Fresh New Tracks, Vol. 38 – The Nanners, Onism E, Marc Schuster & His Amazing Friends, Traverse the Abyss

Lots of new music continues to issue forth from more of the highly creative artists and bands I follow, so time for another Fresh New Tracks installment. Today I’m featuring new songs released over the past week by four acts I’ve previously written about, in alphabetical order: L.A.-based pyschedelic pop-rock duo The Nanners, Texas indie rock trio Onism E, Philadephia-based singer-songwriter and multi-instrumentalist Marc Schuster, along with an array of indie artists he calls “His Amazing Friends”, and Scranton, Pennsylvania-based metalcore band Traverse the Abyss. While each of the four songs couldn’t be more different from one another from a musical standpoint, they all address varying approaches for trying to keep sane in what seems to be an increasingly insane world.

The Nanners – “Jokes”

Hailing from Los Angeles are The Nanners, the wonderfully zany music project of Nicholas Ewing and Thomas Ferraiuolo, who have this to say about themselves: “Welcome to Banana World, where love, curiosity, angst, and nebulous speculations are explored through the lens of two meek and socially awkward grown men in banana costumes.” While at first glance they might appear to be some kind of weird novelty act, they are in fact fine musicians and songwriters who also happen to be both hilarious and charming, with their music a delightful mix of indie rock, psychedelia and jangle pop.

I first wrote about them and their song “New Pony” in a previous Fresh New Tracks post a year ago, and am now pleased to feature their latest single “Jokes“. About the song, the guys say: “When you’re tripping sometimes you trip and fall pretty hard. But when you get your face out of the mud you realize everyone and everything is laughing with you.” To drive home their message, they layer a colorful blend of twangy, jangly and edgy psychedelic guitars over a bed of quirky twinkling synths, all fueling by a pleasing rhythm of subtle bass and percussion. As great as the music is, I really love their warm harmonies as they sing of not allowing life’s trials and tribulations to get the better of us.  

 

Onism E – “Call You Home”

Photo by Jim McKay

When I last wrote about indie rock band Onism E and their powerful song “It’s Not Over” in November 2022, they were a four-piece based in New York City. Now relocated to Austin, Texas, the band is a trio comprised of uber-talented front woman, singer-songwriter and guitarist Eline Chavez, bassist Gabe Chavez and drummer Andre Atalaya. Their latest single “Call You Home“, written by all three band members and produced by Tucker Allen, is another hauntingly beautiful and compelling song in the style for which Onism E have become known.

Like all their songs, “Call You Home” features intelligent lyrics touching on life’s struggles and the human condition. In this case, Onism E explores feeling lost and untethered in a troubled world gone mad, seeking solace in people and places that can bring a little comfort and peace of mind: “The world is lost, and I’m empty. Drifting in sadness of sins I don’t even own. And I’m just trying to hold my own. I’m just trying to hold on, and all I need to know is can I call you home? When the world gets hard, and I’ve got no place to go.” I love the gorgeous mix of chiming guitars and twangy guitars, rich percussion and Eline’s always marvelous, deeply-emotive and heartfelt vocals.

Marc Schuster & His Amazing Friends – “Hole in the Boat”

Marc Schuster is an insanely creative, multi-talented guy from the Philadelphia area who’s not only an educator, author, literary critic and visual artist, but also a prolific songwriter and multi-instrumentalist, recording both as a solo artist and as part of numerous music projects and collaborations with an ever-expanding roster of musicians. As if all that weren’t enough, he also hosts a weekly hour-long music podcast where he features songs by talented indie artists, plus has a terrific blog of his own called Abominationswhere he writes about music and interviews indie artists. I honestly don’t know how he finds the time and energy to accomplish all that he does!

 I’ve featured Marc many times on this blog, most recently last May when I wrote about his collaborative single “All the Same to You” with Portland-based artist Quizboy. Now he’s back with another collaboration, “Hole in the Boat”, which he recorded with the help of Quizboy and a host of other musicians he names below. The song has a somber and rather melancholy vibe, yet offers glimmers of optimism and hope that we can come together to at least achieve a bit of understanding and empathy toward each other, even if we’re unable to totally resolve or overcome our deep-seated differences. 

About the song, Marc elaborates: “It’s a plaintive call for solidarity in difficult times. And, I suppose, a request for honesty. I had my own hole in the boat in mind when I wrote the tune back in November, but now I’m thinking of all the holes we don’t talk about. In fact, the line that inspired the song came from a Don DeLillo novel called Mao II, and the line actually refers to “holes,” plural: ‘What about the holes in the boat? All repaired?’ one characters asks. ‘We don’t speak about the holes’ another responds. Times like this, as I say in the song, all we have is each other, so I’m grateful to all of you for listening to my music — and to my friends Nick Cervini, Jim Lorino, Sam Goodman, Jaimee Jacobczak, Brian Lambert, and Quizboy for helping me out with this one!

