100 Best Indie Songs of 2024

Photo courtesy of FREEP!K

At the end of each year, I publish a list of my Top 100 Songs, representing my picks for what I think are the best songs – my favorites actually – for the entire year. This year, at the suggestion of John Gilbert, guitarist and lead vocalist of Missouri folk rock band Voodoo Planet, I’ve also compiled a list of my 100 favorite indie songs of 2024 (their song “Adrift” is included in this list). Because I follow, and am followed by, many indie musicians and bands on the various social media platforms, I want to highlight some of the really outstanding music being made by them that’s every bit as good as that from mainstream acts.

These are not “indie” songs in terms of genre (though there are many that fall into that overall category), but songs by independent or unsigned music acts. Some are in fact signed to music labels, but they’re usually small, independently owned labels. There are 89 acts represented in this list, the majority of which are from the U.S., Canada and the U.K., but also from Australia, Malaysia, Norway, Spain, Germany and Ukraine. Of course, I must make note of the fact that this list contains only songs I’m aware of, and that there are likely hundreds or even thousands of other songs that deserve to be here, except that I’ve never heard them.

Though they’re ranked from #1 to 100, it doesn’t mean that a song at #30 is better than one at #70. That said, the ones closer to the top are my very favorites. And though I’d love to write a narrative about each song and artist, given my limited time and energy, not to mention people’s short attention spans, I’ve decided against that. I’ve created playlists on both Spotify and YouTube, which are included after the list itself. Enjoy!

  1. LIKE YOU DO – Talk in Waves
  2. ALL I DIE FOR – SWiiMS
  3. THE FAITHFUL HEART – Wons Phreely + The Horses
  4. WINTER COWBOY – Frank Joshua
  5. A FORETOLD ECSTASY – Mayflower Madame
  6. ATTRACTION – Wild Horse
  7. I’VE GOT LOVING FOR YOU – Bottlecap Mountain
  8. KOOL AID BLUE – The Sylvia Platters
  9. WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH
  10. FOR US ALL – Asgard Raven
  11. DIAMOND AND THE MISSING SON – Unquiet Nights
  12. YOU JUST PLAYED MY MIND – Oli Barton
  13. BLUSH – Vazum
  14. TAKE IT OR LEAVE IT – Dead Slow Hoot
  15. FIND MY WAY – Ships Have Sailed
  16. WAR – HEALER
  17. GOLD – Caitlin Lavagna
  18. HONEY – Mr Bewlay
  19. MIND GAME (3:33) – Collette McLafferty & John Serrano
  20. TOO MUCH OR NOT ENOUGH? – Candid
  21. YOUR WORLD NOW – Marc Schuster
  22. WAKING LIFE – Nicholas a. Milillo, Dee Wolf, Bobby Jasso & Gabrielle Marella & the voice of Tony Milillo
  23. VICES – 5ilas & Shimmer Johnson
  24. ADRIFT – Voodoo Planet & Mikey J
  25. BICYCLE AWAY – Sam Rappaport
  26. PERMANENT RECORD – GG Fearn
  27. AUTUMN LEAVES – Secret Postal Society
  28. HOLOGRAM – Raker
  29. GOOD TIMES GO – The Kid and I
  30. JUST WANNA SLEEP – Halfloves
  31. IT’S OVER NOW – Oli Barton
  32. DYING TO MEET YOU – Gooseberry
  33. OH, WELL – John Serrano
  34. SUBMARINE – Homeless Radio
  35. BRAND NEW DAY – Ben Gorb
  36. DOWNING STREET – Brain Ape
  37. LOOSIE LUNA – Coppa Londra
  38. TEMPTATION – Pylon Poets
  39. WHY DO YOU CARE – The Muldoons
  40. I AM AM I? – NAVE
  41. THIS ALL ENDS HERE – Minus Cube & Natalie Lucie
  42. NEW PONY – The Nanners
  43. KEEPING SCORE – Snap Infraction
  44. WAKE ME UP – HEALER
  45. ODYSSEY – Josephine Pascoe
  46. LIKE THE SUN – A.Wake
  47. SMALL MERCIES – Brian Lambert & Marc Schuster
  48. EASIER AND EASIER – Lyia Meta
  49. VICTIM – Frank Joshua
  50. SMUDGE – Mock Deer
  51. THE LOST – The Ocean Beneath
  52. INVISIBLE INK – Ships Have Sailed
  53. BY DESIGN – Amongst Liars & Felin
  54. LITTLE SELF-INDULGENT – Western Jaguar
  55. PIECE OF CAKE – Bottlecap Mountain
  56. COLLISION – The Zangwills
  57. ROADS – HULLAH
  58. GUYS LIKE YOU – Olivia Miceli
  59. YOUTH – The 23’s
  60. STATELINE – Nathan Ball
  61. CHASING YOUR DREAMS – Asgard Raven
  62. ELEVEN – Minus Cube & P’like
  63. DREAM TONIGHT – The Ocean Beneath & Liz Mann
  64. SELF CONTROL – John Laurant, Ron van den Beuken & Shimmer Johnson
  65. THE BEST – Thunder Fox
  66. NEW MOON – Morning Fuzz
  67. REPOSSESS – Western Jaguar
  68. YOU ARE NOT A SLAVE – Amongst Liars
  69. CREATURE FEATURE – dwi
  70. BAD LUCK – The Macrotones
  71. WITCH TRAIN – The Blackburns
  72. NOCTURNALLY YOURS – Scoopski
  73. TANTALUS – John Serrano
  74. REAL COLORS – The Nanners
  75. DO YOU REALLY WANNA KNOW? – Set the Tone
  76. PRETTY ALRIGHT – Caitlin Lavagna
  77. LET’S RUN AWAY – Solar Eyes
  78. ONE ROOM PAST WAITING – Chief Springs
  79. ARE YOU REALLY FREE? – Alba
  80. FIREBIRD – Josephine Pascoe
  81. CHILDHOOD FRIENDS – naive nature
  82. SPACE TRAVEL – Sandrom
  83. MORE – Andrew Neil and Code Purple
  84. SMALL TIME FISH (BIG TIME POND) – Sorry Ghost
  85. THE VOID – Fuzzle
  86. GREEN EYED MONSTER – Olivia Miceli
  87. ALL I WANT – The Heroic Enthusiasts
  88. WHY DON’T YOU LOVE ME – Tom Burton
  89. COCK OF THE FIFTH YEAR – The Empty Page
  90. NOT READY YET – Sean Magwire
  91. GHOST – Grizzly Madams
  92. ALWAYS DO – Melody Zenith
  93. MISSED YOU – Mal Fantome
  94. WOULD YOU WANT IT (IF YOU HAD IT) – The Barons
  95. THE UNBEARABLE WEIGHT OF WHAT IF – Eleanor Collides & Emily Gray
  96. EVERYTHING FITS – Wons Phreely + The Horses
  97. ANYWAY – The Crushing Violets
  98. PUSH IT BACK – Kiffie
  99. ALL THE SAME TO YOU – Quizboy & Marc Schuster
  100. SHADE – Microfilm

