHLORINE – twenty one pilots (17)
24. LONGSHOT – Catfish and the Bottlemen (18) 22nd week on chart
25. STRANGE KIND – Blair Dollery (28)
26. UNDER THE COLD LIGHT OF THE MOON – Crystal Cities (29)
27. HERE WE GO – Ben Priory and Charlie Pereira (30)
28. WHEN AM I GONNA LOSE YOU – Local Natives (N)
29. LOVE CRAZY – Karolina Rose (21)
30. DOIN’ TIME – Lana Del Rey (N)
1. DARK PLACES – The Frontier (2)
2. FEAR THE FUTURE – IAMWARFACE (1)
3. ESCAPE – Ships Have Sailed (3)
4. HURT – Oliver Tree (5)
5. BAD GUY – Billie Eilish (6)
6. MISSED CONNECTION – The Head and the Heart (7)
7. I SEE YOU – MISSIO (14)
8. STILL FEEL. – half alive (8)
9. BURY A FRIEND – Billie Eilish (4)
10. BELOVED – Mumford & Sons (11)
11. PATIENCE – Tame Impala (12)
12. ALLIGATOR – Of Monsters and Men (20)
13. I’LL BE AROUND – Morning Fuzz (15)
14. OLD MAN’S WAR – Roadkeeper (16)
15. SAW LIGHTNING – Beck (19)
16. DISAPPEAR – Western Jaguar (9) 21st week on chart
17. CHLORINE – twenty one pilots (10)
18. LONGSHOT – Catfish and the Bottlemen (13) 21st week on chart
19. MAYBE, I’M AFRAID – lovelytheband (22)
20. ROOM TO BREATHE – Made of Eyes (23)
21. LOVE CRAZY – Karolina Rose (17)
22. TIME – Morosity (18)
23. FALLING WITH STYLE – Heist At Five (27)
24. COMING UP FOR AIR – Mars Motel (28)
25. ECHOES – Ignite the Fire (29)
26. RUBBING SHOULDERS WITH THE DEVIL – Revolvers (30)
27. NOT WORTH IT – The Only Route (21)
28. STRANGE KIND – Blair Dollery (N)
29. UNDER THE COLD LIGHT OF THE MOON – Crystal Cities (N)
30. HERE WE GO – Ben Priory & Charlie Pereira (N)
ECLECTIC MUSIC LOVER 