Traverse the Abyss – “Reasoning”

Photo by Juliana Soroka

I’ve been following heavy metal band Traverse the Abyss for over eight years, and while this genre of music isn’t one of my favorites, I do like to hear a good face-melting, speaker-rattling song now and then, and this band always delivers the goods. Their intense yet melodic sound draws from a myriad of metal sub-genres, including classic heavy metal, thrash metal, death metal, nu-metal and metalcore, as well as hard rock, rock’n’roll and even punk influences I first wrote about them in early 2017 when I reviewed their impressive debut album Gamble of Life, then again in August 2018 when I reviewed their eponymous EP Traverse the Abyss. In the years since, the Scranton-based act has undergone some changes in lineup, and from what I can tell now consist of original co-founders Eric “Abyss” Ross (Vocals) and “Iron” Mike White (Guitar), as well as Jamie Macheska (Guitar), Justin Coe (Guitar), Nick “Big Shits” Cotillo (Bass) and David “Goblin” Wilczewski (Drums). They’ve dropped a series of additional singles, along with a second EP Smiling in the Suffering, in 2022. 

Now they return with a new single “Reasoning“, the first of five tracks from their forthcoming third EP Momento Mori, due for release on April 25th. Musically, the song opens with a somber, darkly beautiful guitar riff interrupted by an occasional stab of a piercing gnarly guitar note. Soon, all hell breaks loose with an explosion of furious raging guitars, pummeling bass and aggressive drums as Eric screams the lyrics in his signature fearsome growl. The combined guitar prowess of Iron Mike, Jamie and Justin is on full display as they inject spine-tingling riffs and solos throughout the song, while Nick and David masterfully drive the rampaging rhythms forward. The lyrics speak to letting go of negative thoughts resulting from unpleasant or unhappy past events that are holding you back, keeping you from growing and achieving your full potential: “The way we feel about everything is based on our past experiences. I know negativity is haunting, lurking, stalking me. Learn from your past mistakes. How we think and respond has the power to rebuild our own lives.”

TRAVERSE THE ABYSS – EP Review: “Traverse the Abyss”

Traverse the Abyss album art

Traverse the Abyss is a heavy metal band based in Scranton, Pennsylvania. Their intense, face-melting sound draws from a myriad of metal sub-genres, including classic heavy metal, thrash metal, death metal, nu-metal and metal core, as well as hard rock, rock’n’roll and even punk influences. They formed in 2016 and quickly got to work recording their first album Gamble of Life, which was released that November. It was an impressive debut, and you can read my review here. Since then, they’ve dropped three singles, all of which are now included on their new self-titled EP Traverse the Abyss. 

The band has undergone a few personnel changes since their beginning, and the current line up is now Eric Abyss (Vocals), “Iron” Mike White (Guitar), Mike “Bnoc” Bieniecki (Bass/Backing Vocals), Matt Mierzejewski (Guitar) and Nathan Cardona (Drums).

The guys get right down to business with the scorching opening track “Failure.” Our ears are greeted with a wailing guitar solo that’s quickly broken by an explosion of stabbing shredded guitars, jack-hammer death metal riffs, and speaker-blowing drums. Halfway through, the guys throw some nice melodic riffage into the maelstrom of furious guitars, adding texture and complexity to the track. Eric screams the lyrics with a savage ferocity that’s almost frightening.

I hope he has a good ear, nose and throat specialist, because he’ll surely need one after he’s done ripping his vocal cords to shreds on “Dead Weight.” This is a real head-banger, with frantic riffs of raging guitars, crushing bass and pummeling drums.  Eric brutally screams the biting lyrics that are a total repudiation of someone who’d fucked you over: “I think you’ve mistaken me for someone who truly gives a fuck.”

Traverse the Abyss turns introspective on “Time Flies,” ruminating on life changes and the inevitable loss and regret many of us experience with the passage of time: “I have to live with decisions that I’ve made. Yet they make me who I am today. / I lie awake every night and reminisce. About my friends and family and times that I miss, and how they are never coming back.”

The guys continue on their rampaging path of sonic destruction with the face-melting “Family” and “Inner Demons.” The furious, fast-paced riffs rain down hot and heavy, but with an amazing intricacy, and Eric’s death metal growls are positively bestial. They inject a heavy dose of rock’n’roll into their metal on “Battle Cry,” one of my favorite tracks on the album. It opens with a playful burst of fiendish laughter, then Eric sings “A scooba dooba do bop ba bop bam boo” before frantic rolling guitars, heavy bass and thunderous drums take over. “Iron” Mike and Matt tear through the airwaves with jaw-dropping riffs as sharp as razor wire, while Eric screams the lyrics that are a clarion call against tyranny.

I thought I’d heard the most brutal music the band had to offer, but I was wrong! The guys really bare their death metal teeth and dial up the ferocity on the final track “Blink.” Man, the staccato death metal riffs are like machine-gun fire on steroids, and the pummeling bass and drums so powerful I could feel them in my gut. Eric seems to stretch his vocal abilities to the breaking point, his screams and growls matching the fury of the instrumentals note for note. It’s a great finish to a fantastic, hard-hitting album.