Top 30 Songs for July 7-13, 2024

It’s another great week for music, and Glass Animals remain on top for a second week with their beautiful song “Creatures in Heaven”. Beach Weather slide into the second spot with their smoldering summer hit “High In Low Places”, while Pearl Jam‘s “Wreckage” moves up a spot to #3. I really love this song, which has become my favorite Pearl Jam song ever. Hozier‘s “Too Sweet”, which has become the biggest hit of his career, is currently #1 on the Billboard Rock/Alternative Airplay, Alternative Airplay and AAA (Adult Alternative Airplay) charts, having spent nine consecutive weeks and counting on the latter. The song spent two weeks at #1 and four weeks at #2 on my chart, and now sits at #4. “End of Beginning” by Djo enters the top 10, and “The Craving” by twenty one pilots jumps 10 spots to #15, making it the biggest upward mover this week.

Debuting this week are two marvelous songs by artists who make their first appearance on my chart. The first is “Payback” by L.A.-based singer-songwriter and multi-instrumentalist Aaron Frazer. It’s funny, not funny how often we come across artists or bands in passing, but sadly not pay close enough attention at the time for things to fully register. Though he’s been making music for more than a decade, first as a member of contemporary R&B and soul revival group Durand Jones & The Indications, and also more recently as a solo artist, I didn’t become fully cognizant of the immensely talented falsetto-voiced Mr. Frazer until seeing “Payback” moving up the Billboard AAA chart, as well as reading about him in a post by fellow blogger Christian’s Music Musings. In doing a bit of searching about Durand Jones & The Indications, I saw they were the ones who sang the wonderful song “Witchoo”, which reached #22 on the AAA chart in 2021. I’ve always loved male singers with tenor and falsetto voices, so Frazer’s vocal style is right up my alley. “Payback”, from his terrific second album Into The Blue, has an irresistible retro 60s soul vibe that calls to mind some of the great soul acts like Marvin Gaye, the Temptations and The Capitols (who had a hit with “Cool Jerk”), but with a modern edge.

The second debut, entering at #30, is the Latin-tinged “Espresso” by American singer and actress Sabrina Carpenter. After appearing in various TV and films, she gained recognition for her role in the Disney Channel series Girl Meets World that aired from 2014–2017. She’s released five albums since 2014, the last of which, her 2022 release Emails I Can’t Send, was successful, reaching #23 on the Billboard Hot 200 Album chart. “Espresso” was the lead single from her forthcoming sixth album Short n’ Sweet, due for release August 23rd. Her follow up single “Please Please Please” reached #1 on the Hot 100 last week, but I like “Espresso” more.

  1. CREATURES IN HEAVEN – Glass Animals (1)
  2. HIGH IN LOW PLACES – Beach Weather (5)
  3. WRECKAGE – Pearl Jam (4)
  4. TOO SWEET – Hozier (3)
  5. BURIAL GROUND – The Decemberists & James Mercer (2)
  6. PANORAMIC VIEW – AWOLNATION (8)
  7. MURDER ON THE DANCEFLOOR – Royel Otis (6)
  8. FOR US ALL – Asgard Raven (7)
  9. STARBURSTER – Fontaines D.C. (10)
  10. END OF BEGINNING – Djo (12)
  11. SCARED TO START – Michael Marcagi (13)
  12. GOLD – Caitlin Lavagna (14)
  13. ON THE GAME – The Black Keys (15)
  14. I’VE GOT LOVING FOR YOU – Bottlecap Mountain (9)
  15. THE CRAVING – twenty one pilots (25)
  16. THE BREAK – Blame My Youth (18)
  17. TOO MUCH – girl in red (19)
  18. A FORETOLD ECSTASY – Mayflower Madame (20)
  19. LUNCH – Billie Eilish (22)
  20. FORTNIGHT – Taylor Swift feat. Post Malone (11)
  21. I HAD SOME HELP – Post Malone feat. Morgan Wallen (23)
  22. LIKE YOU DO – The Frontier (24)
  23. ADRIFT – Voodoo Planet feat. Mikey J (17)
  24. LONELINESS – Pet Shop Boys (16)
  25. VICES – 5ilas & Shimmer Johnson (27)
  26. LOST IN SPACE – Foster the People (28)
  27. RUN YOUR MOUTH – The Marías (29)
  28. WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH (30)
  29. PAYBACK – Aaron Frazer (N)
  30. ESPRESSO – Sabrina Carpenter (N)

Top 30 Songs for June 30-July 6, 2024

Photo of Glass Animals by Lillie Eiger

It makes my blood boil when I hear my contemporaries – or anyone for that matter – opine that there’s no good music being made any longer, because nothing could be further from the truth! While I concede that some of the best non-classical music was created during the years 1965-1973, there are many talented artists and bands putting out great music today, several of whom are represented on my latest Weekly Top 30.

Case in point is English psychedelic art pop band Glass Animals, whose beautiful song “Creatures in Heaven” ascends to the #1 spot. Formed in 2010 when they were all attending college in Oxford, the band consists of Dave Bayley (vocals, guitar, keyboards, drums, songwriting), Drew MacFarlane (guitar, keyboards, backing vocals), Edmund Irwin-Singer (bass, keyboards, backing vocals), and Joe Seaward (drums). Since 2014, they’ve released three albums, with their fourth, I Love You So F***ing Much, slated for release on July 19. “Creatures in Heaven” was the lead single from that album.

I first learned about Glass Animals in 2016, when they released their second album How to Be a Human Being. One of the songs from that album is “Life Itself”, which I loved so much it went to #1 on my Top 30 chart and ended up ranking #60 on my decade-end 100 Best Songs of the 2010s list. I love Dave Bayley’s singing voice, which is so distinctive that it makes their songs immediately identifiable as only theirs. “Creatures in Heaven” becomes their second song to top my chart (“Heat Waves” peaked at #2, but spent four weeks at #1 on the Billboard Hot 100, becoming their biggest hit so far).

About “Creatures in Heaven”, Bayley told Atwood Magazine: “It’s about a moment in time, be it a split second or a year or whatever, having the capacity to be enormously formative and life-changing, even if it is over. Or if it doesn’t go as planned. Or if it dies too soon. It is still fucking beautiful. The love and care and the feeling in that moment lives forever. It never really dies. If that’s how you choose to see it.”

The two biggest upward movers this week are by two more bands I love – “Starburster” by Irish alt-rock band Fontaines D.C., leaping eight spots to enter the top 10 at #10, and “High In Low Places” by American pop-rock band Beach Weather, which jumps seven spots to enter the top 10 at #5. And this week there are four new debuts, starting with “The Craving” by twenty one pilots, entering at #25. The second single from their latest album Clancy, “The Craving” replaces their previous single “Overcompensate”, which just spent 15 weeks on my chart, 13 of them in the top 10.

Entering at #28 is “Lost In Space” by Foster the People, which now consists of founding member and frontman Mark Foster and multi-instrumentalist Isom Innis, who started as a touring member of the band way back in 2010. The exuberant song is the lead single from their upcoming fourth studio album Paradise State of Mind, to be released on August 16. Both twenty one pilots and Foster the People were my top two favorite bands for several years in the mid-to-late 2010s, and I’ve had the pleasure of seeing them both in concert.

Next up is the sensuous “Run Your Mouth” by L.A.-based indie pop band The Marías. Formed in 2016, the band is comprised of lead vocalist María Zardoya and drummer/producer Josh Conway, guitarist Jesse Perlman, and keyboardist Edward James. Known for performing songs in both English and Spanish, they’ve released two albums, Cinema in 2021 and Submarine, which dropped May 31st. Their 2021 single “Hush” reached #1 on the Billboard AAA chart.

The fourth new entry, coming in at #30, is the hauntingly beautiful and moving “What if i feel like this my whole life?” by talented and silky-voiced English singer-songwriter HULLAH (which I recently reviewed). This is his third song to appear on my chart, the previous two being “Chasing Trains”, which reached #1, and “Wild as the Wind”, which reached #7.

  1. CREATURES IN HEAVEN – Glass Animals (3)
  2. BURIAL GROUND – The Decemberists & James Mercer (1)
  3. TOO SWEET – Hozier (2)
  4. WRECKAGE – Pearl Jam (6)
  5. HIGH IN LOW PLACES – Beach Weather (12)
  6. MURDER ON THE DANCEFLOOR – Royel Otis (4)
  7. FOR US ALL – Asgard Raven (9)
  8. PANORAMIC VIEW – AWOLNATION (10)
  9. I’VE GOT LOVING FOR YOU – Bottlecap Mountain (5)
  10. STARBURSTER – Fontaines D.C. (18)
  11. FORTNIGHT – Taylor Swift feat. Post Malone (7)
  12. END OF BEGINNING – Djo (14)
  13. SCARED TO START – Michael Marcagi (13)
  14. GOLD – Caitlin Lavagna (15)
  15. ON THE GAME – The Black Keys (16)
  16. LONELINESS – Pet Shop Boys (8)
  17. ADRIFT – Voodoo Planet feat. Mikey J (17)
  18. THE BREAK – Blame My Youth (19)
  19. TOO MUCH – girl in red (20)
  20. A FORETOLD ECSTASY – Mayflower Madame (22)
  21. DILEMMA – Green Day (11)
  22. LUNCH – Billie Eilish (25)
  23. I HAD SOME HELP – Post Malone feat. Morgan Wallen (29)
  24. LIKE YOU DO – The Frontier (27)
  25. THE CRAVING – twenty one pilots (N)
  26. BROKEN MAN – St. Vincent (21)
  27. VICES – 5ilas & Shimmer Johnson (30)
  28. LOST IN SPACE – Foster the People (N)
  29. RUN YOUR MOUTH – The Marías (N)
  30. WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH (N)