With their sophomore effort, Traverse the Abyss further confirm their strengths for writing outstanding heavy/death metal songs with compelling, relevant lyrics and great melodies, as well as their skills at bringing them to life with their impressive musicianship. With two great albums now under their belt, I would safely say they’re a band on an upward trajectory.

Catch them at one of these upcoming shows:

Connect with Traverse the Abyss:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music / Reverbnation
Purchase on  iTunes / Bandcamp

Album Review: TRAVERSE THE ABYSS – “The Gamble of Life”

If you like music that melts your face off, then Traverse the Abyss is the band for you! These guys from Scranton, Pennsylvania play metal so heavy, it’ll knock you on your ass. The first time I listened to their debut album The Gamble of Life I was blown away by the sustained, unrelenting fury of their instrumentals and vocals from beginning to end. The thing is, despite the crushing intensity of their music, it’s still accessible and highly melodic. As an added bonus, their lyrics are heavily peppered with “fuck” – my favorite word in the English language.

The band formed only a year ago, in early 2016, and spent much of the year writing and recording songs for their debut album, which was released in November. For the recording of the album, the band line-up included Eric Ross on lead vocals, “Iron” Mike White on lead guitar, Mike “Bnoc” Bieniecki on bass/backing vocals, and Phil Luongo on drums. Luongo left the band in January 2017 and they welcomed new drummer Nelson Negron and second guitarist Seth Cardona.

traverse-the-abyss

The music style of Traverse the Abyss draws from classic heavy metal, thrash metal, death metal, groove metal, metalcore, hard rock, rock’n’roll and punk. In a conversation with band front man Eric via Twitter messaging, he stated “we are all fans of metal and all the different sub genres within it. We like to blend all our influences together to get a more unique sound compared to the monotony of most modern music. Instead of going towards an album with intentions of writing to appeal to only one crowd like some deathcore & death metal bands do, we write more based on the vibe presented.

Regarding the gambling/card theme of the album and song titles, Eric explained “The gambling theme came into play when we first started writing songs. The first two songs we wrote were ‘Royal Flush’ and ‘One of a Kind,’ and our guitarist said ‘what are we going with, a gambling theme?’ Gambling themed titles with a life reference in the song: ‘One of a Kind’ – be yourself; ‘Snake Eyes’ – death/bullets/hatred;  ‘Joker’ – being used/revenge.

The album storms out of the gate with the first track “One of a Kind.” No song lead-in here, but rather an instantaneous onslaught of pummeling bass, machine-gun riffs, hammering drums and Eric’s furious vocals. He screams “Am I the only one who follows his own path? Am I the only one that doesn’t live by a fad?” Halfway through, the song tempo changes a bit, guitars and heavy bass ablaze as Eric shrieks  “I would like to know, who the fuck you think you are? You act like you’re some sort of god.

Not skipping a beat, the second track “All In” explodes with a full-on assault of blistering guitars, powerful bass and fierce vocals. The song is a thrash metal/rock’n’roll gem, even containing a ‘sex, drugs, rock’n’roll‘ lyric. There’s no let up as the album segues to the brutally hard-hitting “Royal Flush.” Unbelievably, the ferocity of Eric’s hardcore, growling vocals reach new heights, and remain there in the intensely dark “21 or Bust.” He screams “Who do I ask these questions? Who’s got a fucking answer? I just want to know what’s the meaning of life.” Shredded guitars and more savage vocals are the highlights of the menacing “Snake Eyes.” By this point, I’m wondering if Eric has any vocal cords left!

I like every song on the album, but a favorite is the frenetic, punk-infused “Aces High.” Awesome, rapid-fire guitar riffs, buzzing bass and staccato drums keep the energy at full speed. Eric’s vocals alternate between clear and hardcore, and I love when he sings “woo” at 2:44, providing a bit of levity in an otherwise intense song. Speaking of which, the intensity dial is turned all the way to ‘High’ on “Diamonds.” The machine-gun-fire bass and hardcore vocals are positively brutal, yet we’re treated to some melodic guitar solos too. Eric growls “Fuck your Disrespect. Its funny now I see the people who support me. Just look over my shoulder and you’ll see the people who matter to me.”

Joker” is the perfect kiss-off – or should I say ‘fuck-off’ song – with furious instrumentals and vocals to match the searing lyrics: “Reap what you sow, don’t go crying to me./ To be honest, I think you should go fuck yourself!” The fury continues unabated in “Bullets“, with staccato riffs and hammering drums that literally sound like machine gun fire. The album closes with the superb title track “Gamble of Life.” The nearly six and a half minute song begins with a haunting distorted guitar solo accompanied by mysterious vocals, then abruptly changes to a rapid heavy metal beat. Bnoc’s staccato bass is at full throttle, with pummeling drums and shredded guitars keeping pace. Eric’s screaming hardcore vocals intensify in the last two minutes, and by song’s end I’m completely spent.

The Gamble of Life is an impressive debut album from this highly talented group of musicians. I’m confident we’ll be hearing more great music from them in the future. Support Traverse the Abyss by following them on Twitter, Facebook and Instagram. Subscribe to their YouTube channel and stream their music on Spotify. Gamble of Life may be purchased on iTunes and other music sites offering music for download.