Top 30 Songs for June 23-29, 2024

The delightful “Burial Ground” by Portland, Oregon five-piece The Decemberists, featuring James Mercer, remains at #1 for a second week, and in fact, the top six songs on last week’s chart, including Hozier‘s “Too Sweet”, Glass Animals‘ “Creatures in Heaven”, Royel Otis‘ “Murder on the Dancefloor”, Bottlecap Mountain‘s “I’ve Got Loving For You” and Pearl Jam‘s “Wreckage” – all remain in place again this week. The beautiful “Panoramic View” by AWOLNATION moves up a spot to enter the top 10. The biggest upward mover this week is “High In Low Places” by Beach Weather, leaping nine spots to #12.

Two songs make their debut this week. The first is “I Had Some Help” by Post Malone featuring Morgan Wallen. At first I dismissed this song, as I’m not a big fan of Country nor Morgan Wallen, but the song is just too damned catchy to resist. It debuted at #1 on the Billboard Hot 100, and has remained there five weeks and counting. This makes two songs by Post Malone on this chart, the other being “Fortnight”, his collaboration with Taylor Swift. The second new entry is “Vices”, a beautiful and uplifting track by California musician/producer 5ilas (aka Shane Roberts) and Canadian singer-songwriter Shimmer Johnson, who’ve collaborated together on several songs. I reviewed the song when it came out last month. It’s Johnson’s third song to appear on my chart; her previous two – “Starts With You” and “Essence”, a collaboration with Danish producer/composer Refeci, both reached #1.

  1. BURIAL GROUND – The Decemberists & James Mercer (1)
  2. TOO SWEET – Hozier (2)
  3. CREATURES IN HEAVEN – Glass Animals (3)
  4. MURDER ON THE DANCEFLOOR – Royel Otis (4)
  5. I’VE GOT LOVING FOR YOU – Bottlecap Mountain (5)
  6. WRECKAGE – Pearl Jam (6)
  7. FORTNIGHT – Taylor Swift feat. Post Malone (8)
  8. LONELINESS – Pet Shop Boys (9)
  9. FOR US ALL – Asgard Raven (10)
  10. PANORAMIC VIEW – AWOLNATION (11)
  11. DILEMMA – Green Day (7) 
  12. HIGH IN LOW PLACES – Beach Weather (21)
  13. SCARED TO START – Michael Marcagi (15)
  14. END OF BEGINNING – Djo (20)
  15. GOLD – Caitlin Lavagna (17)
  16. ON THE GAME – The Black Keys (18)
  17. ADRIFT – Voodoo Planet feat. Mikey J (19)
  18. STARBURSTER – Fontaines D.C. (24)
  19. THE BREAK – Blame My Youth (22)
  20. TOO MUCH – girl in red (23)
  21. BROKEN MAN – St. Vincent (16)
  22. A FORETOLD ECSTASY – Mayflower Madame (25)
  23. OVERCOMPENSATE – twenty one pilots (12)
  24. DON’T FORGET ME – Maggie Rogers (13)
  25. LUNCH – Billie Eilish (28)
  26. MUSTANG – Kings of Leon (14)
  27. LIKE YOU DO – The Frontier (29)
  28. HIGHWAY QUEEN – Mt. Joy (27)
  29. I HAD SOME HELP – Post Malone feat. Morgan Wallen (N)
  30. VICES – 5ilas & Shimmer Johnson (N)

Top 30 Songs for June 16-22, 2024

The Decemberists are an American indie folk-rock band based in Portland, Oregon. Formed in 2000, they consist of founding members Colin Meloy (lead vocals, guitar), Chris Funk (guitar, multi-instrumentalist), Jenny Conlee (piano, keyboards, accordion, backing vocals) and Nate Query (bass), along with drummer John Moen, who joined the lineup in 2005. Their sound is a pleasing mix of alternative rock, folk, baroque pop, and orchestral pop, characterized by lush instrumentation and lovely arrangements and highlighted by Meloy’s beautiful warm vocals. Their interesting name was inspired by the Decembrist revolt, an 1825 insurrection in Imperial Russia, and band frontman Meloy has said that their name is also meant to invoke the “drama and melancholy” of the month of December.

They’ve released a substantial amount of music over the years, especially during their most active period from 2002-2011, including nine studio albums, two live albums, ten EPs and 26 singles. Their songs often touch on historical incidents and folklore, with the band sometimes staging whimsical reenactments of sea battles and other centuries-old events, typically of regional interest, or acting out songs with members of the crowd.(Wikipedia) After their very successful R.E.M.-influenced 6th album The King Is Dead, which reached #1 on the Billboard 200 Album chart and generated a Grammy-nominated song “Down by the Water”, The Decemberists went on a brief hiatus in 2012.

Since regrouping in 2014, they’ve released three albums, one of which, their 2018 album I’ll Be Your Girl, featured the fantastic song “Severed”, a bold electronic track highlighted by spacey synths and twangy Western-style guitars. The single went to #1 on the Billboard AAA chart, and also landed on my chart, ending up at #55 on my 100 Best Songs of 2018 list. Thanks to Covid, the band was essentially forced into another brief hiatus, as their tour had to be postponed, then cancelled. Thankfully, in 2023 they began recording what would become their ninth and latest album, the wonderful As It Ever Was, So It Will Be Again, which dropped this past Friday, June 14th. The lead single from the album, “Burial Ground”, an upbeat, optimistic track about leaving your troubles behind, featuring added vocals by James Mercer, who’s also a member of the bands The Shins and Broken Bells, ascends to the top spot on my latest Top 30 chart. I love those twangy guitars and cool horns, not to mention the gorgeous harmonies.

After five consecutive weeks with three or more debuts, there are no new entries this week. I think 16 new songs in five weeks gives my chart a lot of youth and vigor! Three songs finally enter the top 10 after a long upward climb: “Fortnight” by Taylor Swift featuring Post Malone, “Loneliness” by the Pet Shop Boys, and “For Us All” by English singer-songwriter Asgard Raven. Green Day‘s “Dilemma” spends its 15th week in my top 10; the song has been at #1 for seven weeks on the Billboard Alternative Airplay chart.

  1. BURIAL GROUND – The Decemberists (2)
  2. TOO SWEET – Hozier (1)
  3. CREATURES IN HEAVEN – Glass Animals (4)
  4. MURDER ON THE DANCEFLOOR – Royel Otis (3)
  5. I’VE GOT LOVING FOR YOU – Bottlecap Mountain (5)
  6. WRECKAGE – Pearl Jam (10)
  7. DILEMMA – Green Day (7) 15th week in top 10
  8. FORTNIGHT – Taylor Swift feat. Post Malone (11)
  9. LONELINESS – Pet Shop Boys (12)
  10. FOR US ALL – Asgard Raven (13)
  11. PANORAMIC VIEW – AWOLNATION (14)
  12. OVERCOMPENSATE – twenty one pilots (6)
  13. DON’T FORGET ME – Maggie Rogers (8)
  14. MUSTANG – Kings of Leon (9)
  15. SCARED TO START – Michael Marcagi (17)
  16. BROKEN MAN – St. Vincent (15)
  17. GOLD – Caitlin Lavagna (19)
  18. ON THE GAME – The Black Keys (20)
  19. ADRIFT – Voodoo Planet feat. Mikey J (21)
  20. END OF BEGINNING – Djo (22)
  21. HIGH IN LOW PLACES – Beach Weather (28)
  22. THE BREAK – Blame My Youth (23)
  23. TOO MUCH – girl in red (24)
  24. STARBURSTER – Fontaines D.C. (25)
  25. A FORETOLD ECSTASY – Mayflower Madame (26)
  26. CAPRICORN – Vampire Weekend (16)
  27. HIGHWAY QUEEN – Mt. Joy (27)
  28. LUNCH – Billie Eilish (29)
  29. LIKE YOU DO – The Frontier (30)
  30. TAKE IT OR LEAVE IT – Dead Slow Hoot (18)

Top 30 Songs for June 9-15, 2024

Irish singer-songwriter Hozier remains at #1 for a second week with his wonderful “Too Sweet”, while the equally wonderful “Burial Ground” by The Decemberists and James Mercer slides into second place. The relentlessly infectious “I’ve Got Loving For You” by Texas rock & roll band Bottlecap Mountain moves up five spots to #5, and Pearl Jam are the biggest upward movers again this week, as their pleasing introspective single “Wreckage” jumps eight spots to enter the top 10 at #10.

Four excellent songs enter my chart this week, beginning with “Highway Queen” by Los Angeles-based indie folk-rock band Mt. Joy, at #27. It’s their fourth song to appear on my chart. Next up, coming in at #28, is “High In Low Places”, the latest single by Beach Weather, who are very likely my favorite band right now. The gorgeous song has a sultry Western vibe and a hook that’s so damned catchy I keep humming it long after hearing it. It’s their fifth song to appear on my chart, three of which have reached #1, and I can already guarantee that “High In Low Places” will be their fourth. The third entry is the latest single “LUNCH” by Los Angeles-based superstar Billie Eilish. The delightful song is the lead single from her new album HIT ME HARD AND SOFT, which dropped May 17th. Coming in at #30 is the lovely “Like You Do” by Virginia-based singer-songwriter The Frontier, which I reviewed last month. I’ve been a long-time fan of his, and “Like You Do” is his seventh song to appear on my chart (four of which have reached #1).

  1. TOO SWEET – Hozier (1)
  2. BURIAL GROUND – The Decemberists and James Mercer (3)
  3. MURDER ON THE DANCEFLOOR – Royel Otis (2)
  4. CREATURES IN HEAVEN – Glass Animals (4)
  5. I’VE GOT LOVING FOR YOU – Bottlecap Mountain (10)
  6. OVERCOMPENSATE – twenty one pilots (5)
  7. DILEMMA – Green Day (6)
  8. DON’T FORGET ME – Maggie Rogers (7)
  9. MUSTANG – Kings of Leon (8)
  10. WRECKAGE – Pearl Jam (18)
  11. FORTNIGHT – Taylor Swift feat. Post Malone (12)
  12. LONELINESS – Pet Shop Boys (14)
  13. FOR US ALL – Asgard Raven (15)
  14. PANORAMIC VIEW – AWOLNATION (16)
  15. BROKEN MAN – St. Vincent (13)
  16. CAPRICORN – Vampire Weekend (11)
  17. SCARED TO START – Michael Marcagi (17)
  18. TAKE IT OR LEAVE IT – Dead Slow Hoot (9)
  19. GOLD – Caitlin Lavagna (21)
  20. ON THE GAME – The Black Keys (22)
  21. ADRIFT – Voodoo Planet feat. Mikey J (24)
  22. END OF BEGINNING – Djo (26)
  23. THE BREAK – Blame My Youth (27)
  24. TOO MUCH – girl in red (28)
  25. STARBURSTER – Fontaines D.C. (29)
  26. A FORETOLD ECSTASY – Mayflower Madame (30)
  27. HIGHWAY QUEEN – Mt. Joy (N)
  28. HIGH IN LOW PLACES – Beach Weather (N)
  29. LUNCH – Billie Eilish (N)
  30. LIKE YOU DO – The Frontier (N)

Top 30 Songs for June 2-8, 2024

I just love Irish singer-songwriter Hozier, who’s had quite a resurgence over the past year or so with his critically acclaimed third studio album Unreal Unearth, which featured his two hit singles “Eat Your Young” and “Francesca”, his duet “Northern Attitude” with American singer-songwriter Noah Kahan, as well as his latest single “Too Sweet”. Released in late March a week after he dropped his fifth EP Unheard, the song has turned out to be his highest charting single both in the UK and on the Billboard Hot 100 where it reached #1 in April. Now it ascends to the top of my chart, becoming his fifth song to do so (including “Take Me to Church” in 2014, “Nina Cried Power”, featuring Mavis Staples, in 2018, “Eat Your Young” in 2023 and “Northern Attitude” earlier this year). The song’s lyrics are directed at a romantic partner with totally different lifestyle preferences – the singer enjoys staying up late and drinking alcohol and black coffee, in contrast with his partner who goes to bed early, eats healthy, etc. – in other words, she’s too sweet for him.

In other significant chart developments, the delightful “Burial Ground” by The Decemberists and James Mercer jumps six spots to #3, while “I’ve Got Loving For You” by Texas rock & roll band Bottlecap Mountain enters the top 10 at #10. Pearl Jam are the biggest upward movers this week with their latest single “Wreckage”, leaping 10 spots to #18.

And for the fourth consecutive week, there are three new debut songs, two of which are by Norwegian acts. Entering at #28 is the wonderfully infectious “Too Much” by Norwegian alternative indie pop artist girl in red, the music project of queer singer songwriter and producer Marie Ulven Ringheim, who’s been making music since the age of 16 (she’s now 25. “Too Much” was the lead single from her second album I’m Doing It Again Baby!, released in April. Next up is “Starburster” by Irish post-punk band Fontaines D.C., who’ve become one of my favorite bands over the past few years. I adore band frontman Grian Chatten’s sultry drone vocal style, and his rapping on this track is fantastic. “Starburster”, which I loved at first listen, is the lead single from their forthcoming fourth studio album Romance, due for release in August. Entering at #30 is the gorgeous darkwave gem “A Foretold Ecstasy” by Norwegian psych-noir/post-punk band Mayflower Madame. I featured the song last month in one of my Fresh New Tracks posts. 

  1. TOO SWEET – Hozier (2)
  2. MURDER ON THE DANCEFLOOR – Royel Otis (1)
  3. BURIAL GROUND – The Decemberists & James Mercer (9)
  4. CREATURES IN HEAVEN – Glass Animals (6)
  5. OVERCOMPENSATE – twenty one pilots (3)
  6. DILEMMA – Green Day (4)
  7. DON’T FORGET ME – Maggie Rogers (5)
  8. MUSTANG – Kings of Leon (8)
  9. TAKE IT OR LEAVE IT – Dead Slow Hoot (10)
  10. I’VE GOT LOVING FOR YOU – Bottlecap Mountain (11)
  11. CAPRICORN – Vampire Weekend (7)
  12. FORTNIGHT – Taylor Swift feat. Post Malone (14)
  13. BROKEN MAN – St. Vincent (16)
  14. LONELINESS – Pet Shop Boys (18)
  15. FOR US ALL – Asgard Raven (19)
  16. PANORAMIC VIEW – AWOLNATION (20)
  17. SCARED TO START – Michael Marcagi (22)
  18. WRECKAGE – Pearl Jam (28)
  19. ICE CREAM (PAY PHONE) – Black Pumas (12)
  20. TIME – MISSIO (13)
  21. GOLD – Caitlin Lavagna (24)
  22. ON THE GAME – The Black Keys (25)
  23. GOOD TIMES GO – The Kid and I (17)
  24. ADRIFT – Voodoo Planet feat. Mikey J (27)
  25. WANTING AND WAITING – The Black Crowes (15)
  26. END OF BEGINNING – Djo (29)
  27. THE BREAK – Blame My Youth (30)
  28. TOO MUCH – girl in red (N)
  29. STARBURSTER – Fontaines D.C. (N)
  30. A FORETOLD ECSTASY – Mayflower Madame (N)

Top 30 Songs for May 26-June 1, 2024

I never tire of hearing the buoyant “Murder on the Dancefloor ”, by Australian duo Royel Otis, and it remains my favorite song for a third week. In fact, all the other top five songs – “Too Sweet” by Hozier, “Overcompensate” by twenty one pilots, “Dilemma” by Green Day, and “Don’t Forget Me” by Maggie Rogers – remain in place for a second week. Entering the top 10 are “Burial Ground” by The Decemberists and James Mercer, the biggest upward mover this week, leaping 14 spots to #9, and the melancholy and beautiful “Take It Or Leave It” by British alt-rock band Dead Slow Hoot, at #10.

For the third week in a row, three songs make their debut on my chart. I actually had seven songs I wanted to add but that would have required dropping seven off, which I just couldn’t do. So, I had to settle for just three, leaving some of the others to be added next week. The first debut, at #28, is “Wreckage” by Pearl Jam, a pleasing downtempo track that essentially replaces their hard-hitting previous single “Dark Matter”. Both tracks are from their latest album Dark Matter, which dropped April 19th. Entering at #29 is “End of Beginning”, a lovely and poignant song by American indie rock artist Djo, the musical moniker of Joseph David Keery. He’s also an actor who became well known for his roles in the TV series Stranger Things and Fargo. Bringing up the rear is the exceedingly infectious “The Break” by American alt-rock band Blame My Youth. Fronted by Sean Van Vleet, they formed in 2020 and released their debut EP Dance With My Demons in 2022. They’ve since followed with a number of singles, including “The Break”, which was released last December. Though they’re new to me, I’m really liking their music.

  1. MURDER ON THE DANCEFLOOR – Royel Otis (1)
  2. TOO SWEET – Hozier (2)
  3. OVERCOMPENSATE – twenty one pilots (3)
  4. DILEMMA – Green Day (4)
  5. DON’T FORGET ME – Maggie Rogers (5)
  6. CREATURES IN HEAVEN – Glass Animals (8)
  7. CAPRICORN – Vampire Weekend (9)
  8. MUSTANG – Kings of Leon (10)
  9. BURIAL GROUND – The Decemberists & James Mercer (23)
  10. TAKE IT OR LEAVE IT – Dead Slow Hoot (12)
  11. I’VE GOT LOVING FOR YOU – Bottlecap Mountain (13)
  12. ICE CREAM (PAY PHONE) – Black Pumas (7)
  13. TIME – MISSIO (6)
  14. FORTNIGHT – Taylor Swift feat. Post Malone (17)
  15. WANTING AND WAITING – The Black Crowes (11)
  16. BROKEN MAN – St. Vincent (19)
  17. GOOD TIMES GO – The Kid and I (18)
  18. LONELINESS – Pet Shop Boys (20)
  19. FOR US ALL – Asgard Raven (21)
  20. PANORAMIC VIEW – AWOLNATION (24)
  21. NEON PILL – Cage the Elephant (15)
  22. SCARED TO START – Michael Marcagi (28)
  23. MY GOLDEN YEARS – The Lemon Twigs (14)
  24. GOLD – Caitlin Lavagna (27)
  25. ON THE GAME – The Black Keys (29)
  26. EVERYTHING WE NEED – Mojave Grey (16)
  27. ADRIFT – Voodoo Planet feat. Mikey J (30)
  28. WRECKAGE – Pearl Jam (N)
  29. END OF BEGINNING – Djo (N)
  30. THE BREAK – Blame My Youth (N)

Top 30 Songs for May 19-25, 2024

The delightfully ebullient “Murder on the Dancefloor ”, by Australian guitar-pop duo Royel Otis, remains on top for a second week, while “Too Sweet” by Irish singer-songwriter Hozier slides into second place. Entering the top 10 are “Creatures in Heaven” by English indie rock band Glass Animals, “Capricorn” by New York indie art pop/rock band Vampire Weekend, and “Mustang” by Nashville alt-rock band Kings of Leon, which leaps nine spots to #10, making it the biggest upward mover this week.

There are three debut songs again this week. First up is the lovely and heartwarming “Scared To Start” by Cincinnati, Ohio-based Americana singer-songwriter Michael Marcagi, which frankly should have entered my chart a month ago, but better late than never. He began his music career as a member of the band the Heavy Hours, but released his first single, “The Other Side”, as a solo artist last December. In January, he signed with Warner Records and released “Scared to Start”, which soon gained popularity on TikTok. The song recently peaked at #54 on the Billboard Hot 100, though it’s reached the top 10 in Ireland and the UK, as well as on the Billboard Adult Alternative Airplay chart. Both singles are included on his debut EP American Romance, which was released in February.

The second debut, at #29, is “On The Game” by Nashville duo The Black Keys. The bluesy anthemic song follows their recent #1 hit “Beautiful People (Stay High)”, both of which are from their latest album Ohio Players. Last, but certainly not least, is “Adrift”, by Missouri rock band Voodoo Planet, featuring some lovely cello by Australian singer-songwriter and multi-instrumentalist Mikey J. The bittersweet song, which I reviewed last month, is another long-overdue entry into my Weekly Top 30,

  1. MURDER ON THE DANCEFLOOR – Royel Otis (1)
  2. TOO SWEET – Hozier (4)
  3. OVERCOMPENSATE – twenty one pilots (3)
  4. DILEMMA – Green Day (2)
  5. DON’T FORGET ME – Maggie Rogers (6)
  6. TIME – MISSIO (5)
  7. ICE CREAM (PAY PHONE) – Black Pumas (7)
  8. CREATURES IN HEAVEN – Glass Animals (11)
  9. CAPRICORN – Vampire Weekend (15)
  10. MUSTANG – Kings of Leon (19)
  11. WANTING AND WAITING – The Black Crowes (12)
  12. TAKE IT OR LEAVE IT – Dead Slow Hoot (17)
  13. I’VE GOT LOVING FOR YOU – Bottlecap Mountain (18)
  14. MY GOLDEN YEARS – The Lemon Twigs (8)
  15. NEON PILL – Cage the Elephant (9)
  16. EVERYTHING WE NEED – Mojave Grey (10)
  17. FORTNIGHT – Taylor Swift feat. Post Malone (20)
  18. GOOD TIMES GO – The Kid and I (21)
  19. BROKEN MAN – St. Vincent (22)
  20. LONELINESS – Pet Shop Boys (23)
  21. FOR US ALL – Asgard Raven (24)
  22. KOOL AID BLUE – The Sylvia Platters (13)
  23. BURIAL GROUND – The Decemberists & James Mercer (28)
  24. PANORAMIC VIEW – AWOLNATION (29)
  25. DARK MATTER – Pearl Jam (14)
  26. THOUGHTS I HAVE WHILE LYING IN BED – The Maine, Beach Weather (16)
  27. GOLD – Caitlin Lavagna (30)
  28. SCARED TO START – Michael Marcagi (N)
  29. ON THE GAME – The Black Keys (N)
  30. ADRIFT – Voodoo Planet feat. Mikey J (N)

VOODOO PLANET feat. MIKEY J – Single Review: “Adrift” 

It can be argued that modern technology is both a blessing and a curse, but certainly one redeeming aspect of it is the ability it affords for different musicians located halfway around the world to come together and collaborate in the creation of a song. As a shining example of that synergy, I bring you “Adrift“, the wonderful new single by American rock band Voodoo Planet and Australian singer-songwriter and multi-instrumentalist Mikey J.

Based in DeSoto, Missouri, a small city approximately 40 miles southwest of St. Louis (where I lived from 1995-2011), Voodoo Planet formed in 2010, and consists of John Gilbert on guitar & vocals, Ed Henry on bass, guitar & vocals, Adrienne Myers on keyboards & vocals, and Patrick Myers on drums & vocals. Their eclectic sound draws from a wide cross-section of genres including garage, alternative, grunge, punk, psychedelic and experimental rock, country, folk, Americana and pop.

They began releasing music in 2013 with their self-titled EP Voodoo Planet, followed by their live EP Bookstore Sessions in 2017. Several tracks from both EPs were later included in their full-length album Ripsnorters, released in early 2020. Some of the tracks were inspired by the stories of real historical figures like Lizzie Borden and the radium girls, women factory workers who contracted radiation poisoning from painting watches with luminous paint containing radium. After a bit of a hiatus, they came roaring back in early 2023 with “Bewitched” a song touching on the sad tale of Bridget Bishop, who was persecuted in the Salem witch trials. Since then, they’ve dropped several more singles, their latest of which is “Adrift”, their collaboration with Mikey J.

Mikey J (aka Michael Johnson), who humbly refers to himself as “just a dude who loves music“, is a prolific singer-songwriter and multi-instrumentalist from Melbourne, Australia. Inspired by some of the great songwriters of the past, life experiences and his family, his songs are a mix of rock, blues, folk, funk and indie influences, all of which he performs and records in what he calls his simple setup at home. He’s been writing and recording music since his teens, releasing his first self-titled EP in 1999 at the age of 17 with his then band Blue Tracer. In 2011, he released a solo album Happy “​六​” Anniversary, inspired by and dedicated to his wife Ella. Nearly 10 years would pass until his next release ISO​-​Inspiration, an album inspired by the Covid lockdown, in October 2020. Since then, Mikey J’s been on a creative tear, dropping five more albums, as well as numerous singles.

Described as “an acoustic seafaring-themed song about lost friendship“, “Adrift” is a bit of a stylistic departure for both Voodoo Planet and Mikey J, with a mellower, more contemplative feel than their typical, more rock-oriented sounds. For the track’s recording, John Gilbert played acoustic guitar & percussion, and sang vocals, Pat Myers played bass, drums & percussion, Adrienne Myers played piano & keyboards, and Mikey J played cello. The track was co-produced by John Gilbert and Ed Henry, and mixed and mastered by Ed.

The song is a melancholy but lovely folk ballad that tells the sad tale of a group of young men who go out on a sailing adventure that ends in tragedy. John’s beautifully strummed acoustic guitar, accompanied by Adrienne’s soothing organ riff and the sound of gently crashing waves, set a comforting tone for the song. But soon, Mikey J’s somber cello strings enter, injecting a palpable sense of tension and unease to the proceedings. John’s pleasing, low-key vocals convey feelings of resignation and sadness as he sings the bittersweet lyrics:

Signed up for a party, on a big metal ship
Things got heavy, the boat began to tip, boat began to tip.
As young sailors, we never learned how to swim, No hanging on, dear.
The quicker to meet our end, quicker to meet our end.
Tried all the knots, to find one that would hold,
Hard to tie when hands and hearts grow cold, hands and hearts grow cold.


That storm came crashing in, we knew it had to end
That storm came crashing in, we knew it had to end.
The sea didn't take us that day
The sea didn't take us that day
The sea didn't take us that day
Only one of us washed away, only one of us walked away..


Lost at sea, my friend, far away at the world's end
Tied a string to all we held dear
But sirens whispered in your ear, sirens whispered in your ear
Things best unspoken, and floating debris,
Best leave it all, and sink into the sea, sink in to the sea.


The sea didn't take us that day
The sea didn't take us that day
The sea didn't take us that day
Only one of us washed away, only one of us walked away..

No wind in our sails, but we're headed home
Might drown in a bottle, you never know
Pray all you like, but keep rowing for shore.

The Bandcamp offering is an EP which includes the original song, along with two alternate mixes.

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Find his music on BandcampSpotifyApple MusicYouTubeSoundcloud